http://imslp.org/api.php?action=feedcontributions&feedformat=atom&user=Funper 2026-04-20T07:53:13Z User contributions MediaWiki 1.18.1 //imslp.org/wiki/Totentanz,_S.126_(Liszt,_Franz) 2023-09-14T21:44:25Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> ====2nd version====<br /> =====For Piano and Orchestra (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-totentanz.mp3<br /> |File Description 1=Complete Performance (S.126/2)<br /> |Performers=''Unknown''<br /> |Performer Categories=O'Doan, Neal=Piano<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/7/11<br /> |Publisher Information={{AGarch}}<br /> |Copyright=EFF Open Audio License<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-02.01._Totentanz.mp3<br /> |File Description 1=Complete Performance<br /> |Performers=<br /> |Performer Categories=Katin, Peter=piano;London Philharmonic=orchestra;Martinon, Jean=conductor<br /> |Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br /> |Date Submitted=2021/10/5<br /> |Publisher Information={{RC||London Records|||1962||LL 1007}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-PMLP22720-01.01._Capriccio_Brillant_In_B_Minor,_Op._22-6850.png<br /> |Misc. Notes=Source: {{plain|https://archive.org/details/lp_capriccio-brillant-rondo-brillant-toten_felix-mendelssohn-bartholdy-franz-liszt-pe|Internet Archive}}<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-12_Track.mp3<br /> |File Description 1=Live Performance (S.525)<br /> |Performers=<br /> |Performer Categories=Manookian, Jeff=piano<br /> |Uploader=[[User:Kerikan|Kerikan]]<br /> |Date Submitted=2012/10/22<br /> |Publisher Information=Windsor Editios<br /> |Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****FILES***** =<br /> ====1st version – 'De profundis version'====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt1.pdf<br /> |File Name 2=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt2.pdf<br /> |File Name 3=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt3.pdf<br /> |File Description 1=Segment 1<br /> |File Description 2=Segment 2<br /> |File Description 3=Segment 3<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115178}}<br /> |Uploader=[[User:Cypressdome|Cypressdome]]<br /> |Date Submitted=2012/5/14<br /> |Publisher Information={{MssD|18|49}} Dated Oct. 21.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-FLiszt_Totentanz_ms.jpg<br /> |Misc. Notes=Original images: 300dpi, color jpg files approx. 2400 by 3400 pixels.&lt;br&gt;Full score copy in the hand of {{LinkName|August|Conradi}} with additions/corrections by Liszt. Pages 4{{EN}}7 of segment 1 and 12{{EN}}14 of segment 3 apparently contain Liszt's corrections/drafts. Cover page reads &quot;Toten Tanz Phantasie für Pianoforte und Orchester. terminé le 21 Octobre 1849.&quot;<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Totentanz_-_Phantasie_für_Pianoforte_und_Orchester_'De_profundis_version',_S126i.pdf<br /> |File Description 1=Complete Score<br /> |Editor={{LinkEd|Ferruccio|Busoni|1866|1924}}<br /> |Image Type=Normal Scan<br /> |Scanner=Andrei Anghel<br /> |Uploader=[[User:Andrei9Killer|Andrei9Killer]]<br /> |Date Submitted=2020/1/18<br /> |Publisher Information={{P|Breitkopf und Härtel||Leipzig||1919||}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-00._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Conductor_Score.pdf<br /> |File Description 1=Complete Score<br /> |Editor={{LinkEd|Ferruccio|Busoni|1866|1924}}<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:M.kowalski49|M.kowalski49]]<br /> |Date Submitted=2021/6/11<br /> |Publisher Information={{P|Breitkopf und Härtel||Leipzig||1919||}}<br /> |Reprint={{RpEFKbr}} Catalog A2633.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Musikalische_Werke_1_Band_13_29.pdf<br /> |File Name 2=SIBLEY1802.13163.f584-39087009550023score.pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |File Description 2=Complete Score (S.126/2)<br /> |Scanner 1={{BSB}}<br /> |Scanner 2={{SibleyScan|1802/13163}}<br /> |Uploader 1=[[User:Piupianissimo|piupianissimo]]<br /> |Uploader 2=[[User:Carolus|Carolus]]<br /> |Date Submitted 1=2010/4/9<br /> |Date Submitted 2=2010/11/2<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)<br /> |Image Type=Normal Scan<br /> |Publisher Information={{Liszt-Stiftung|I|13|1915|29|135-82}}&lt;br&gt;- reissued as [[Breitkopf und Härtel/Orchester-Bibliothek|''Breitkopf &amp; Härtels Partitur-Bibliothek'']], Nr. 2505 (#83692, ca.1920)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].&lt;br&gt;#83692 - {{SibleyProject}}<br /> |Amazon={{AmazonLinks|160874034X|PLP study score (reprint)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)&lt;br&gt;{{LinkEd|Max|Alberti}}<br /> |Image Type=Normal Scan<br /> |Scanner=[[User:Funper|Funper]]<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/24<br /> |Page Count 1=82 (v, 78)<br /> |Publisher Information={{P|Eulenburg|Ernst Eulenburg|Leipzig|n.d.(ca.1920)||722|E.E. 6137}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Sample Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Misc. Notes=Alberti's edition is directly based upon Stavenhagen's edition above.&lt;br&gt;[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke]]. Series I, Vol.13.&lt;br&gt; Copy scanned from &lt;span class=&quot;plainlinks&quot;&gt;[https://biblioteket.stockholm.se/titel/165398 ''Stockholms Stadsbibliotek'']&lt;/span&gt;<br /> }}<br /> <br /> <br /> ===Parts===<br /> ====1st version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-01._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Piccolo,_Flute_1-2.pdf<br /> |File Name 2=PMLP35285-02._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Oboe_1-2.pdf<br /> |File Name 3=PMLP35285-03._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Clarinet_1-2.pdf<br /> |File Name 4=PMLP35285-04._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Bassoon_1-2.pdf<br /> |File Name 5=PMLP35285-05._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Horn_1-2.pdf<br /> |File Name 6=PMLP35285-06._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Trumpet_1-2.pdf<br /> |File Name 7=PMLP35285-07._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Trombone_1-3,_Tuba.pdf<br /> |File Name 8=PMLP35285-08._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Timpani.pdf<br /> |File Name 9=PMLP35285-09._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Cymbals,_Tam-Tam.pdf<br /> |File Name 10=PMLP35285-10._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Violins_I.pdf<br /> |File Name 11=PMLP35285-11._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Violins_II.pdf<br /> |File Name 12=PMLP35285-12._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Violas.pdf<br /> |File Name 13=PMLP35285-13._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Cellos.pdf<br /> |File Name 14=PMLP35285-14._LISZT_-_TOTENTANZ_(1ST_VERSION)_-_Basses.pdf<br /> |File Description 1=Flute 1, 2, 3/Piccolo<br /> |File Description 2=Oboe 1, 2<br /> |File Description 3=Clarinet 1, 2 (A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2 (D)<br /> |File Description 6=Trumpet 1, 2 (D)<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani<br /> |File Description 9=Bass Drum/Cymbals/Triangle, Tam-Tam<br /> |File Description 10=Violins I<br /> |File Description 11=Violins II<br /> |File Description 12=Violas<br /> |File Description 13=Cellos<br /> |File Description 14=Basses<br /> |Editor={{LinkEd|Ferruccio|Busoni|1866|1924}}<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:M.kowalski49|M.kowalski49]]<br /> |Date Submitted=2021/6/11<br /> |Publisher Information={{P|Breitkopf und Härtel||Leipzig||1919||}}<br /> |Reprint={{RpEFKbr}} Catalog A2633.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt-Totentanz.Flute.pdf<br /> |File Name 2=PMLP35285-Liszt-Totentanz.Oboe.pdf<br /> |File Name 3=PMLP35285-Liszt-Totentanz.Clarinet.pdf<br /> |File Name 4=PMLP35285-Liszt-Totentanz.Bassoon.pdf<br /> |File Name 5=PMLP35285-Liszt-Totentanz.Horn.pdf<br /> |File Name 6=PMLP35285-Liszt-Totentanz.Trumpet.pdf<br /> |File Name 7=PMLP35285-Liszt-Totentanz.LowBrass.pdf<br /> |File Name 8=PMLP35285-Liszt-Totentanz.TimpPerc.pdf<br /> |File Name 9=PMLP35285-Liszt-Totentanz.ViolinsI.pdf<br /> |File Name 10=PMLP35285-Liszt-Totentanz.ViolinsII.pdf<br /> |File Name 11=PMLP35285-Liszt-Totentanz.Viola.pdf<br /> |File Name 12=PMLP35285-Liszt_-_Totentanz_(cello-part)a.pdf<br /> |File Name 13=PMLP35285-Liszt-Totentanz.Bass.pdf<br /> |File Description 1=Flute 1, 2, Piccolo<br /> |File Description 2=Oboe 1, 2<br /> |File Description 3=Clarinet 1, 2 (A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2 (D,F)<br /> |File Description 6=Trumpet 1, 2 (D,F)<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani, Cymbals/Triangle/Tam-Tam<br /> |File Description 9=Violins I<br /> |File Description 10=Violins II<br /> |File Description 11=Violas<br /> |File Description 12=Cellos<br /> |File Description 13=Basses<br /> |Page Count 1=10 (4, 4, 2)<br /> |Page Count 2=6 (3, 3)<br /> |Page Count 3=8 (4, 4)<br /> |Page Count 4=8 (4, 4)<br /> |Page Count 5=6 (3, 3)<br /> |Page Count 6=4 (2, 2)<br /> |Page Count 7=10 (3, 3, 2, 2)<br /> |Page Count 8=5 (3, 2)<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862-1914)<br /> |Uploader=[[User:Perlnerd666|Perlnerd666]]<br /> |Uploader 9-10=[[User:Music Addict|Music Addict]]<br /> |Uploader 12=[[User:Generoso|Generoso]]<br /> |Date Submitted=2009/11/1<br /> |Date Submitted 9-10=2019/7/30<br /> |Date Submitted 12=2009/1/11<br /> |Publisher Information={{P|Breitkopf und Härtel|Breitkopf &amp; Härtel|Leipzig|n.d.(ca.1920)|||Orch.B. 2382}}<br /> |Reprint={{RpEFK}}<br /> |Copyright=Public Domain<br /> |Misc. Notes={{OrchPartsProj}}<br /> }}<br /> <br /> <br /> ===Arrangements and Transcriptions===<br /> ====2nd version====<br /> =====For 3 Pianos (Wille)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Danse_macabre_Chuan_Yin.pdf<br /> |File Description 1=Complete Score<br /> |Arranger={{LinkArr|Rolf-Peter|Wille|1954|}}<br /> |Editor=<br /> |Image Type=Typeset<br /> |Scanner=arranger<br /> |Uploader=[[User:Rolf-Peter Wille|Rolf-Peter Wille]]<br /> |Date Submitted=2018/1/24<br /> |Publisher Information=Rolf-Peter Wille, 2010.<br /> |Copyright=Creative Commons Attribution-ShareAlike 4.0<br /> |Misc. Notes=Can be performed with three pianos or two pianos and orchestra<br /> }}<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-totentanz_2_pianos.pdf<br /> |File Description 1=Complete Score<br /> |Arranger=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{ONB|AL00235173}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/28<br /> |Publisher Information={{Mss|18|59|1865?}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Totentanz.pdf<br /> |File Description 1=Complete Score<br /> |Arranger=Composer<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=afp0815<br /> |Uploader=[[User:Afp0815|Afp0815]]<br /> |Date Submitted=2021/1/14<br /> |Publisher Information={{P|C.F.W. Siegel||Leipzig|{{HMB|1865|93}}|||8722}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_filter.pdf<br /> |File Name 3=Totentanz.pdf<br /> |File Description 1=Complete Score (S.652) (scan)<br /> |File Description 2=Complete Score (S.652) (filter)<br /> |File Description 3=Complete Score (S.652) (lower resolution)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner 1-2=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Uploader 3=[[User:Patrickmerrill|Patrickmerrill]]<br /> |Date Submitted=2011/12/13<br /> |Date Submitted 3=2006/10/29<br /> |Publisher Information={{LisztKlavierwerkePeters|11: Werke für Klavier und Orchester|3602c|9893|1913-17|101-34}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For 2 Pianos (Goldenweiser)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt.pdf<br /> |File Description 1=Complete Score<br /> |Arranger={{LinkArr|Aleksandr|Goldenweiser|1875|1961}}<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:IgorCello|IgorCello]]<br /> |Date Submitted=2020/3/16<br /> |Publisher Information={{P|Muzgiz||Moscow|1931|||М. 11731 Г}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> =====For Piano (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S525_Totentanz_(siegel).pdf<br /> |File Name 2=Liszt_-_S525_Totentanz_(siegel)_mono.pdf<br /> |File Description 1=Complete Score (S.525)<br /> |File Description 2=Complete Score (S.525)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{Danaliszt/color}}<br /> |Scanner 2={{Danaliszt/mono}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/28<br /> |Publisher Information={{P|C.F.W. Siegel||Leipzig|n.d.(1865)|||2185}}<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Danaliszt}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_filter.pdf<br /> |File Name 3=Liszt_-_S525_Totentanz_(nla).pdf<br /> |File Description 1=Complete Score (S.525) (scan)<br /> |File Description 2=Complete Score (S.525) (filter)<br /> |File Description 3=Complete Score (S.525) (low resolution)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner 1-2=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Uploader 3=[[User:Funper|Funper]]<br /> |Date Submitted=2011/8/28<br /> |Date Submitted 3=2007/7/7<br /> |Publisher Information={{NeueLisztAusgabe|1|16|1982|8859|3-25}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Totentanz<br /> |Alternative Title=Paraphrase über ''Dies Irae''<br /> |Opus/Catalogue Number=S.126/1 ; LW.H8 (1st version)&lt;br&gt;S.126/2 ; LW.H8 (2nd version)<br /> |Number of Movements/Sections=1<br /> |Dedication={{LinkName|Hans von|Bülow}}<br /> |Year/Date of Composition=1847–53 (1st version), 1864 (2nd version)<br /> |Year of First Publication=1865 (2nd version), 1919 (1st version)<br /> |First Performance=1865-04-15 in The Hague (2nd version)<br /> |Librettist=<br /> |Language=<br /> |External Links=[[wikipedia:Totentanz (Liszt)|Wikipedia article]]<br /> |Piece Style=Romantic<br /> |Average Duration=16 minutes<br /> |Instrumentation=''Solo:'' piano&lt;br&gt;''Orchestra:'' piccolo, 2 flutes, 2 oboes, 2 clarinets (in A), 2 bassoons + 2 horns (in D/D and F in version 2), 2 trumpets (in D/D and F in version 2), 3 trombones, tuba + timpani, percussion + strings<br /> |Tags=dances ; pf orch<br /> <br /> | *****COMMENTS***** =<br /> ====Version History====<br /> * Composed for piano and orchestra, 1847–53 (= 1st version, S.126/1)<br /> : Published 1919 by [[Breitkopf &amp; Härtel]] (Leipzig), as ''De Profundis'' (revised by {{LinkComp|Ferruccio|Busoni}})<br /> * Revised 1859–64? (= 2nd version, S.126/2)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for 2 pianos, 1859–65? (= S.652)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for solo piano, 1860–65? (= S.525)<br /> : Published 1865 by Siegel (Leipzig)<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Franz_Liszt:_Neue_Liszt-Ausgabe 2019-02-25T01:32:32Z

<p>Funper: /* Series II */</p> <hr /> <div>==History==<br /> '''Neue Liszt-Ausgabe''' (abbreviated as &quot;NLA&quot;; full name, ''Franz Liszt. Neue Ausgabe sämtlicher Werke'') is the second complete authentic edition of the music of [[:Category:Liszt, Franz|Franz Liszt]]. The complete edition is based on all the available manuscript and printed sources of Liszt's works. The edition was published jointly by Edition Musica Budapest and the Bärenreiter-Verlag Kassel from 1970 to present. Cooperation between the Bärenreiter-Verlag and Editio Musica Budapest came to an end in 1985 with the completion of series 1, however EMB has independently continued the series.<br /> ====Copyright status====<br /> &lt;span style=&quot;color:crimson&quot;&gt;''Please note that the IMSLP makes no guarantee whatsoever that the information appearing here is legally accurate and assumes no liability or legal responsibility therefor.''&lt;/span&gt;&lt;br&gt;<br /> Under Canadian law, a work must contain a sufficient amount of original material to qualify for copyright protection - which is usually described as the &quot;threshold of originality.&quot; Works which consist of collation and comparison of public domain sources, though they often require intensive research and scholarship, fail to meet this test under the copyright statutes of many nations around the world, including Canada. However, the determination of originality is ultimately up to a court, since there is no specific language in the Canadian statute explicitly defining which items are considered original enough to meet the &quot;threshold of originality&quot; on a given editor's part. It is also true that such editions have been granted a special, limited-term, copyright in certain countries (notably Germany and Italy), and in the EU itself. IMSLP, though it is under no sort of legal obligation to do so, therefore voluntarily enforces a term of 25 years from date of publication for such modern, scholarly editions, which originate in the European Union.<br /> <br /> Before its 1989 demise, the Hungarian communist state published works of living or deceased persons on which the state claimed copyright. Editio Musica Budapest (founded in 1950) was a government agency formed by government expropriation of privately-owned publishing firms like Roszavolgyi, Rozsnyai, and others at the start of the Soviet occupation. Although original works of contemporary Hungarian composers have been judged to be the vaild copyrights of the composers themselves or their heirs in most Western countries, urtext or critical editions published during this era (1945-1989) have not been considered to be subject of copyright, as such editions were prepared by government employees working for a state agency as part of their employment - thus government works. Moreover, the copyright owner itself (the Hungarian communist government) ceased to exist. See [[Public domain#Russia / USSR|this section on USSR editions]] for more information.<br /> <br /> Additionally, Section 70 of the German copyright law states that scientific editions (editions which are produced as a result of scientific analysis, i.e. urtext) are entitled to only a limited copyright term of publication plus 25 years. Since series 1 of Neue Liszt-Ausgabe was published jointly with the German publisher Bärenreiter, all volumes in series 1 that are older than 25 years are public domain in Germany and all published more than 30 years ago are public domain in the EU as a whole. See [[Public domain#Germany|this]] for more information. (Article 5 of the EU Copyright Directive 93/98/EC specifically limits the term of critical or urtext editions to a maximum of 30 years following publication.)<br /> <br /> &lt;span style=&quot;color:crimson&quot;&gt;Despite the foregoing points regarding the Canadian status of sections of this edition, the location Project Petrucci LLC (the owner of this site) in the USA complicates matters considerably. Since many volumes of the NLA were issued simultaneously in Germany and bear a proper copyright notice after 1963 (which means they were automatically renewed in the USA), they would appear to be protected under US law until there is a challenge to clarify the &quot;threshold of originality&quot; with respect to such editions directly. IMSLP therefore has moved all such items to servers of the unaffiliated organization IMSLP-EU, where they are available only to non-US downloaders.&lt;/span&gt;<br /> <br /> ==Template==<br /> &lt;nowiki&gt;{{&lt;/nowiki&gt;[[Template:NeueLisztAusgabe|NeueLisztAusgabe]]&lt;nowiki&gt;|Series|Band|Year|Plate}}&lt;/nowiki&gt;<br /> ==Editors==<br /> *Zoltán Gárdonyi (1906-1986), István Szelényi (1904-1972) '''Vol.1-4<br /> *Antal Boronkay '''Vol.5<br /> *Imre Mező, Imre Sulyok (1912-2008) '''Vol.6-18<br /> ==Contents==<br /> Neue Liszt-Ausgabe is planned to comprise the following ten series, of which only two have been published:<br /> <br /> *I. Solo piano works (1970-85)<br /> *II. Free arrangements and transcriptions for piano solo (1986-2005)<br /> *III. Works and arrangements for piano four hands and for two pianos<br /> *IV. Works and arrangements for several instruments<br /> *V. Works and arrangements for organ, and for organ and other instruments<br /> *VI. Orchestral works<br /> *VII. Works for piano and orchestra<br /> *VIII. Vocal works with piano<br /> *IX. Vocal works with orchestra, or with several instruments<br /> *X. A cappella choral works<br /> **Supplements to Series I and II<br /> <br /> ===Series I===<br /> Series I of the Neue Liszt-Ausgabe contains Franz Liszt's original solo piano works,<br /> and transcriptions for solo piano of his own compositions. Mostly final versions appears in these volumes, but some earlier versions that are significantly different from their final form appear here to.<br /> <br /> *'''Volume 1 (Etüden I), 1970. Plate Z.5411.''' <br /> **[[Études d'exécution transcendante, S.139 (Liszt, Franz)|Études d'exécution transcendante]] (S.139)<br /> *'''Volume 2 (Etüden II), 1971. Plate Z.5412.'''<br /> **[[3 Études de concert, S.144 (Liszt, Franz)|Trois Études de concert - Trois Caprices poétiques]] (S.144)<br /> **[[Ab Irato, Étude de perfectionnement, S.143 (Liszt, Franz)|Ab irato]] (S.143)<br /> **[[2 Konzertetüden, S.145 (Liszt, Franz)|Zwei Konzertetüden - Two Concert-Studies]] (S.145)<br /> **[[Grandes études de Paganini, S.141 (Liszt, Franz)|Grandes études de Paganini]] (S.141)<br /> *'''Volume 3 (Ungarische Rhapsodien I), 1972. Plate Z.6210.'''<br /> **[[Hungarian Rhapsody No.1, S.244/1 (Liszt, Franz)|I. Rhapsodie hongroise]] (S.244/1)<br /> **[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|II. Rhapsodie hongroise]] (S.244/2)<br /> **[[Hungarian Rhapsody No.3, S.244/3 (Liszt, Franz)|III. Rhapsodie hongroise]] (S.244/3)<br /> **[[Hungarian Rhapsody No.4, S.244/4 (Liszt, Franz)|IV. Rhapsodie hongroise]] (S.244/4)<br /> **[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|V. Rhapsodie hongroise - Héroïde-Élégiaque]] (S.244/5)<br /> **[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|VI. Rhapsodie hongroise]] (S.244/6)<br /> **[[Hungarian Rhapsody No.7, S.244/7 (Liszt, Franz)|VII. Rhapsodie hongroise]] (S.244/7)<br /> **[[Hungarian Rhapsody No.8, S.244/8 (Liszt, Franz)|VIII. Rhapsodie hongroise]] (S.244/8)<br /> **[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|IX. Rhapsodie hongroise - Pesther Carneval - Le Carnaval de Pesth]] (S.244/9)<br /> *'''Volume 4 (Ungarische Rhapsodien II), 1973. Plate Z.6211.'''<br /> **[[Hungarian Rhapsody No.10, S.244/10 (Liszt, Franz)|X. Rhapsodie hongroise]] (S.244/10)<br /> **[[Hungarian Rhapsody No.11, S.244/11 (Liszt, Franz)|XI. Rhapsodie hongroise]] (S.244/11)<br /> **[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|XII. Rhapsodie hongroise]] (S.244/12)<br /> **[[Hungarian Rhapsody No.13, S.244/13 (Liszt, Franz)|XIII. Rhapsodie hongroise]] (S.244/13)<br /> **[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|XIV. Rhapsodie hongroise]] (S.244/14)<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|XV. Rhapsodie hongroise - Rákóczi-Marsch]] (S.244/15)<br /> **[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|XVI. Magyar rhapsodia - Ungarische Rhapsodie]] (S.244/16)<br /> **[[Hungarian Rhapsody No.17, S.244/17 (Liszt, Franz)|XVII. Rhapsodie hongroise]] (S.244/17)<br /> **[[Hungarian Rhapsody No.18, S.244/18 (Liszt, Franz)|XVIII. Magyar rhapsodia]] (S.244/18)<br /> **[[Hungarian Rhapsody No.19, S.244/19 (Liszt, Franz)|XIX. Rhapsodie hongroise - Ungarische Rhapsodie ]] (S.244/19)<br /> *'''Volume 5 (Grosses Konzertsolo, Sonate, B-a-c-h), 1983. Plate Z.7295.'''<br /> **[[Grosses Konzertsolo, S.176 (Liszt, Franz)|Großes Konzertsolo]] (S.176)<br /> **[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonate B minor - h-Moll]] (S.178)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B-A-C-H]] (S.529ii)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Praeludium und Fuge über das Motiv B-a-c-h - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.529)<br /> *'''Volume 6 (Années de Pélerinage I), 1976. Plate Z.7474.'''<br /> **[[Années de pèlerinage I, S.160 (Liszt, Franz)|Années de pèlerinage - Première Année — Suisse]] (S.160)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - I. Impressions et Poésies]] (Nos. 1, 4, 7) (S.156/1)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - II. Fleurs mélodiques des Alpes]] (S.156/2)<br /> *'''Volume 7 (Années de Pélerinage II), 1974. Plate Z.6785.'''<br /> **[[Années de pèlerinage II, S.161 (Liszt, Franz)|Années de Pèlerinage - Deuxième Année — Italie]] (S.161)<br /> **[[Années de pèlerinage II, Supplément, S.162 (Liszt, Franz)|Venezia e Napoli. Supplément aux Années de Pèlerinage 2&lt;sup&gt;nd&lt;/sup&gt; volume — Italie]] (S.162)<br /> **[[Venezia e Napoli, S.159 (Liszt, Franz)|Venezia e Napoli - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.159)<br /> *'''Volume 8 (Années de Pélerinage III), 1975, Z.6957.'''<br /> **[[Années de pèlerinage III, S.163 (Liszt, Franz)|Années de Pèlerinage - Troisième Année]] (S.163)<br /> *'''Volume 9 (Various Cyclical Works I), 1981, Z.8011.'''<br /> **[[8 Variations, S.148 (Liszt, Franz)|Huit variations]] (S.147)<br /> **[[Apparitions, S.155 (Liszt, Franz)|Apparitions]] (S.155)<br /> **[[Harmonies poétiques et religieuses III, S.173 (Liszt, Franz)|Harmonies poétiques et religieuses]] (S.173)<br /> **[[Consolations, S.172 (Liszt, Franz)|Consolations - Six pensées poétiques]] (S.172)<br /> **[[Ballade No.1, S.170 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Ballade - Le chant du croisé]] (S.170)<br /> **[[Ballade No.2, S.171 (Liszt, Franz)|2&lt;sup&gt;e&lt;/sup&gt; Ballade]] (S.171)<br /> **[[Harmonies poétiques et religieuses I, S.154 (Liszt, Franz)|Harmonies poétiques et religieuses - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.154)<br /> **[[Invocation, early version, S.172a/2 (Liszt, Franz)|Invocation - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.172a/2)<br /> **[[Hymne de la nuit, S.173a/1 (Liszt, Franz)|Hymne de la Nuit]] (S.173a/1)<br /> **[[Hymne du matin, S.173a/2 (Liszt, Franz)|Hymne du Matin]] (S.173a/2)<br /> **[[Klavierstück No.2, S.189a (Liszt, Franz)|Klavierstück As-Dur Nr. 2]] (S.189a)<br /> *'''Volume 10 (Various Cyclical Works II), 1980, Z.8459.'''<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes]] (S.175)<br /> **[[5 Klavierstücke, S.192 (Liszt, Franz)|Five Piano Pieces - Fünf Klavierstücke]] (S.192)<br /> **[[Elegy No.1, S.196 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Élégie]] (S.196)<br /> **[[Elegy No.2, S.197 (Liszt, Franz)|Zweite Elegie]] (S.197)<br /> **[[Weihnachtsbaum, S.186 (Liszt, Franz)|Weihnachtsbaum - L'albero del natale - Arbre de Noël]] (S.186)<br /> **[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|Choräle]]<br /> **[[Historische ungarische Bildnisse, S.205 (Liszt, Franz)|Historical Hungarian Portraits - Historische ungarische Bildnisse - Portraits hongrois historiques]] (S.205)<br /> **[[Via Crucis, S.504a (Liszt, Franz)|Via Crucis]] (S.504a)<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes No. 2, St. François de Paule «marchant sur les flots» (version facilitée)]]<br /> *'''Volume 11 (Individual Character Pieces I), 1979, Z.6216.'''<br /> **[[Allegro di bravura, S.151 (Liszt, Franz)|Allegro di bravura]] (S.151)<br /> **[[Rondo di bravura, S.152 (Liszt, Franz)|Rondo di bravura]] (S.152)<br /> **[[Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 (Liszt, Franz)|Élégie sur des motifs du Prince Louis Ferdinand de Prusse]] (S.168)<br /> **[[Klavierstück aus der Bonn Beethoven-Cantata, S.507 (Liszt, Franz)|70 Bars on Themes from the First Beethoven Cantata- 70 Takte nach Motiven aus der Ersten Beethoven-Kantate]] (S.507)<br /> **[[Romance, S.169 (Liszt, Franz)|Romance]]<br /> **[[Festvorspiel, S.226 (Liszt, Franz)|Festvorspiel - Prélude]]<br /> **[[Les morts, S.112/1 (Liszt, Franz)|Les morts - Die Toten]] (S.516)<br /> **[[Klavierstück, S.193 (Liszt, Franz)|Piano Piece in F sharp major - Klavierstück Fis-Dur]]<br /> **[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)|Ave Maria (für die große Klavierschule von Lebert und Stark)]]<br /> **[[Alleluja, S.183/1 (Liszt, Franz)|Alleluja]]<br /> **[[Berceuse, S.174 (Liszt, Franz)|Berceuse (2nd version - 2. Fassung)]]<br /> **[[Slavimo slavno, Slaveni!, S.33 (Liszt, Franz)|Slavimo slavno slaveni!]]<br /> **[[La notte, S.112/2 (Liszt, Franz)|La Notte]] (S.516a)<br /> *'''Volume 12 (Individual Character Pieces II), 1978, Z.6217.'''<br /> **[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla Regis prodeunt]]<br /> **[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et orbi]]<br /> **[[Un portrait en musique, S.190 (Liszt, Franz)|Un portrait en musique]]<br /> **[[Ave Maria II, S.38 (Liszt, Franz)|Ave Maria (aus den neun Kirchenchorgesängen)]]<br /> **[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]<br /> **[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]<br /> **[[Impromptu, S.191 (Liszt, Franz)|Impromptu]]<br /> **[[Receuillement, S.204 (Liszt, Franz)|Recueillement]]<br /> **[[Sancta Dorothea, S.187 (Liszt, Franz)|Sancta Dorothea]]<br /> **[[Carrousel de Madame Pelet-Narbonne, S.214a (Liszt, Franz)|Carrousel de Madame P-N]]<br /> **[[Toccata, S.197a (Liszt, Franz)|Toccata]]<br /> **[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione (1st version - 1. Fassung)]]<br /> **[[In festo transfigurationis Domini nostri Jesu Christi, S.188 (Liszt, Franz)|In festo transfigurationis Domini]]<br /> **[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée - Vergessene Romanze]]<br /> **[[Ave Maria IV, S.341 (Liszt, Franz)|Ave Maria (IV)]]<br /> **[[Wiegenlied, S.198 (Liszt, Franz)|Wiegenlied - Chant du berceau]]<br /> **[[Trübe Wolken, S.199 (Liszt, Franz)|Trübe Wolken - Nuages gris]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 1 - La lugubre gondola No. 1]]<br /> **[[R.W. - Venezia, S.201 (Liszt, Franz)|R. W. Venezia]]<br /> **[[Schlaflos! Frage und Antwort, S.203 (Liszt, Franz)|Schlaflos!]]<br /> **[[Am Grabe Richard Wagners, S.135 (Liszt, Franz)|Am Grabe Richard Wagners]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 2 - La lugubre gondola No. 2]]<br /> **[[Trauervorspiel und Trauermarsch, S.206 (Liszt, Franz)|Trauervorspiel und Trauermarsch]]<br /> **[[En rêve, S.207 (Liszt, Franz)|En rêve]]<br /> **[[Unstern, S.208 (Liszt, Franz)|Unstern! - Sinistre]]<br /> *'''Volume 13 (Dances, Marches and Scherzos I), 1985, Z.8252.'''<br /> **[[2 Waltzes, S.126b (Liszt, Franz)|Waltz - Walzer (S.208a)]]<br /> **[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique]]<br /> **[[Heroischer Marsch in ungarischem Stil, S.231 (Liszt, Franz)|Heroischer Marsch in ungarischem Stil - Marche héroïque dans le genre hongrois]]<br /> **[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt - Feuille d'Album No. 1]]<br /> **[[Galop de bal, S.220 (Liszt, Franz)|Galop de Bal]]<br /> **[[Galop in A minor, S.218 (Liszt, Franz)|Gallop (A minor) - Galopp (a-Moll)]]<br /> **[[Feuilles d'album, S.165 (Liszt, Franz)|Feuilles d'Album (A flat major - As-Dur)]]<br /> **[[Albumblatt in Walzerform, S.166 (Liszt, Franz)|Valse]]<br /> **[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler (A flat major - As-Dur)]]<br /> **[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise (E flat minor - es-Moll)]]<br /> **[[Mazurka brillante, S.221 (Liszt, Franz)|Mazurka brillante]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse de bravoure]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse mélancolique (2nd version - 2. Fassung)]]<br /> **[[2 Polonaises, S.223 (Liszt, Franz)|2 Polonaises]]<br /> **[[Scherzo und Marsch, S.177 (Liszt, Franz)|Scherzo und Marsch]]<br /> **[[Valse-Impromptu, S.213 (Liszt, Franz)|Valse-Impromptu]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique (simplifié par l'auteur)]]<br /> **[[Petite valse favorite, S.212 (Liszt, Franz)|Petite Valse favorite]]<br /> *'''Volume 14 (Dances, Marches and Scherzos II), 1984, Z.8858.'''<br /> **[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch (2nd version - 2. Fassung)]]<br /> **[[Siegesmarsch, S.233a (Liszt, Franz)|Siegesmarsch - Marche triomphale]]<br /> **[[Ungarischer Geschwindmarsch, S.233 (Liszt, Franz)|Magyar gyors induló - Ungarischer Geschwindmarsch]]<br /> **[[Csárdás macabre, S.224 (Liszt, Franz)|Csardas macabre]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Première Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Deuxième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Troisième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Vierter vergessener Walzer - Quatrième Valse oubliée]]<br /> **[[Mephisto Waltz No.3, S.216 (Liszt, Franz)|Dritter Mephisto-Walzer]]<br /> **[[Mephisto Polka, S.217 (Liszt, Franz)|Mephisto-Polka]]<br /> **[[Bülow-Marsch, S.230 (Liszt, Franz)|Bülow-Marsch]]<br /> **[[2 Csárdás, S.225 (Liszt, Franz)|2 Csardas]]<br /> **[[Mephisto Waltz No.4, S.216b (Liszt, Franz)|Vierter Mephisto-Walzer]]<br /> **[[Bagatelle sans tonalité, S.216a (Liszt, Franz)|Vierter Mephisto-Walzer - Bagatelle ohne Tonart - Bagatelle sans tonalité]]<br /> **[[Festmarsch zur Säcularfeier von Goethes Geburtstag, S.227 (Liszt, Franz)|Festmarsch zur Säkularfeier von Goethes Geburtstag (1st version - 1. Fassung)]]<br /> *'''Volume 15 (Klavier-Versionen Eigener Werke I), 1982, Z.8253.'''<br /> **[[Il m'aimait tant, S.271 (Liszt, Franz)|Il m'aimait tant!]]<br /> **[[Buch der Lieder I, S.531 (Liszt, Franz)|Buch der Lieder I - Poésies]]<br /> **[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Liebesträume - 3 Notturnos]]<br /> **[[Huldigungsmarsch, S.228 (Liszt, Franz)|Huldigungsmarsch]]<br /> **[[Vom Fels zum Meer!, S.229 (Liszt, Franz)|Vom Fels zum Meer!]]<br /> **[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|2. Festmarsch (nach Motiven von E. H. z. S.)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 1)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 2)]]<br /> **[[Ich liebe dich, S.315 (Liszt, Franz)|Ich liebe dich]]<br /> **[[Künstlerfestzug zur Schillerfeier 1859, S.114 (Liszt, Franz)|Künstlerfestzug]]<br /> **[[Mephisto Waltz No.1, S.514 (Liszt, Franz)|1. Mephisto-Walzer (''Der Tanz in der Dorfschenke'')]]<br /> **[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]<br /> **[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale (Schnitterchor aus dem entfesselten Prometheus)]]<br /> **[[Die Loreley, S.273 (Liszt, Franz)|Die Lorelei (2nd version - 2. Fassung)]]<br /> **[[Christus ist geboren II, S.32 (Liszt, Franz)|Weihnachtslied]]<br /> **[[Pio IX, S.261 (Liszt, Franz)|L'hymne du pape]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Notturno No. 2 (1st version - 1. Fassung)]]<br /> *'''Volume 16 (Klavier-Versionen Eigener Werke II), 1982, Z.8859.'''<br /> **[[Totentanz, S.126 (Liszt, Franz)|Totentanz]] (S.525)<br /> **[[Le triomphe funèbre du Tasse, S.112/3 (Liszt, Franz)|Le triomphe funèbre du Tasse (S.517)]]<br /> **[[Christus, S.3 (Liszt, Franz)|Zwei Orchestersätze aus dem Oratorium Christus]]<br /> **[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Drei Stücke aus der Legende der heiligen Elisabeth]]<br /> **[[Ungarische Krönungsmesse, S.11 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]<br /> **[[Ave maris stella, S.34 (Liszt, Franz)|Ave maris stella]]<br /> **[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur (Humoreske)]]<br /> **[[Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867, S.118 (Liszt, Franz)|Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1867)]]<br /> **[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Ungarischer Hymnus - Szózat és Magyar Himnusz]]<br /> **[[Faust Symphony, S.108 (Liszt, Franz)|Gretchen (Aus Faust-Symphonie)]]<br /> **[[Ungarischer Sturmmarsch, S.119 (Liszt, Franz)|Ungarischer Sturmmarsch (Neue Bearbeitung 1876)]]<br /> **[[Seconde marche hongroise, S.232 (Liszt, Franz)|Seconde marche hongroise - Ungarischer Sturmmarsch (1st version - 1. Fassung)]]<br /> *'''Volume 17 (Klavier-Versionen Eigener Werke III), 1983, Z.8860.'''<br /> **[[Festpolonaise, S.230a (Liszt, Franz)|Festpolonaise]]<br /> **[[Der blinde Sänger, S.350 (Liszt, Franz)|Der blinde Sänger (Слепой)]]<br /> **[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]<br /> **[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Deux polonaises (de l'oratorio St. Stanislas)]]<br /> **[[O Roma nobilis, S.54 (Liszt, Franz)|O Roma nobilis]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco (preludio per il Cantico del Sol, di San Francesco d'Assisi)]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]<br /> **[[Mephisto Waltz No.2, S.515 (Liszt, Franz)|2. Mephisto-Walzer]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|A magyarok istene - Ungarns Gott]]<br /> **[[Von der Wiege bis zum Grabe, S.107 (Liszt, Franz)|Von der Wiege bis zum Grabe — Du berceau jusqu' à la tombe]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Die Zelle in Nonnenwerth (4th version — 4. Fassung)]]<br /> **[[Magyar király-dal, S.340 (Liszt, Franz)|Magyar király-dal — Ungarisches Königslied]]<br /> **[[In domum Domini ibimus, S.57 (Liszt, Franz)|In domum Domini ibimus — Zum Haus des Herrn ziehen wir]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No. 2 (als &quot;Die Zelle in Nonnenwerth&quot;, 3. Fassung)]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|Ungarns Gott — A magyarok istene (Klavier-Transkription für die linke Hand — zongoraátirat bal kézre)]]<br /> *'''Volume 18 (Supplement), 1985, Z.12903.'''<br /> **[[Étude en douze exercices, S.136 (Liszt, Franz)|Étude en douze exercices (op. 6)]]<br /> **[[Magyar dalok, S.242 (Liszt, Franz)|Magyar dalok — Ungarische Nationalmelodien (Nos. 1-10)]]<br /> **[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien Im leichten Stile bearbeitet]]<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|Rákóczi-Marsch (1st version — 1. Fassung)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Rákóczi-Marsch - Magyar Dalok (S.242/13)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Ungarische Nationalmelodie (Rákóczi-Marsch) Erleichtert]]<br /> **[[Marche de Rákóczy, S.244c (Liszt, Franz)|Marche de Rákóczi - Édition populaire (S.244c)]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für das Pianoforte]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für Pianoforte erleichtert]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Magyar rapszódiák (Nos. 15, 17, 20)]]<br /> **[[Buch der Lieder II, S.535–540 (Liszt, Franz)|Buch der Lieder für Piano allein — II - Poésies lyriques pour piano seul — (S.535-40)]]<br /> <br /> ===Series II===<br /> &lt;span style=&quot;color:crimson&quot;&gt;''As of 2019, scores from volumes 1, 7, 14, 17, 18, and 19 are permissible to submit since ≥25 years have passed since date of publication.''&lt;/span&gt;&lt;br&gt;<br /> Series II of the Neue Liszt-Ausgabe contains solo piano works based on works or themes of other composers, and arrangements of certain folk melodies (or melodies of a folk character by known composers).<br /> <br /> *'''Volume 1 (Free Arrangements I), 1990, Z.8766.'''<br /> **[[Variation on a Waltz by Diabelli, S.147 (Liszt, Franz)|Variation on a Waltz of Diabelli S.147]]<br /> **[[Seven Brilliant Variations on a Theme of Rossini, S.149 (Liszt, Franz)|Seven Brilliant Variations on a Theme of Rossini S.149]]<br /> **[[Impromptu brillant sur des thèmes de Rossini et Spontini, S.150 (Liszt, Franz)|Impromptu Brillant on Themes of Rossini and Spontini S.150]]<br /> **[[Two Hungarian Recruiting Dances, S.241 (Liszt, Franz)|Two Hungarian Recruiting Dances by László Fáy and János Bihari S.241]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La Fiancée. Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (3. változat - 3rd version) S.385]]<br /> **[[Grande fantaisie de bravoure sur La clochette, S.420 (Liszt, Franz)|Grande Fantaisie di bravura sur la Clochette de Paganini S.420]]<br /> **[[L'Idée fixe. Andante amoroso, S.395 (Liszt, Franz)|L'Idée fixe. Andante amoroso S.395]]<br /> **[[Réminiscences de La juive, S.409a (Liszt, Franz)|Réminiscences de La Juive S.409a]]<br /> **[[Deux fantaisies 1. La Serenata e l'Orgia, S.422 (Liszt, Franz)|Deux fantaisies 1. La Serenata e l'Orgia. Grande fantaisie sur des motifs des Soirées musicales de Rossini (2nd version) S.422]]<br /> **[[Deux fantaisies 2. La pastorella dell'Alpi e Li marinari, S.423 (Liszt, Franz)|Deux fantaisies 2. La pastorella dell'Alpi e Li marinari. 2me fantaisie sur des motifs des Soirées musicales de Rossini S.423]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (1st version) S.385]]<br /> **[[5 Variationen über die Romanze aus Joseph von Méhul (Liszt, Franz)|5 Variationen über die Romanze aus Joseph von Méhul]]<br /> **[[Tyrolean Melody, S.385a (Liszt, Franz)|Tyrolean Melody from the Opera 'La Fiancée' by Auber S.385a]]<br /> *'''Volume 2 (Free Arrangements II), 2004, Z.8767.'''<br /> *'''Volume 3 (Free Arrangements III), 1999, Z.12392.'''<br /> *'''Volume 4 (Free Arrangements IV), 2002, Z.12393.'''<br /> *'''Volume 5 (Free Arrangements V), 2000, Z.12394.'''<br /> *'''Volume 6 (Free Arrangements VI), 2001, Z.12395.'''<br /> *'''Volume 7 (Free Arrangements VII), 1988, Z.12396.'''<br /> **[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Capriccio alla turca sur des motifs de Beethoven S.388]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 1. Lebe wohl! - Adieu! S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 2. Mädchens Klage - Les Plaintes de la Jeune fille S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein - La Cloche des Agonisants S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 4. Trockne Blumen - La Fleur Fanée S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 5. Ungeduld - Toute ma vie (1st version) S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 6. Die Forelle - La Truite (1st version) S.563]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 1. Das Wandern - Le meunier voyageur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 2. Der Müller und der Bach - La voix enchantresse S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 3. Der Jäger - Le chasseur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 4. Die böse Farbe - Garde moi souvenir S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 5. Wohin? - Au bord de la fontaine S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 6. Ungeduld - Toute ma vie (3rd version) S.565]]<br /> **[[Die Forelle, S.564 (Liszt, Franz)|Die Forelle. Lied von F. Schubert (2nd version) S.564]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 1. Trauermarsch - Grande marche funebre de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 2. Grande Marche de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert S.426]]<br /> *'''Volume 8 (Free Arrangements VIII), 1999, Z.12397.'''<br /> *'''Volume 9 (Free Arrangements IX), 2001, Z.12398.'''<br /> *'''Volume 10 (Free Arrangements X), 2002, Z.12399.'''<br /> *'''Volume 11 (Free Arrangements XI), 2004, Z.12400.'''<br /> *'''Volume 12 (Free Arrangements XII), 1994, Z.12401.'''<br /> *'''Volume 13 (Free Arrangements XIII), 2005, Z.12402.'''<br /> *'''Volume 14 (Free Arrangements XIV), 1990, Z.12403.'''<br /> **[[Danse Macabre, S.555 (Liszt, Franz)|Danse macabre. Poeme symphonique de Camille Saint-Saens S.555]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 1.Ranz de vaches S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 2.Un soir dans la montagne. Mélodie d'Ernest Knop S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 3.Ranz de chevres S.156/3]]<br /> **[[Valse d'Adele, S.456 (Liszt, Franz)|Valse d'Adele. Pour piano a la main gauche seule par le Comte Géza Zichy S.456]]<br /> **[[Agnus Dei della Messa da Requiem di Giuseppe Verdi, S.437 (Liszt, Franz)|Agnus Dei della Messa da Requiem di Giuseppe Verdi (2nd version) S.437]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und Kriemhild S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. Bechlarn S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 1. Osterhymne S.496/2]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und Polonaise S.496/2]]<br /> **[[Revive Szegedin!, S.572 (Liszt, Franz)|Revive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet S.572]]<br /> **[[Sarabande und Chaconne aus dem Singspiel Almira, S.181 (Liszt, Franz)|Sarabande und Chaconne aus dem Singspiel 'Almira' von Georg Friedrich Händel S.181]]<br /> **[[Tarantella de Dargomijski, S.483 (Liszt, Franz)|Tarantella de Dargomijski S.483]]<br /> **[[Vive Henri IV, S.239 (Liszt, Franz)|Vive Henri IV S.239]]<br /> *'''Volume 15 (Free Arrangements XV), 2003, Z.12404.'''<br /> *'''Volume 16 (Transcriptions I), 1996, Z.13353.'''<br /> *'''Volume 17 (Transcriptions II), 1992, Z.13354.'''<br /> **Symphonie No.1 S.464/1<br /> **Symphonie No.2 S.464/2<br /> **Symphonie No.3 S.464/3<br /> **Symphonie No.4 S.464/4<br /> *'''Volume 18 (Transcriptions III), 1992, Z.13355.'''<br /> **Symphonie No.5 (2nd version) S.464/5<br /> **Symphonie Pastorale (No. 6) (3rd version) S.464/6<br /> **Symphonie No.7 (2nd version) S.464/7<br /> *'''Volume 19 (Transcriptions IV), 1993, Z.13356.'''<br /> **Symphonie No.8 S.464/8<br /> **Symphonie No.9 S.464/9<br /> *'''Volume 20 (Transcriptions V), 1997, Z.13357.'''<br /> *'''Volume 21 (Transcriptions VI), 1995, Z.13358.'''<br /> *'''Volume 22 (Transcriptions VII), 1997, Z.13359.'''<br /> *'''Volume 23 (Transcriptions VIII), 1996, Z.13360.'''<br /> *'''Volume 24 (Transcriptions IX), 1998, Z.13361.'''<br /> <br /> ==References==<br /> *[http://www.emb.hu/cat/80031.pdf Neue Liszt-Ausgabe catalogue] - PDF version<br /> [[Category:Editions|Liszt]]</div>

Funper //imslp.org/wiki/Cs%C3%A1rd%C3%A1s_macabre,_S.224_(Liszt,_Franz) 2019-02-16T14:32:01Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S224_Csárdás_macabre.pdf<br /> |File Description 1=Complete Score (S.224)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/5/26<br /> |Page Count 1=12<br /> |Publisher Information=London: Schott, 1951.&lt;br&gt;''Liszt Society Publications'', vol.1<br /> |Reprint=''Mephisto Waltz and Other Works for Solo Piano''&lt;br&gt;Mineola: [[Dover Publications]], 1994.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP15580-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224_scan.pdf<br /> |File Name 2=PMLP15580-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=17 (#24-40)<br /> |Page Count 2=17 (#24-40)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/7/9<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Csárdás macabre<br /> |Alternative Title=<br /> |Opus/Catalogue Number=S.224 ; LW.A313<br /> |Number of Movements/Sections=1 piece<br /> |Dedication=Count László Teleki (1811–1861)<br /> |Year/Date of Composition=1881-82<br /> |Year of First Publication=1952<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=czardas ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ===Version History===<br /> * Composed for solo piano, 1881–82 (= S.224)<br /> : Published 1951 by [[Schott]] (London), in ''Liszt Society Publications'', vol.1<br /> * Arranged for piano 4 hands, 1881–82 [with János Végh?] (= S.617)<br /> : Version not published<br /> ===External Links===<br /> * [[wikipedia:Czárdás (Liszt)|Wikipedia article]]<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Cs%C3%A1rd%C3%A1s_macabre,_S.224_(Liszt,_Franz) 2019-02-16T14:27:33Z

<p>Funper: correction</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S224_Csárdás_macabre.pdf<br /> |File Description 1=Complete Score (S.224)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/5/26<br /> |Page Count 1=12<br /> |Publisher Information=London: Schott, 1951.&lt;br&gt;''Liszt Society Publications'', vol.1<br /> |Reprint=''Mephisto Waltz and Other Works for Solo Piano''&lt;br&gt;Mineola: [[Dover Publications]], n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP15580-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224_scan.pdf<br /> |File Name 2=PMLP15580-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=17 (#24-40)<br /> |Page Count 2=17 (#24-40)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/7/9<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_13_04_Csardas_macabre_S.224.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Csárdás macabre<br /> |Alternative Title=<br /> |Opus/Catalogue Number=S.224 ; LW.A313<br /> |Number of Movements/Sections=1 piece<br /> |Dedication=Count László Teleki (1811–1861)<br /> |Year/Date of Composition=1881-82<br /> |Year of First Publication=1952<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=czardas ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ===Version History===<br /> * Composed for solo piano, 1881–82 (= S.224)<br /> : Published 1951 by [[Schott]] (London), in ''Liszt Society Publications'', vol.1<br /> * Arranged for piano 4 hands, 1881–82 [with János Végh?] (= S.617)<br /> : Version not published<br /> ===External Links===<br /> * [[wikipedia:Czárdás (Liszt)|Wikipedia article]]<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Buch_der_Lieder_II,_S.535%E2%80%93540_(Liszt,_Franz) 2018-10-28T01:33:59Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S535-40_Buch_der_Lieder_II_(nla).pdf<br /> |File Name 2=PMLP28935-Liszt_NLA_Serie_I_Band_18_11_Buch_der_Lieder_Band_II_scan.pdf<br /> |File Name 3=PMLP28935-Liszt_NLA_Serie_I_Band_18_11_Buch_der_Lieder_Band_II_filter.pdf<br /> |File Name 4=PMLP28935-Liszt_NLA_Serie_I_Band_18_12_Anhang_scan.pdf<br /> |File Name 5=PMLP28935-Liszt_NLA_Serie_I_Band_18_12_Anhang_filter.pdf<br /> |File Description 1=Complete Score (S.535-540)<br /> |File Description 2=Complete Score (S.535–540) (scan)<br /> |File Description 3=Complete Score (S.535–540) (filter)<br /> |File Description 4=Critical Notes (scan)<br /> |File Description 5=Critical Notes (filter)<br /> |Page Count 1=<br /> |Page Count 2=31 (#179-209)<br /> |Page Count 3=31 (#179-209)<br /> |Page Count 4=15 (#210-224)<br /> |Page Count 5=15 (#210-224)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner 1=<br /> |Uploader 1=[[User:Funper|Funper]]<br /> |Date Submitted 1=2007/8/15<br /> |Scanner 2=piupianissimo<br /> |Uploader 2=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 2=2011/11/1<br /> |Scanner 3=piupianissimo<br /> |Uploader 3=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 3=2011/11/1<br /> |Scanner 4=piupianissimo<br /> |Uploader 4=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 4=2011/11/1<br /> |Scanner 5=piupianissimo<br /> |Uploader 5=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 5=2011/11/1<br /> |Publisher Information={{NeueLisztAusgabe|1|18|1985|12903}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_18_11_Buch_der_Lieder_Band_II.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_18_11_Buch_der_Lieder_Band_II.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Buch der Lieder II<br /> |Alternative Title=<br /> |Opus/Catalogue Number=S.535-540 ; LW.A139<br /> |Number of Movements/Sections=6 pieces<br /> |Dedication=<br /> |Year/Date of Composition=1847<br /> |Year of First Publication=1985<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=lieder ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ===Section Listing===<br /> # ''O quand je dors'' (S.536)&lt;br&gt;Arrangement of 1st version of {{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}, S.282/1<br /> # ''Comment, disaient-ils'' (S.535)&lt;br&gt;Arrangement of 1st version of {{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}, S.276/1<br /> # ''Enfant, si j'étais roi'' (S.537)&lt;br&gt;Arrangement of 1st version of {{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}, S.283/1<br /> # ''S'il est un charmant gazon'' (S.538)&lt;br&gt;Arrangement of 1st version of {{LinkWorkN|S'il est un charmant gazon|S.284|Liszt|Franz|0}}, S.284/1<br /> # ''La tombe et la rose'' (S.539)&lt;br&gt;Arrangement of {{LinkWork|La tombe et la rose|S.285|Liszt|Franz|0}}<br /> # ''Gastibelza'' (S.540)&lt;br&gt;Arrangement of {{LinkWork|Gastibelza|S.286|Liszt|Franz|0}}<br /> <br /> ===Version History===<br /> * Arranged for solo piano, 1847, from six earlier songs for voice and piano<br /> : Published 1987 by [[Editio Musica Budapest]] (Budapest)<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Franz_Liszt:_Neue_Liszt-Ausgabe 2017-11-05T03:11:38Z

<p>Funper: /* Series II */</p> <hr /> <div>==History==<br /> '''Neue Liszt-Ausgabe''' (abbreviated as &quot;NLA&quot;; full name, ''Franz Liszt. Neue Ausgabe sämtlicher Werke'') is the second complete authentic edition of the music of [[:Category:Liszt, Franz|Franz Liszt]]. The complete edition is based on all the available manuscript and printed sources of Liszt's works. The edition was published jointly by Edition Musica Budapest and the Bärenreiter-Verlag Kassel from 1970 to present. Cooperation between the Bärenreiter-Verlag and Editio Musica Budapest came to an end in 1985 with the completion of series 1, however EMB has independently continued the series.<br /> ====Copyright status====<br /> &lt;span style=&quot;color:crimson&quot;&gt;''Please note that the IMSLP makes no guarantee whatsoever that the information appearing here is legally accurate and assumes no liability or legal responsibility therefor.''&lt;/span&gt;&lt;br&gt;<br /> Under Canadian law, a work must contain a sufficient amount of original material to qualify for copyright protection - which is usually described as the &quot;threshold of originality.&quot; Works which consist of collation and comparison of public domain sources, though they often require intensive research and scholarship, fail to meet this test under the copyright statutes of many nations around the world, including Canada. However, the determination of originality is ultimately up to a court, since there is no specific language in the Canadian statute explicitly defining which items are considered original enough to meet the &quot;threshold of originality&quot; on a given editor's part. It is also true that such editions have been granted a special, limited-term, copyright in certain countries (notably Germany and Italy), and in the EU itself. IMSLP, though it is under no sort of legal obligation to do so, therefore voluntarily enforces a term of 25 years from date of publication for such modern, scholarly editions, which originate in the European Union.<br /> <br /> Before its 1989 demise, the Hungarian communist state published works of living or deceased persons on which the state claimed copyright. Editio Musica Budapest (founded in 1950) was a government agency formed by government expropriation of privately-owned publishing firms like Roszavolgyi, Rozsnyai, and others at the start of the Soviet occupation. Although original works of contemporary Hungarian composers have been judged to be the vaild copyrights of the composers themselves or their heirs in most Western countries, urtext or critical editions published during this era (1945-1989) have not been considered to be subject of copyright, as such editions were prepared by government employees working for a state agency as part of their employment - thus government works. Moreover, the copyright owner itself (the Hungarian communist government) ceased to exist. See [[Public domain#Russia / USSR|this section on USSR editions]] for more information.<br /> <br /> Additionally, Section 70 of the German copyright law states that scientific editions (editions which are produced as a result of scientific analysis, i.e. urtext) are entitled to only a limited copyright term of publication plus 25 years. Since series 1 of Neue Liszt-Ausgabe was published jointly with the German publisher Bärenreiter, all volumes in series 1 that are older than 25 years are public domain in Germany and all published more than 30 years ago are public domain in the EU as a whole. See [[Public domain#Germany|this]] for more information. (Article 5 of the EU Copyright Directive 93/98/EC specifically limits the term of critical or urtext editions to a maximum of 30 years following publication.)<br /> <br /> &lt;span style=&quot;color:crimson&quot;&gt;Despite the foregoing points regarding the Canadian status of sections of this edition, the location Project Petrucci LLC (the owner of this site) in the USA complicates matters considerably. Since many volumes of the NLA were issued simultaneously in Germany and bear a proper copyright notice after 1963 (which means they were automatically renewed in the USA), they would appear to be protected under US law until there is a challenge to clarify the &quot;threshold of originality&quot; with respect to such editions directly. IMSLP therefore has moved all such items to servers of the unaffiliated organization IMSLP-EU, where they are available only to non-US downloaders.&lt;/span&gt;<br /> <br /> ==Template==<br /> &lt;nowiki&gt;{{&lt;/nowiki&gt;[[Template:NeueLisztAusgabe|NeueLisztAusgabe]]&lt;nowiki&gt;|Series|Band|Year|Plate}}&lt;/nowiki&gt;<br /> ==Editors==<br /> *Zoltán Gárdonyi (1906-1986), István Szelényi (1904-1972) '''Vol.1-4<br /> *Antal Boronkay '''Vol.5<br /> *Imre Mező, Imre Sulyok (1912-2008) '''Vol.6-18<br /> ==Contents==<br /> Neue Liszt-Ausgabe is planned to comprise the following ten series, of which only two have been published:<br /> <br /> *I. Solo piano works (1970-85)<br /> *II. Free arrangements and transcriptions for piano solo (1986-2005)<br /> *III. Works and arrangements for piano four hands and for two pianos<br /> *IV. Works and arrangements for several instruments<br /> *V. Works and arrangements for organ, and for organ and other instruments<br /> *VI. Orchestral works<br /> *VII. Works for piano and orchestra<br /> *VIII. Vocal works with piano<br /> *IX. Vocal works with orchestra, or with several instruments<br /> *X. A cappella choral works<br /> **Supplements to Series I and II<br /> <br /> ===Series I===<br /> Series I of the Neue Liszt-Ausgabe contains Franz Liszt's original solo piano works,<br /> and transcriptions for solo piano of his own compositions. Mostly final versions appears in these volumes, but some earlier versions that are significantly different from their final form appear here to.<br /> <br /> *'''Volume 1 (Etüden I), 1970. Plate Z.5411.''' <br /> **[[Études d'exécution transcendante, S.139 (Liszt, Franz)|Études d'exécution transcendante]] (S.139)<br /> *'''Volume 2 (Etüden II), 1971. Plate Z.5412.'''<br /> **[[3 Études de concert, S.144 (Liszt, Franz)|Trois Études de concert - Trois Caprices poétiques]] (S.144)<br /> **[[Ab Irato, Étude de perfectionnement, S.143 (Liszt, Franz)|Ab irato]] (S.143)<br /> **[[2 Konzertetüden, S.145 (Liszt, Franz)|Zwei Konzertetüden - Two Concert-Studies]] (S.145)<br /> **[[Grandes études de Paganini, S.141 (Liszt, Franz)|Grandes études de Paganini]] (S.141)<br /> *'''Volume 3 (Ungarische Rhapsodien I), 1972. Plate Z.6210.'''<br /> **[[Hungarian Rhapsody No.1, S.244/1 (Liszt, Franz)|I. Rhapsodie hongroise]] (S.244/1)<br /> **[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|II. Rhapsodie hongroise]] (S.244/2)<br /> **[[Hungarian Rhapsody No.3, S.244/3 (Liszt, Franz)|III. Rhapsodie hongroise]] (S.244/3)<br /> **[[Hungarian Rhapsody No.4, S.244/4 (Liszt, Franz)|IV. Rhapsodie hongroise]] (S.244/4)<br /> **[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|V. Rhapsodie hongroise - Héroïde-Élégiaque]] (S.244/5)<br /> **[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|VI. Rhapsodie hongroise]] (S.244/6)<br /> **[[Hungarian Rhapsody No.7, S.244/7 (Liszt, Franz)|VII. Rhapsodie hongroise]] (S.244/7)<br /> **[[Hungarian Rhapsody No.8, S.244/8 (Liszt, Franz)|VIII. Rhapsodie hongroise]] (S.244/8)<br /> **[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|IX. Rhapsodie hongroise - Pesther Carneval - Le Carnaval de Pesth]] (S.244/9)<br /> *'''Volume 4 (Ungarische Rhapsodien II), 1973. Plate Z.6211.'''<br /> **[[Hungarian Rhapsody No.10, S.244/10 (Liszt, Franz)|X. Rhapsodie hongroise]] (S.244/10)<br /> **[[Hungarian Rhapsody No.11, S.244/11 (Liszt, Franz)|XI. Rhapsodie hongroise]] (S.244/11)<br /> **[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|XII. Rhapsodie hongroise]] (S.244/12)<br /> **[[Hungarian Rhapsody No.13, S.244/13 (Liszt, Franz)|XIII. Rhapsodie hongroise]] (S.244/13)<br /> **[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|XIV. Rhapsodie hongroise]] (S.244/14)<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|XV. Rhapsodie hongroise - Rákóczi-Marsch]] (S.244/15)<br /> **[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|XVI. Magyar rhapsodia - Ungarische Rhapsodie]] (S.244/16)<br /> **[[Hungarian Rhapsody No.17, S.244/17 (Liszt, Franz)|XVII. Rhapsodie hongroise]] (S.244/17)<br /> **[[Hungarian Rhapsody No.18, S.244/18 (Liszt, Franz)|XVIII. Magyar rhapsodia]] (S.244/18)<br /> **[[Hungarian Rhapsody No.19, S.244/19 (Liszt, Franz)|XIX. Rhapsodie hongroise - Ungarische Rhapsodie ]] (S.244/19)<br /> *'''Volume 5 (Grosses Konzertsolo, Sonate, B-a-c-h), 1983. Plate Z.7295.'''<br /> **[[Grosses Konzertsolo, S.176 (Liszt, Franz)|Großes Konzertsolo]] (S.176)<br /> **[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonate B minor - h-Moll]] (S.178)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B-A-C-H]] (S.529ii)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Praeludium und Fuge über das Motiv B-a-c-h - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.529)<br /> *'''Volume 6 (Années de Pélerinage I), 1976. Plate Z.7474.'''<br /> **[[Années de pèlerinage I, S.160 (Liszt, Franz)|Années de pèlerinage - Première Année — Suisse]] (S.160)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - I. Impressions et Poésies]] (Nos. 1, 4, 7) (S.156/1)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - II. Fleurs mélodiques des Alpes]] (S.156/2)<br /> *'''Volume 7 (Années de Pélerinage II), 1974. Plate Z.6785.'''<br /> **[[Années de pèlerinage II, S.161 (Liszt, Franz)|Années de Pèlerinage - Deuxième Année — Italie]] (S.161)<br /> **[[Années de pèlerinage II, Supplément, S.162 (Liszt, Franz)|Venezia e Napoli. Supplément aux Années de Pèlerinage 2&lt;sup&gt;nd&lt;/sup&gt; volume — Italie]] (S.162)<br /> **[[Venezia e Napoli, S.159 (Liszt, Franz)|Venezia e Napoli - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.159)<br /> *'''Volume 8 (Années de Pélerinage III), 1975, Z.6957.'''<br /> **[[Années de pèlerinage III, S.163 (Liszt, Franz)|Années de Pèlerinage - Troisième Année]] (S.163)<br /> *'''Volume 9 (Various Cyclical Works I), 1981, Z.8011.'''<br /> **[[8 Variations, S.148 (Liszt, Franz)|Huit variations]] (S.147)<br /> **[[Apparitions, S.155 (Liszt, Franz)|Apparitions]] (S.155)<br /> **[[Harmonies poétiques et religieuses III, S.173 (Liszt, Franz)|Harmonies poétiques et religieuses]] (S.173)<br /> **[[Consolations, S.172 (Liszt, Franz)|Consolations - Six pensées poétiques]] (S.172)<br /> **[[Ballade No.1, S.170 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Ballade - Le chant du croisé]] (S.170)<br /> **[[Ballade No.2, S.171 (Liszt, Franz)|2&lt;sup&gt;e&lt;/sup&gt; Ballade]] (S.171)<br /> **[[Harmonies poétiques et religieuses I, S.154 (Liszt, Franz)|Harmonies poétiques et religieuses - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.154)<br /> **[[Invocation, early version, S.172a/2 (Liszt, Franz)|Invocation - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.172a/2)<br /> **[[Hymne de la nuit, S.173a/1 (Liszt, Franz)|Hymne de la Nuit]] (S.173a/1)<br /> **[[Hymne du matin, S.173a/2 (Liszt, Franz)|Hymne du Matin]] (S.173a/2)<br /> **[[Klavierstück No.2, S.189a (Liszt, Franz)|Klavierstück As-Dur Nr. 2]] (S.189a)<br /> *'''Volume 10 (Various Cyclical Works II), 1980, Z.8459.'''<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes]] (S.175)<br /> **[[5 Klavierstücke, S.192 (Liszt, Franz)|Five Piano Pieces - Fünf Klavierstücke]] (S.192)<br /> **[[Elegy No.1, S.196 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Élégie]] (S.196)<br /> **[[Elegy No.2, S.197 (Liszt, Franz)|Zweite Elegie]] (S.197)<br /> **[[Weihnachtsbaum, S.186 (Liszt, Franz)|Weihnachtsbaum - L'albero del natale - Arbre de Noël]] (S.186)<br /> **[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|Choräle]]<br /> **[[Historische ungarische Bildnisse, S.205 (Liszt, Franz)|Historical Hungarian Portraits - Historische ungarische Bildnisse - Portraits hongrois historiques]] (S.205)<br /> **[[Via Crucis, S.504a (Liszt, Franz)|Via Crucis]] (S.504a)<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes No. 2, St. François de Paule «marchant sur les flots» (version facilitée)]]<br /> *'''Volume 11 (Individual Character Pieces I), 1979, Z.6216.'''<br /> **[[Allegro di bravura, S.151 (Liszt, Franz)|Allegro di bravura]] (S.151)<br /> **[[Rondo di bravura, S.152 (Liszt, Franz)|Rondo di bravura]] (S.152)<br /> **[[Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 (Liszt, Franz)|Élégie sur des motifs du Prince Louis Ferdinand de Prusse]] (S.168)<br /> **[[Klavierstück aus der Bonn Beethoven-Cantata, S.507 (Liszt, Franz)|70 Bars on Themes from the First Beethoven Cantata- 70 Takte nach Motiven aus der Ersten Beethoven-Kantate]] (S.507)<br /> **[[Romance, S.169 (Liszt, Franz)|Romance]]<br /> **[[Festvorspiel, S.226 (Liszt, Franz)|Festvorspiel - Prélude]]<br /> **[[Les morts, S.112/1 (Liszt, Franz)|Les morts - Die Toten]] (S.516)<br /> **[[Klavierstück, S.193 (Liszt, Franz)|Piano Piece in F sharp major - Klavierstück Fis-Dur]]<br /> **[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)|Ave Maria (für die große Klavierschule von Lebert und Stark)]]<br /> **[[Alleluja, S.183/1 (Liszt, Franz)|Alleluja]]<br /> **[[Berceuse, S.174 (Liszt, Franz)|Berceuse (2nd version - 2. Fassung)]]<br /> **[[Slavimo slavno, Slaveni!, S.33 (Liszt, Franz)|Slavimo slavno slaveni!]]<br /> **[[La notte, S.112/2 (Liszt, Franz)|La Notte]] (S.516a)<br /> *'''Volume 12 (Individual Character Pieces II), 1978, Z.6217.'''<br /> **[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla Regis prodeunt]]<br /> **[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et orbi]]<br /> **[[Un portrait en musique, S.190 (Liszt, Franz)|Un portrait en musique]]<br /> **[[Ave Maria II, S.38 (Liszt, Franz)|Ave Maria (aus den neun Kirchenchorgesängen)]]<br /> **[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]<br /> **[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]<br /> **[[Impromptu, S.191 (Liszt, Franz)|Impromptu]]<br /> **[[Receuillement, S.204 (Liszt, Franz)|Recueillement]]<br /> **[[Sancta Dorothea, S.187 (Liszt, Franz)|Sancta Dorothea]]<br /> **[[Carrousel de Madame Pelet-Narbonne, S.214a (Liszt, Franz)|Carrousel de Madame P-N]]<br /> **[[Toccata, S.197a (Liszt, Franz)|Toccata]]<br /> **[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione (1st version - 1. Fassung)]]<br /> **[[In festo transfigurationis Domini nostri Jesu Christi, S.188 (Liszt, Franz)|In festo transfigurationis Domini]]<br /> **[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée - Vergessene Romanze]]<br /> **[[Ave Maria IV, S.341 (Liszt, Franz)|Ave Maria (IV)]]<br /> **[[Wiegenlied, S.198 (Liszt, Franz)|Wiegenlied - Chant du berceau]]<br /> **[[Trübe Wolken, S.199 (Liszt, Franz)|Trübe Wolken - Nuages gris]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 1 - La lugubre gondola No. 1]]<br /> **[[R.W. - Venezia, S.201 (Liszt, Franz)|R. W. Venezia]]<br /> **[[Schlaflos! Frage und Antwort, S.203 (Liszt, Franz)|Schlaflos!]]<br /> **[[Am Grabe Richard Wagners, S.135 (Liszt, Franz)|Am Grabe Richard Wagners]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 2 - La lugubre gondola No. 2]]<br /> **[[Trauervorspiel und Trauermarsch, S.206 (Liszt, Franz)|Trauervorspiel und Trauermarsch]]<br /> **[[En rêve, S.207 (Liszt, Franz)|En rêve]]<br /> **[[Unstern, S.208 (Liszt, Franz)|Unstern! - Sinistre]]<br /> *'''Volume 13 (Dances, Marches and Scherzos I), 1985, Z.8252.'''<br /> **[[2 Waltzes, S.126b (Liszt, Franz)|Waltz - Walzer (S.208a)]]<br /> **[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique]]<br /> **[[Heroischer Marsch in ungarischem Stil, S.231 (Liszt, Franz)|Heroischer Marsch in ungarischem Stil - Marche héroïque dans le genre hongrois]]<br /> **[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt - Feuille d'Album No. 1]]<br /> **[[Galop de bal, S.220 (Liszt, Franz)|Galop de Bal]]<br /> **[[Galop in A minor, S.218 (Liszt, Franz)|Gallop (A minor) - Galopp (a-Moll)]]<br /> **[[Feuilles d'album, S.165 (Liszt, Franz)|Feuilles d'Album (A flat major - As-Dur)]]<br /> **[[Albumblatt in Walzerform, S.166 (Liszt, Franz)|Valse]]<br /> **[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler (A flat major - As-Dur)]]<br /> **[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise (E flat minor - es-Moll)]]<br /> **[[Mazurka brillante, S.221 (Liszt, Franz)|Mazurka brillante]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse de bravoure]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse mélancolique (2nd version - 2. Fassung)]]<br /> **[[2 Polonaises, S.223 (Liszt, Franz)|2 Polonaises]]<br /> **[[Scherzo und Marsch, S.177 (Liszt, Franz)|Scherzo und Marsch]]<br /> **[[Valse-Impromptu, S.213 (Liszt, Franz)|Valse-Impromptu]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique (simplifié par l'auteur)]]<br /> **[[Petite valse favorite, S.212 (Liszt, Franz)|Petite Valse favorite]]<br /> *'''Volume 14 (Dances, Marches and Scherzos I), 1984, Z.8858.'''<br /> **[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch (2nd version - 2. Fassung)]]<br /> **[[Siegesmarsch, S.233a (Liszt, Franz)|Siegesmarsch - Marche triomphale]]<br /> **[[Ungarischer Geschwindmarsch, S.233 (Liszt, Franz)|Magyar gyors induló - Ungarischer Geschwindmarsch]]<br /> **[[Csárdás macabre, S.224 (Liszt, Franz)|Csardas macabre]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Première Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Deuxième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Troisième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Vierter vergessener Walzer - Quatrième Valse oubliée]]<br /> **[[Mephisto Waltz No.3, S.216 (Liszt, Franz)|Dritter Mephisto-Walzer]]<br /> **[[Mephisto Polka, S.217 (Liszt, Franz)|Mephisto-Polka]]<br /> **[[Bülow-Marsch, S.230 (Liszt, Franz)|Bülow-Marsch]]<br /> **[[2 Csárdás, S.225 (Liszt, Franz)|2 Csardas]]<br /> **[[Mephisto Waltz No.4, S.216b (Liszt, Franz)|Vierter Mephisto-Walzer]]<br /> **[[Bagatelle sans tonalité, S.216a (Liszt, Franz)|Vierter Mephisto-Walzer - Bagatelle ohne Tonart - Bagatelle sans tonalité]]<br /> **[[Festmarsch zur Säcularfeier von Goethes Geburtstag, S.227 (Liszt, Franz)|Festmarsch zur Säkularfeier von Goethes Geburtstag (1st version - 1. Fassung)]]<br /> *'''Volume 15 (Klavier-Versionen Eigener Werke I), 1982, Z.8253.'''<br /> **[[Il m'aimait tant, S.271 (Liszt, Franz)|Il m'aimait tant!]]<br /> **[[Buch der Lieder I, S.531 (Liszt, Franz)|Buch der Lieder I - Poésies]]<br /> **[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Liebesträume - 3 Notturnos]]<br /> **[[Huldigungsmarsch, S.228 (Liszt, Franz)|Huldigungsmarsch]]<br /> **[[Vom Fels zum Meer!, S.229 (Liszt, Franz)|Vom Fels zum Meer!]]<br /> **[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|2. Festmarsch (nach Motiven von E. H. z. S.)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 1)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 2)]]<br /> **[[Ich liebe dich, S.315 (Liszt, Franz)|Ich liebe dich]]<br /> **[[Künstlerfestzug zur Schillerfeier 1859, S.114 (Liszt, Franz)|Künstlerfestzug]]<br /> **[[Mephisto Waltz No.1, S.514 (Liszt, Franz)|1. Mephisto-Walzer (''Der Tanz in der Dorfschenke'')]]<br /> **[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]<br /> **[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale (Schnitterchor aus dem entfesselten Prometheus)]]<br /> **[[Die Loreley, S.273 (Liszt, Franz)|Die Lorelei (2nd version - 2. Fassung)]]<br /> **[[Christus ist geboren II, S.32 (Liszt, Franz)|Weihnachtslied]]<br /> **[[Pio IX, S.261 (Liszt, Franz)|L'hymne du pape]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Notturno No. 2 (1st version - 1. Fassung)]]<br /> *'''Volume 16 (Klavier-Versionen Eigener Werke II), 1982, Z.8859.'''<br /> **[[Totentanz, S.126 (Liszt, Franz)|Totentanz]] (S.525)<br /> **[[Le triomphe funèbre du Tasse, S.112/3 (Liszt, Franz)|Le triomphe funèbre du Tasse (S.517)]]<br /> **[[Christus, S.3 (Liszt, Franz)|Zwei Orchestersätze aus dem Oratorium Christus]]<br /> **[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Drei Stücke aus der Legende der heiligen Elisabeth]]<br /> **[[Ungarische Krönungsmesse, S.11 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]<br /> **[[Ave maris stella, S.34 (Liszt, Franz)|Ave maris stella]]<br /> **[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur (Humoreske)]]<br /> **[[Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867, S.118 (Liszt, Franz)|Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1867)]]<br /> **[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Ungarischer Hymnus - Szózat és Magyar Himnusz]]<br /> **[[Faust Symphony, S.108 (Liszt, Franz)|Gretchen (Aus Faust-Symphonie)]]<br /> **[[Ungarischer Sturmmarsch, S.119 (Liszt, Franz)|Ungarischer Sturmmarsch (Neue Bearbeitung 1876)]]<br /> **[[Seconde marche hongroise, S.232 (Liszt, Franz)|Seconde marche hongroise - Ungarischer Sturmmarsch (1st version - 1. Fassung)]]<br /> *'''Volume 17 (Klavier-Versionen Eigener Werke III), 1983, Z.8860.'''<br /> **[[Festpolonaise, S.230a (Liszt, Franz)|Festpolonaise]]<br /> **[[Der blinde Sänger, S.350 (Liszt, Franz)|Der blinde Sänger (Слепой)]]<br /> **[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]<br /> **[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Deux polonaises (de l'oratorio St. Stanislas)]]<br /> **[[O Roma nobilis, S.54 (Liszt, Franz)|O Roma nobilis]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco (preludio per il Cantico del Sol, di San Francesco d'Assisi)]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]<br /> **[[Mephisto Waltz No.2, S.515 (Liszt, Franz)|2. Mephisto-Walzer]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|A magyarok istene - Ungarns Gott]]<br /> **[[Von der Wiege bis zum Grabe, S.107 (Liszt, Franz)|Von der Wiege bis zum Grabe — Du berceau jusqu' à la tombe]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Die Zelle in Nonnenwerth (4th version — 4. Fassung)]]<br /> **[[Magyar király-dal, S.340 (Liszt, Franz)|Magyar király-dal — Ungarisches Königslied]]<br /> **[[In domum Domini ibimus, S.57 (Liszt, Franz)|In domum Domini ibimus — Zum Haus des Herrn ziehen wir]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No. 2 (als &quot;Die Zelle in Nonnenwerth&quot;, 3. Fassung)]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|Ungarns Gott — A magyarok istene (Klavier-Transkription für die linke Hand — zongoraátirat bal kézre)]]<br /> *'''Volume 18 (Supplement), 1985, Z.12903.'''<br /> **[[Étude en douze exercices, S.136 (Liszt, Franz)|Étude en douze exercices (op. 6)]]<br /> **[[Magyar dalok, S.242 (Liszt, Franz)|Magyar dalok — Ungarische Nationalmelodien (Nos. 1-10)]]<br /> **[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien Im leichten Stile bearbeitet]]<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|Rákóczi-Marsch (1st version — 1. Fassung)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Rákóczi-Marsch - Magyar Dalok (S.242/13)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Ungarische Nationalmelodie (Rákóczi-Marsch) Erleichtert]]<br /> **[[Marche de Rákóczy, S.244c (Liszt, Franz)|Marche de Rákóczi - Édition populaire (S.244c)]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für das Pianoforte]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für Pianoforte erleichtert]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Magyar rapszódiák (Nos. 15, 17, 20)]]<br /> **[[Buch der Lieder II, S.535–540 (Liszt, Franz)|Buch der Lieder für Piano allein — II - Poésies lyriques pour piano seul — (S.535-40)]]<br /> <br /> ===Series II===<br /> &lt;span style=&quot;color:crimson&quot;&gt;''As of 2018, scores from volumes 1, 7, 14, 17, and 18, are permissible to submit since ≥25 years have passed since date of publication.''&lt;/span&gt;&lt;br&gt;<br /> Series II of the Neue Liszt-Ausgabe contains solo piano works based on works or themes of other composers, and arrangements of certain folk melodies (or melodies of a folk character by known composers).<br /> <br /> *'''Volume 1 (Free Arrangements I), 1990, Z.8766.'''<br /> **[[Variation on a Waltz by Diabelli, S.147 (Liszt, Franz)|Variation on a Waltz of Diabelli S.147]]<br /> **[[Seven Brilliant Variations on a Theme of Rossini, S.149 (Liszt, Franz)|Seven Brilliant Variations on a Theme of Rossini S.149]]<br /> **[[Impromptu brillant sur des thèmes de Rossini et Spontini, S.150 (Liszt, Franz)|Impromptu Brillant on Themes of Rossini and Spontini S.150]]<br /> **[[Two Hungarian Recruiting Dances, S.241 (Liszt, Franz)|Two Hungarian Recruiting Dances by László Fáy and János Bihari S.241]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La Fiancée. Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (3. változat - 3rd version) S.385]]<br /> **[[Grande fantaisie de bravoure sur La clochette, S.420 (Liszt, Franz)|Grande Fantaisie di bravura sur la Clochette de Paganini S.420]]<br /> **[[L'Idée fixe. Andante amoroso, S.395 (Liszt, Franz)|L'Idée fixe. Andante amoroso S.395]]<br /> **[[Réminiscences de La juive, S.409a (Liszt, Franz)|Réminiscences de La Juive S.409a]]<br /> **[[Deux fantaisies 1. La Serenata e l'Orgia, S.422 (Liszt, Franz)|Deux fantaisies 1. La Serenata e l'Orgia. Grande fantaisie sur des motifs des Soirées musicales de Rossini (2nd version) S.422]]<br /> **[[Deux fantaisies 2. La pastorella dell'Alpi e Li marinari, S.423 (Liszt, Franz)|Deux fantaisies 2. La pastorella dell'Alpi e Li marinari. 2me fantaisie sur des motifs des Soirées musicales de Rossini S.423]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (1st version) S.385]]<br /> **[[5 Variationen über die Romanze aus Joseph von Méhul (Liszt, Franz)|5 Variationen über die Romanze aus Joseph von Méhul]]<br /> **[[Tyrolean Melody, S.385a (Liszt, Franz)|Tyrolean Melody from the Opera 'La Fiancée' by Auber S.385a]]<br /> *'''Volume 2 (Free Arrangements II), 2004, Z.8767.'''<br /> *'''Volume 3 (Free Arrangements III), 1999, Z.12392.'''<br /> *'''Volume 4 (Free Arrangements IV), 2002, Z.12393.'''<br /> *'''Volume 5 (Free Arrangements V), 2000, Z.12394.'''<br /> *'''Volume 6 (Free Arrangements VI), 2001, Z.12395.'''<br /> *'''Volume 7 (Free Arrangements VII), 1988, Z.12396.'''<br /> **[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Capriccio alla turca sur des motifs de Beethoven S.388]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 1. Lebe wohl! - Adieu! S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 2. Mädchens Klage - Les Plaintes de la Jeune fille S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein - La Cloche des Agonisants S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 4. Trockne Blumen - La Fleur Fanée S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 5. Ungeduld - Toute ma vie (1st version) S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 6. Die Forelle - La Truite (1st version) S.563]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 1. Das Wandern - Le meunier voyageur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 2. Der Müller und der Bach - La voix enchantresse S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 3. Der Jäger - Le chasseur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 4. Die böse Farbe - Garde moi souvenir S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 5. Wohin? - Au bord de la fontaine S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 6. Ungeduld - Toute ma vie (3rd version) S.565]]<br /> **[[Die Forelle, S.564 (Liszt, Franz)|Die Forelle. Lied von F. Schubert (2nd version) S.564]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 1. Trauermarsch - Grande marche funebre de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 2. Grande Marche de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert S.426]]<br /> *'''Volume 8 (Free Arrangements VIII), 1999, Z.12397.'''<br /> *'''Volume 9 (Free Arrangements IX), 2001, Z.12398.'''<br /> *'''Volume 10 (Free Arrangements X), 2002, Z.12399.'''<br /> *'''Volume 11 (Free Arrangements XI), 2004, Z.12400.'''<br /> *'''Volume 12 (Free Arrangements XII), 1994, Z.12401.'''<br /> *'''Volume 13 (Free Arrangements XIII), 2005, Z.12402.'''<br /> *'''Volume 14 (Free Arrangements XIV), 1990, Z.12403.'''<br /> **[[Danse Macabre, S.555 (Liszt, Franz)|Danse macabre. Poeme symphonique de Camille Saint-Saens S.555]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 1.Ranz de vaches S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 2.Un soir dans la montagne. Mélodie d'Ernest Knop S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 3.Ranz de chevres S.156/3]]<br /> **[[Valse d'Adele, S.456 (Liszt, Franz)|Valse d'Adele. Pour piano a la main gauche seule par le Comte Géza Zichy S.456]]<br /> **[[Agnus Dei della Messa da Requiem di Giuseppe Verdi, S.437 (Liszt, Franz)|Agnus Dei della Messa da Requiem di Giuseppe Verdi (2nd version) S.437]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und Kriemhild S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. Bechlarn S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 1. Osterhymne S.496/2]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und Polonaise S.496/2]]<br /> **[[Revive Szegedin!, S.572 (Liszt, Franz)|Revive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet S.572]]<br /> **[[Sarabande und Chaconne aus dem Singspiel Almira, S.181 (Liszt, Franz)|Sarabande und Chaconne aus dem Singspiel 'Almira' von Georg Friedrich Händel S.181]]<br /> **[[Tarantella de Dargomijski, S.483 (Liszt, Franz)|Tarantella de Dargomijski S.483]]<br /> **[[Vive Henri IV, S.239 (Liszt, Franz)|Vive Henri IV S.239]]<br /> *'''Volume 15 (Free Arrangements XV), 2003, Z.12404.'''<br /> *'''Volume 16 (Transcriptions I), 1996, Z.13353.'''<br /> *'''Volume 17 (Transcriptions II), 1992, Z.13354.'''<br /> **Symphonie No.1 S.464/1<br /> **Symphonie No.2 S.464/2<br /> **Symphonie No.3 S.464/3<br /> **Symphonie No.4 S.464/4<br /> *'''Volume 18 (Transcriptions III), 1992, Z.13355.'''<br /> **Symphonie No.5 (2nd version) S.464/5<br /> **Symphonie Pastorale (No. 6) (3rd version) S.464/6<br /> **Symphonie No.7 (2nd version) S.464/7<br /> *'''Volume 19 (Transcriptions IV), 1993, Z.13356.'''<br /> **Symphonie No.8 S.464/8<br /> **Symphonie No.9 S.464/9<br /> *'''Volume 20 (Transcriptions V), 1997, Z.13357.'''<br /> *'''Volume 21 (Transcriptions VI), 1995, Z.13358.'''<br /> *'''Volume 22 (Transcriptions VII), 1997, Z.13359.'''<br /> *'''Volume 23 (Transcriptions VIII), 1996, Z.13360.'''<br /> *'''Volume 24 (Transcriptions IX), 1998, Z.13361.'''<br /> <br /> ==References==<br /> *[http://www.emb.hu/cat/80031.pdf Neue Liszt-Ausgabe catalogue] - PDF version<br /> [[Category:Editions|Liszt]]</div>

Funper //imslp.org/wiki/Fantasie_und_Fuge_%C3%BCber_den_Choral_Ad_nos,_ad_salutarem_undam,_S.259_(Liszt,_Franz) 2016-11-04T00:02:03Z

<p>Funper: the entry is not by the composer</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****FILES***** =<br /> ===Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_Fantasie_und_Fuge_uber_Ad_nos_salutarem_undam_organ_S259.pdf<br /> |File Description 1=Complete Score (S.259/S.624)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner={{DU|chamber|k153}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/3/26<br /> |Page Count 1=50<br /> |Publisher Information={{P|Breitkopf und Härtel||Leipzig|{{HMB|1852|185}}|1852||8328}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=The piano duet version by Liszt (S.624) is embedded in extra staves<br /> }}<br /> {{#fte:imslpfile<br /> ||File Name 1=Liszt_-_S259_Fantasie_und_Fuge_uber_Ad_nos_salutarem_undam_(schirmer).pdf<br /> |File Description 1=Complete Score (S.259)<br /> |Page Count 1=52 (#62–113)<br /> |Editor={{LinkEd|Joseph|Bonnet}} (1884–1944)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2008/7/3<br /> |Publisher Information=''Historical organ-recitals: in five volumes. Vol.IV Romantic period''&lt;br&gt;{{P|Schirmer|G. Schirmer|New York||1919||28648}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=Page 1, Theme of the Chorale. Page 2, Fantasia and Fugue.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP11340-Liszt_-_S259_Fantasie_und_Fuge_uber_Ad_nos_salutarem_undam_(typeset).pdf<br /> |File Description 1=Complete Score (S.259)<br /> |Page Count 1=44<br /> |Editor={{LinkEd|Gyula|Pfeiffer}}<br /> |Image Type=Typeset<br /> |Scanner=Gyula Pfeiffer<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2010/6/12<br /> |Publisher Information=Gyula Pfeiffer, 2009.<br /> |Copyright=Creative Commons Attribution Non-commercial 3.0<br /> |Misc. Notes={{WIMAProject|D}}<br /> }}<br /> ===Arrangements and Transcriptions===<br /> =====For Piano solo (Busoni)=====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt-Busoni_-_Fantasie_und_Fuge_über_Ad_nos,_ad_salutarem_undam.pdf<br /> |File Description 1=Complete Score<br /> |Editor=<br /> |Arranger={{LinkArr|Ferruccio|Busoni}} (1866–1924)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/5/15<br /> |Page Count 1=43<br /> |Publisher Information=Leipzig: [[Breitkopf|Breitkopf &amp; Härtel]], n.d.(1897). Plate V.A.3863<br /> |Reprint=Wiesbaden, n.d. (1990?)<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Fantasie und Fuge über den choral ''Ad nos, ad salutarem undam'' für Orgel oder Pedalflügel<br /> |Alternative Title=Fantasy and Fugue on the chorale ''Ad nos, ad salutarem undam''. Illustrations du Prophète, de G. Meyerbeer. No. 4. <br /> |Opus/Catalogue Number=S.259 ; LW.E1<br /> |Number of Movements/Sections=3<br /> |Dedication={{LinkName|Giacomo|Meyerbeer}}<br /> |Year/Date of Composition=1850<br /> |Year of First Publication=1852<br /> |Related Works={{OpDerivs|Prophete}}<br /> |Librettist=<br /> |Language=<br /> |External Links=[[wikipedia:Fantasy and Fugue on the chorale &quot;Ad nos, ad salutarem undam&quot;|Wikipedia article]]<br /> |Piece Style=Romantic<br /> |Instrumentation=Organ or Pedal-Piano<br /> |Tags=fantasias ; fugues ; org ; pfped<br /> <br /> | *****COMMENTS***** =<br /> <br /> ===Version History===<br /> * Composed for organ, 1850 (= S.259), based on a theme from Act III of the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> : Published 1852 by [[Breitkopf &amp; Härtel]] (Leipzig)<br /> * Arranged for piano 4 hands, 1850 (= S.624)<br /> : Published 1852 by [[Breitkopf &amp; Härtel]] (Leipzig), as No.4 of {{LinkWork|Illustrations du Prophète|S.414|Liszt|Franz|0}}<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Piano_Sonata_in_B_minor,_S.178_(Liszt,_Franz) 2016-11-03T23:47:43Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP14018-liszt_s178.mp3<br /> |File Description 1=Complete recording<br /> |Audio Length 1=28:07<br /> |Performers=<br /> |Performer Categories=Ivanov, Gleb=piano<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/8/7<br /> |Publisher Information={{GardnerMus}}<br /> |Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP14018-sonate_Liszt_mp3.mp3<br /> |File Description 1=Complete recording<br /> |Performers=<br /> |Performer Categories=Dubé, Jean=piano<br /> |Uploader=[[User:Janno|Janno]]<br /> |Date Submitted=2015/4/30<br /> |Publisher Information=Jean Dubé<br /> |Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0<br /> |Misc. 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Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP14018-1463783733bsb00054283.pdf<br /> |File Description 1=Complete Score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Ferencziffra|Ferencziffra]]<br /> |Date Submitted=2016/5/20<br /> |Publisher Information={{P|Breitkopf und Härtel||Leipzig||1920||V. A. 3388}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP14018-Liszt_Musikalische_Werke_2_Band_8_61.pdf<br /> |File Description 1=Complete Score (S.178)<br /> |Page Count 1=41<br /> |Editor={{LinkEd|José|Vianna da Motta}} (1868–1948)<br /> |Image Type=Normal Scan<br /> |Scanner 1={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2010/2/15<br /> |Publisher Information={{Liszt-Stiftung|II|8|1924|61|103-40}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_8_61.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_8_61.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monocrome]].<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt - Sonata in b.pdf<br /> |File Name 2=PMLP14018-Liszt_-_S178_Sonata_in_B_minor_(Breitkopf).pdf<br /> |File Description 1=Complete Score<br /> |File Description 2=Complete Score<br /> |Page Count 1=36<br /> |Page Count 2=36<br /> |Editor={{LinkEd|José|Vianna da Motta}} (1868–1948)<br /> |Scanner=<br /> |Image Type=Normal Scan<br /> |Uploader 1=[[User:Feldmahler|Feldmahler]] <br /> |Date Submitted 1=2006/2/23<br /> |Uploader 2=[[User:Funper|Funper]]<br /> |Date Submitted 2=2010/9/2<br /> |Publisher Information={{Liszt-Stiftung|II|8|1924|61}}<br /> |Reprint=Mineola: [[Dover Publications]], 1989.<br /> |Copyright=Public Domain<br /> |Amazon={{AmazonLinks|0486261824|Dover vol. (reprint)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP14018-S.178_-_Piano_Sonata_in_B_minor_(1949_Salabert,_Cortot).pdf<br /> |File Description 1=Complete Score<br /> |Editor={{LinkEd|Alfred|Cortot}} (1877-1962)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Ferencziffra|Ferencziffra]]<br /> |Date Submitted=2016/5/17<br /> |Publisher Information=Paris: [[Salabert]], 1949. Plate E.A.S. 15453.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP14018-S.178_-_Piano_Sonata_in_B_minor_(1960_Muzgiz,_Milstein).pdf<br /> |File Name 2=PMLP14018-Liszt_-_hmoll_sonate_-_critical_notes.pdf<br /> |File Description 1=Complete Score<br /> |File Description 2=Critical Notes<br /> |Editor={{LinkEd|Yakov|Milstein}} (1911-1981)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Ferencziffra|Ferencziffra]]<br /> |Date Submitted=2016/5/17<br /> |Publisher Information=''Sochineniia dlia fortepiano, Vol. 1'' (pp. 98-130) &lt;br&gt;Moscow: [[Muzgiz]], 1960. Plate М. 27341 Г.{{Urtext}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=Critical notes only in Russian.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S178_Sonata_in_B_minor.pdf<br /> |File Description 1=Complete Score<br /> |Editor={{LinkEd|Vladimir|Belov}} (1906—1989)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/5/15<br /> |Page Count 1=38<br /> |Publisher Information=Moscow: [[Muzyka]], n.d.(1985). Plate 13013<br /> |Copyright=Public Domain<br /> |Misc. Notes=Based on 1952 ed. of G. Neuhaus and {{LinkEd|Vladimir|Belov}} (1906—1989)&lt;br&gt;'''NB.''' This edition contains some notation errors: The &quot;8&quot; sign under a note always means &quot;add the lower octave&quot; in Liszt's notation. For example, the last note of the sonata should not be removed and placed one octave lower, as rendered in this edition, but the right way is to merely ''add'' the lower octave, thus ending the sonata in an octave chord. {{Plain|http://www.lisztsoc.org.uk/publications.htm#Henle%20editions|(cf. Henle editions)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP14018-Liszt_NLA_Serie_I_Band_05_02_Sonate_S.178_scan.pdf<br /> |File Name 2=PMLP14018-Liszt_NLA_Serie_I_Band_05_02_Sonate_S.178_filter.pdf<br /> |File Name 3=PMLP14018-Liszt_-_Sonata_in_B_Minor_(Barenreiter_Urtext).pdf<br /> |File Name 4=PMLP41615-Liszt_NLA_Serie_I_Band_05_05_Anhang_scan.pdf<br /> |File Name 5=PMLP41615-Liszt_NLA_Serie_I_Band_05_05_Anhang_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |File Description 3=Complete score (low resolution, 150dpi grayscale)<br /> |File Description 4=Critical Notes (scan)<br /> |File Description 5=Critical Notes (filter)<br /> |Page Count 1=33<br /> |Page Count 2=33<br /> |Page Count 3=33<br /> |Page Count 4=8<br /> |Page Count 5=8<br /> |Editor={{LinkEd|Antal|Boronkay}} (1948–)<br /> |Image Type=Normal Scan<br /> |Scanner 1=piupianissimo<br /> |Scanner 2=piupianissimo<br /> |Scanner 3=<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/11/23<br /> |Uploader 3=[[User:Worov|worov]]<br /> |Date Submitted 3=2011/7/27<br /> |Publisher Information={{NeueLisztAusgabe|1|5|1983|7295|27-59}}{{Urtext}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_05_02_Sonate_S.178.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_05_02_Sonate_S.178.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Piano Sonata<br /> |Key={{Key|b}}<br /> |Alternative Title=Klaviersonate h-Moll<br /> |Opus/Catalogue Number=S.178 ; LW.A179<br /> |Number of Movements/Sections=1 movement<br /> |Dedication={{LinkDed|Robert|Schumann}} (1810–1856) <br /> |Year/Date of Composition=1852-53<br /> |Year of First Publication=1854 (June) {{EN}} Leipzig: [[Breitkopf und Härtel]], Plate 8877, 35 pages<br /> |First Performance=1857-01-22 {{EM}} Berlin: {{LinkName|Hans von|Bülow}} (piano)<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |External Links=[[wikipedia:Piano Sonata (Liszt)|Wikipedia article]]<br /> |Average Duration=25-30 minutes<br /> |Instrumentation=piano<br /> |Tags=sonatas ; pf <br /> <br /> | *****COMMENTS***** =<br /> <br /> ===Version History===<br /> * Composed for solo piano, 1852–53 (= S.178)<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Franz_Liszt:_Neue_Liszt-Ausgabe 2016-11-03T23:42:21Z

<p>Funper: /* Series I */</p> <hr /> <div>==History==<br /> '''Neue Liszt-Ausgabe''' (abbreviated as &quot;NLA&quot;; full name, ''Franz Liszt. Neue Ausgabe sämtlicher Werke'') is the second complete authentic edition of the music of [[:Category:Liszt, Franz|Franz Liszt]]. The complete edition is based on all the available manuscript and printed sources of Liszt's works. The edition was published jointly by Edition Musica Budapest and the Bärenreiter-Verlag Kassel from 1970 to present. Cooperation between the Bärenreiter-Verlag and Editio Musica Budapest came to an end in 1985 with the completion of series 1, however EMB has independently continued the series.<br /> ====Copyright status====<br /> &lt;span style=&quot;color:crimson&quot;&gt;''Please note that the IMSLP makes no guarantee whatsoever that the information appearing here is legally accurate and assumes no liability or legal responsibility therefor.''&lt;/span&gt;&lt;br&gt;<br /> Under Canadian law, a work must contain a sufficient amount of original material to qualify for copyright protection - which is usually described as the &quot;threshold of originality.&quot; Works which consist of collation and comparison of public domain sources, though they often require intensive research and scholarship, fail to meet this test under the copyright statutes of many nations around the world, including Canada. However, the determination of originality is ultimately up to a court, since there is no specific language in the Canadian statute explicitly defining which items are considered original enough to meet the &quot;threshold of originality&quot; on a given editor's part. It is also true that such editions have been granted a special, limited-term, copyright in certain countries (notably Germany and Italy), and in the EU itself. IMSLP, though it is under no sort of legal obligation to do so, therefore voluntarily enforces a term of 25 years from date of publication for such modern, scholarly editions, which originate in the European Union.<br /> <br /> Before its 1989 demise, the Hungarian communist state published works of living or deceased persons on which the state claimed copyright. Editio Musica Budapest (founded in 1950) was a government agency formed by government expropriation of privately-owned publishing firms like Roszavolgyi, Rozsnyai, and others at the start of the Soviet occupation. Although original works of contemporary Hungarian composers have been judged to be the vaild copyrights of the composers themselves or their heirs in most Western countries, urtext or critical editions published during this era (1945-1989) have not been considered to be subject of copyright, as such editions were prepared by government employees working for a state agency as part of their employment - thus government works. Moreover, the copyright owner itself (the Hungarian communist government) ceased to exist. See [[Public domain#Russia / USSR|this section on USSR editions]] for more information.<br /> <br /> Additionally, Section 70 of the German copyright law states that scientific editions (editions which are produced as a result of scientific analysis, i.e. urtext) are entitled to only a limited copyright term of publication plus 25 years. Since series 1 of Neue Liszt-Ausgabe was published jointly with the German publisher Bärenreiter, all volumes in series 1 that are older than 25 years are public domain in Germany and all published more than 30 years ago are public domain in the EU as a whole. See [[Public domain#Germany|this]] for more information. (Article 5 of the EU Copyright Directive 93/98/EC specifically limits the term of critical or urtext editions to a maximum of 30 years following publication.)<br /> <br /> &lt;span style=&quot;color:crimson&quot;&gt;Despite the foregoing points regarding the Canadian status of sections of this edition, the location Project Petrucci LLC (the owner of this site) in the USA complicates matters considerably. Since many volumes of the NLA were issued simultaneously in Germany and bear a proper copyright notice after 1963 (which means they were automatically renewed in the USA), they would appear to be protected under US law until there is a challenge to clarify the &quot;threshold of originality&quot; with respect to such editions directly. IMSLP therefore has moved all such items to servers of the unaffiliated organization IMSLP-EU, where they are available only to non-US downloaders.&lt;/span&gt;<br /> <br /> ==Template==<br /> &lt;nowiki&gt;{{&lt;/nowiki&gt;[[Template:NeueLisztAusgabe|NeueLisztAusgabe]]&lt;nowiki&gt;|Series|Band|Year|Plate}}&lt;/nowiki&gt;<br /> ==Editors==<br /> *Zoltán Gárdonyi (1906-1986), István Szelényi (1904-1972) '''Vol.1-4<br /> *Antal Boronkay '''Vol.5<br /> *Imre Mező, Imre Sulyok (1912-2008) '''Vol.6-18<br /> ==Contents==<br /> Neue Liszt-Ausgabe is planned to comprise the following ten series, of which only two have been published:<br /> <br /> *I. Solo piano works (1970-85)<br /> *II. Free arrangements and transcriptions for piano solo (1986-2005)<br /> *III. Works and arrangements for piano four hands and for two pianos<br /> *IV. Works and arrangements for several instruments<br /> *V. Works and arrangements for organ, and for organ and other instruments<br /> *VI. Orchestral works<br /> *VII. Works for piano and orchestra<br /> *VIII. Vocal works with piano<br /> *IX. Vocal works with orchestra, or with several instruments<br /> *X. A cappella choral works<br /> **Supplements to Series I and II<br /> <br /> ===Series I===<br /> Series I of the Neue Liszt-Ausgabe contains Franz Liszt's original solo piano works,<br /> and transcriptions for solo piano of his own compositions. Mostly final versions appears in these volumes, but some earlier versions that are significantly different from their final form appear here to.<br /> <br /> *'''Volume 1 (Etüden I), 1970. Plate Z.5411.''' <br /> **[[Études d'exécution transcendante, S.139 (Liszt, Franz)|Études d'exécution transcendante]] (S.139)<br /> *'''Volume 2 (Etüden II), 1971. Plate Z.5412.'''<br /> **[[3 Études de concert, S.144 (Liszt, Franz)|Trois Études de concert - Trois Caprices poétiques]] (S.144)<br /> **[[Ab Irato, Étude de perfectionnement, S.143 (Liszt, Franz)|Ab irato]] (S.143)<br /> **[[2 Konzertetüden, S.145 (Liszt, Franz)|Zwei Konzertetüden - Two Concert-Studies]] (S.145)<br /> **[[Grandes études de Paganini, S.141 (Liszt, Franz)|Grandes études de Paganini]] (S.141)<br /> *'''Volume 3 (Ungarische Rhapsodien I), 1972. Plate Z.6210.'''<br /> **[[Hungarian Rhapsody No.1, S.244/1 (Liszt, Franz)|I. Rhapsodie hongroise]] (S.244/1)<br /> **[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|II. Rhapsodie hongroise]] (S.244/2)<br /> **[[Hungarian Rhapsody No.3, S.244/3 (Liszt, Franz)|III. Rhapsodie hongroise]] (S.244/3)<br /> **[[Hungarian Rhapsody No.4, S.244/4 (Liszt, Franz)|IV. Rhapsodie hongroise]] (S.244/4)<br /> **[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|V. Rhapsodie hongroise - Héroïde-Élégiaque]] (S.244/5)<br /> **[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|VI. Rhapsodie hongroise]] (S.244/6)<br /> **[[Hungarian Rhapsody No.7, S.244/7 (Liszt, Franz)|VII. Rhapsodie hongroise]] (S.244/7)<br /> **[[Hungarian Rhapsody No.8, S.244/8 (Liszt, Franz)|VIII. Rhapsodie hongroise]] (S.244/8)<br /> **[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|IX. Rhapsodie hongroise - Pesther Carneval - Le Carnaval de Pesth]] (S.244/9)<br /> *'''Volume 4 (Ungarische Rhapsodien II), 1973. Plate Z.6211.'''<br /> **[[Hungarian Rhapsody No.10, S.244/10 (Liszt, Franz)|X. Rhapsodie hongroise]] (S.244/10)<br /> **[[Hungarian Rhapsody No.11, S.244/11 (Liszt, Franz)|XI. Rhapsodie hongroise]] (S.244/11)<br /> **[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|XII. Rhapsodie hongroise]] (S.244/12)<br /> **[[Hungarian Rhapsody No.13, S.244/13 (Liszt, Franz)|XIII. Rhapsodie hongroise]] (S.244/13)<br /> **[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|XIV. Rhapsodie hongroise]] (S.244/14)<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|XV. Rhapsodie hongroise - Rákóczi-Marsch]] (S.244/15)<br /> **[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|XVI. Magyar rhapsodia - Ungarische Rhapsodie]] (S.244/16)<br /> **[[Hungarian Rhapsody No.17, S.244/17 (Liszt, Franz)|XVII. Rhapsodie hongroise]] (S.244/17)<br /> **[[Hungarian Rhapsody No.18, S.244/18 (Liszt, Franz)|XVIII. Magyar rhapsodia]] (S.244/18)<br /> **[[Hungarian Rhapsody No.19, S.244/19 (Liszt, Franz)|XIX. Rhapsodie hongroise - Ungarische Rhapsodie ]] (S.244/19)<br /> *'''Volume 5 (Grosses Konzertsolo, Sonate, B-a-c-h), 1983. Plate Z.7295.'''<br /> **[[Grosses Konzertsolo, S.176 (Liszt, Franz)|Großes Konzertsolo]] (S.176)<br /> **[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonate B minor - h-Moll]] (S.178)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B-A-C-H]] (S.529ii)<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Praeludium und Fuge über das Motiv B-a-c-h - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.529)<br /> *'''Volume 6 (Années de Pélerinage I), 1976. Plate Z.7474.'''<br /> **[[Années de pèlerinage I, S.160 (Liszt, Franz)|Années de pèlerinage - Première Année — Suisse]] (S.160)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - I. Impressions et Poésies]] (Nos. 1, 4, 7) (S.156/1)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - II. Fleurs mélodiques des Alpes]] (S.156/2)<br /> *'''Volume 7 (Années de Pélerinage II), 1974. Plate Z.6785.'''<br /> **[[Années de pèlerinage II, S.161 (Liszt, Franz)|Années de Pèlerinage - Deuxième Année — Italie]] (S.161)<br /> **[[Années de pèlerinage II, Supplément, S.162 (Liszt, Franz)|Venezia e Napoli. Supplément aux Années de Pèlerinage 2&lt;sup&gt;nd&lt;/sup&gt; volume — Italie]] (S.162)<br /> **[[Venezia e Napoli, S.159 (Liszt, Franz)|Venezia e Napoli - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.159)<br /> *'''Volume 8 (Années de Pélerinage III), 1975, Z.6957.'''<br /> **[[Années de pèlerinage III, S.163 (Liszt, Franz)|Années de Pèlerinage - Troisième Année]] (S.163)<br /> *'''Volume 9 (Various Cyclical Works I), 1981, Z.8011.'''<br /> **[[8 Variations, S.148 (Liszt, Franz)|Huit variations]] (S.147)<br /> **[[Apparitions, S.155 (Liszt, Franz)|Apparitions]] (S.155)<br /> **[[Harmonies poétiques et religieuses III, S.173 (Liszt, Franz)|Harmonies poétiques et religieuses]] (S.173)<br /> **[[Consolations, S.172 (Liszt, Franz)|Consolations - Six pensées poétiques]] (S.172)<br /> **[[Ballade No.1, S.170 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Ballade - Le chant du croisé]] (S.170)<br /> **[[Ballade No.2, S.171 (Liszt, Franz)|2&lt;sup&gt;e&lt;/sup&gt; Ballade]] (S.171)<br /> **[[Harmonies poétiques et religieuses I, S.154 (Liszt, Franz)|Harmonies poétiques et religieuses - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.154)<br /> **[[Invocation, early version, S.172a/2 (Liszt, Franz)|Invocation - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.172a/2)<br /> **[[Hymne de la nuit, S.173a/1 (Liszt, Franz)|Hymne de la Nuit]] (S.173a/1)<br /> **[[Hymne du matin, S.173a/2 (Liszt, Franz)|Hymne du Matin]] (S.173a/2)<br /> **[[Klavierstück No.2, S.189a (Liszt, Franz)|Klavierstück As-Dur Nr. 2]] (S.189a)<br /> *'''Volume 10 (Various Cyclical Works II), 1980, Z.8459.'''<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes]] (S.175)<br /> **[[5 Klavierstücke, S.192 (Liszt, Franz)|Five Piano Pieces - Fünf Klavierstücke]] (S.192)<br /> **[[Elegy No.1, S.196 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Élégie]] (S.196)<br /> **[[Elegy No.2, S.197 (Liszt, Franz)|Zweite Elegie]] (S.197)<br /> **[[Weihnachtsbaum, S.186 (Liszt, Franz)|Weihnachtsbaum - L'albero del natale - Arbre de Noël]] (S.186)<br /> **[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|Choräle]]<br /> **[[Historische ungarische Bildnisse, S.205 (Liszt, Franz)|Historical Hungarian Portraits - Historische ungarische Bildnisse - Portraits hongrois historiques]] (S.205)<br /> **[[Via Crucis, S.504a (Liszt, Franz)|Via Crucis]] (S.504a)<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes No. 2, St. François de Paule «marchant sur les flots» (version facilitée)]]<br /> *'''Volume 11 (Individual Character Pieces I), 1979, Z.6216.'''<br /> **[[Allegro di bravura, S.151 (Liszt, Franz)|Allegro di bravura]] (S.151)<br /> **[[Rondo di bravura, S.152 (Liszt, Franz)|Rondo di bravura]] (S.152)<br /> **[[Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 (Liszt, Franz)|Élégie sur des motifs du Prince Louis Ferdinand de Prusse]] (S.168)<br /> **[[Klavierstück aus der Bonn Beethoven-Cantata, S.507 (Liszt, Franz)|70 Bars on Themes from the First Beethoven Cantata- 70 Takte nach Motiven aus der Ersten Beethoven-Kantate]] (S.507)<br /> **[[Romance, S.169 (Liszt, Franz)|Romance]]<br /> **[[Festvorspiel, S.226 (Liszt, Franz)|Festvorspiel - Prélude]]<br /> **[[Les morts, S.112/1 (Liszt, Franz)|Les morts - Die Toten]] (S.516)<br /> **[[Klavierstück, S.193 (Liszt, Franz)|Piano Piece in F sharp major - Klavierstück Fis-Dur]]<br /> **[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)|Ave Maria (für die große Klavierschule von Lebert und Stark)]]<br /> **[[Alleluja, S.183/1 (Liszt, Franz)|Alleluja]]<br /> **[[Berceuse, S.174 (Liszt, Franz)|Berceuse (2nd version - 2. Fassung)]]<br /> **[[Slavimo slavno, Slaveni!, S.33 (Liszt, Franz)|Slavimo slavno slaveni!]]<br /> **[[La notte, S.112/2 (Liszt, Franz)|La Notte]] (S.516a)<br /> *'''Volume 12 (Individual Character Pieces II), 1978, Z.6217.'''<br /> **[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla Regis prodeunt]]<br /> **[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et orbi]]<br /> **[[Un portrait en musique, S.190 (Liszt, Franz)|Un portrait en musique]]<br /> **[[Ave Maria II, S.38 (Liszt, Franz)|Ave Maria (aus den neun Kirchenchorgesängen)]]<br /> **[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]<br /> **[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]<br /> **[[Impromptu, S.191 (Liszt, Franz)|Impromptu]]<br /> **[[Receuillement, S.204 (Liszt, Franz)|Recueillement]]<br /> **[[Sancta Dorothea, S.187 (Liszt, Franz)|Sancta Dorothea]]<br /> **[[Carrousel de Madame Pelet-Narbonne, S.214a (Liszt, Franz)|Carrousel de Madame P-N]]<br /> **[[Toccata, S.197a (Liszt, Franz)|Toccata]]<br /> **[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione (1st version - 1. Fassung)]]<br /> **[[In festo transfigurationis Domini nostri Jesu Christi, S.188 (Liszt, Franz)|In festo transfigurationis Domini]]<br /> **[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée - Vergessene Romanze]]<br /> **[[Ave Maria IV, S.341 (Liszt, Franz)|Ave Maria (IV)]]<br /> **[[Wiegenlied, S.198 (Liszt, Franz)|Wiegenlied - Chant du berceau]]<br /> **[[Trübe Wolken, S.199 (Liszt, Franz)|Trübe Wolken - Nuages gris]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 1 - La lugubre gondola No. 1]]<br /> **[[R.W. - Venezia, S.201 (Liszt, Franz)|R. W. Venezia]]<br /> **[[Schlaflos! Frage und Antwort, S.203 (Liszt, Franz)|Schlaflos!]]<br /> **[[Am Grabe Richard Wagners, S.135 (Liszt, Franz)|Am Grabe Richard Wagners]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 2 - La lugubre gondola No. 2]]<br /> **[[Trauervorspiel und Trauermarsch, S.206 (Liszt, Franz)|Trauervorspiel und Trauermarsch]]<br /> **[[En rêve, S.207 (Liszt, Franz)|En rêve]]<br /> **[[Unstern, S.208 (Liszt, Franz)|Unstern! - Sinistre]]<br /> *'''Volume 13 (Dances, Marches and Scherzos I), 1985, Z.8252.'''<br /> **[[2 Waltzes, S.126b (Liszt, Franz)|Waltz - Walzer (S.208a)]]<br /> **[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique]]<br /> **[[Heroischer Marsch in ungarischem Stil, S.231 (Liszt, Franz)|Heroischer Marsch in ungarischem Stil - Marche héroïque dans le genre hongrois]]<br /> **[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt - Feuille d'Album No. 1]]<br /> **[[Galop de bal, S.220 (Liszt, Franz)|Galop de Bal]]<br /> **[[Galop in A minor, S.218 (Liszt, Franz)|Gallop (A minor) - Galopp (a-Moll)]]<br /> **[[Feuilles d'album, S.165 (Liszt, Franz)|Feuilles d'Album (A flat major - As-Dur)]]<br /> **[[Albumblatt in Walzerform, S.166 (Liszt, Franz)|Valse]]<br /> **[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler (A flat major - As-Dur)]]<br /> **[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise (E flat minor - es-Moll)]]<br /> **[[Mazurka brillante, S.221 (Liszt, Franz)|Mazurka brillante]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse de bravoure]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse mélancolique (2nd version - 2. Fassung)]]<br /> **[[2 Polonaises, S.223 (Liszt, Franz)|2 Polonaises]]<br /> **[[Scherzo und Marsch, S.177 (Liszt, Franz)|Scherzo und Marsch]]<br /> **[[Valse-Impromptu, S.213 (Liszt, Franz)|Valse-Impromptu]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique (simplifié par l'auteur)]]<br /> **[[Petite valse favorite, S.212 (Liszt, Franz)|Petite Valse favorite]]<br /> *'''Volume 14 (Dances, Marches and Scherzos I), 1984, Z.8858.'''<br /> **[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch (2nd version - 2. Fassung)]]<br /> **[[Siegesmarsch, S.233a (Liszt, Franz)|Siegesmarsch - Marche triomphale]]<br /> **[[Ungarischer Geschwindmarsch, S.233 (Liszt, Franz)|Magyar gyors induló - Ungarischer Geschwindmarsch]]<br /> **[[Csárdás macabre, S.224 (Liszt, Franz)|Csardas macabre]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Première Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Deuxième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Troisième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Vierter vergessener Walzer - Quatrième Valse oubliée]]<br /> **[[Mephisto Waltz No.3, S.216 (Liszt, Franz)|Dritter Mephisto-Walzer]]<br /> **[[Mephisto Polka, S.217 (Liszt, Franz)|Mephisto-Polka]]<br /> **[[Bülow-Marsch, S.230 (Liszt, Franz)|Bülow-Marsch]]<br /> **[[2 Csárdás, S.225 (Liszt, Franz)|2 Csardas]]<br /> **[[Mephisto Waltz No.4, S.216b (Liszt, Franz)|Vierter Mephisto-Walzer]]<br /> **[[Bagatelle sans tonalité, S.216a (Liszt, Franz)|Vierter Mephisto-Walzer - Bagatelle ohne Tonart - Bagatelle sans tonalité]]<br /> **[[Festmarsch zur Säcularfeier von Goethes Geburtstag, S.227 (Liszt, Franz)|Festmarsch zur Säkularfeier von Goethes Geburtstag (1st version - 1. Fassung)]]<br /> *'''Volume 15 (Klavier-Versionen Eigener Werke I), 1982, Z.8253.'''<br /> **[[Il m'aimait tant, S.271 (Liszt, Franz)|Il m'aimait tant!]]<br /> **[[Buch der Lieder I, S.531 (Liszt, Franz)|Buch der Lieder I - Poésies]]<br /> **[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Liebesträume - 3 Notturnos]]<br /> **[[Huldigungsmarsch, S.228 (Liszt, Franz)|Huldigungsmarsch]]<br /> **[[Vom Fels zum Meer!, S.229 (Liszt, Franz)|Vom Fels zum Meer!]]<br /> **[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|2. Festmarsch (nach Motiven von E. H. z. S.)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 1)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 2)]]<br /> **[[Ich liebe dich, S.315 (Liszt, Franz)|Ich liebe dich]]<br /> **[[Künstlerfestzug zur Schillerfeier 1859, S.114 (Liszt, Franz)|Künstlerfestzug]]<br /> **[[Mephisto Waltz No.1, S.514 (Liszt, Franz)|1. Mephisto-Walzer (''Der Tanz in der Dorfschenke'')]]<br /> **[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]<br /> **[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale (Schnitterchor aus dem entfesselten Prometheus)]]<br /> **[[Die Loreley, S.273 (Liszt, Franz)|Die Lorelei (2nd version - 2. Fassung)]]<br /> **[[Christus ist geboren II, S.32 (Liszt, Franz)|Weihnachtslied]]<br /> **[[Pio IX, S.261 (Liszt, Franz)|L'hymne du pape]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Notturno No. 2 (1st version - 1. Fassung)]]<br /> *'''Volume 16 (Klavier-Versionen Eigener Werke II), 1982, Z.8859.'''<br /> **[[Totentanz, S.126 (Liszt, Franz)|Totentanz]] (S.525)<br /> **[[Le triomphe funèbre du Tasse, S.112/3 (Liszt, Franz)|Le triomphe funèbre du Tasse (S.517)]]<br /> **[[Christus, S.3 (Liszt, Franz)|Zwei Orchestersätze aus dem Oratorium Christus]]<br /> **[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Drei Stücke aus der Legende der heiligen Elisabeth]]<br /> **[[Ungarische Krönungsmesse, S.11 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]<br /> **[[Ave maris stella, S.34 (Liszt, Franz)|Ave maris stella]]<br /> **[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur (Humoreske)]]<br /> **[[Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867, S.118 (Liszt, Franz)|Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1867)]]<br /> **[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Ungarischer Hymnus - Szózat és Magyar Himnusz]]<br /> **[[Faust Symphony, S.108 (Liszt, Franz)|Gretchen (Aus Faust-Symphonie)]]<br /> **[[Ungarischer Sturmmarsch, S.119 (Liszt, Franz)|Ungarischer Sturmmarsch (Neue Bearbeitung 1876)]]<br /> **[[Seconde marche hongroise, S.232 (Liszt, Franz)|Seconde marche hongroise - Ungarischer Sturmmarsch (1st version - 1. Fassung)]]<br /> *'''Volume 17 (Klavier-Versionen Eigener Werke III), 1983, Z.8860.'''<br /> **[[Festpolonaise, S.230a (Liszt, Franz)|Festpolonaise]]<br /> **[[Der blinde Sänger, S.350 (Liszt, Franz)|Der blinde Sänger (Слепой)]]<br /> **[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]<br /> **[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Deux polonaises (de l'oratorio St. Stanislas)]]<br /> **[[O Roma nobilis, S.54 (Liszt, Franz)|O Roma nobilis]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco (preludio per il Cantico del Sol, di San Francesco d'Assisi)]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]<br /> **[[Mephisto Waltz No.2, S.515 (Liszt, Franz)|2. Mephisto-Walzer]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|A magyarok istene - Ungarns Gott]]<br /> **[[Von der Wiege bis zum Grabe, S.107 (Liszt, Franz)|Von der Wiege bis zum Grabe — Du berceau jusqu' à la tombe]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Die Zelle in Nonnenwerth (4th version — 4. Fassung)]]<br /> **[[Magyar király-dal, S.340 (Liszt, Franz)|Magyar király-dal — Ungarisches Königslied]]<br /> **[[In domum Domini ibimus, S.57 (Liszt, Franz)|In domum Domini ibimus — Zum Haus des Herrn ziehen wir]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No. 2 (als &quot;Die Zelle in Nonnenwerth&quot;, 3. Fassung)]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|Ungarns Gott — A magyarok istene (Klavier-Transkription für die linke Hand — zongoraátirat bal kézre)]]<br /> *'''Volume 18 (Supplement), 1985, Z.12903.'''<br /> **[[Étude en douze exercices, S.136 (Liszt, Franz)|Étude en douze exercices (op. 6)]]<br /> **[[Magyar dalok, S.242 (Liszt, Franz)|Magyar dalok — Ungarische Nationalmelodien (Nos. 1-10)]]<br /> **[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien Im leichten Stile bearbeitet]]<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|Rákóczi-Marsch (1st version — 1. Fassung)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Rákóczi-Marsch - Magyar Dalok (S.242/13)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Ungarische Nationalmelodie (Rákóczi-Marsch) Erleichtert]]<br /> **[[Marche de Rákóczy, S.244c (Liszt, Franz)|Marche de Rákóczi - Édition populaire (S.244c)]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für das Pianoforte]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für Pianoforte erleichtert]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Magyar rapszódiák (Nos. 15, 17, 20)]]<br /> **[[Buch der Lieder II, S.535–540 (Liszt, Franz)|Buch der Lieder für Piano allein — II - Poésies lyriques pour piano seul — (S.535-40)]]<br /> <br /> ===Series II===<br /> &lt;span style=&quot;color:crimson&quot;&gt;''As of 2016, scores from volumes 1, 7, and 14, are permissible to submit since ≥25 years have passed since date of publication.''&lt;/span&gt;&lt;br&gt;<br /> Series II of the Neue Liszt-Ausgabe contains solo piano works based on works or themes of other composers, and arrangements of certain folk melodies (or melodies of a folk character by known composers).<br /> <br /> *'''Volume 1 (Free Arrangements I), 1990, Z.8766.'''<br /> **[[Variation on a Waltz by Diabelli, S.147 (Liszt, Franz)|Variation on a Waltz of Diabelli S.147]]<br /> **[[Seven Brilliant Variations on a Theme of Rossini, S.149 (Liszt, Franz)|Seven Brilliant Variations on a Theme of Rossini S.149]]<br /> **[[Impromptu brillant sur des thèmes de Rossini et Spontini, S.150 (Liszt, Franz)|Impromptu Brillant on Themes of Rossini and Spontini S.150]]<br /> **[[Two Hungarian Recruiting Dances, S.241 (Liszt, Franz)|Two Hungarian Recruiting Dances by László Fáy and János Bihari S.241]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La Fiancée. Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (3. változat - 3rd version) S.385]]<br /> **[[Grande fantaisie de bravoure sur La clochette, S.420 (Liszt, Franz)|Grande Fantaisie di bravura sur la Clochette de Paganini S.420]]<br /> **[[L'Idée fixe. Andante amoroso, S.395 (Liszt, Franz)|L'Idée fixe. Andante amoroso S.395]]<br /> **[[Réminiscences de La juive, S.409a (Liszt, Franz)|Réminiscences de La Juive S.409a]]<br /> **[[Deux fantaisies 1. La Serenata e l'Orgia, S.422 (Liszt, Franz)|Deux fantaisies 1. La Serenata e l'Orgia. Grande fantaisie sur des motifs des Soirées musicales de Rossini (2nd version) S.422]]<br /> **[[Deux fantaisies 2. La pastorella dell'Alpi e Li marinari, S.423 (Liszt, Franz)|Deux fantaisies 2. La pastorella dell'Alpi e Li marinari. 2me fantaisie sur des motifs des Soirées musicales de Rossini S.423]]<br /> **[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (1st version) S.385]]<br /> **[[5 Variationen über die Romanze aus Joseph von Méhul (Liszt, Franz)|5 Variationen über die Romanze aus Joseph von Méhul]]<br /> **[[Tyrolean Melody, S.385a (Liszt, Franz)|Tyrolean Melody from the Opera 'La Fiancée' by Auber S.385a]]<br /> *'''Volume 2 (Free Arrangements II), 2004, Z.8767.'''<br /> *'''Volume 3 (Free Arrangements III), 1999, Z.12392.'''<br /> *'''Volume 4 (Free Arrangements IV), 2002, Z.12393.'''<br /> *'''Volume 5 (Free Arrangements V), 2000, Z.12394.'''<br /> *'''Volume 6 (Free Arrangements VI), 2001, Z.12395.'''<br /> *'''Volume 7 (Free Arrangements VII), 1988, Z.12396.'''<br /> **[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Capriccio alla turca sur des motifs de Beethoven S.388]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 1. Lebe wohl! - Adieu! S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 2. Mädchens Klage - Les Plaintes de la Jeune fille S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein - La Cloche des Agonisants S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 4. Trockne Blumen - La Fleur Fanée S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 5. Ungeduld - Toute ma vie (1st version) S.563]]<br /> **[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|6 Melodien von Franz Schubert 6. Die Forelle - La Truite (1st version) S.563]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 1. Das Wandern - Le meunier voyageur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 2. Der Müller und der Bach - La voix enchantresse S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 3. Der Jäger - Le chasseur S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 4. Die böse Farbe - Garde moi souvenir S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 5. Wohin? - Au bord de la fontaine S.565]]<br /> **[[Müllerlieder von Franz Schubert, S.565 (Liszt, Franz)|Müller-Lieder von Franz Schubert 6. Ungeduld - Toute ma vie (3rd version) S.565]]<br /> **[[Die Forelle, S.564 (Liszt, Franz)|Die Forelle. Lied von F. Schubert (2nd version) S.564]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 1. Trauermarsch - Grande marche funebre de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 2. Grande Marche de Francois Schubert S.426]]<br /> **[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert S.426]]<br /> *'''Volume 8 (Free Arrangements VIII), 1999, Z.12397.'''<br /> *'''Volume 9 (Free Arrangements IX), 2001, Z.12398.'''<br /> *'''Volume 10 (Free Arrangements X), 2002, Z.12399.'''<br /> *'''Volume 11 (Free Arrangements XI), 2004, Z.12400.'''<br /> *'''Volume 12 (Free Arrangements XII), 1994, Z.12401.'''<br /> *'''Volume 13 (Free Arrangements XIII), 2005, Z.12402.'''<br /> *'''Volume 14 (Free Arrangements XIV), 1990, Z.12403.'''<br /> **[[Danse Macabre, S.555 (Liszt, Franz)|Danse macabre. Poeme symphonique de Camille Saint-Saens S.555]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 1.Ranz de vaches S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 2.Un soir dans la montagne. Mélodie d'Ernest Knop S.156/3]]<br /> **[[Trois morceaux suisses, 156a (Liszt, Franz)|Trois morceaux suisses (2nd version) 3.Ranz de chevres S.156/3]]<br /> **[[Valse d'Adele, S.456 (Liszt, Franz)|Valse d'Adele. Pour piano a la main gauche seule par le Comte Géza Zichy S.456]]<br /> **[[Agnus Dei della Messa da Requiem di Giuseppe Verdi, S.437 (Liszt, Franz)|Agnus Dei della Messa da Requiem di Giuseppe Verdi (2nd version) S.437]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und Kriemhild S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. Bechlarn S.496/1]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 1. Osterhymne S.496/2]]<br /> **[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und Polonaise S.496/2]]<br /> **[[Revive Szegedin!, S.572 (Liszt, Franz)|Revive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet S.572]]<br /> **[[Sarabande und Chaconne aus dem Singspiel Almira, S.181 (Liszt, Franz)|Sarabande und Chaconne aus dem Singspiel 'Almira' von Georg Friedrich Händel S.181]]<br /> **[[Tarantella de Dargomijski, S.483 (Liszt, Franz)|Tarantella de Dargomijski S.483]]<br /> **[[Vive Henri IV, S.239 (Liszt, Franz)|Vive Henri IV S.239]]<br /> *'''Volume 15 (Free Arrangements XV), 2003, Z.12404.'''<br /> *'''Volume 16 (Transcriptions I), 1996, Z.13353.'''<br /> *'''Volume 17 (Transcriptions II), 1992, Z.13354.'''<br /> **Symphonie No.1 S.464/1<br /> **Symphonie No.2 S.464/2<br /> **Symphonie No.3 S.464/3<br /> **Symphonie No.4 S.464/4<br /> *'''Volume 18 (Transcriptions III), 1992, Z.13355.'''<br /> **Symphonie No.5 (2nd version) S.464/5<br /> **Symphonie Pastorale (No. 6) (3rd version) S.464/6<br /> **Symphonie No.7 (2nd version) S.464/7<br /> *'''Volume 19 (Transcriptions IV), 1993, Z.13356.'''<br /> **Symphonie No.8 S.464/8<br /> **Symphonie No.9 S.464/9<br /> *'''Volume 20 (Transcriptions V), 1997, Z.13357.'''<br /> *'''Volume 21 (Transcriptions VI), 1995, Z.13358.'''<br /> *'''Volume 22 (Transcriptions VII), 1997, Z.13359.'''<br /> *'''Volume 23 (Transcriptions VIII), 1996, Z.13360.'''<br /> *'''Volume 24 (Transcriptions IX), 1998, Z.13361.'''<br /> <br /> ==References==<br /> *[http://www.emb.hu/cat/80031.pdf Neue Liszt-Ausgabe catalogue] - PDF version<br /> [[Category:Editions|Liszt]]</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-04T02:36:06Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Legend|Legend]]<br /> # [[#Catalogue of works|Catalogue of works]]<br /> ## [[#Original works|Original works]]<br /> ### [[#Opera|Opera]]<br /> ### [[#Sacred choral works|Sacred choral works]]<br /> ### [[#Secular choral works|Secular choral works]]<br /> ### [[#Orchestral works|Orchestral works]] <br /> #### [[#Symphonic poems|Symphonic poems]]<br /> #### [[#Other orchestral works|Other orchestral works]]<br /> ### [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ### [[#Chamber music|Chamber music, etc.]]<br /> ### [[#Piano solo|Pianoforte, two hands]]<br /> #### [[#Studies|Studies]]<br /> #### [[#Various original works|Various original works]]<br /> #### [[#Works in dance form|Works in dance form]]<br /> #### [[#Works on national themes|Works on national themes]]<br /> ### [[#Piano duet|Pianoforte, four hands]]<br /> ### [[#Two pianos|Two pianofortes]]<br /> ### [[#Organ|Organ]]<br /> ### [[#Songs|Songs]]<br /> ### [[#Other vocal works|Other vocal works]]<br /> ### [[#Recitations|Recitations]]<br /> ## [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ### [[#Orchestral works arr|Orchestral works]]<br /> ### [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ### [[#Songs with orchestra|Songs with orchestra]]<br /> ### [[#Chamber music arr|Chamber music, etc.]]<br /> ### [[#Piano solo arr|For pianoforte solo]]<br /> #### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> #### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ### [[#Piano duet arr|Pianoforte duet]]<br /> ### [[#Two pianos arr|Two pianofortes]]<br /> ### [[#Organ arr|Organ]]<br /> ### [[#Organ with other arr|Organ with other instruments]]<br /> ### [[#Vocal arr|Vocal arrangements]]<br /> ### [[#Recitation arr|Recitation]]<br /> ### [[#Unfinished|Unfinished works]]<br /> ## [[#Appendix|Appendix]]<br /> ### [[#Lost|Doubtful or lost]]<br /> #### [[#Sacred choral lost|Sacred choral works]]<br /> #### [[#Secular choral lost|Secular choral works]]<br /> #### [[#Orchestral works lost|For orchestra]]<br /> #### [[#Piano and orchestra lost|For piano and orchestra]]<br /> #### [[#Other instrumental lost|Other instrumental works]]<br /> #### [[#Piano lost|For piano solo]]<br /> #### [[#Piano duet lost|For piano, four hands]]<br /> #### [[#Two pianos lost|For two pianos]]<br /> #### [[#Organ lost|For organ]]<br /> #### [[#Songs lost|Songs with piano]]<br /> #### [[#Other vocal lost|Other vocal works]]<br /> #### [[#Recitations lost|Recitations with pianoforte]]<br /> # [[#External links|External links]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here<br /> &lt;/div&gt;<br /> <br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia article</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-01T01:54:39Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here<br /> &lt;/div&gt;<br /> <br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-01T01:53:46Z

<p>Funper: Reverted edits by Funper (talk) to last revision by Cjsmith53</p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> | &lt;ul&gt;''Qui m&amp;#39;a donné la naissance''&lt;/ul&gt;<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> | &lt;ul&gt;''L&amp;#39;Eternel est son nom''&lt;/ul&gt;<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> | &lt;ul&gt;''Chantons, chantons l&amp;#39;auteur de la lumière''&lt;/ul&gt;<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> | &lt;ul&gt;(Allegretto, moderato con grazia)&lt;/ul&gt;<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> | &lt;ul&gt;''Combien j&amp;#39;ai douce souvenance''&lt;/ul&gt;<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> | &lt;ul&gt; ''Es segne uns Gott'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> | &lt;ul&gt; ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> | &lt;ul&gt; ''Nun ruhen alle Wälder'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> | &lt;ul&gt; ''O Haupt voll Blut und Wunden'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> | &lt;ul&gt; ''O Lamm Gottes!'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> | &lt;ul&gt; ''Was Gott tut, das ist wohlgetan'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> | &lt;ul&gt; ''Wer nur den lieben Gott läßt walten'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> | &lt;ul&gt; ''Vexilla Regis'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> | &lt;ul&gt; ''Crux ave benedicta'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> | &lt;ul&gt; ''O Traurigkeit'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> | &lt;ul&gt; ''Nun danket alle Gott!'' &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> | &lt;ul&gt; ''Jesu Christe '' (Die fünf Wunden) &lt;/ul&gt; <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> | &lt;ul&gt;''Mysteria gaudiosa''&lt;/ul&gt;<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> | &lt;ul&gt;''Mysteria dolorosa''&lt;/ul&gt;<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> | &lt;ul&gt;''Mysteria gloriosa''&lt;/ul&gt;<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> | &lt;ul&gt;''Pater noster''&lt;/ul&gt;<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> | &lt;ul&gt;''Tu es Petrus''&lt;/ul&gt;<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> | &lt;ul&gt;''Dominus conservet eum''&lt;/ul&gt;<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> | &lt;ul&gt; ''Rheinweinlied'' (Wo solch ein Feuer)&lt;/ul&gt;<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> | &lt;ul&gt; ''Rheinweinlied'' (Wo solch ein Feuer)&lt;/ul&gt;<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> | &lt;ul&gt; ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)&lt;/ul&gt;<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> | &lt;ul&gt; ''Reiterlied I'' (Die bange Nacht ist nun herum)&lt;/ul&gt;<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> | &lt;ul&gt; ''Reiterlied II'' (Die bange Nacht ist nun herum)&lt;/ul&gt;<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> | &lt;ul&gt; ''La terre''&lt;/ul&gt;<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> | &lt;ul&gt; ''Les aquilons''&lt;/ul&gt;<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> | &lt;ul&gt; ''Les flots''&lt;/ul&gt;<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> | &lt;ul&gt; ''Les astres''&lt;/ul&gt;<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> | &lt;ul&gt; ''La terre''&lt;/ul&gt;<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> | &lt;ul&gt; ''Les aquilons''&lt;/ul&gt;<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> | &lt;ul&gt; ''Les flots''&lt;/ul&gt;<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> | &lt;ul&gt; ''Les astres''&lt;/ul&gt;<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> | &lt;ul&gt;''Der nächtliche Zug''&lt;/ul&gt; <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> | &lt;ul&gt;''Der Tanz in der Dorfschenke'' (Mephisto Waltz)&lt;/ul&gt;<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> | &lt;ul&gt;{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}&lt;/ul&gt;<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> | &lt;ul&gt;{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}&lt;/ul&gt;<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> | &lt;ul&gt;{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}&lt;/ul&gt; <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> | &lt;ul&gt;''St François d&amp;#39;Assise: la prédication aux oiseaux''&lt;/ul&gt;<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> | &lt;ul&gt;''St François de Paule: marchant sur les flots '' &lt;/ul&gt; <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> | &lt;ul&gt;''Waltz''&lt;/ul&gt;<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> | &lt;ul&gt;''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''&lt;/ul&gt;<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> | &lt;ul&gt;(Allegro con fuoco)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> | &lt;ul&gt;(Allegro non molto)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> | &lt;ul&gt;(Allegro sempre legato)&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> | &lt;ul&gt;(Allegretto)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> | &lt;ul&gt;(Moderato)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> | &lt;ul&gt;(Molto agitato)&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> | &lt;ul&gt;(Allegretto con molto espressione)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> | &lt;ul&gt;(Allegro con spirito)&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> | &lt;ul&gt;(Allegro grazioso)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> | &lt;ul&gt;(Moderato)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> | &lt;ul&gt;(Allegro grazioso)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> | &lt;ul&gt;(Allegro non troppo)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> | &lt;ul&gt;(Presto)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> | &lt;ul&gt;(Molto vivace)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> | &lt;ul&gt;(Poco adagio)&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> | &lt;ul&gt;(Allegro patetico)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> | &lt;ul&gt;(Egualmente)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> | &lt;ul&gt;(Largo patetico)&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> | &lt;ul&gt;(Allegro deciso)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> | &lt;ul&gt;(Presto strepitoso)&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> | &lt;ul&gt;(Andantino)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> | &lt;ul&gt;(Presto molto agitato)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> | &lt;ul&gt;(Lento assai)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> | &lt;ul&gt;(Andantino)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> | &lt;ul&gt;''Preludio''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> | &lt;ul&gt;''[Fusées]'' (Molto vivace)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> | &lt;ul&gt;''Paysage''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> | &lt;ul&gt;''Mazeppa''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> | &lt;ul&gt;''Feux-follets'' (Irrlichter)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> | &lt;ul&gt;''Vision''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> | &lt;ul&gt;''Eroica''&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> | &lt;ul&gt;''Wilde Jagd''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> | &lt;ul&gt;''Ricordanza''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> | &lt;ul&gt;''[Appassionata]'' (Allegro agitato molto)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> | &lt;ul&gt;''Harmonies du soir''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> | &lt;ul&gt;''Chasse-neige''&lt;/ul&gt;<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> | &lt;ul&gt;''Tremolo''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> | &lt;ul&gt;''Tremolo''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> | &lt;ul&gt;''Octave'' &lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> | &lt;ul&gt;''Campanella''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> | &lt;ul&gt; ''Arpeggio''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> | &lt;ul&gt;''Arpeggio''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> | &lt;ul&gt;''La chasse''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> | &lt;ul&gt;''La chasse''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> | &lt;ul&gt;''Tema con Variazioni''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> | &lt;ul&gt;''Preludio'' (Andante). ''Etude'' (Non troppo lento)&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> | &lt;ul&gt;(Andante)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> | &lt;ul&gt;''La campanella'' (Allegretto)&lt;/ul&gt;<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> | &lt;ul&gt;(Vivo)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> | &lt;ul&gt;(Allegretto)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> | &lt;ul&gt;(Quasi presto)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> | &lt;ul&gt;''Il lamento''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> | &lt;ul&gt;''La leggierezza''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> | &lt;ul&gt;''Un sospiro''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> | &lt;ul&gt;''Two additional cadenzas to Un Sospiro''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> | &lt;ul&gt;''Waldesrauschen'' (Forest Murmurs)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> | &lt;ul&gt;''Gnomenreigen'' (Gnomes' Round Dance) &lt;/ul&gt;<br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> | &lt;ul&gt;(Senza lentezza quasi Allegretto)&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> | &lt;ul&gt;(Vivamanete)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> | &lt;ul&gt;''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> | &lt;ul&gt;''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> | &lt;ul&gt;''Nocturne sur le Chant Montagnard''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> | &lt;ul&gt;''Rondeau sur le Ranz des chèvres''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> | &lt;ul&gt;''Lyon''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> | &lt;ul&gt;''Le lac de Wallenstadt''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> | &lt;ul&gt;''Au bord d&amp;#39;une source''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> | &lt;ul&gt;''Les cloches de G[enève]''&lt;/ul&gt;<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> | &lt;ul&gt;''Vallée d&amp;#39;Obermann''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> | &lt;ul&gt;''La chapelle de Guilaume Tell''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> | &lt;ul&gt;''Psaume'' (de l&amp;#39;église á Genève)&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> | &lt;ul&gt;(Allegro)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> | &lt;ul&gt;(Lento– Allegro vivace)&lt;/ul&gt; <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> | &lt;ul&gt;(Allegro pastorale)&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> | &lt;ul&gt;(Andante con sentimento– Allegretto)&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> | &lt;ul&gt;(Andante molto espressivo)&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> | &lt;ul&gt;(Allegro moderato)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> | &lt;ul&gt;(Allegretto)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> | &lt;ul&gt;(Allegretto)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> | &lt;ul&gt;(Andantino con molto sentimento)&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> | &lt;ul&gt;''Ranz de vaches'' (Montée aux Alpes: Improvisata)&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> | &lt;ul&gt;''Un soir dans les montagnes'' (Nocturne pastoral)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> | &lt;ul&gt;''Ranz de chèvres de F. Huber '' (Allegro finale)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> | &lt;ul&gt;''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> | &lt;ul&gt;''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> | &lt;ul&gt;''Ranz de chèvres'' (Rondeau)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> | &lt;ul&gt;''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> | &lt;ul&gt;''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> | &lt;ul&gt;''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> | &lt;ul&gt;(Lento)&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> | &lt;ul&gt;(Allegro)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> | &lt;ul&gt;(Andante placido)&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> | &lt;ul&gt;''Tarantelles napolitaines''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> | &lt;ul&gt;''Chapelle de Guilaume Tell''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> | &lt;ul&gt;''Au lac de Wallenstadt''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> | &lt;ul&gt;''Pastorale''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> | &lt;ul&gt;''Au bord d&amp;#39;une source''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> | &lt;ul&gt;''Au bord d&amp;#39;une source''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> | &lt;ul&gt;''Orage''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> | &lt;ul&gt;''Vallée d&amp;#39;Obermann''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> | &lt;ul&gt;''Eglogue''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> | &lt;ul&gt;''Le mal du pays'' (Heimweh)&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> | &lt;ul&gt;''Les cloches de Genève''&lt;/ul&gt;<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> | &lt;ul&gt;''Sposalizio''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> | &lt;ul&gt;''Il penseroso''&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> | &lt;ul&gt;''Canzonetta del Salvator Rosa''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> | &lt;ul&gt;''Sonetto 47 del Petrarca''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> | &lt;ul&gt;''Sonetto 104 del Petrarca''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> | &lt;ul&gt;''Sonetto 123 del Petrarca''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> | &lt;ul&gt;''Aprés une lecture du Dante'' (Fantasia quasi Sonata).&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> | &lt;ul&gt;''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> | &lt;ul&gt;''Canzone'' (‘Nessun maggior dolore&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> | &lt;ul&gt;''Tarantella da Guillaume Louis Cottrau''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> | &lt;ul&gt;''Angelus! Priere aux anges gardiens''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> | &lt;ul&gt;''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> | &lt;ul&gt;''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> | &lt;ul&gt;''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> | &lt;ul&gt;''Sunt lacrymae rerum, en mode hongrois''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> | &lt;ul&gt;''Marche funèbre''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> | &lt;ul&gt;''Sursum corda'' (Erhebet eure Herzen)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> | &lt;ul&gt;''Lilie'' (Andantino)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> | &lt;ul&gt;''Hryc''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> | &lt;ul&gt;''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> | &lt;ul&gt;''Krakowiak''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> | &lt;ul&gt;(Andante con moto)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> | &lt;ul&gt;(Un poco più mosso)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> | &lt;ul&gt;(Lento, quasi recitativo)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> | &lt;ul&gt;(Quasi adagio; cantabile con devozione)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> | &lt;ul&gt;(Andantino)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> | &lt;ul&gt;(Allegretto)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> | &lt;ul&gt;[untitled]&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> | &lt;ul&gt;''Languer''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> | &lt;ul&gt;[untitled]&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> | &lt;ul&gt;''Dernière illusion''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> | &lt;ul&gt;[untitled]&lt;/ul&gt;<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> | &lt;ul&gt;''Attente''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> | &lt;ul&gt;''Alternative''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> | &lt;ul&gt;''M.K.''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> | &lt;ul&gt;(Andante con moto)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> | &lt;ul&gt;(Un poco più mosso)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> | &lt;ul&gt;(Lento placido)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> | &lt;ul&gt;(Quasi Adagio)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> | &lt;ul&gt;(Andantino)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> | &lt;ul&gt;(Allegretto sempre cantabile)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> | &lt;ul&gt;''Elevez-vous voix'' &lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> | &lt;ul&gt;''Hymne de la nuit''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> | &lt;ul&gt;''Hymne du matin''&lt;/ul&gt;<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> | &lt;ul&gt;''Litanies de Marie''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> | &lt;ul&gt;''Miserere''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> | &lt;ul&gt;''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> | &lt;ul&gt;''Hymne de l&amp;#39;enfant a son reveil''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> | &lt;ul&gt;''Prose des morts'' (De profundis)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> | &lt;ul&gt;''La lampe du temple'' &lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> | &lt;ul&gt;{{hs|hymn}}[Hymn]&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> | &lt;ul&gt;''Benediction'' (Prelude)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> | &lt;ul&gt;''Ave Maria'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> | &lt;ul&gt;''Invocation''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> | &lt;ul&gt;''Ave Maria''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> | &lt;ul&gt;''Bénédiction de Dieu dans la solitude''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> | &lt;ul&gt;''Pensée des morts''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> | &lt;ul&gt;''Pater noster''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> | &lt;ul&gt;''Hymne de l&amp;#39;enfant á son réveil''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> | &lt;ul&gt;''Funérailles''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> | &lt;ul&gt;''Miserere d&amp;#39;après Palestrina''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> | &lt;ul&gt;''Andante lagrimoso''&lt;/ul&gt;<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> | &lt;ul&gt;''Cantique d&amp;#39;amour''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> | &lt;ul&gt;''St François d&amp;#39;Assise: la prédication aux oiseaux''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> | &lt;ul&gt;''St François de Paule: marchant sur les flots'' &lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> | &lt;ul&gt;''St François de Paule, marchant sur les flots''&lt;/ul&gt;<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> | &lt;ul&gt;''Psallite'' (Altes Weihnacthen)&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> | &lt;ul&gt;''O heilige Nacht!''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> | &lt;ul&gt;''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> | &lt;ul&gt;''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> | &lt;ul&gt;''Scherzoso''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> | &lt;ul&gt;''Reveille-Matin'' (Wecker) &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> | &lt;ul&gt;''Schlummerlied''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> | &lt;ul&gt;{{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)&lt;/ul&gt;<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> | &lt;ul&gt;{{hs| Abendglocken}} (Abendglocken)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> | &lt;ul&gt;{{hs|Ehemals}}(Ehemals)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> | &lt;ul&gt;''Ungarisch''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> | &lt;ul&gt;''Polnisch''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> | &lt;ul&gt;''Altes Weihnacthslied'' (Psalite) &lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> | &lt;ul&gt;''O heilige Nacht!''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> | &lt;ul&gt;''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> | &lt;ul&gt;''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> | &lt;ul&gt;''Scherzoso'' (Man zündet die Kerzen des Baumes an)&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> | &lt;ul&gt;''Carillon''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> | &lt;ul&gt;''Schlummerlied''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> | &lt;ul&gt;''Schlummerlied''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> | &lt;ul&gt;''Altes provenzalisches Weihnachtslied''&lt;/ul&gt;<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> | &lt;ul&gt;''Abendglocken''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> | &lt;ul&gt;''Ehemals''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> | &lt;ul&gt;''Ungarisch''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> | &lt;ul&gt;''Polnisch''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> | &lt;ul&gt;''Sehr langsam''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> | &lt;ul&gt;''Lento assai''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> | &lt;ul&gt;''Sehr langsam''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> | &lt;ul&gt;''Andantino''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> | &lt;ul&gt;''Sospiri!'' (Andante)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> | &lt;ul&gt;Stephan Széchenyi&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> | &lt;ul&gt;''Joseph Eötvös'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> | &lt;ul&gt;''Michael Vörösmarty'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> | &lt;ul&gt;''Ladislaus Teleki'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> | &lt;ul&gt;''Franz Deák''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> | &lt;ul&gt;''Alexander Petofi''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> | &lt;ul&gt;''Michael Mosonyi'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> | &lt;ul&gt;''Széchenyi István''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> | &lt;ul&gt;''Deák Ferenc'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> | &lt;ul&gt;''Teleki László'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> | &lt;ul&gt;''Eötvös József''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> | &lt;ul&gt;''Vörösmarty Mihály''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> | &lt;ul&gt;''Petofi Sándor''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> | &lt;ul&gt;''Mosonyi Mihály''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> | &lt;ul&gt;''Preludio funebre''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> | &lt;ul&gt;''Marcia funebre''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> | &lt;ul&gt;''Valse de bravoure''&lt;/ul&gt; <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> | &lt;ul&gt;''Valse mélancolique''&lt;/ul&gt; <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> | &lt;ul&gt;''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti''&lt;/ul&gt; <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> | &lt;ul&gt;''Valse oubliée No.1''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> | &lt;ul&gt;''Valse oubliée No.2''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> | &lt;ul&gt;''Valse oubliée No.3''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> | &lt;ul&gt;''Valse oubliée No.3''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> | &lt;ul&gt;''Valse oubliée No.4''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> | &lt;ul&gt;''Polonaise mélancolique''&lt;/ul&gt; <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> | &lt;ul&gt;''Polonaise''&lt;/ul&gt; <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> | &lt;ul&gt;''Csárdás''&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> | &lt;ul&gt;''Csárdás obstinée'' (Hartnäckiger Csardas)&lt;/ul&gt; <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> | &lt;ul&gt;''Kiniszi notája''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> | &lt;ul&gt;''Lassú magyar''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> | &lt;ul&gt;''Ungarischer Romanzero No.1''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> | &lt;ul&gt;''Ungarischer Romanzero No.2''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> | &lt;ul&gt;''Ungarischer Romanzero No.3''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> | &lt;ul&gt;''Ungarischer Romanzero No.4''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> | &lt;ul&gt;''Ungarischer Romanzero No.5''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> | &lt;ul&gt;''Ungarischer Romanzero No.6''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> | &lt;ul&gt;''Ungarischer Romanzero No.7''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> | &lt;ul&gt;''Ungarischer Romanzero No.8''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> | &lt;ul&gt;''Ungarischer Romanzero No.9''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> | &lt;ul&gt;''Ungarischer Romanzero No.10''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> | &lt;ul&gt;''Ungarischer Romanzero No.11''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> | &lt;ul&gt;''Ungarischer Romanzero No.12''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> | &lt;ul&gt;''Ungarischer Romanzero No.13''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> | &lt;ul&gt;''Ungarischer Romanzero No.14''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> | &lt;ul&gt;''Ungarischer Romanzero No.15''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> | &lt;ul&gt;''Ungarischer Romanzero No.16''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> | &lt;ul&gt;''Ungarischer Romanzero No.17''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> | &lt;ul&gt;''Ungarischer Romanzero No.18''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> | &lt;ul&gt; (Lento)&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> | &lt;ul&gt;(Andantino)&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> | &lt;ul&gt;(Sehr langsam)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> | &lt;ul&gt;(Animato)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> | &lt;ul&gt;(Tempo giusto)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> | &lt;ul&gt; (Lento)&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> | &lt;ul&gt;(Andante cantabile, quasi Adagio)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> | &lt;ul&gt; (Lento. Tempo marcato)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> | &lt;ul&gt;(Lento. Quasi Presto)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> | &lt;ul&gt;(Adagio sostenuto a capriccio. Allegro vivace)&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> | &lt;ul&gt;(Andante sostenuto. Allegretto)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> | &lt;ul&gt;Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> | &lt;ul&gt;'' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> | &lt;ul&gt;''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> | &lt;ul&gt;(Lento a capriccio)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> | &lt;ul&gt;(Lento. Tempo e stilo zingarese)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> | &lt;ul&gt;(Preludio. Andante deciso)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> | &lt;ul&gt;(Andante sostenuto)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> | &lt;ul&gt;(Adagio)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> | &lt;ul&gt;(Lento patetico)&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> | &lt;ul&gt;'' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> | &lt;ul&gt;(Lento, tempo di marcia funèbre)&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> | &lt;ul&gt;''Pester Karneval''&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> | &lt;ul&gt;(Tempo giusto)&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> | &lt;ul&gt;(Animato)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> | &lt;ul&gt;''Prélude'' (Allegretto)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> | &lt;ul&gt;(Tempo giusto) &lt;/ul&gt; <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> | &lt;ul&gt;(Animato) &lt;/ul&gt; <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> | &lt;ul&gt;''Prélude'' (Allegretto)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> | &lt;ul&gt;{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> | &lt;ul&gt;''Csak titokban''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> | &lt;ul&gt;''Jaj, beh szennyes''&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> | &lt;ul&gt;''Beh szomoru ez az élet''&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> | &lt;ul&gt;''Beh! Sok falut''&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> | &lt;ul&gt;''Erdt, erdt, sfrf erdt''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> | &lt;ul&gt;''Ballade d&amp;#39;Ukraïne'' (Dumka)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> | &lt;ul&gt;''Mélodies polonaises''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> | &lt;ul&gt;''Complainte'' (Dumka)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> | &lt;ul&gt;{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> | &lt;ul&gt;{{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> | &lt;ul&gt; ''Introitus''&lt;/ul&gt;<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> | &lt;ul&gt; ''Trauerode'' (Die Todten)&lt;/ul&gt;<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> | &lt;ul&gt;''Pace non trovo'' (Fried&amp;#39; ist versagt mir) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> | &lt;ul&gt;''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> | &lt;ul&gt;''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> | &lt;ul&gt;''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> | &lt;ul&gt;''Pace non trovo'' (Fried&amp;#39; ist versagt mir) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> | &lt;ul&gt;''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)&lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> | &lt;ul&gt;''Der Fischerknabe'' (Es lächelt der See) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> | &lt;ul&gt;''Der Hirt'' (Ihr Matten lebt wohl) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> | &lt;ul&gt;''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> | &lt;ul&gt;''Der Fischerknabe'' (Es lächelt der See) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> | &lt;ul&gt;''Der Hirt'' (Ihr Matten lebt wohl) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> | &lt;ul&gt;''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> | &lt;ul&gt;''Das Veilchen'' &lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> | &lt;ul&gt;''Das Schlüsselblumen''&lt;/ul&gt;<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> | &lt;ul&gt; ''An Frau Minne'' (Die Erde ist erschlossen) &lt;/ul&gt; <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> | &lt;ul&gt; ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) &lt;/ul&gt; <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> | &lt;ul&gt; ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) &lt;/ul&gt; <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> | &lt;ul&gt; ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) &lt;/ul&gt; <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> | &lt;ul&gt; ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) &lt;/ul&gt; <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> | &lt;ul&gt; ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) &lt;/ul&gt; <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> | &lt;ul&gt; ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) &lt;/ul&gt; <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> | &lt;ul&gt; ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) &lt;/ul&gt; <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''&lt;/ul&gt;<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''&lt;/ul&gt;<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''&lt;/ul&gt;<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''&lt;/ul&gt;<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> | &lt;ul&gt; {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)&lt;/ul&gt;<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)&lt;/ul&gt;<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> | &lt;ul&gt;(Vivace)&lt;/ul&gt;<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> | &lt;ul&gt;''Trauermarsch''&lt;/ul&gt;<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> | &lt;ul&gt;''Reitermarsch''&lt;/ul&gt;<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> | &lt;ul&gt;''Ungarischer Marsch''&lt;/ul&gt;<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> | &lt;ul&gt; ''Le matin''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> | &lt;ul&gt; ''Gebet''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> | &lt;ul&gt; ''Der Fischerknabe'' (Es lächelt der See) &lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> | &lt;ul&gt; ''Der Hirt'' (Ihr Matten lebt wohl) &lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> | &lt;ul&gt; ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) &lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> | &lt;ul&gt; ''Die junge Nonne''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> | &lt;ul&gt; ''Gretchen am Spinnrade''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> | &lt;ul&gt; ''Mignons Lied'' (Kennst du das Land)&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> | &lt;ul&gt; ''Erlkönig''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> | &lt;ul&gt; ''Der Doppelgänger'' (Still ist die Nacht)&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> | &lt;ul&gt; ''Abschied''&lt;/ul&gt;<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> | &lt;blockquote&gt; ''Benedictus''&lt;/blockquote&gt;<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of S.11/7 &lt;/p&gt;<br /> |-<br /> | 381/2<br /> | D10/2<br /> | &lt;blockquote&gt; ''Offertorium''&lt;/blockquote&gt;<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> | &lt;ul&gt;(Andante con moto)/ul&gt;<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> | &lt;ul&gt;(Quasi Adagio)&lt;/ul&gt;<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> | &lt;ul&gt;''Introduction e Cavatine''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> | &lt;ul&gt;''Klavierstück über ein fremdes Thema''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> | &lt;ul&gt;''Barcarola '' (Il barcajuolo)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> | &lt;ul&gt;''Notturno'' (L’alito di Bice)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> | &lt;ul&gt;''Canzone Napoletana'' (La torre di Biasone)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> | &lt;ul&gt;''Trio du seconde Acte''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> | &lt;ul&gt;''Chanson á boire (Orgie). Duo. Finale''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> | &lt;ul&gt;''La primavera'' (Canzonetta)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> | &lt;ul&gt;''Il galop''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> | &lt;ul&gt;''Il pastore svizzero'' (Tirolese)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> | &lt;ul&gt;''La serenata del marinaro''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> | &lt;ul&gt;''Il Brindisi'' (Rondoletto)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> | &lt;ul&gt;''La zingarella spagnuola'' (Bolero)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> | &lt;ul&gt;''Prière. Hymne triomphal. Marche du sacre''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> | &lt;ul&gt;''Les patineurs. Scherzo''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> | &lt;ul&gt;''Pastorale. Appel aux armes''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> | &lt;ul&gt;''Prière des matelots'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> | &lt;ul&gt;''Marche indienne''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> | &lt;ul&gt;''Andante''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> | &lt;ul&gt;''Marsch''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> | &lt;ul&gt;''La promessa '' (Canzonetta)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> | &lt;ul&gt;''La regata veneziana'' (Notturno)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> | &lt;ul&gt;''L'invito'' (Bolero)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> | &lt;ul&gt;''La gita in gondola'' (Barcarola)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> | &lt;ul&gt;''Il rimprovero'' (Canzonetta)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> | &lt;ul&gt;''La pastorella dell'Alpi'' (Tirolese)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> | &lt;ul&gt;''La partenza'' (Canzonetta)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> | &lt;ul&gt;''La pesca '' (Notturno)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> | &lt;ul&gt;''La danza'' (Tarantella Napoletana)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> | &lt;ul&gt;''La serenata'' (Notturno)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> | &lt;ul&gt;''L'orgia '' (Arietta)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> | &lt;ul&gt;''Li marinari '' (Duetto)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> | &lt;ul&gt;''Andante''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marche hongroise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marche hongroise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marche hongroise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marche hongroise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marche hongroise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> | &lt;ul&gt;''Allegretto''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> | &lt;ul&gt;''Andante''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> | &lt;ul&gt;''Marcia''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> | &lt;ul&gt;''Allegretto''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> | &lt;ul&gt;''Trauermarsch'' (Grande marche funèbre)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> | &lt;ul&gt;''Grande marche''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> | &lt;ul&gt;''Grande marche caractéristique''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> | &lt;ul&gt;(Allegretto malinconico)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> | &lt;ul&gt;(Poco Allegro)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> | &lt;ul&gt;(Allegro vivace)&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> | &lt;ul&gt;(Andantino a capriccio)&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> | &lt;ul&gt;(Moderato cantabile con affetto)&lt;/ul&gt;<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> | &lt;ul&gt;(Allegro con strepito)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> | &lt;ul&gt;(Allegro con spirito)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> | &lt;ul&gt;(Allegro con spirito)&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> | &lt;ul&gt;(Allegro spiritoso)&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> | &lt;ul&gt;(Allegro con brio)&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> | &lt;ul&gt;(Preludio a capriccio)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> | &lt;ul&gt;''Einzug der Gäste auf der Wartburg''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> | &lt;ul&gt;''Einzug der Gäste auf der Wartburg ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> | &lt;ul&gt;''Einzug der Gäste auf der Wartburg ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> | &lt;ul&gt;''Elsas Brautzug zum Münster''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> | &lt;ul&gt;''Festspiel und Brautlied ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> | &lt;ul&gt;''Elsas Traum''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> | &lt;ul&gt;''Lohengrins Verweis an Elsa''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> | &lt;ul&gt; ''Präludium und Fuge''&lt;/ul&gt;<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> | &lt;ul&gt; ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> | &lt;ul&gt; ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> | &lt;ul&gt; ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> | &lt;ul&gt; ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> | &lt;ul&gt; ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> | &lt;ul&gt; ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> | &lt;ul&gt; ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> | &lt;ul&gt; ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> | &lt;ul&gt; ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> | &lt;ul&gt; ''Gottes Macht und Vorsehung''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> | &lt;ul&gt; ''Bitten''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> | &lt;ul&gt; ''Bußlied''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> | &lt;ul&gt; ''Vom Tode''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> | &lt;ul&gt; ''Die Liebe des Nächsten''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> | &lt;ul&gt; ''Die Ehre Gottes aus der Natur''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> | &lt;ul&gt; ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> | &lt;ul&gt; ''Mit einem gemalten Bande''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> | &lt;ul&gt; ''Freudvoll und leidvoll''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> | &lt;ul&gt; ''Es war einmal ein König''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> | &lt;ul&gt; ''Wonne der Wehmut''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> | &lt;ul&gt; ''Die Trommel gerühret''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> | &lt;ul&gt; ''Auf dem Hügel''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> | &lt;ul&gt; ''Wo die Bergen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> | &lt;ul&gt; ''Leichte Segler''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> | &lt;ul&gt; ''Diese Wolken''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> | &lt;ul&gt; ''Es kehret der Maien''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> | &lt;ul&gt; ''Nimm sie hin denn''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> | &lt;ul&gt; ''Entracte, Recitatif et Romance''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> | &lt;ul&gt; ''Air''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> | &lt;ul&gt; ''Scène et Trio''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> | &lt;ul&gt; ''Mädchens Wunsch'' (Zyczenie)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> | &lt;ul&gt; ''Frühling'' (Wiosna)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> | &lt;ul&gt; ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> | &lt;ul&gt; ''Bacchanal'' (Hulanka)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> | &lt;ul&gt; ''Meine Freuden '' (Moja pieszczotka)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> | &lt;ul&gt; ''Mes Joies''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> | &lt;ul&gt; ''Die Heimkehr'' (Narzeczony)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> | &lt;ul&gt; ''Scherzo''&lt;/ul&gt;<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> | &lt;ul&gt; ''Erinnerung''&lt;/ul&gt;<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> | &lt;ul&gt; ''Mazurka''&lt;/ul&gt;<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> | &lt;ul&gt; ''Tanz''&lt;/ul&gt;<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> | &lt;ul&gt; ''Kinderlied''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> | &lt;ul&gt; ''Capriccio''&lt;/ul&gt;<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> | &lt;ul&gt; ''Bolero''&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> | &lt;ul&gt; ''Elegie''&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> | &lt;ul&gt; ''Marsch''&lt;/ul&gt;<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> | &lt;ul&gt; ''Toccata''&lt;/ul&gt;<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> | &lt;ul&gt; ''Gondellied''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> | &lt;ul&gt; ''Im Sturm''&lt;/ul&gt;<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> | &lt;ul&gt; ''Romanze''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> | &lt;ul&gt; ''Allegro agitato''&lt;/ul&gt;<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> | &lt;ul&gt; ''Menuetto''&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> | &lt;ul&gt; ''Etüde''&lt;/ul&gt;<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> | &lt;ul&gt; ''Intermezzo''&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> | &lt;ul&gt; ''Serenade''&lt;/ul&gt;<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> | &lt;ul&gt; ''Ungarisch''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> | &lt;ul&gt; ''Ungarisch''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> | &lt;ul&gt; ''Tarantella''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> | &lt;ul&gt; ''Impromptu''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> | &lt;ul&gt; ''Im russischer Weise''&lt;/ul&gt;<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> | &lt;ul&gt; ''Lied''&lt;/ul&gt;<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> | &lt;ul&gt; ''Capriccio ''&lt;/ul&gt;<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> | &lt;ul&gt; ''Lockung''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> | &lt;ul&gt; ''Zwei Wege''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> | &lt;ul&gt; ''Spanisches Lied '' (Bolero)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> | &lt;ul&gt; ''Auf geheimen Waldespfadeie''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> | &lt;ul&gt; ''Drüben geht die Sonne scheiden''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> | &lt;ul&gt; ''Trübe wird&amp;#39;s''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> | &lt;ul&gt; ''Sonnenuntergang''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> | &lt;ul&gt; ''Auf dem Teich''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> | &lt;ul&gt; ''Der Schalk ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> | &lt;ul&gt; ''Der Bote''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> | &lt;ul&gt; ''Meeresstille''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> | &lt;ul&gt; ''Treibt der Sommer seinen Rosen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> | &lt;ul&gt; ''Gewitternacht''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> | &lt;ul&gt; ''Das ist ein Brausen und Heulen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> | &lt;ul&gt; ''Frühling und Liebe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> | &lt;ul&gt; ''Tanzmomente No.1''&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> | &lt;ul&gt; ''Tanzmomente No.2''&lt;/ul&gt;<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> | &lt;ul&gt; ''Tanzmomente No.3''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> | &lt;ul&gt; ''Tanzmomente No.4''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> | &lt;ul&gt; ''Tanzmomente No.4''&lt;/ul&gt;<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> | &lt;ul&gt; ''Tanzmomente No.5''&lt;/ul&gt;<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> | &lt;ul&gt; ''Tanzmomente No.6''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> | &lt;ul&gt; ''Tanzmomente No.7''&lt;/ul&gt;<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> | &lt;ul&gt; ''Tanzmomente No.8''&lt;/ul&gt;<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> | &lt;ul&gt; ''Hagen und Kreimhild''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> | &lt;ul&gt; ''Bechlarn''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> | &lt;ul&gt; ''Osterhymne''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> | &lt;ul&gt; ''Hoffestliche Marsch und Polonaise''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> | &lt;ul&gt; ''Der Lenz ist gekommen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> | &lt;ul&gt; ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> | &lt;ul&gt; ''Du schaust mich an mit stummen Fragen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> | &lt;ul&gt; ''Orchester Einleitung'' (Orchestral Introduction)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> | &lt;ul&gt; ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> | &lt;ul&gt; ''Interludium''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> | &lt;ul&gt; ''Hirtengesang an der Krippe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> | &lt;ul&gt; ''Die heiligen drei Könige''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> | &lt;ul&gt; ''Benedictus''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> | &lt;ul&gt; ''Offertorium''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> | &lt;ul&gt; ''Crux ave benedicta''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> | &lt;ul&gt; ''Jesu Christe '' (Die fünf Wunden)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> | &lt;ul&gt; ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> | &lt;ul&gt; ''Es segne uns Gott''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> | &lt;ul&gt; ''Nun danket alle Gott!''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> | &lt;ul&gt; ''Nun ruhen alle Wälder''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> | &lt;ul&gt; ''O Haupt voll Blut und Wunden''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> | &lt;ul&gt; ''O Lamm Gottes!''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> | &lt;ul&gt; ''O Traurigkeit''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> | &lt;ul&gt; ''Vexilla Regis''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> | &lt;ul&gt; ''Was Gott tut, das ist wohlgetan''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> | &lt;ul&gt; ''Wer nur den lieben Gott läßt walten''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> | &lt;ul&gt; ''La consolation''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> | &lt;ul&gt; ''Avant la bataille'' &lt;/ul&gt;<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> | &lt;ul&gt; ''L'espérance'' &lt;/ul&gt; <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> | &lt;ul&gt; ''Vor der Schlacht''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> | &lt;ul&gt; ''Nicht gezagt''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> | &lt;ul&gt; ''Es rufet Gott uns mahnend''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> | &lt;ul&gt; ''Polonaise No.1''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> | &lt;ul&gt; ''Polonaise No.2''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> | &lt;ul&gt; ''Die Loreley''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> | &lt;ul&gt; ''Am Rhein in schönen Strome''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> | &lt;ul&gt; ''Kennst du das Land''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> | &lt;ul&gt; ''Es war ein König in Thule''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> | &lt;ul&gt; ''Der du von dem Himmel bist''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> | &lt;ul&gt; ''Angiolin''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> | &lt;ul&gt; ''Comment, disaient-ils''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> | &lt;ul&gt; ''Oh, quand je dors''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> | &lt;ul&gt; ''Enfant, si j&amp;#39;étais roi''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> | &lt;ul&gt; ''S&amp;#39;il est un charmant gazon''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> | &lt;ul&gt; ''La tombe et la rose''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> | &lt;ul&gt; ''Gastibelza''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> | &lt;ul&gt; ''Liebesträume No.1'' (Hohe Liebe)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> | &lt;ul&gt; ''Liebesträume No.2 '' (Seliger Tod)&lt;/ul&gt;<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> | &lt;ul&gt; ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)&lt;/ul&gt;<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> | &lt;ul&gt; ''Auf Flügeln des Gesanges'' (Les ailes du chant)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> | &lt;ul&gt; ''Sonntagslied'' (Chant du dimanche)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> | &lt;ul&gt; ''Reiselied'' (Chant du voyage)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> | &lt;ul&gt; ''Neue Liebe'' (Amour nouveau)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> | &lt;ul&gt; ''Frühlingslied'' (Chant du printemps)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> | &lt;ul&gt; ''Winterlied'' (Chant d&amp;#39;hiver)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> | &lt;ul&gt; ''Suleika''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> | &lt;ul&gt; ''Wasserfahrt''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> | &lt;ul&gt; ''Der Jäger Abschied''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> | &lt;ul&gt; ''Confutatis maledictis''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> | &lt;ul&gt; ''Lacrymosa''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> | &lt;ul&gt; ''Air du Stabat Mater''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> | &lt;ul&gt; ''La charité''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> | &lt;ul&gt; ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> | &lt;ul&gt; ''Auf dem Wasser zu singen'' (Barcarolle)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> | &lt;ul&gt; ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> | &lt;ul&gt; ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | &lt;ul&gt; ''Erlkönig'' (Le roi des Aulnes)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | &lt;ul&gt; ''Erlkönig'' (Le roi des Aulnes)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | &lt;ul&gt; ''Meeresstille'' (La mer calme)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> | &lt;ul&gt; ''Die junge Nonne '' (La jeune r éligieuse)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> | &lt;ul&gt; ''Frühlingsglaube'' (Espoir dans le printemps)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | &lt;ul&gt; ''Frühlingsglaube'' (Espoir dans le printemps)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> | &lt;ul&gt; ''Gretchen am Spinnrade '' (Marguerite)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> | &lt;ul&gt; ''Gretchen am Spinnrade'' (Marguerite)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> | &lt;ul&gt; ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> | &lt;ul&gt; ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> | &lt;ul&gt; ''Rastlose Liebe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> | &lt;ul&gt; ''Der Wanderer'' (Le pèlerin)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> | &lt;ul&gt; ''Der Wanderer'' (Le pèlerin)&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> | &lt;ul&gt; ''Ave Maria''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> | &lt;ul&gt; ''Die Stadt''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> | &lt;ul&gt; ''Das Fischermädchen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> | &lt;ul&gt; ''Aufenthalt''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> | &lt;ul&gt; ''Am Meer''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> | &lt;ul&gt; ''Abschied''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> | &lt;ul&gt; ''In der Ferne''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> | &lt;ul&gt; ''Ständchen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> | &lt;ul&gt; ''Ständchen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> | &lt;ul&gt; ''Ihr Bild''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> | &lt;ul&gt; ''Frühlingssehnsucht''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> | &lt;ul&gt; ''Liebesbotschaft''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> | &lt;ul&gt; ''Der Atlas''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> | &lt;ul&gt; ''Der Doppelgänger''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> | &lt;ul&gt; ''Die Taubenpost''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> | &lt;ul&gt; ''Kriegers Ahnung''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> | &lt;ul&gt; ''Gute Nacht''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> | &lt;ul&gt; ''Die Nebensonnen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> | &lt;ul&gt; ''Mut!''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> | &lt;ul&gt; ''Die Post''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> | &lt;ul&gt; ''Erstarrung''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> | &lt;ul&gt; ''Wasserflut''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> | &lt;ul&gt; ''Der Lindenbaum''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> | &lt;ul&gt; ''Der Leiermann''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> | &lt;ul&gt; ''Täuschung''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> | &lt;ul&gt; ''Das Wirtshaus''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> | &lt;ul&gt; ''Der stürmische Morgen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> | &lt;ul&gt; ''Im Dorfe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> | &lt;ul&gt; ''Litaney''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> | &lt;ul&gt; ''Himmelsfunken''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> | &lt;ul&gt; ''Die Gestirne''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> | &lt;ul&gt; ''Hymne''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> | &lt;ul&gt; ''Lebe wohl!''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> | &lt;ul&gt; ''Mädchens Klage''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> | &lt;ul&gt; ''Das Sterbeglöcklein''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> | &lt;ul&gt; ''Trockne Blumen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> | &lt;ul&gt; ''Ungeduld''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> | &lt;ul&gt; ''Die Forelle''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> | &lt;ul&gt; ''Das Wandern''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> | &lt;ul&gt; ''Der Müller und der Bach ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> | &lt;ul&gt; ''Der Jäger''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> | &lt;ul&gt; ''Die böse Farbe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> | &lt;ul&gt; ''Wohin?''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> | &lt;ul&gt; ''Ungeduld''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> | &lt;ul&gt; ''Das Wandern''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> | &lt;ul&gt; ''Der Müller und der Bach ''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> | &lt;ul&gt; ''Der Jäger''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> | &lt;ul&gt; ''Die böse Farbe''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> | &lt;ul&gt; ''Wohin?''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> | &lt;ul&gt; ''Ungeduld''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> | &lt;ul&gt; ''An den Sonnenschein''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> | &lt;ul&gt; ''Rotes Röslein''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> | &lt;ul&gt; ''Weihnachtslied''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> | &lt;ul&gt; ''Die wandelnde Glocke''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> | &lt;ul&gt; ''Frühlings Ankunft''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> | &lt;ul&gt; ''Des Sennen Abschied''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> | &lt;ul&gt; ''Er ist&amp;#39;s''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> | &lt;ul&gt; ''Nur wer die Sehnsucht kennt''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> | &lt;ul&gt; ''An die Türen will ich schleichen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> | &lt;ul&gt; ''Warum willst du and&amp;#39;re fragen''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> | &lt;ul&gt; ''Ich hab&amp;#39; in deinem Auge''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> | &lt;ul&gt; ''Geheimes Flüstern hier und dort''&lt;/ul&gt;<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> | &lt;ul&gt; ''Nocturne No.1''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> | &lt;ul&gt; ''Nocturne No.2''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> | &lt;ul&gt; ''Nocturne No.3''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> | &lt;ul&gt; ''Nocturne No.4''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> | &lt;ul&gt; ''Nocturne No.5''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> | &lt;ul&gt; ''Nocturne No.6''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> | &lt;ul&gt; ''Nocturne No.7''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> | &lt;ul&gt; ''Nocturne No.8''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> | &lt;ul&gt; ''Nocturne No.9''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> | &lt;ul&gt; ''Nocturne No.10''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> | &lt;ul&gt; ''Nocturne No.11''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> | &lt;ul&gt; ''Nocturne No.12''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> | &lt;ul&gt; ''Orchester Einleitung''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> | &lt;ul&gt; ''Marsch der Kreuzritter''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> | &lt;ul&gt; ''Der Sturm''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> | &lt;ul&gt; ''Interludium''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> | &lt;ul&gt; ''Hirtengespiel an der Krippe''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> | &lt;ul&gt; ''Die heiligen drei Könige''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> | &lt;ul&gt; ''Benedictus''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> | &lt;ul&gt; ''Offertorium''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> | &lt;ul&gt; ''Der nächtliche Zug''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> | &lt;ul&gt; ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> | &lt;ul&gt; ''Les morts''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> | &lt;ul&gt; ''La notte''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> | &lt;ul&gt; {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> | &lt;ul&gt; ''Psallite'' (Altes Weihnacthen)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> | &lt;ul&gt; ''O heilige Nacht!''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> | &lt;ul&gt; ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> | &lt;ul&gt; ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) &lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> | &lt;ul&gt; ''Scherzoso''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> | &lt;ul&gt; ''Reveille-Matin'' (Wecker)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> | &lt;ul&gt; ''Schlummerlied''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> | &lt;ul&gt; (Alt-provenzalisches Noel)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> | &lt;ul&gt; (Abendglocken)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> | &lt;ul&gt; (Ehemals)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> | &lt;ul&gt; ''Ungarisch''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> | &lt;ul&gt; ''Polnisch''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> | &lt;ul&gt; ''Altes Weihnacthen'' (Psalite)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> | &lt;ul&gt; ''O heilige Nacht!''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> | &lt;ul&gt; ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> | &lt;ul&gt; ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> | &lt;ul&gt; ''Scherzoso '' (Man zündet die Kerzen des Baumes an)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> | &lt;ul&gt; ''Carillon''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> | &lt;ul&gt; ''Schlummerlied''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> | &lt;ul&gt; ''Altes provenzalisches Weihnachtslied''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> | &lt;ul&gt; ''Abendglocken''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> | &lt;ul&gt; ''Ehemals''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> | &lt;ul&gt; ''Ungarisch''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> | &lt;ul&gt; ''Polnisch''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''&lt;/ul&gt;<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''&lt;/ul&gt;<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''&lt;/ul&gt;<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''&lt;/ul&gt;<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)&lt;/ul&gt;<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> | &lt;ul&gt; ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> | &lt;ul&gt; ''Andante''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> | &lt;ul&gt; ''Marsch''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> | &lt;ul&gt; (Vivace)&lt;/ul&gt;<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> | &lt;ul&gt; ''Trauermarsch''&lt;/ul&gt;<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> | &lt;ul&gt; ''Reitermarsch''&lt;/ul&gt;<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> | &lt;ul&gt; ''Ungarischer Marsch''&lt;/ul&gt;<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> | &lt;ul&gt; ''Einzug der Gäste auf der Wartburg''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> | &lt;ul&gt; ''Elsas Brautzug zum Münster''&lt;/ul&gt;<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> | &lt;ul&gt; ''Salve Regina''&lt;/ul&gt;<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> | &lt;ul&gt; ''Ave maris stella''&lt;/ul&gt;<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> | &lt;ul&gt; ''Es segne uns Gott''&lt;/ul&gt;<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> | &lt;ul&gt; ''Gott sei gnädig'' (Der Kirchensegen)&lt;/ul&gt;<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> | &lt;ul&gt; ''Nun ruhen alle Wälder''&lt;/ul&gt;<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> | &lt;ul&gt; ''O Haupt voll Blut und Wunden''&lt;/ul&gt;<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> | &lt;ul&gt; ''O Lamm Gottes!''&lt;/ul&gt;<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> | &lt;ul&gt; ''Was Gott tut, das ist wohlgetan''&lt;/ul&gt;<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> | &lt;ul&gt; ''Wer nur den lieben Gott läßt walten''&lt;/ul&gt;<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> | &lt;ul&gt; ''Mysteria gaudiosa'' &lt;/ul&gt;<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> | &lt;ul&gt; ''Mysteria dolorosa'' &lt;/ul&gt;<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> | &lt;ul&gt; ''Mysteria gloriosa'' &lt;/ul&gt;<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> | &lt;ul&gt; (Lento placido)&lt;/ul&gt;<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> | &lt;ul&gt; (Adagio)&lt;/ul&gt;<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> | &lt;ul&gt; (Andantino)&lt;/ul&gt;<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> | &lt;ul&gt; (Trôstung)&lt;/ul&gt;<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> | &lt;ul&gt; ''Benedictus''&lt;/ul&gt;<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> | &lt;ul&gt; ''Offertorium''&lt;/ul&gt;<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> | &lt;ul&gt; ''March No.1'' &lt;/ul&gt; <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> | &lt;ul&gt; ''March No.2'' &lt;/ul&gt; <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> | &lt;ul&gt; ''Das Rosenmirakel'' &lt;/ul&gt; <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> | &lt;ul&gt; ''Der Sturm'' &lt;/ul&gt; <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> | &lt;ul&gt; (Lento) &lt;/ul&gt; <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> | &lt;ul&gt; (Andantino) &lt;/ul&gt; <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> | &lt;ul&gt; (Sehr langsam) &lt;/ul&gt; <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> | &lt;ul&gt; (Animato) &lt;/ul&gt; <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> | &lt;ul&gt; (Tempo giusto) &lt;/ul&gt; <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> | &lt;ul&gt; (Lento) &lt;/ul&gt; <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> | &lt;ul&gt; Tempo di marca &lt;/ul&gt; <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> | &lt;ul&gt; (Adagio sostenuto a capriccio) &lt;/ul&gt; <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> | &lt;ul&gt; (Andante cantabile quasi adagio) &lt;/ul&gt; <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> | &lt;ul&gt; (Lento) &lt;/ul&gt; <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> | &lt;ul&gt; (Lento) &lt;/ul&gt; <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''pf Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''pf Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-01T01:51:40Z

<p>Funper: change bg color to gainsboro</p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here<br /> &lt;/div&gt;<br /> <br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:Gainsboro&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: Gainsboro&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-01T01:33:41Z

<p>Funper: /* Legend */</p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here<br /> &lt;/div&gt;<br /> <br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-08-01T01:20:09Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T20:14:46Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}<br /> == External links ==<br /> *[[wikipedia:List of compositions by Franz Liszt|List of compositions by Franz Liszt]] - Wikipedia</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T20:06:15Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T18:58:23Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233b<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}233c-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |- style=&quot;background:silver&quot; id=&quot;Austrian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Austrian'''<br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Czech&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Czech'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |- style=&quot;background:silver&quot; id=&quot;English&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''English'''<br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |- style=&quot;background:silver&quot; id=&quot;French&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''French'''<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |- style=&quot;background:silver&quot; id=&quot;German&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''German'''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |- style=&quot;background:silver&quot; id=&quot;Hungarian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Hungarian'''<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |- style=&quot;background:silver&quot; id=&quot;Italian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Italian'''<br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |- style=&quot;background:silver&quot; id=&quot;Polish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Polish'''<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Russian&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Russian'''<br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Spanish&quot;<br /> | {{hs|999}}<br /> |<br /> |colspan=&quot;6&quot; |<br /> ::: '''Spanish'''<br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T18:14:08Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T18:10:27Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T17:10:39Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Secular choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:45:02Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other arr|Organ with other instruments]]<br /> ## [[#Vocal arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestra lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=&quot;Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Vocal arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:32:07Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitation arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:26:44Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:21:56Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal works|Other vocal works]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}687-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:05:09Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal work|Other vocal work]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}687-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T16:01:54Z

<p>Funper: /* Catalogue of works */</p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal work|Other vocal work]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> {{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal work|Other vocal work]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}687-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''Piano Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''Piano Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''Piano Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T15:56:40Z

<p>Funper: </p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]] <br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Pianoforte and orchestra]]<br /> ## [[#Chamber music|Chamber music, etc.]]<br /> ## [[#Piano solo|Pianoforte, two hands]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Pianoforte, four hands]]<br /> ## [[#Two pianos|Two pianofortes]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other vocal work|Other vocal work]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, fantasies, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|For pianoforte and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music, etc.]]<br /> ## [[#Piano solo arr|For pianoforte solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Pianoforte duet]]<br /> ## [[#Two pianos arr|Two pianofortes]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Vocal arrangements]]<br /> ## [[#Recitation arr|Recitation]]<br /> ## [[#Unfinished|Unfinished works]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Lost|Doubtful or lost]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|For orchestra]]<br /> ### [[#Piano and orchestral lost|For piano and orchestra]]<br /> ### [[#Other instrumental lost|Other instrumental works]]<br /> ### [[#Piano lost|For piano solo]]<br /> ### [[#Piano duet lost|For piano, four hands]]<br /> ### [[#Two pianos lost|For two pianos]]<br /> ### [[#Organ lost|For organ]]<br /> ### [[#Songs lost|Songs with piano]]<br /> ### [[#Other vocal lost|Other vocal works]]<br /> ### [[#Recitations lost|Recitations with pianoforte]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == Catalogue of works ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, two hands'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Pianoforte, four hands'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other vocal works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other vocal works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, fantasies, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music, etc.'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''For pianoforte solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Pianoforte duet'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianofortes'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Vocal arrangements'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitation'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}687-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost works'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For orchestra'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Other instrumental lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other instrumental works'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano solo'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''pf Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''pf Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For piano, four hands'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''For organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-766<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs with piano'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Other vocal lost&quot;<br /> | {{hs|999}}767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Other vocal works'''<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations with pianoforte'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/List_of_works_by_Franz_Liszt 2016-07-31T12:50:45Z

<p>Funper: /* List of compositions by Franz Liszt */</p> <hr /> <div>{{worklist|Liszt, Franz}}<br /> {| class=&quot;wikitable collapsible&quot; style=&quot;text-align:left&quot;<br /> |-<br /> ! Contents<br /> |-<br /> |<br /> # [[#Original works|Original works]]<br /> ## [[#Opera|Opera]]<br /> ## [[#Sacred choral works|Sacred choral works]]<br /> ## [[#Secular choral works|Secular choral works]]<br /> ## [[#Orchestral works|Orchestral works]]<br /> ### [[#Symphonic poems|Symphonic poems]]<br /> ### [[#Other orchestral works|Other orchestral works]]<br /> ## [[#Piano and orchestra|Piano and orchestra]]<br /> ## [[#Chamber music|Chamber music]]<br /> ## [[#Piano solo|Piano solo]]<br /> ### [[#Studies|Studies]]<br /> ### [[#Various original works|Various original works]]<br /> ### [[#Works in dance form|Works in dance form]]<br /> ### [[#Works on national themes|Works on national themes]]<br /> ## [[#Piano duet|Piano duet (4 hands)]]<br /> ## [[#Two pianos|Two pianos]]<br /> ## [[#Organ|Organ]]<br /> ## [[#Songs|Songs]]<br /> ## [[#Other choral work|Other choral work]]<br /> ## [[#Recitations|Recitations]]<br /> # [[#Arrangements etc|Arrangements, transcriptions, etc.]]<br /> ## [[#Orchestral works arr|Orchestral works]]<br /> ## [[#Piano and orchestra arr|Piano and orchestra]]<br /> ## [[#Songs with orchestra|Songs with orchestra]]<br /> ## [[#Chamber music arr|Chamber music]]<br /> ## [[#Piano solo arr|Piano solo]]<br /> ### [[#Paraphrases|Paraphrases, operatic transcriptions, etc.]]<br /> ### [[#Transcriptions|Partitions de piano, transcriptions, etc.]]<br /> ## [[#Piano duet arr|Piano duet (4 hands)]]<br /> ## [[#Two pianos arr|Two pianos]]<br /> ## [[#Organ arr|Organ]]<br /> ## [[#Organ with other|Organ with other instruments]]<br /> ## [[#Songs arr|Songs]]<br /> ## [[#Recitations arr|Recitations]]<br /> # [[#Appendix|Appendix]]<br /> ## [[#Unfinished|Unfinished works]]<br /> ## [[#Lost|Doubtful or lost works]]<br /> ### [[#Sacred choral lost|Sacred choral works]]<br /> ### [[#Sacred choral lost|Secular choral works]]<br /> ### [[#Orchestral works lost|Orchestral works]]<br /> ### [[#Piano and orchestral lost|Piano and orchestra]]<br /> ### [[#Chamber music lost|Chamber music]]<br /> ### [[#Piano lost|Piano solo]]<br /> #### [[#Piano original lost|Original works]]<br /> #### [[#Arrangements lost|Arrangements, transcriptions, etc.]]<br /> ### [[#Piano duet lost|Piano duet (4 hands)]]<br /> ### [[#Two pianos lost|Two pianos]]<br /> ### [[#Organ lost|Organ]]<br /> ### [[#Songs lost|Songs]]<br /> ### [[#Recitations lost|Recitations]]<br /> |}<br /> == Legend ==<br /> &lt;div class=&quot;plainlinks&quot;&gt;<br /> The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):<br /> * '''S.''' — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue<br /> * '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)<br /> * '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources<br /> * '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br /> * '''Key''' — the principal key of the work<br /> * '''Date''' — the year(s) of composition or arrangement, where known<br /> * '''Genre''' — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Keyboard<br /> * '''Notes''' — Liszt's works often exist in multiple versions, which are cross-referenced here<br /> &lt;/div&gt;<br /> == List of works by Franz Liszt ==<br /> <br /> {| class=&quot;wikitable sortable&quot; style=&quot;font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA&quot;<br /> ! width=&quot;6%&quot;|S.<br /> ! width=&quot;6%&quot;|LW<br /> ! width=&quot;30%&quot;|Title <br /> ! width=&quot;10%&quot;|Forces<br /> ! width=&quot;6%&quot;|Key<br /> ! width=&quot;6%&quot;|Date<br /> ! width=&quot;6%&quot;|Genre<br /> ! width=&quot;30%&quot;|Notes<br /> |- style=&quot;background:silver&quot; id=&quot;Original works&quot;<br /> | {{hs|999}}1-350<br /> |<br /> |colspan=&quot;6&quot; | '''Original works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Opera&quot;<br /> | {{hs|999}}1<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Opera'''<br /> |-<br /> | {{hs|00}}1<br /> | O{{hs|0}}1<br /> | '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)<br /> | vv ch orch<br /> | <br /> | 1824–25<br /> | Stage<br /> | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished<br /> |- style=&quot;background:silver&quot; id=Sacred choral works&quot;<br /> | {{hs|999}}2-66<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Sacred choral works'''<br /> |-<br /> | {{hs|00}}2<br /> | I{{hs|0}}4<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''<br /> | sop alt 3bar 2bass ch org orch<br /> | <br /> | 1857–62<br /> | Choral<br /> | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a <br /> |-<br /> | {{hs|00}}3<br /> | I{{hs|0}}7<br /> | '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''<br /> | sop alt ten bar bass ch org orch<br /> | <br /> | 1866–72<br /> | Choral<br /> | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 <br /> |-<br /> | {{hs|00}}4/1<br /> | I{{hs|0}}8a<br /> | [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]<br /> | bar pf org/harm (+ mch)<br /> | F major<br /> | 1862<br /> | Choral<br /> | 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677<br /> |-<br /> | {{hs|00}}4/2<br /> | I{{hs|0}}8b<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | bar mch org orch<br /> | F major<br /> | 1879–82<br /> | Choral<br /> | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 <br /> |-<br /> | {{hs|00}}5/1<br /> | I{{hs|0}}1a<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)<br /> | mez orch (?)<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.5/2 ; lost<br /> |-<br /> | {{hs|00}}5/2<br /> | I{{hs|0}}1b<br /> | '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez orch (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)&amp;nbsp; as S.5/2a<br /> |-<br /> | {{hs|00}}5/2a<br /> | I{{hs|0}}1b<br /> | '''Sainte Cécile''' (Die heilige Cäcilia)&lt;br&gt;(Legende)<br /> | mez hp/pf/harm (+ ch)<br /> | <br /> | 1874<br /> | Choral<br /> | arr. of S.5/2<br /> |-<br /> | {{hs|00}}6<br /> | L15<br /> | '''Die Glocken des Strassburger Münsters'''<br /> | 2vv ch org orch<br /> | <br /> | 1874–75<br /> | Choral<br /> | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]<br /> |-<br /> | {{hs|00}}7<br /> | I10<br /> | '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch orch<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}7a<br /> | I10<br /> | '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)<br /> | alt ch harm<br /> | G major–G minor<br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|00}}8/1<br /> | J{{hs|0}}5a<br /> | '''Missa quattuor vocum ad aequales'''<br /> | mch org<br /> | <br /> | 1846–47<br /> | Choral<br /> | 1st version of S.8/2<br /> |-<br /> | {{hs|00}}8/2<br /> | J{{hs|0}}5b<br /> | '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.8/1; themes used in S.264<br /> |-<br /> | {{hs|00}}9<br /> | I{{hs|0}}2<br /> | '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)<br /> | sop alt ten bass ch orch<br /> | <br /> | 1857–58<br /> | Choral<br /> | extract (&amp;#39;Poco adagio&amp;#39;) arr. for pf as S.747 [?]<br /> |-<br /> | {{hs|0}}10<br /> | J18<br /> | '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1859–65<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}11<br /> | I{{hs|0}}9<br /> | '''Ungarische Krönungsmesse''' (Hungarian Coronation Mass)<br /> | 4vv ch orch<br /> | <br /> | 1866–69<br /> | Choral<br /> | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 <br /> |-<br /> | {{hs|0}}12<br /> | J22<br /> | '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)<br /> | 4vv mch org (+ br perc)<br /> | <br /> | 1867–71<br /> | Choral<br /> | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45<br /> |-<br /> | {{hs|0}}13/1<br /> | I{{hs|0}}3a<br /> | '''Psalm 13''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | 4vv ch orch<br /> | <br /> | 1855–56<br /> | Choral<br /> | 1st version of S.13/2<br /> |-<br /> | {{hs|0}}13/2<br /> | I{{hs|0}}3b<br /> | '''Psalm 13 ''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch orch<br /> | <br /> | 1859–63<br /> | Choral<br /> | 2nd version of S.13/1; arr. for ten ch org as S.132/2a<br /> |-<br /> | {{hs|0}}13/2a<br /> | I{{hs|0}}3b<br /> | '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)<br /> | ten ch org<br /> | <br /> | 1866<br /> | Choral<br /> | arr. of S.13/2 <br /> |-<br /> | {{hs|0}}14/1<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch orch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a<br /> |-<br /> | {{hs|0}}14/1a<br /> | I{{hs|0}}5a<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1860<br /> | Choral<br /> | arr. of S.14/1; 1st version of S.14/2a<br /> |-<br /> | {{hs|0}}14/2<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch org<br /> | <br /> | 1870<br /> | Choral<br /> | 2nd version of S.14/1; arr. for mch ww br as S.14/2a <br /> |-<br /> | {{hs|0}}14/2a<br /> | I{{hs|0}}5b<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | mch ww br<br /> | <br /> | 1870<br /> | Choral<br /> | arr. of S.14/2; 2nd version of S.14/1a<br /> |-<br /> | {{hs|0}}15/1a<br /> | J10a<br /> | '''Psalm 23 ''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/(pf org)/harm<br /> | <br /> | 1859–61?<br /> | Choral<br /> | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/1b<br /> | K{{hs|0}}1<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/(pf org)/harm<br /> | <br /> | 1859–62<br /> | Vocal<br /> | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2a<br /> | J10b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten mch hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis<br /> |-<br /> | {{hs|0}}15/2b<br /> | I{{hs|0}}1b<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | sop/ten hp/pf<br /> | <br /> | 1859–62<br /> | Choral<br /> | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis<br /> |-<br /> | {{hs|0}}15bis<br /> | S53<br /> | '''Psalm 23''' (Mein Gott, der ist mein Hirt) <br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost<br /> |-<br /> | {{hs|0}}15a/1<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | mch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}15a/2<br /> | J{{hs|0}}6<br /> | '''Psalm 116''' (Laudate Dominum)<br /> | ch pf<br /> | <br /> | 1869–74<br /> | Choral<br /> | arr. of S.11/6<br /> |-<br /> | {{hs|0}}16/1<br /> | K{{hs|0}}6<br /> | '''Psalm 129''' (De profundis)<br /> | bar mch org<br /> | <br /> | 1880–81<br /> | Choral<br /> | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}16/2<br /> | J45<br /> | '''Psalm 129''' (De profundis)<br /> | alt pf/org<br /> | <br /> | 1883<br /> | Vocal<br /> | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4<br /> |-<br /> | {{hs|0}}17/1<br /> | K{{hs|0}}2<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | alt vn hp/pf org/harm<br /> | <br /> | 1859<br /> | Vocal<br /> | 1st version of S.17/2, S.17/3<br /> |-<br /> | {{hs|0}}17/2<br /> | J11<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | sop fch hp/pf org/harm vn<br /> | <br /> | 1859–62<br /> | Choral<br /> | 2nd version of S.17/1, S.17/3<br /> |-<br /> | {{hs|0}}17/3<br /> | S54<br /> | '''Psalm 137''' (An den Wassern zu Babylon)<br /> | ch orch<br /> | <br /> | 1862<br /> | Choral<br /> | 3rd version of S.17/2, S.17/3; lost<br /> |-<br /> | {{hs|0}}18<br /> | J{{hs|0}}4<br /> | '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/1<br /> | J{{hs|0}}4/5<br /> |<br /> : ''Qui m&amp;#39;a donné la naissance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}18/2<br /> | J{{hs|0}}4/1<br /> |<br /> : ''L&amp;#39;Eternel est son nom''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/3<br /> | J{{hs|0}}4/2<br /> |<br /> : ''Chantons, chantons l&amp;#39;auteur de la lumière''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}18/4<br /> | J{{hs|0}}4/3<br /> |<br /> : (Allegretto, moderato con grazia)<br /> | ch<br /> | A major<br /> | 1846?<br /> | Choral<br /> | possibly same as S.762<br /> |-<br /> | {{hs|0}}18/5<br /> | J{{hs|0}}4/4<br /> |<br /> : ''Combien j&amp;#39;ai douce souvenance''<br /> | ch<br /> | <br /> | 1846?<br /> | Choral<br /> | based on an Auverge folksong<br /> |-<br /> | {{hs|0}}19/1<br /> | J{{hs|0}}2/1<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1840–44?<br /> | Choral<br /> | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost<br /> |-<br /> | {{hs|0}}19/2<br /> | J{{hs|0}}2/2<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1860–62?<br /> | Choral<br /> | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/3<br /> | J{{hs|0}}2/3<br /> | '''Hymne de l&amp;#39;enfant á son réveil ''' (O père qu'adore mon père)<br /> | ch pf/harm<br /> | <br /> | 1865<br /> | Choral<br /> | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian<br /> |-<br /> | {{hs|0}}19/4<br /> | J{{hs|0}}2/4<br /> | '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}} ''' (O père qu'adore mon père)<br /> | fch pf/harm (+ hp)<br /> | <br /> | 1874<br /> | Choral<br /> | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian<br /> |-<br /> | {{hs|0}}20/1<br /> | J{{hs|0}}1/1<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | B{{flat}} major<br /> | 1842<br /> | Choral<br /> | 1st version of S.20/2; arr. for org as S.667b/1<br /> |-<br /> | {{hs|0}}20/2<br /> | J{{hs|0}}1/2<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | ch org<br /> | A major<br /> | 1852<br /> | Choral<br /> | 2nd version of S.20/1; arr. for org as S.667b/2<br /> |-<br /> | {{hs|0}}21/1<br /> | J{{hs|0}}3/1<br /> | '''Pater noster I'''<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | based on S.172a/6; 1st version of S.21/2; sometimes &amp;quot;Pater noster II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}21/2<br /> | J{{hs|0}}3/2<br /> | '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''<br /> | mch<br /> | <br /> | 1852<br /> | Choral<br /> | 2nd version of S.21/1<br /> |-<br /> | {{hs|0}}22<br /> | J52<br /> | '''Pater noster IV'''<br /> | ch org<br /> | C major<br /> | 1850?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}23<br /> | J{{hs|0}}8<br /> | '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)<br /> | ten mch org<br /> | <br /> | 1853<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}24<br /> | J{{hs|0}}7<br /> | '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1853?<br /> | Choral<br /> | sometimes &amp;quot;Te Deum II&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}25<br /> | J{{hs|0}}9<br /> | '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)<br /> | bar ch (+ org)<br /> | <br /> | 1859<br /> | Choral<br /> | rev. as S.3/6<br /> |-<br /> | {{hs|0}}26<br /> | M33<br /> | '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau’n und bestellen das edelste Feld)<br /> | mch (+ org)<br /> | <br /> | 1858<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}27<br /> | J12<br /> | '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''<br /> | mch org (+ br perc)<br /> | <br /> | 1867<br /> | Choral<br /> | sometimes &amp;quot;Te Deum I&amp;quot; in older listings<br /> |-<br /> | {{hs|0}}28<br /> | J13<br /> | '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)<br /> | 2ten 2bass mch org/harm (+3 tbn timp)<br /> | <br /> | 1860–74?<br /> | Choral<br /> | based on S.175/2<br /> |-<br /> | {{hs|0}}29<br /> | J14<br /> | '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)<br /> | ch org<br /> | A{{flat}} major<br /> | 1860<br /> | Choral<br /> | rev. as S.3/7<br /> |-<br /> | {{hs|0}}30<br /> | J20<br /> | '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)<br /> | ch (+ org)<br /> | <br /> | 1860<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}31/1<br /> | J15a/1<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | ch org<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.31/2<br /> |-<br /> | {{hs|0}}31/2<br /> | J15a/2<br /> | '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)<br /> | mch org<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.31/1<br /> |-<br /> | {{hs|0}}32/1<br /> | J15b/1<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | ch org/harm<br /> | <br /> | 1863<br /> | Choral<br /> | 1st version of S.32/2, S.32/3; arr. for pf as S.502<br /> |-<br /> | {{hs|0}}32/2<br /> | J15b/2<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | mch (+ org)<br /> | <br /> | 1863<br /> | Choral<br /> | 2nd version of S.32/1, S.32/3<br /> |-<br /> | {{hs|0}}32/3<br /> | J15c<br /> | '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)<br /> | fch<br /> | <br /> | 1863<br /> | Choral<br /> | 3rd version of S.32/1, S.32/2<br /> |-<br /> | {{hs|0}}33<br /> | J16<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1863–66<br /> | Choral<br /> | arr. for pf as S.503, for org as S.668<br /> |-<br /> | {{hs|0}}34/1<br /> | J19/1<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | ch org<br /> | G major<br /> | 1865–66<br /> | Choral<br /> | 1st version of S.34/2<br /> |-<br /> | {{hs|0}}34/2<br /> | J19/2<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | mch org<br /> | B{{flat}} major<br /> | 1868<br /> | Choral<br /> | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b<br /> |-<br /> | {{hs|0}}35/1<br /> | J17a<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)<br /> | mch<br /> | <br /> | 1865<br /> | Choral<br /> | 1st version of S.35/2<br /> |-<br /> | {{hs|0}}35/2<br /> | J17b<br /> | '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) <br /> | fch/cch pf<br /> | <br /> | 1865<br /> | Choral<br /> | 2nd version of S.35/1<br /> |-<br /> | {{hs|0}}36<br /> | J21<br /> | '''Dall&amp;#39; alma Roma'''<br /> | 2vv (+ org)<br /> | <br /> | 1867–68<br /> | Vocal<br /> | based on S.261<br /> |-<br /> | {{hs|0}}37<br /> | J23<br /> | '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)<br /> | mch org<br /> | <br /> | 1868<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}38<br /> | J24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | ch org<br /> | D major<br /> | 1869<br /> | Choral<br /> | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2<br /> |-<br /> | {{hs|0}}39/1<br /> | J25a<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.39/2<br /> |-<br /> | {{hs|0}}39/2<br /> | J25b<br /> | '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''<br /> | ch hp pf4h org/ham<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.39/1<br /> |-<br /> | {{hs|0}}40<br /> | J28<br /> | '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}41/1<br /> | J26/1<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | ch pf/org<br /> | F major<br /> | 1869<br /> | Choral<br /> | 1st version of S.41/2<br /> |-<br /> | {{hs|0}}41/2<br /> | J26/2<br /> | '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''<br /> | mch pf/org/harm<br /> | B{{flat}} major<br /> | 1869<br /> | Choral<br /> | 2nd version of S.41/1<br /> |-<br /> | {{hs|0}}42/1<br /> | J27/1<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | fch org<br /> | <br /> | 1869<br /> | Choral<br /> | 1st version of S.42/2<br /> |-<br /> | {{hs|0}}42/2<br /> | J27/2<br /> | '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1869<br /> | Choral<br /> | 2nd version of S.42/3<br /> |-<br /> | {{hs|0}}43<br /> | J29<br /> | '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | E major<br /> | 1870<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}44<br /> | J31<br /> | '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''<br /> | ch (+ org)<br /> | <br /> | 1871<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}45<br /> | J30<br /> | '''Libera me'''<br /> | mch org<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of S.12/6<br /> |-<br /> | {{hs|0}}46/1<br /> | J32/1<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 1st version of S.46/1<br /> |-<br /> | {{hs|0}}46/2<br /> | J32/2<br /> | '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.46/2<br /> |-<br /> | {{hs|0}}47<br /> | J41<br /> | '''Sankt Christoph''' (Legend)<br /> | fch pf harm (+ hp)<br /> | <br /> | 1881<br /> | Choral<br /> | unpublished<br /> |-<br /> | {{hs|0}}48<br /> | I{{hs|0}}6<br /> | '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''<br /> | ch br timp org<br /> | <br /> | 1860–75?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}49<br /> | J42<br /> | '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)<br /> | ten fch org/harm<br /> | <br /> | 1881<br /> | Choral<br /> | based on S.186/2<br /> |-<br /> | {{hs|0}}49a<br /> | —<br /> | '''Adeste fidelis'''<br /> | fch<br /> | <br /> | ?<br /> | Choral<br /> | incomplete<br /> |-<br /> | {{hs|0}}50<br /> | A286b<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''<br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a<br /> |-<br /> | {{hs|0}}50/{{hs|0}}1<br /> | A286b/8<br /> |<br /> : ''Es segne uns Gott'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3a, for ch org as S.669a/1<br /> |-<br /> | {{hs|0}}50/{{hs|0}}2<br /> | A286b/4<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51<br /> |-<br /> | {{hs|0}}50/{{hs|0}}3<br /> | A286b/3<br /> |<br /> : ''Nun ruhen alle Wälder'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/5, for v org as S.669a/3<br /> |-<br /> | {{hs|0}}50/{{hs|0}}4<br /> | A286b/5<br /> |<br /> : ''O Haupt voll Blut und Wunden'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/6, for v org as S.669a/4<br /> |-<br /> | {{hs|0}}50/{{hs|0}}5<br /> | A286b/6<br /> |<br /> : ''O Lamm Gottes!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/7, for v pf/org as S.669a/5<br /> |-<br /> | {{hs|0}}50/{{hs|0}}6<br /> | A286b/1<br /> |<br /> : ''Was Gott tut, das ist wohlgetan'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/10, for v org as S.669a/6<br /> |-<br /> | {{hs|0}}50/{{hs|0}}7<br /> | A286b/7<br /> |<br /> : ''Wer nur den lieben Gott läßt walten'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/11, for v org as S.669a/7<br /> |-<br /> | {{hs|0}}50/{{hs|0}}8<br /> | A286b/9<br /> |<br /> : ''Vexilla Regis'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/9<br /> |-<br /> | {{hs|0}}50/{{hs|0}}9<br /> | A286b/10<br /> |<br /> : ''Crux ave benedicta'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/1<br /> |-<br /> | {{hs|0}}50/10<br /> | A286b/2<br /> |<br /> : ''O Traurigkeit'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/8<br /> |-<br /> | {{hs|0}}50/11<br /> | A286b/12<br /> |<br /> : ''Nun danket alle Gott!'' <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/4<br /> |-<br /> | {{hs|0}}50/12<br /> | A286b/11<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden) <br /> | ch kbd<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. for pf as S.504b/2<br /> |-<br /> | {{hs|0}}51<br /> | J34<br /> | '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)<br /> | ch org<br /> | <br /> | 1878<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | {{hs|0}}52<br /> | J35<br /> | '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''<br /> | mez bar ch org/harm<br /> | <br /> | 1878–84<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}53<br /> | J33<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | vv ch pf/org/harm<br /> | <br /> | 1876–79<br /> | Choral<br /> | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 <br /> |-<br /> | {{hs|0}}54<br /> | J36<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b<br /> |-<br /> | {{hs|0}}55<br /> | J38<br /> | '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''<br /> | ch org4h<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56<br /> | J37<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | ch org/harm (+ bar)<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}56/1<br /> | J37/1<br /> |<br /> : ''Mysteria gaudiosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/1<br /> |-<br /> | {{hs|0}}56/2<br /> | J37/2<br /> |<br /> : ''Mysteria dolorosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/2<br /> |-<br /> | {{hs|0}}56/3<br /> | J37/3<br /> |<br /> : ''Mysteria gloriosa''<br /> | ch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | arr. for org/harm as S.670/3<br /> |-<br /> | {{hs|0}}56/4<br /> | J37/4<br /> |<br /> : ''Pater noster''<br /> | bar/mch org/harm<br /> | <br /> | 1879<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}57<br /> | J46<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''<br /> | ch br perc org<br /> | <br /> | 1884<br /> | Choral<br /> | arr. for pf as S.505, for org as S.671 <br /> |-<br /> | {{hs|0}}58<br /> | J40<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | alt fch org/harm<br /> | <br /> | 1880–85<br /> | Choral<br /> | arr. for org/harm as S.674a<br /> |-<br /> | {{hs|0}}59<br /> | J39<br /> | '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/1<br /> | J39/1<br /> |<br /> : ''Tu es Petrus''<br /> | mch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}59/2<br /> | J39/2<br /> |<br /> : ''Dominus conservet eum''<br /> | ch org<br /> | <br /> | 1880<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}60<br /> | J44<br /> | '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)<br /> | alt fch org/harm<br /> | <br /> | 1883<br /> | Choral<br /> | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g<br /> |-<br /> | {{hs|0}}61<br /> | J43<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | ch/mch 2tpt 3tbn timp org<br /> | <br /> | 1883<br /> | Choral<br /> | arr. for org as S.674c<br /> |-<br /> | {{hs|0}}62<br /> | J47<br /> | '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''<br /> | ch org (+ alt ten)<br /> | <br /> | 1884?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}63<br /> | J48<br /> | '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''<br /> | ch org<br /> | <br /> | 1883<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}64<br /> | J49<br /> | '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''<br /> | mch (+ org)<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}65<br /> | J50<br /> | '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''<br /> | bar ch org/harm<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}66<br /> | J51<br /> | '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''<br /> | ch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Secular choral works&quot;<br /> | {{hs|999}}67-94<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Secular choral works'''<br /> |-<br /> | {{hs|0}}67<br /> | L{{hs|0}}1<br /> | '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)&lt;br&gt;(Beethoven Cantata No.1)<br /> | 6vv orch<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for pf4h as S.584; extracts arr. for pf in S.507<br /> |-<br /> | {{hs|0}}68<br /> | L12<br /> | '''Zur Säcularfeier Beethovens'''&lt;br&gt;(Beethoven Cantata No.2)<br /> | 4vv ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}69/1<br /> | L{{hs|0}}8/1<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass ch orch<br /> | <br /> | 1850<br /> | Choral<br /> | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99<br /> |-<br /> | {{hs|0}}69/2<br /> | L{{hs|0}}8/2<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1855–59<br /> | Choral<br /> | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585<br /> |-<br /> | {{hs|0}}69/3<br /> | L{{hs|0}}8/3<br /> | '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''<br /> | sop alt 2ten 2bass 2ch orch<br /> | <br /> | 1877?<br /> | Choral<br /> | 3rd version of S.69/1, S.69/2<br /> |-<br /> | {{hs|0}}70/1<br /> | L{{hs|0}}9/1<br /> | '''An die Künstler'''<br /> | 4vv mch ww br<br /> | <br /> | 1853<br /> | Choral<br /> | instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3<br /> |-<br /> | {{hs|0}}70/2<br /> | L{{hs|0}}9/2<br /> | '''An die Künstler'''<br /> | 4vv mch orch<br /> | <br /> | 1853–54<br /> | Choral<br /> | 2nd version of S.70/1, S.70/3<br /> |-<br /> | {{hs|0}}70/3<br /> | L{{hs|0}}9/3<br /> | '''An die Künstler'''<br /> | 4vv mch org orch<br /> | <br /> | 1856–57<br /> | Choral<br /> | 3rd version of S.70/1, S.70/2; themes used in S.114<br /> |-<br /> | {{hs|0}}71a<br /> | L11/1<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | orch<br /> | <br /> | 1869–70<br /> | Orchestral<br /> | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 <br /> |-<br /> | {{hs|0}}71b<br /> | L11/2<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | mch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 2nd version of S.71a, S.71c<br /> |-<br /> | {{hs|0}}71c<br /> | L11/3<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | ch orch<br /> | <br /> | 1869–70<br /> | Choral<br /> | 3rd version of S.71a, S.71b<br /> |-<br /> | {{hs|0}}72<br /> | {{hs|M01a}}<br /> | '''Vierstimmige Männergesänge''' (4):<br /> | mch pf<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/1a<br /> | M{{hs|0}}2/1<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1841<br /> | Choral<br /> | 1st version<br /> |-<br /> | {{hs|0}}72/1b<br /> | M{{hs|0}}2/2<br /> |<br /> : ''Rheinweinlied'' (Wo solch ein Feuer)<br /> | mch pf<br /> | <br /> | 1884<br /> | Choral<br /> | 2nd version<br /> |-<br /> | {{hs|0}}72/2<br /> | M{{hs|0}}3<br /> |<br /> : ''Studentenlied aus Goethe's Faust'' (Es lebt’ eine Ratt im Kellernest)<br /> | mch<br /> | <br /> | 1841–42<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}72/3<br /> | M{{hs|0}}4<br /> |<br /> : ''Reiterlied I'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | B{{flat}} major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/4<br /> |-<br /> | {{hs|0}}72/4<br /> | M{{hs|0}}5<br /> |<br /> : ''Reiterlied II'' (Die bange Nacht ist nun herum)<br /> | mch<br /> | C major<br /> | 1841–42<br /> | Choral<br /> | for alternative setting see S.72/3<br /> |-<br /> | {{hs|0}}73<br /> | M19<br /> | '''Es war einmal ein König''' (Flohlied)<br /> | bar/bass mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}74/1<br /> | M{{hs|0}}1<br /> | '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)<br /> | 4vv mch pf<br /> | D major<br /> | 1841<br /> | Choral<br /> | 1st version of S.74/2<br /> |-<br /> | {{hs|0}}74/2<br /> | M27<br /> | '''Das deutsche Vaterland II''' (Was ist das deutsche Vaterland?)<br /> | mch<br /> | C major<br /> | 1848<br /> | Choral<br /> | 2nd version of S.74/1<br /> |-<br /> | {{hs|0}}75/1<br /> | M12/1<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1842<br /> | Choral<br /> | No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3<br /> |-<br /> | {{hs|0}}75/2<br /> | M12/2<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.75/1, S.75/3<br /> |-<br /> | {{hs|0}}75/3<br /> | M12/3<br /> | {{hs|Uber}}'''Über allen Gipfeln ist Ruh’''' (Wanderers Nachtlied) <br /> | mch 2hn<br /> | <br /> | 1856<br /> | Choral<br /> | 3rd version of S.75/1, S.75/2<br /> |-<br /> | {{hs|0}}76<br /> | M11<br /> | '''Das düstre Meer umrauscht mich'''<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.2 of ''Vierstimmige Männergesänge''<br /> |-<br /> | {{hs|0}}76a<br /> | M15<br /> | '''Heil! Unsrer Glocke heil'''<br /> | mch pf<br /> | <br /> | 1843<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}77<br /> | M26<br /> | '''Die lustige Legion'''<br /> | mch (+ pf)<br /> | <br /> | 1846?<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}78<br /> | M17<br /> | '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!) <br /> | mch pf<br /> | <br /> | 1843–44<br /> | Choral<br /> | No.1 of ''Sechs Männerchöre''<br /> |-<br /> | {{hs|0}}79/1<br /> | M14/2<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch pf<br /> | <br /> | 1842–47<br /> | Choral<br /> | 2nd version of S.700j; arr. for bar mch orch as S.79/2<br /> |-<br /> | {{hs|0}}79/2<br /> | L{{hs|0}}4<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | bar mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.79/1<br /> |-<br /> | {{hs|0}}80a<br /> | M20<br /> | '''Les quatre éléments'''<br /> | mch pf/pf4h<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b<br /> |-<br /> | {{hs|0}}80a/1<br /> | M20/1<br /> |<br /> : ''La terre''<br /> | mch pf<br /> | <br /> | 1844–45<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1<br /> |-<br /> | {{hs|0}}80a/2<br /> | M20/2<br /> |<br /> : ''Les aquilons''<br /> | mch pf4h<br /> | <br /> | 1844<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2<br /> |-<br /> | {{hs|0}}80a/3<br /> | M20/3<br /> |<br /> : ''Les flots''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3<br /> |-<br /> | {{hs|0}}80a/4<br /> | M20/4<br /> |<br /> : ''Les astres''<br /> | mch pf<br /> | <br /> | 1845?<br /> | Choral<br /> | arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4<br /> |-<br /> | {{hs|0}}80b<br /> | L{{hs|0}}2<br /> | '''Les quatre éléments'''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97<br /> |-<br /> | {{hs|0}}80b/1<br /> | L{{hs|0}}2/1<br /> |<br /> : ''La terre''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/2<br /> | L{{hs|0}}2/2<br /> |<br /> : ''Les aquilons''<br /> | mch orch<br /> | <br /> | 1844–48<br /> | Choral<br /> | arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/3<br /> | L{{hs|0}}2/3<br /> |<br /> : ''Les flots''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}80b/4<br /> | L{{hs|0}}2/4<br /> |<br /> : ''Les astres''<br /> | mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81/1<br /> | M21<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2<br /> |-<br /> | {{hs|0}}81/2<br /> | L{{hs|0}}3<br /> | '''Le forgeron''' (Le fer est dur, frappons, frappons)<br /> | 2vv mch orch<br /> | <br /> | 1845–48<br /> | Choral<br /> | arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}81a<br /> | M25<br /> | '''A patakhoz''' (A patakcsa)<br /> | mch<br /> | <br /> | 1846<br /> | Choral<br /> | <br /> |-<br /> | {{hs|0}}82<br /> | M16<br /> | '''Arbeiterchor''' (Herbei, herbei, den Spath’ und Schaufel ziert)<br /> | bar mch pf<br /> | <br /> | 1843–48?<br /> | Choral<br /> | arr. for pf as S.510; arr. for pf4h as S.587 <br /> |-<br /> | {{hs|0}}83a<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch pf<br /> | <br /> | 1842–48?<br /> | Choral<br /> | arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b<br /> |-<br /> | {{hs|0}}83b<br /> | L{{hs|0}}5<br /> | '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)<br /> | vv mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}<br /> |-<br /> | {{hs|0}}84/1<br /> | M28/1<br /> | '''Licht, mehr Licht'''<br /> | mch 3tbn tba<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.84/2<br /> |-<br /> | {{hs|0}}84/2<br /> | M28/2<br /> | '''Licht, mehr Licht'''<br /> | mch 2tpt 3tbn<br /> | <br /> | 1856<br /> | Choral<br /> | 2nd version of S.84/1<br /> |-<br /> | {{hs|0}}85/1<br /> | M29/1<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | mch pf<br /> | <br /> | 1849<br /> | Choral<br /> | 1st version of S.85/2, S.85/3<br /> |-<br /> | {{hs|0}}85/2<br /> | M29/2<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | fch hp pf/harm<br /> | <br /> | 1849<br /> | Choral<br /> | 2nd version of S.85/1, S.85/3<br /> |-<br /> | {{hs|0}}85/3<br /> | L{{hs|0}}7<br /> | '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)<br /> | ch hp/pf<br /> | <br /> | 1849<br /> | Choral<br /> | 3rd version of S.85/1, S.85/2<br /> |-<br /> | {{hs|0}}86a<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch pf<br /> | <br /> | 1850<br /> | Choral<br /> | arr. for mch br as S.86b<br /> |-<br /> | {{hs|0}}86b<br /> | M30<br /> | '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''<br /> | mch br<br /> | <br /> | 1850<br /> | Choral<br /> | arr. of S.86a<br /> |-<br /> | {{hs|0}}87/1a<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1857<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b<br /> |-<br /> | {{hs|0}}87/1b<br /> | M32a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch pf<br /> | E major<br /> | 1857, rev. 1875?<br /> | Choral<br /> | arr. of S.87/1a<br /> |-<br /> | {{hs|0}}87/1bis<br /> | L10a<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch ww br perc<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/1a<br /> |-<br /> | {{hs|0}}87/2<br /> | M32b<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | F major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/3a<br /> | M32c/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1860?<br /> | Choral<br /> | arr. of S.313; 1st version of S.87/3b<br /> |-<br /> | {{hs|0}}87/3b<br /> | M32c/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | 2nd version of S.87/3a; not published<br /> |-<br /> | {{hs|0}}87/4<br /> | M32d<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch org<br /> | E major<br /> | 1875<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/5<br /> | M32e<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | mch (+ pf)<br /> | E major<br /> | 1875<br /> | Choral<br /> | byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]<br /> |-<br /> | {{hs|0}}87/6<br /> | M32f<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch<br /> | E major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/7<br /> | M32g<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | cch<br /> | F major<br /> | 1875?<br /> | Choral<br /> | arr. of S.313<br /> |-<br /> | {{hs|0}}87/8a<br /> | L10b/1<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch br<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.313; arr. for uch pf as S.87/8b<br /> |-<br /> | {{hs|0}}87/8b<br /> | L10b/2<br /> | '''Weimars Volkslied''' (Von der Wartburg)<br /> | uch pf<br /> | C major<br /> | 1857?<br /> | Choral<br /> | arr. of S.87/8a<br /> |-<br /> | {{hs|0}}88<br /> | M34b<br /> | '''Mit klingendem Spiel I''' (Morgenlied)<br /> | fch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.89<br /> |-<br /> | {{hs|0}}89<br /> | M34a<br /> | '''Mit klingendem Spiel II''' (Morgenlied)<br /> | cch<br /> | <br /> | 1859<br /> | Choral<br /> | alternative text to S.88<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1a<br /> | M31/1<br /> | [[Vereins-Lied, S.90/1 (Liszt, Franz)|'''Vereins-Lied''']] (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1855<br /> | Choral<br /> | 1st version of S.90/1b, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1b<br /> | M31/2<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1857<br /> | Choral<br /> | 2nd version of S.90/1a, S.90/1c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}1c<br /> | M31/3<br /> | '''Vereins-Lied''' (Frisch auf, zu neuem Leben)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2a<br /> | M{{hs|0}}7/1<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1841–43?<br /> | Choral<br /> | 1st version of S.90/2b, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2b<br /> | M{{hs|0}}7/2<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | A major<br /> | 1845–49?<br /> | Choral<br /> | No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c<br /> |-<br /> | {{hs|0}}90/{{hs|0}}2c<br /> | M{{hs|0}}7/3<br /> | '''Ständchen''' (Hüttelein, still und klein) <br /> | ten mch<br /> | G major<br /> | 1857–60<br /> | Choral<br /> | No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3a<br /> | M10/1<br /> | [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]<br /> | mch pf<br /> | <br /> | 1842<br /> | Choral<br /> | No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}3b<br /> | M10/2<br /> | '''Wir sind nicht Mumien'''<br /> | mch pf<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.3 of ''Für Männergesang''; 2nd version of S.90/3a<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4a<br /> | M22/1<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/4b; arr. for pf as S.511/1<br /> |-<br /> | {{hs|0}}90/{{hs|0}}4b<br /> | M22/2<br /> | '''Vor der Schlacht''' (Es rufet Gott uns mahnend)<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.4 of ''Für Männergesang''; 2nd version of S.90/4a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}5a<br /> | M23/1<br /> | '''Nicht gezagt '''<br /> | mch pf<br /> | A{{flat}} major<br /> | 1845<br /> | Choral<br /> | 1st version of S.90/5b; arr. for pf as S.511/2<br /> |-<br /> | {{hs|0}}90/{{hs|0}}5b<br /> | M23/2<br /> | '''Nicht gezagt '''<br /> | mch<br /> | G major<br /> | 1860<br /> | Choral<br /> | No.5 of ''Für Männergesang''; 2nd version of S.90/5a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}6a<br /> | M24/1<br /> | '''Es rufet Got'''<br /> | mch pf<br /> | <br /> | 1845<br /> | Choral<br /> | 1st version of S.90/6b; arr. for pf as S.511/3<br /> |-<br /> | {{hs|0}}90/{{hs|0}}6b<br /> | M24/2<br /> | '''Es rufet Got'''<br /> | mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.6 of ''Für Männergesang''; 2nd version of S.90/6a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}7a<br /> | M18/1<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1844<br /> | Choral<br /> | No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}7b<br /> | M18/2<br /> | '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen) <br /> | mch (+tpt timp)<br /> | <br /> | 1860–61<br /> | Choral<br /> | No.7 of ''Für Männergesang''; 2nd version of S.90/7a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}8a<br /> | M{{hs|0}}9/1<br /> | '''Die alten Sagen kunden'''<br /> | mch pf<br /> | B{{flat}} major<br /> | 1841–45?<br /> | Choral<br /> | No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}8b<br /> | M{{hs|0}}9/2<br /> | '''Die alten Sagen kunden'''<br /> | 4vv mch<br /> | A minor<br /> | 1860–61<br /> | Choral<br /> | No.8 of ''Für Männergesang''; 2nd version of S.90/8a <br /> |-<br /> | {{hs|0}}90/{{hs|0}}9a<br /> | M{{hs|0}}8/1<br /> | '''Saatengrün'''<br /> | mch pf/(hp?)<br /> | <br /> | 1843?<br /> | Choral<br /> | No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b<br /> |-<br /> | {{hs|0}}90/{{hs|0}}9b<br /> | M{{hs|0}}8/2<br /> | '''Saatengrün'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.9 of ''Für Männergesang''; 2nd version of S.90/9a <br /> |-<br /> | {{hs|0}}90/10a<br /> | M{{hs|0}}6/1<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | mch<br /> | <br /> | 1841–43?<br /> | Choral<br /> | No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b<br /> |-<br /> | {{hs|0}}90/10b<br /> | M{{hs|0}}6/2<br /> | '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist) <br /> | ten mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.10 of ''Für Männergesang''; 2nd version of S.90/10a <br /> |-<br /> | {{hs|0}}90/11a<br /> | M35/1<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1859<br /> | Choral<br /> | 1st version of S.90/11b<br /> |-<br /> | {{hs|0}}90/11b<br /> | M35/2<br /> | '''Festlied zu Schillers Jubelfeier 10 November 1859'''<br /> | bar mch<br /> | <br /> | 1860<br /> | Choral<br /> | No.11 of ''Für Männergesang''; 2nd version of S.90/11a <br /> |-<br /> | {{hs|0}}90/12a<br /> | M13/1<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | B major<br /> | 1842<br /> | Choral<br /> | No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b<br /> |-<br /> | {{hs|0}}90/12b<br /> | M13/2<br /> | '''Gottes ist der Orient'''<br /> | mch<br /> | A major<br /> | 1860–61<br /> | Choral<br /> | No.12 of ''Für Männergesang''; 2nd version of S.90/12a <br /> |-<br /> | {{hs|0}}91/1<br /> | M36/1<br /> | '''Das Lied der Begeisterung''' (A lelkesedés dala)<br /> | mch<br /> | <br /> | 1871<br /> | Choral<br /> | 1st version of S.91/2; German and Hungarian text<br /> |-<br /> | {{hs|0}}91/2<br /> | M36/2<br /> | '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)<br /> | mch org<br /> | <br /> | 1874<br /> | Choral<br /> | 2nd version of S.91/1; German text nly<br /> |-<br /> | {{hs|0}}92<br /> | —<br /> | '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)<br /> | fch br timp<br /> | <br /> | 1875<br /> | Choral<br /> | fanfare arr. for pf as S.542b<br /> |-<br /> | {{hs|0}}93/1<br /> | L17a<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/2<br /> | L17b<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/3<br /> | L17c<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/4<br /> | L17d<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch pf<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/5<br /> | L17e<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | mch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/6<br /> | L17f<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | ch orch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}93/7<br /> | L17g<br /> | '''Magyar király-dal''' (Ungarisches Königslied)<br /> | cch<br /> | <br /> | 1883<br /> | Choral<br /> | arr. of S.340<br /> |-<br /> | {{hs|0}}94<br /> | M38<br /> | '''Gruss''' (Glück auf)<br /> | mch<br /> | <br /> | 1885<br /> | Choral<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works&quot;<br /> | {{hs|999}}95-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |- style=&quot;background:silver&quot; id=&quot;Symphonic poems&quot;<br /> | {{hs|999}}95-107<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Symphonic poems'''<br /> |-<br /> | {{hs|0}}95<br /> | G{{hs|0}}1<br /> | '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.1)<br /> | orch<br /> | <br /> | 1848–49, rev. 1850, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a<br /> |-<br /> | {{hs|0}}96<br /> | G{{hs|0}}2<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt; (Symphonic Poem No.2)<br /> | orch<br /> | <br /> | 1849, rev. 1850–51, 1854<br /> | Orchestral<br /> | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3<br /> |-<br /> | {{hs|0}}97<br /> | G{{hs|0}}3<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.3)<br /> | orch<br /> | <br /> | 1850–55<br /> | Orchestral<br /> | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a<br /> |-<br /> | {{hs|0}}98<br /> | G{{hs|0}}9<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''&lt;br&gt; (Symphonic Poem No.4)<br /> | orch<br /> | <br /> | 1853–54<br /> | Orchestral<br /> | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d<br /> |-<br /> | {{hs|0}}99<br /> | G{{hs|0}}6<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt; (Symphonic Poem No.5)<br /> | orch<br /> | <br /> | 1855<br /> | Orchestral<br /> | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 <br /> |-<br /> | 100<br /> | G{{hs|0}}7<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | orch<br /> | <br /> | 1851–54<br /> | Orchestral<br /> | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640<br /> |-<br /> | 101<br /> | G10<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | orch<br /> | <br /> | 1853, rev. 1861<br /> | Orchestral<br /> | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641<br /> |-<br /> | 102<br /> | G{{hs|0}}4<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | orch<br /> | <br /> | 1854–56<br /> | Orchestral<br /> | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642<br /> |-<br /> | 103<br /> | G13<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | orch<br /> | <br /> | 1854<br /> | Orchestral<br /> | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643<br /> |-<br /> | 104<br /> | G22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | orch<br /> | <br /> | 1858<br /> | Orchestral<br /> | arr. for pf4h as S.597, for 2pf as S.644<br /> |-<br /> | 105<br /> | G17<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | orch<br /> | <br /> | 1855–57<br /> | Orchestral<br /> | arr. for pf4h as S.596b, for 2pf as S.645<br /> |-<br /> | 106<br /> | G15<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | orch<br /> | <br /> | 1856–57<br /> | Orchestral<br /> | arr. for pf4h as S.596c, for 2pf as S.646<br /> |-<br /> | 107<br /> | G38<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt; (Symphonic Poem No.13)<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | arr. for pf as S.512, for pf4h as S.598; see also S.133<br /> |- style=&quot;background:silver&quot; id=&quot;Other orchestral works&quot;<br /> | {{hs|999}}108-119<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Other orchestral works'''<br /> |-<br /> | 108<br /> | G12<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | orch (+ ten mch)<br /> | <br /> | 1854, 1857–61, 1880<br /> | Orchestral<br /> | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513<br /> |-<br /> | 109<br /> | G14<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | orch<br /> | <br /> | 1855–56<br /> | Orchestral<br /> | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f<br /> |-<br /> | 110<br /> | G16<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | <br /> |-<br /> | 110/1<br /> | G16/1<br /> |<br /> : ''Der nächtliche Zug'' <br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. for pf4h as S.599/1; for pf as S.513a<br /> |-<br /> | 110/2<br /> | G16/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | orch<br /> | <br /> | 1856–61?<br /> | Orchestral<br /> | arr. of S.514<br /> |-<br /> | 111<br /> | G37<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)<br /> | orch<br /> | <br /> | 1880–81<br /> | Orchestral<br /> | arr. of S.515<br /> |-<br /> | 112<br /> | G25<br /> | '''Odes funèbres''' (3):<br /> | orch<br /> | <br /> | 1860–66<br /> | Orchestral<br /> | <br /> |-<br /> | 112/1<br /> | G25/1<br /> |<br /> : {{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}<br /> | orch (+ mch)<br /> | <br /> | 1860<br /> | Orchestral<br /> | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2<br /> |-<br /> | 112/2<br /> | G25/2<br /> |<br /> : {{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}<br /> | orch<br /> | <br /> | 1860–64<br /> | Orchestral<br /> | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a<br /> |-<br /> | 112/3<br /> | G25/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}} <br /> | orch<br /> | <br /> | 1866<br /> | Orchestral<br /> | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)<br /> |-<br /> | 113/1<br /> | G28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1<br /> |-<br /> | 113/2<br /> | G28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | orch<br /> | <br /> | 1884<br /> | Orchestral<br /> | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2<br /> |-<br /> | 113a<br /> | G27<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175<br /> |-<br /> | 113a/1<br /> | G27/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/1<br /> |-<br /> | 113a/2<br /> | G27/2<br /> |<br /> : ''St François de Paule: marchant sur les flots '' <br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | arr. of S.175/2<br /> |-<br /> | 114<br /> | G20<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857–59<br /> | Orchestral<br /> | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605<br /> |-<br /> | 115<br /> | G{{hs|0}}5<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606<br /> |-<br /> | 116<br /> | G23<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | orch<br /> | <br /> | 1858–59<br /> | Orchestral<br /> | based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607<br /> |-<br /> | 117<br /> | G29<br /> | '''Rákóczi-Marsch'''<br /> | orch<br /> | <br /> | 1863–67<br /> | Orchestral<br /> | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a<br /> |-<br /> | 118<br /> | G33<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1870<br /> | Orchestral<br /> | arr. for pf as S.523; arr. for pf4h as S.609<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra&quot;<br /> | {{hs|999}}120-126a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Piano and orchestra'''<br /> |-<br /> | 119<br /> | G35<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | orch<br /> | <br /> | 1875<br /> | Orchestral<br /> | based on S.232; arr. for pf as S.524, for pf4h as S.610<br /> |-<br /> | 120<br /> | H{{hs|0}}2<br /> | '''Grande fantaisie symphonique''' (u&amp;#776;ber Themen aus Hector Berlioz’ ''Le&amp;#769;lio)<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt<br /> |-<br /> | 121<br /> | H{{hs|0}}1<br /> | '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''<br /> | pf str<br /> | E minor<br /> | 1833<br /> | Orchestral<br /> | <br /> |-<br /> | 121a<br /> | H{{hs|0}}3<br /> | '''De Profundis''' (Psaume instrumentale)<br /> | pf orch<br /> | <br /> | 1834–35<br /> | Orchestral<br /> | formerly S.691; unfinished<br /> |-<br /> | 122<br /> | H{{hs|0}}9<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1852<br /> | Orchestral<br /> | based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388<br /> |-<br /> | 123<br /> | H12<br /> | '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''<br /> | pf orch<br /> | <br /> | 1846–52<br /> | Orchestral<br /> | based on S.244/14<br /> |-<br /> | 124<br /> | H{{hs|0}}4<br /> | '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–56<br /> | Orchestral<br /> | arr. for 2pf as S.650 <br /> |-<br /> | 125<br /> | H{{hs|0}}6<br /> | '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''<br /> | pf orch<br /> | A major<br /> | 1849–61<br /> | Orchestral<br /> | based on S.524a; arr. for 2pf as S.651 <br /> |-<br /> | 125a<br /> | Q{{hs|0}}6<br /> | '''Piano Concerto''' {{hs|No.3}} [No.3]<br /> | pf orch<br /> | E{{flat}} major<br /> | 1835–39<br /> | Orchestral<br /> | unfinished; performing version realized by Jay Rosenblatt<br /> |-<br /> | 126/1<br /> | H{{hs|0}}8<br /> | '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''<br /> | pf orch<br /> | <br /> | 1847–53<br /> | Orchestral<br /> | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)<br /> |-<br /> | 126/2<br /> | H{{hs|0}}8<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf orch<br /> | <br /> | 1859–64?<br /> | Orchestral<br /> | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652<br /> |-<br /> | 126a*<br /> | W14<br /> | ''Concerto in the Hungarian Style''<br /> | pf orch<br /> | <br /> | <br /> | Orchestral<br /> | not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})<br /> |- style=&quot;background:silver&quot; id=&quot;chamber music&quot;<br /> | {{hs|999}}126b-135<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Chamber music'''<br /> |-<br /> | 126b<br /> | D{{hs|0}}1<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | vn pf<br /> | <br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/1<br /> | D{{hs|0}}1/1<br /> |<br /> : ''Waltz''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | <br /> |-<br /> | 126b/2<br /> | D{{hs|0}}1/2<br /> |<br /> : ''Waltz aus dem Ballet &amp;quot;Die Amazonen&amp;quot;''<br /> | vn pf<br /> | A major<br /> | 1823–25?<br /> | Chamber<br /> | based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b<br /> |-<br /> | 127<br /> | D{{hs|0}}3<br /> | '''Duo''' (Sonata) [&amp;quot;sur des thèmes polonais&amp;quot;]<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1835<br /> | Chamber<br /> | based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}<br /> |-<br /> | 128<br /> | D{{hs|0}}4<br /> | '''Grand Duo Concertant''' (sur la romance de M. Lafont, &amp;quot;Le marin&amp;quot;)<br /> | vn pf<br /> | <br /> | 1849?<br /> | Chamber<br /> | <br /> |-<br /> | 129<br /> | D12<br /> | '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)<br /> | vn pf<br /> | <br /> | 1872<br /> | Chamber<br /> | arr. for pf as S.526; arr. for pf4h as S.611 [?]<br /> |-<br /> | 130a<br /> | D13a<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | hp vc pf harm<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130b, S.130c, S.612<br /> |-<br /> | 130b<br /> | D13b<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130c, S.612<br /> |-<br /> | 130c<br /> | D13c<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | vn pf (+ harm)<br /> | <br /> | 1874<br /> | Chamber<br /> | arr. of S.196; see also S.130a, S.130b, S.612<br /> |-<br /> | 131<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vc pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131bis<br /> |-<br /> | 131bis<br /> | D14<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1877–78<br /> | Chamber<br /> | arr. of S.197; see also S.131<br /> |-<br /> | 132a<br /> | D16a<br /> | '''Romance oubliée'''<br /> | va pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132b, S.132c<br /> |-<br /> | 132b<br /> | D16b<br /> | '''Romance oubliée'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132c<br /> |-<br /> | 132c<br /> | D16c<br /> | '''Romance oubliée'''<br /> | vc pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.527; see also S.132a, S.132b<br /> |-<br /> | 133<br /> | S61<br /> | '''Die Wiege''' (The Cradle)<br /> | 4vn<br /> | <br /> | 1881?<br /> | Chamber<br /> | arr. from the 1st movement of S.107; unpublished (in private collection)<br /> |-<br /> | 134<br /> | D19/2<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vc pf<br /> | <br /> | 1882–83<br /> | Chamber<br /> | arr. of S.200/1<br /> |-<br /> | 134bis<br /> | D19/1<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | vn pf<br /> | <br /> | 1885<br /> | Chamber<br /> | arr. of S.200/2<br /> |-<br /> | 135<br /> | D20<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | 2vn va vc (+ hp)<br /> | <br /> | 1883<br /> | Chamber<br /> | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo&quot;<br /> | {{hs|999}}136-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Piano solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Studies&quot;<br /> | {{hs|999}}136-146<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Studies'''<br /> |-<br /> | 136<br /> | A{{hs|00}}8<br /> | {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1826<br /> | Keyboard <br /> | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 <br /> |-<br /> | 136/{{hs|0}}1<br /> | A{{hs|00}}8/{{hs|0}}1<br /> |<br /> : (Allegro con fuoco)<br /> | pf<br /> | C major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/1<br /> |-<br /> | 136/{{hs|0}}2<br /> | A{{hs|00}}8/{{hs|0}}2<br /> |<br /> : (Allegro non molto)<br /> | pf<br /> | A minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/2 <br /> |-<br /> | 136/{{hs|0}}3<br /> | A{{hs|00}}8/{{hs|0}}3<br /> |<br /> : (Allegro sempre legato)<br /> | pf<br /> | F major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/3 <br /> |-<br /> | 136/{{hs|0}}4<br /> | A{{hs|00}}8/{{hs|0}}4<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/4<br /> |-<br /> | 136/{{hs|0}}5<br /> | A{{hs|00}}8/{{hs|0}}5<br /> |<br /> : (Moderato)<br /> | pf<br /> | B{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/5<br /> |-<br /> | 136/{{hs|0}}6<br /> | A{{hs|00}}8/{{hs|0}}6<br /> |<br /> : (Molto agitato)<br /> | pf<br /> | G minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/6<br /> |-<br /> | 136/{{hs|0}}7<br /> | A{{hs|00}}8/{{hs|0}}7<br /> |<br /> : (Allegretto con molto espressione)<br /> | pf<br /> | E{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/7<br /> |-<br /> | 136/{{hs|0}}8<br /> | A{{hs|00}}8/{{hs|0}}8<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | C minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/8<br /> |-<br /> | 136/{{hs|0}}9<br /> | A{{hs|00}}8/{{hs|0}}9<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | A{{flat}} major<br /> | 1826<br /> | Keyboard <br /> | rev. as S.137/9<br /> |-<br /> | 136/10<br /> | A{{hs|00}}8/10<br /> |<br /> : (Moderato)<br /> | pf<br /> | F minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/10 <br /> |-<br /> | 136/11<br /> | A{{hs|00}}8/11<br /> |<br /> : (Allegro grazioso)<br /> | pf<br /> | D{{flat}} major<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/11<br /> |-<br /> | 136/12<br /> | A{{hs|00}}8/12<br /> |<br /> : (Allegro non troppo)<br /> | pf<br /> | B{{flat}} minor<br /> | 1826<br /> | Keyboard<br /> | rev. as S.137/12<br /> |-<br /> | 136a<br /> | A{{hs|00}}8/13<br /> | '''Preludio''' (Allegro maestoso)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826?<br /> | Keyboard<br /> | intended for 2nd series of 48 pieces (with S.136)<br /> |-<br /> | 137<br /> | A{{hs|0}}39<br /> | '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on S.136; rev. as S.139<br /> |-<br /> | 137/{{hs|0}}1<br /> | A{{hs|0}}39/{{hs|0}}1<br /> |<br /> : (Presto)<br /> | pf<br /> | C major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/1; rev. as S.139/1<br /> |-<br /> | 137/{{hs|0}}2<br /> | A{{hs|0}}39/{{hs|0}}2<br /> |<br /> : (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/2; rev. as S.139/2 <br /> |-<br /> | 137/{{hs|0}}3<br /> | A{{hs|0}}39/{{hs|0}}3<br /> |<br /> : (Poco adagio)<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard <br /> | based on S.136/3; rev. as S.139/3 <br /> |-<br /> | 137/{{hs|0}}4<br /> | A{{hs|0}}39/{{hs|0}}4<br /> |<br /> : (Allegro patetico)<br /> | pf<br /> | D minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/4; rev. as S.138, S.139/4<br /> |-<br /> | 137/{{hs|0}}5<br /> | A{{hs|0}}39/{{hs|0}}5<br /> |<br /> : (Egualmente)<br /> | pf<br /> | B{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/5; rev. as S.139/5 <br /> |-<br /> | 137/{{hs|0}}6<br /> | A{{hs|0}}39/{{hs|0}}6<br /> |<br /> : (Largo patetico)<br /> | pf<br /> | G minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/6; rev. as S.139/6 <br /> |-<br /> | 137/{{hs|0}}7<br /> | A{{hs|0}}39/{{hs|0}}7<br /> |<br /> : (Allegro deciso)<br /> | pf<br /> | E{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/7; rev. as S.139/7 <br /> |-<br /> | 137/{{hs|0}}8<br /> | A{{hs|0}}39/{{hs|0}}8<br /> |<br /> : (Presto strepitoso)<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/8; rev. as S.139/8 <br /> |-<br /> | 137/{{hs|0}}9<br /> | A{{hs|0}}39/{{hs|0}}9<br /> |<br /> : (Andantino)<br /> | pf<br /> | A{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/9; rev. as S.139/9 <br /> |-<br /> | 137/10<br /> | A{{hs|0}}39/10<br /> |<br /> : (Presto molto agitato)<br /> | pf<br /> | F minor<br /> | 1837<br /> | Keyboard<br /> | based on S.136/10; rev. as S.139/10 <br /> |-<br /> | 137/11<br /> | A{{hs|0}}39/11<br /> |<br /> : (Lento assai)<br /> | pf<br /> | D{{flat}} major<br /> | 1837<br /> | Keyboard<br /> | based on S.136/11; rev. as S.139/11 <br /> |-<br /> | 137/12<br /> | A{{hs|0}}39/12<br /> |<br /> : (Andantino)<br /> | pf<br /> | B{{flat}} minor<br /> | 1837<br /> | Keyboard <br /> | based on S.136/12; rev. as S.139/12 <br /> |-<br /> | 138<br /> | A172/{{hs|0}}4<br /> | '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor<br /> | 1840<br /> | Keyboard<br /> | based on S.137/4; rev. as S.139/4 <br /> |-<br /> | 139<br /> | A172<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on S.137<br /> |-<br /> | 139/{{hs|0}}1<br /> | A172/{{hs|0}}1<br /> |<br /> : ''Preludio''<br /> | pf<br /> | C major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/1<br /> |-<br /> | 139/{{hs|0}}2<br /> | A172/{{hs|0}}2<br /> |<br /> : ''[Fusées]'' (Molto vivace)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/2<br /> |-<br /> | 139/{{hs|0}}3<br /> | A172/{{hs|0}}3<br /> |<br /> : ''Paysage''<br /> | pf<br /> | F major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/3<br /> |-<br /> | 139/{{hs|0}}4<br /> | A172/{{hs|0}}4<br /> |<br /> : ''Mazeppa''<br /> | pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/4, S.138<br /> |-<br /> | 139/{{hs|0}}5<br /> | A172/{{hs|0}}5<br /> |<br /> : ''Feux-follets'' (Irrlichter)<br /> | pf<br /> | B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/5<br /> |-<br /> | 139/{{hs|0}}6<br /> | A172/{{hs|0}}6<br /> |<br /> : ''Vision''<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/6<br /> |-<br /> | 139/{{hs|0}}7<br /> | A172/{{hs|0}}7<br /> |<br /> : ''Eroica''<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | based on S.137/7<br /> |-<br /> | 139/{{hs|0}}8<br /> | A172/{{hs|0}}8<br /> |<br /> : ''Wilde Jagd''<br /> | pf<br /> | C minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/8<br /> |-<br /> | 139/{{hs|0}}9<br /> | A172/{{hs|0}}9<br /> |<br /> : ''Ricordanza''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/9<br /> |-<br /> | 139/10<br /> | A172/10<br /> |<br /> : ''[Appassionata]'' (Allegro agitato molto)<br /> | pf<br /> | F minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/10<br /> |-<br /> | 139/11<br /> | A172/11<br /> |<br /> : ''Harmonies du soir''<br /> | pf<br /> | D{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | based on S.137/11; themes re-used in S.166o<br /> |-<br /> | 139/12<br /> | A172/12<br /> |<br /> : ''Chasse-neige''<br /> | pf<br /> | B minor<br /> | 1851<br /> | Keyboard<br /> | based on S.137/12<br /> |-<br /> | 140<br /> | A{{hs|0}}52<br /> | {{hs|Etudes|}}'''{{LinkWorkN|Études d&amp;#39;exécution transcendante d&amp;#39;après Paganini|S.140|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141 <br /> |-<br /> | 140/1<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/1a, S.141/1 <br /> |-<br /> | 140/1a<br /> | A{{hs|0}}52/1<br /> |<br /> : ''Tremolo''<br /> | pf<br /> | G minor<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}<br /> |-<br /> | 140/2<br /> | A{{hs|0}}52/2<br /> |<br /> : ''Octave'' <br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard <br /> | 1st version of S.141/2 <br /> |-<br /> | 140/3<br /> | A{{hs|0}}52/3<br /> |<br /> : ''Campanella''<br /> | pf<br /> | A{{flat}} minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/3 <br /> |-<br /> | 140/4a<br /> | A{{hs|0}}52/4a<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/4b, S.141/4 <br /> |-<br /> | 140/4b<br /> | A{{hs|0}}52/4b<br /> |<br /> : ''Arpeggio''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/4a, S.141/4 <br /> |-<br /> | 140/5<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.140/5a, S.141/5 <br /> |-<br /> | 140/5a<br /> | A{{hs|0}}52/5<br /> |<br /> : ''La chasse''<br /> | pf<br /> | E major<br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.140/5, S.141/5 <br /> |-<br /> | 140/6<br /> | A{{hs|0}}52/6<br /> |<br /> : ''Tema con Variazioni''<br /> | pf<br /> | A minor<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.141/6 <br /> |-<br /> | 141<br /> | A173<br /> | '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140 <br /> |-<br /> | 141/1<br /> | A173/1<br /> |<br /> : ''Preludio'' (Andante). ''Etude'' (Non troppo lento)<br /> | pf<br /> | G minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/1, S.140/1a <br /> |-<br /> | 141/2<br /> | A173/2<br /> |<br /> : (Andante)<br /> | pf<br /> | E{{flat}} major<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.140/2 <br /> |-<br /> | 141/3<br /> | A173/3<br /> |<br /> : ''La campanella'' (Allegretto)<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/3 <br /> |-<br /> | 141/4<br /> | A173/4<br /> |<br /> : (Vivo)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/4a, S.140/4b <br /> |-<br /> | 141/5<br /> | A173/5<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.140/5, S.140/5a <br /> |-<br /> | 141/6<br /> | A173/6<br /> |<br /> : (Quasi presto)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.140/6 <br /> |-<br /> | 141/6bis<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Introduction to the Grande Étude de Paganini No 6&amp;quot;)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 142<br /> | A{{hs|0}}63a<br /> | '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.143 <br /> |-<br /> | 143<br /> | A{{hs|0}}63b<br /> | '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.142 <br /> |-<br /> | 144<br /> | A118<br /> | {{hs|Etudes}}'''{{LinkWorkN|3 Études de concert|S.144|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/1<br /> | A118/1<br /> |<br /> : ''Il lamento''<br /> | pf<br /> | A{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/2<br /> | A118/2<br /> |<br /> : ''La leggierezza''<br /> | pf<br /> | F minor<br /> | 1845–49<br /> | Keyboard <br /> | <br /> |-<br /> | 144/3<br /> | A118/3<br /> |<br /> : ''Un sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–49<br /> | Keyboard<br /> | <br /> |-<br /> | 144/3bis<br /> | A118/3<br /> |<br /> : ''Two additional cadenzas to Un Sospiro''<br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | <br /> |-<br /> | 145<br /> | A218<br /> | '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/1<br /> | A218/1<br /> |<br /> : ''Waldesrauschen'' (Forest Murmurs)<br /> | pf<br /> | A{{flat}} major<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 145/2<br /> | A218/2<br /> |<br /> : ''Gnomenreigen'' (Gnomes' Round Dance) <br /> | pf<br /> | A major–C{{sharp}} minor<br /> | 1862<br /> | Keyboard<br /> | <br /> |-<br /> | 146<br /> | A242<br /> | '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)<br /> | pf<br /> | <br /> | 1868–73<br /> | Keyboard<br /> | 68 studies in 3 books<br /> |- style=&quot;background:silver&quot; id=&quot;Various original works&quot;<br /> | {{hs|999}}147-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Various original works'''<br /> |-<br /> | 147<br /> | A{{hs|00}}1<br /> | '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)<br /> | pf<br /> | C major<br /> | 1822<br /> | Keyboard<br /> | contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}<br /> |-<br /> | 147a*<br /> | —<br /> | ''Variationen über Romanze aus Joseph von Méhul''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | spurious (by {{LinkComp|Franz Xaver Wolfgang|Mozart}}); see S.997<br /> |-<br /> | 148<br /> | A{{hs|00}}3<br /> | '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)<br /> | pf<br /> | A{{flat}} major<br /> | 1824<br /> | Keyboard<br /> | published as Op.1 <br /> |-<br /> | 149<br /> | A{{hs|00}}4<br /> | '''Variations brillantes sur un thème de Rossini''' (7)<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | published as Op.2 <br /> |-<br /> | 150<br /> | A{{hs|00}}5<br /> | '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard <br /> | published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}<br /> |-<br /> | 151<br /> | A{{hs|00}}6<br /> | '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/1; arr. for orch as S.700a(?) <br /> |-<br /> | 151a<br /> | — <br /> | '''Adagio non troppo'''<br /> | pf<br /> | <br /> | 1824?<br /> | Keyboard<br /> | <br /> |-<br /> | 152<br /> | A{{hs|00}}7<br /> | '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1824–25<br /> | Keyboard<br /> | published as Op.4/2 <br /> |-<br /> | 152a<br /> | —<br /> | '''Klavierstück'''<br /> | pf<br /> | A{{flat}} major<br /> | 1824–27?<br /> | Keyboard<br /> | <br /> |-<br /> | 153<br /> | A{{hs|00}}9<br /> | '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153a<br /> | —<br /> | '''Marche funèbre'''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | <br /> |-<br /> | 153b<br /> | Q{{hs|0}}3<br /> | '''Grand solo caractèristique d&amp;#39;apropos une chansonette de Panseron'''<br /> | pf<br /> | <br /> | 1830–32<br /> | Keyboard<br /> | formerly S.754a; unpublished (in private collection)<br /> |-<br /> | 154<br /> | A{{hs|0}}18<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1833–34<br /> | Keyboard<br /> | 1st version of S.172a/8, S.173/4 <br /> |-<br /> | 155<br /> | A{{hs|0}}19<br /> | '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/1<br /> | A{{hs|0}}19/1<br /> |<br /> : (Senza lentezza quasi Allegretto)<br /> | pf<br /> | F{{sharp}} major<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/2<br /> | A{{hs|0}}19/2<br /> |<br /> : (Vivamanete)<br /> | pf<br /> | A minor<br /> | 1834<br /> | Keyboard<br /> | <br /> |-<br /> | 155/3<br /> | A{{hs|0}}19/3<br /> |<br /> : ''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)<br /> | pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}<br /> |-<br /> | 155a<br /> | A{{hs|0}}27a<br /> | '''Airs Suisses''' (3)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | published as Op.10; 1st version of S.156/17–19, S.156a <br /> |-<br /> | 155a/1<br /> | A{{hs|0}}27a/1<br /> |<br /> : ''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/17, S.156a/1 <br /> |-<br /> | 155a/2<br /> | A{{hs|0}}27a/2<br /> |<br /> : ''Nocturne sur le Chant Montagnard''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/18, S.156a/2 <br /> |-<br /> | 155a/3<br /> | A{{hs|0}}27a/3<br /> |<br /> : ''Rondeau sur le Ranz des chèvres''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | 1st version of S.156/19, S.156a/3 <br /> |-<br /> | 156<br /> | A{{hs|0}}40a<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;I. ''Impressions et Poésies''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}1<br /> | A{{hs|0}}40a/1<br /> |<br /> : ''Lyon''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}2<br /> | A{{hs|0}}40a/2a<br /> |<br /> : ''Le lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/2 <br /> |-<br /> | 156/{{hs|0}}3<br /> | A{{hs|0}}40a/2b<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/4, S.160/4bis <br /> |-<br /> | 156/{{hs|0}}4<br /> | A{{hs|0}}40a/3<br /> |<br /> : ''Les cloches de G[enève]''<br /> | pf<br /> | B major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/9 <br /> |-<br /> | 156/{{hs|0}}5<br /> | A{{hs|0}}40a/4<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/6 <br /> |-<br /> | 156/{{hs|0}}6<br /> | A{{hs|0}}40a/5<br /> |<br /> : ''La chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/1 <br /> |-<br /> | 156/{{hs|0}}7<br /> | A{{hs|0}}40a/6<br /> |<br /> : ''Psaume'' (de l&amp;#39;église á Genève)<br /> | pf<br /> | F major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/7a}}<br /> | A{{hs|0}}40b<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}'''&lt;br&gt;II. ''Fleurs mélodiques des Alpes''<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/{{hs|0}}8<br /> | A{{hs|0}}40b/1<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard <br /> | <br /> |-<br /> | 156/{{hs|0}}9<br /> | A{{hs|0}}40b/2<br /> |<br /> : (Lento– Allegro vivace) <br /> | pf<br /> | E minor–G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/10<br /> | A{{hs|0}}40b/3<br /> |<br /> : (Allegro pastorale)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 1st version of S.160/3 <br /> |-<br /> | 156/11<br /> | A{{hs|0}}40b/4<br /> |<br /> : (Andante con sentimento– Allegretto)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/12<br /> | A{{hs|0}}40b/5<br /> |<br /> : (Andante molto espressivo)<br /> | pf<br /> | G minor<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/13<br /> | A{{hs|0}}40b/6<br /> |<br /> : (Allegro moderato)<br /> | pf<br /> | E major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/14<br /> | A{{hs|0}}40b/7<br /> |<br /> : (Allegretto)<br /> | pf<br /> | A{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/15<br /> | A{{hs|0}}40b/8<br /> |<br /> : (Allegretto)<br /> | pf<br /> | D{{flat}} major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 156/16<br /> | A{{hs|0}}40b/9<br /> |<br /> : (Andantino con molto sentimento)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | {{hs|156/16a}}<br /> | A{{hs|0}}40c<br /> | '''{{LinkWorkN| Album d&amp;#39;un voyageur|S.156|Liszt|Franz|0}}&lt;br&gt;'''III. ''Paraphrases''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard <br /> | 2nd version of S.155a, S.156a<br /> |-<br /> | 156/17<br /> | A{{hs|0}}40c/1<br /> |<br /> : ''Ranz de vaches'' (Montée aux Alpes: Improvisata)<br /> | pf<br /> | G major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/1, S.156a/1 <br /> |-<br /> | 156/18<br /> | A{{hs|0}}40c/2<br /> |<br /> : ''Un soir dans les montagnes'' (Nocturne pastoral)<br /> | pf<br /> | C major<br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/2, S.156a/2 <br /> |-<br /> | 156/19<br /> | A{{hs|0}}40c/3<br /> |<br /> : ''Ranz de chèvres de F. Huber '' (Allegro finale)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | 2nd version of S.155a/3, S.156a/3 <br /> |-<br /> | 156a<br /> | A{{hs|0}}27b<br /> | '''Morceaux suisses''' (3):<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a, S.156/17–19<br /> |-<br /> | 156a/1<br /> | A{{hs|0}}27b/1<br /> |<br /> : ''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard <br /> | 3rd version of S.155a/1, S.156/17 <br /> |-<br /> | 156a/2<br /> | A{{hs|0}}27b/2<br /> |<br /> : ''Un soir dans la montagne'' (Mélodie d&amp;#39;Ernest Knop)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/2, S.156/18 <br /> |-<br /> | 156a/3<br /> | A{{hs|0}}27b/3<br /> |<br /> : ''Ranz de chèvres'' (Rondeau)<br /> | pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | 3rd version of S.155a/3, S.156/19 <br /> |-<br /> | 157<br /> | A{{hs|0}}21<br /> | '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | <br /> |-<br /> | 157a<br /> | A{{hs|0}}55/1<br /> | '''Sposalizio'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/1 <br /> |-<br /> | 157b<br /> | A{{hs|0}}55/2<br /> | '''Il penseroso'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.161/2 <br /> |-<br /> | 157c<br /> | A{{hs|0}}55/3<br /> | '''Canzonetta del Salvator Rosa'''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | 1st version of S.161/3 <br /> |-<br /> | 157d<br /> | A101<br /> | '''Quasi Mazurka'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 158<br /> | A102<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arrs. of S.270a<br /> |-<br /> | 158/1<br /> | A102/2<br /> |<br /> : ''Sonetto CIV '' (&amp;quot;Pace non trovo&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard <br /> | arr. of S.270a/1; 1st version of S.161/5<br /> |-<br /> | 158/2<br /> | A102/1<br /> |<br /> : ''Sonetto XLVII'' (&amp;quot;Benedetto sia il giorno&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/2; 1st version of S.161/4<br /> |-<br /> | 158/3<br /> | A102/3<br /> |<br /> : ''Sonetto CXXIII '' (&amp;quot;I&amp;#39; vidi in terra&amp;quot;)<br /> | pf<br /> | <br /> | 1843–46<br /> | Keyboard<br /> | arr. of S.270a/3; 1st version of S.161/6<br /> |-<br /> | 158a<br /> | A{{hs|0}}55/7<br /> | '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 1st version of S.158b, S.158c, S.161/7 <br /> |-<br /> | 158b<br /> | A{{hs|0}}55/7<br /> | '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.158a, S.158c, S.161/7 <br /> |-<br /> | 158c<br /> | A{{hs|0}}55/7<br /> | '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | 3rd version of S.158a, S.158b, S.161/7<br /> |-<br /> | 158d<br /> | —<br /> | '''Adagio'''<br /> | pf<br /> | C major<br /> | 1841<br /> | Keyboard<br /> | fragment from S.158c? may also have been formerly S.998?<br /> |-<br /> | 159<br /> | A{{hs|0}}53<br /> | '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.162 <br /> |-<br /> | 159/1<br /> | A{{hs|0}}53/1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 159/2<br /> | A{{hs|0}}53/2<br /> |<br /> : (Allegro)<br /> | pf<br /> | C major<br /> | 1840<br /> | Keyboard <br /> | <br /> |-<br /> | 159/3<br /> | A{{hs|0}}53/3<br /> |<br /> : (Andante placido)<br /> | pf<br /> | F{{sharp}} major<br /> | 1840<br /> | Keyboard<br /> | based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1<br /> |-<br /> | 159/4<br /> | A{{hs|0}}53/4<br /> |<br /> : ''Tarantelles napolitaines''<br /> | pf<br /> | G minor<br /> | 1840<br /> | Keyboard<br /> | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3<br /> |-<br /> | 160<br /> | A159<br /> | '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)<br /> | pf<br /> | <br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/1<br /> | A159/1<br /> |<br /> : ''Chapelle de Guilaume Tell''<br /> | pf<br /> | C major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5 <br /> |-<br /> | 160/2<br /> | A159/2<br /> |<br /> : ''Au lac de Wallenstadt''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/2 <br /> |-<br /> | 160/3<br /> | A159/3<br /> |<br /> : ''Pastorale''<br /> | pf<br /> | E major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/10 <br /> |-<br /> | 160/4<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/3, S.160/4bis <br /> |-<br /> | 160/4bis<br /> | A159/4<br /> |<br /> : ''Au bord d&amp;#39;une source''<br /> | pf<br /> | A{{flat}} major?<br /> | 1863<br /> | Keyboard<br /> | 3rd version of S.156/3, S.160/4<br /> |-<br /> | 160/5<br /> | A159/5<br /> |<br /> : ''Orage''<br /> | pf<br /> | C minor<br /> | 1848–55<br /> | Keyboard <br /> | <br /> |-<br /> | 160/6<br /> | A159/6<br /> |<br /> : ''Vallée d&amp;#39;Obermann''<br /> | pf<br /> | E minor<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c<br /> |-<br /> | 160/7<br /> | A159/7<br /> |<br /> : ''Eglogue''<br /> | pf<br /> | A{{flat}} major<br /> | 1848–55<br /> | Keyboard<br /> | <br /> |-<br /> | 160/8<br /> | A159/8<br /> |<br /> : ''Le mal du pays'' (Heimweh)<br /> | pf<br /> | E minor<br /> | 1848–54<br /> | Keyboard<br /> | <br /> |-<br /> | 160/9<br /> | A159/9<br /> |<br /> : ''Les cloches de Genève''<br /> | pf<br /> | B major<br /> | 1848–55<br /> | Keyboard<br /> | 2nd version of S.156/4 <br /> |-<br /> | 161<br /> | A{{hs|0}}55<br /> | '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''&lt;br&gt;(Deuxième année: Italie)<br /> | pf<br /> | <br /> | 1846–49<br /> | Keyboard<br /> | for supplement see S.162 <br /> |-<br /> | 161/1<br /> | A{{hs|0}}55/1<br /> |<br /> : ''Sposalizio''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.157a; rev. for vv org/harm as S.60 <br /> |-<br /> | 161/2<br /> | A{{hs|0}}55/2<br /> |<br /> : ''Il penseroso''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–49<br /> | Keyboard<br /> | 2nd version of S.157b <br /> |-<br /> | 161/3<br /> | A{{hs|0}}55/3<br /> |<br /> : ''Canzonetta del Salvator Rosa''<br /> | pf<br /> | A major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.157c <br /> |-<br /> | 161/4<br /> | A{{hs|0}}55/4<br /> |<br /> : ''Sonetto 47 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | 2nd version of S.158/2 <br /> |-<br /> | 161/5<br /> | A{{hs|0}}55/5<br /> |<br /> : ''Sonetto 104 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/1 <br /> |-<br /> | 161/6<br /> | A{{hs|0}}55/6<br /> |<br /> : ''Sonetto 123 del Petrarca''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.158/3 <br /> |-<br /> | 161/7<br /> | A{{hs|0}}55/7<br /> |<br /> : ''Aprés une lecture du Dante'' (Fantasia quasi Sonata).<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | 4th version of S.158a, S.158b, S.158c <br /> |-<br /> | 162<br /> | A197<br /> | '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''&lt;br&gt;(Supplément: Venezia e Napoli)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159<br /> |-<br /> | 162/1<br /> | A197/1<br /> |<br /> : ''Gondoliera. Canzone del Cavaliere Peruchini'' (&amp;quot;La biondina in gondoletta&amp;quot;) <br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}<br /> |-<br /> | 162/2<br /> | A197/2<br /> |<br /> : ''Canzone'' (‘Nessun maggior dolore&amp;quot;)<br /> | pf<br /> | E{{flat}} minor<br /> | 1859<br /> | Keyboard<br /> | based on the theme of the Gondolier&amp;#39;s song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}<br /> |-<br /> | 162/3<br /> | A197/3<br /> |<br /> : ''Tarantella da Guillaume Louis Cottrau''<br /> | pf<br /> | G minor<br /> | 1859<br /> | Keyboard<br /> | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau<br /> |-<br /> | 162a/1<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Prière à l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/1bis<br /> | A283/1<br /> | '''Aux anges gardiens''' (Den Schutz Engeln)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/2<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 <br /> |-<br /> | 162a/3<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 <br /> |-<br /> | 162a/4<br /> | A283/1<br /> | '''Den Schutz-Engeln''' (Angelus! Pri ère á l&amp;#39;ange gardien)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 <br /> |-<br /> | 162b<br /> | A283/3<br /> | '''Den Cypressen der Villa d&amp;#39;Este'''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 1st version of S.163/3 <br /> |-<br /> | 162c<br /> | A283/5<br /> | '''Sunt lacrymae rerum'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/5, S.162d <br /> |-<br /> | 162e<br /> | A283/6<br /> | '''En mémoire de Maximilian I'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 1st version of S.163/6 <br /> |-<br /> | 162d<br /> | A283/5<br /> | '''Sunt lacrymae rerum''' (in ungarischer Weise)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162c, S.163/5 <br /> |-<br /> | 162f<br /> | A283/7<br /> | '''Postludium''' (Sursum Corda)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.163/7 <br /> |-<br /> | 163<br /> | A283<br /> | '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''&lt;br&gt;(Troisième année)<br /> | pf<br /> | <br /> | 1877–82<br /> | Keyboard <br /> | <br /> |-<br /> | 163/1<br /> | A283/1<br /> |<br /> : ''Angelus! Priere aux anges gardiens''<br /> | pf<br /> | E major<br /> | 1882<br /> | Keyboard<br /> | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a <br /> |-<br /> | 163/2<br /> | A283/2<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' I)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/3<br /> | A283/3<br /> |<br /> : ''Aux cyprès de la Villa d&amp;#39;Este'' (Thrénodie'' II)<br /> | pf<br /> | E minor<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162b <br /> |-<br /> | 163/4<br /> | A283/4<br /> |<br /> : ''Les jeux d&amp;#39;eaux á la Ville d&amp;#39;Este''<br /> | pf<br /> | F{{sharp}} major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 163/5<br /> | A283/5<br /> |<br /> : ''Sunt lacrymae rerum, en mode hongrois''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 3rd version of S.162c, S.162d <br /> |-<br /> | 163/6<br /> | A283/6<br /> |<br /> : ''Marche funèbre''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | 2nd version of S.162e <br /> |-<br /> | 163/7<br /> | A283/7<br /> |<br /> : ''Sursum corda'' (Erhebet eure Herzen)<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 2nd version of S.162f <br /> |-<br /> | 163a/1<br /> | —<br /> | '''Album Leaf''' (Allegro vivace quasi presto)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1828<br /> | Keyboard<br /> | <br /> |-<br /> | 163a/2<br /> | —<br /> | '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' (&amp;quot;pour Emile et Charlotte Loudon&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1828<br /> | Keyboard <br /> | <br /> |-<br /> | 163b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Ah! vous dirai-je, Maman&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1833<br /> | Keyboard<br /> | <br /> |-<br /> | 163c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Pressburg&amp;quot;)<br /> | pf<br /> | C minor<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 163d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | exists in two versions<br /> |- <br /> | 163e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Quasi mazurek in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 164<br /> | A{{hs|0}}66<br /> | '''[[Albumblatt in E major, S.164 (Liszt, Franz)| Albumblatt]]''' (Feuille d&amp;#39;album'' No.1)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | based on S.210<br /> |-<br /> | 164a<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vienna&amp;quot;)<br /> | pf<br /> | E major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Leipzig&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164c<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Exeter Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 164d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Detmold)<br /> | pf<br /> | E major<br /> | 1841<br /> | Keyboard <br /> | <br /> |-<br /> | 164e<br /> | —<br /> | '''Three Album Leaves''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | <br /> | 1840-41<br /> | Keyboard<br /> | <br /> |-<br /> | 164e/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 1st version of S.164e/2; themes re-used in S.242/11<br /> |-<br /> | 164e/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | B{{flat}} minor<br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.164e/1; themes re-used in S.242/11 <br /> |-<br /> | 164e/3<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Magyar&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1841<br /> | Keyboard<br /> | <br /> |-<br /> | 164f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Rákóczi-Marsch&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1841<br /> | Keyboard<br /> | based on S.242a<br /> |-<br /> | 164g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Berlin Preludio&amp;quot;)<br /> | pf<br /> | C major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164h<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | D major<br /> | 1840–45?<br /> | Keyboard<br /> | <br /> |-<br /> | 164j<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Preludio&amp;quot;)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 164k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Moderato in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | <br /> |- <br /> | 164l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Adagio — religioso in C major&amp;quot;)<br /> | pf<br /> | C major<br /> | 1825<br /> | Keyboard<br /> | <br /> |- <br /> | 165<br /> | A104<br /> | '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166<br /> | A{{hs|0}}83<br /> | '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1843<br /> | Keyboard <br /> | cataloguing mistake?; maybe 1st version of 166a (below)<br /> |-<br /> | 166a<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | cataloguing mistake?; maybe 2nd version of 166a (above)<br /> |-<br /> | 166b<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Portugal&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166c<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 166d<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Lyon Prélude&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Prélude omnitonique&amp;quot;)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Braunschweig Preludio&amp;quot;)<br /> | pf<br /> | F{{sharp}} major?<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 166g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Serenade&amp;quot;)<br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 166h<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Andante religioso in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 1st version of S.166j<br /> |-<br /> | 166j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante religiosamente in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.166h<br /> |-<br /> | 166k<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Friska&amp;quot;)<br /> | pf<br /> | A major<br /> | 1845–49?<br /> | Keyboard<br /> | <br /> |-<br /> | 166l/1<br /> | R3<br /> | '''Album Leaf''' <br /> | pf<br /> | A{{flat}} major<br /> | 1840s<br /> | Keyboard <br /> | <br /> |-<br /> | 166l/2<br /> | — <br /> | '''Album Leaf'''<br /> | pf<br /> | G minor<br /> | 1840s?<br /> | Keyboard<br /> | <br /> |-<br /> | 166m<br /> | A135<br /> | '''Albumblätter für Prinzessin Marie von Sayn-Wittgenstein ''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/1<br /> | A135/1<br /> |<br /> : ''Lilie'' (Andantino)<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/2<br /> | A135/2<br /> |<br /> : ''Hryc''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/3<br /> | A135/3<br /> |<br /> : ''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)<br /> | pf<br /> | A major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166m/4<br /> | A135/4<br /> |<br /> : ''Krakowiak''<br /> | pf<br /> | F major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166n<br /> | A134<br /> | '''Album Leaf''' (&amp;quot;Freudvoll und leidvoll&amp;quot;)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | partial arr. of S.280 <br /> |-<br /> | 166o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Langsam in C{{sharp}} minor&amp;quot;)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1876<br /> | Keyboard<br /> | uses themes from S.139/11<br /> |-<br /> | 166p<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andantino in A{{flat}} major&amp;quot;)<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166q<br /> | — <br /> | '''Album Leaf''' <br /> | pf <br /> | G major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 166r<br /> | —<br /> | '''Two Album Leaves''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | <br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/1<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Purgatorio&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857<br /> | Keyboard<br /> | <br /> |-<br /> | 166r/2<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus dem Purgatorio des Dante Sinfonie&amp;quot;)<br /> | pf<br /> | B minor<br /> | 1857?<br /> | Keyboard<br /> | <br /> |-<br /> | 166s<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | A major<br /> | 1870<br /> | Keyboard<br /> | <br /> |- <br /> | 167*<br /> | —<br /> | ''Feuille d&amp;#39;album No.2''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.534/2bis <br /> |-<br /> | 167a*<br /> | —<br /> | ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''<br /> | <br /> | <br /> | <br /> | Keyboard<br /> | see S.571a<br /> |-<br /> | 167b<br /> | A{{hs|0}}75<br /> | '''Miniatur Lieder'''<br /> | pf<br /> | <br /> | 1840–49<br /> | Keyboard<br /> | unpublished; score inaccessible (in private collection?)<br /> |-<br /> | 167c<br /> | —<br /> | '''Album Leaf''' (Poco adagio)<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard <br /> | from the Agnus Dei of Beethoven&amp;#39;s ''Missa Solemnis'' <br /> |-<br /> | 167d<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | from S.98<br /> |-<br /> | 167e<br /> | —<br /> | '''Album Leaf''' <br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | from S.106<br /> |-<br /> | 167f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante Symphony progression&amp;quot;)<br /> | pf<br /> | G major<br /> | 1860?<br /> | Keyboard<br /> | based on material from S.109 <br /> |-<br /> | 167g<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Vivace ma non troppo in D{{flat}} major&amp;quot;)<br /> | pf <br /> | D{{flat}} major<br /> | 1835<br /> | Keyboard<br /> | <br /> |-<br /> | 167h<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | <br /> |-<br /> | 167j<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Fugue chromatique - Allegro in G minor&amp;quot;)<br /> | pf<br /> | G minor<br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 167k<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | based on S.219 and S.219bis<br /> |-<br /> | 167l<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Agitato in G major&amp;quot;)<br /> | pf<br /> | G major<br /> | 1849<br /> | Keyboard<br /> | based on S.577, S.577bis, S.577a, and S.577ter<br /> |-<br /> | 167m<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke&amp;quot;)<br /> | pf<br /> | <br /> | 1859 or later<br /> | Keyboard<br /> | possible intended for S.216, S.216b, S.514, or S.515?<br /> |-<br /> | 167n<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Allegretto in A major&amp;quot;)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 167o<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Tempo di marcia in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | themes re-used in S.227 <br /> |-<br /> | 167p<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Larghetto in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | on a [[Henselt]] Concerto<br /> |-<br /> | 167q<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Schlusschor des entfesselten Prometheus – Andante solenne in D{{flat}} major&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 167r<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Andante in E{{flat}} major&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1850s<br /> | Keyboard<br /> | <br /> |-<br /> | 167s<br /> | — <br /> | '''Album Leaf''' (&amp;quot;Lyon&amp;quot;)<br /> | pf<br /> | C major<br /> | 1839<br /> | Keyboard<br /> | <br /> |-<br /> | 167t<br /> | — <br /> | '''Album Leaf''' <br /> | pf<br /> | E major<br /> | 1853<br /> | Keyboard<br /> | based on S.173/10<br /> |-<br /> | 168/1<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1842–43<br /> | Keyboard<br /> | 1st version of S.168/2<br /> |-<br /> | 168/2<br /> | A{{hs|0}}94<br /> | '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.168/1<br /> |-<br /> | 168a<br /> | A145<br /> | '''Andante amoroso'''<br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | from S.395?<br /> |-<br /> | 168b<br /> | —<br /> | '''Pensées''' (Nocturne)<br /> | pf<br /> | A major<br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 169<br /> | A148<br /> | '''[[Romance, S.169 (Liszt, Franz)|Romance &quot;O pourquoi donc&quot;]]'''<br /> | pf<br /> | E minor<br /> | 1848<br /> | Keyboard<br /> | based on S.301a; rev. as S.527<br /> |-<br /> | 170<br /> | A117<br /> | '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)<br /> | pf<br /> | D{{flat}} major<br /> | 1848–49<br /> | Keyboard <br /> | 2nd version of S.171d/4<br /> |-<br /> | 170a<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.171 <br /> |-<br /> | 171<br /> | A181<br /> | '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''<br /> | pf<br /> | B minor<br /> | 1853<br /> | Keyboard<br /> | 2nd version of S.170a <br /> |-<br /> | 171a<br /> | A111a/1<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172 <br /> |-<br /> | 171a/1<br /> | A111a/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/1 <br /> |-<br /> | 171a/2<br /> | A111a/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/2 <br /> |-<br /> | 171a/3<br /> | A111a/3<br /> |<br /> : (Lento, quasi recitativo)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/3; theme re-used in S.243b<br /> |-<br /> | 171a/4<br /> | A111a/4<br /> |<br /> : (Quasi adagio; cantabile con devozione)<br /> | pf<br /> | D{{flat}} major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/4 <br /> |-<br /> | 171a/5<br /> | A111a/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard<br /> | 1st version of S.172/5 <br /> |-<br /> | 171a/6<br /> | A111a/6<br /> |<br /> : (Allegretto)<br /> | pf<br /> | E major<br /> | 1844–48<br /> | Keyboard <br /> | 1st version of S.172/6 <br /> |-<br /> | 171b<br /> | —<br /> | '''Album Leaf''' (Consolation No.1)<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | originally intended for S.172 <br /> |-<br /> | 171c<br /> | —<br /> | '''Prière d&amp;#39;un enfant á son réveil'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 1st version of S.172a/7, S.173/6; theme used in S.19/1 <br /> |-<br /> | 171d<br /> | —<br /> | '''Préludes et Harmonies poétiques et religieuses''' (8):<br /> | pf<br /> | <br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/1<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | 1st version of S.172a/11 and S.173/3<br /> |-<br /> | 171d/2<br /> | —<br /> |<br /> : ''Languer''<br /> | pf<br /> | C minor<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/3<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/4<br /> | —<br /> |<br /> : ''Dernière illusion''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete; 1st version of S.170<br /> |-<br /> | 171d/5<br /> | —<br /> |<br /> : [untitled]<br /> | pf<br /> | G{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/6<br /> | —<br /> |<br /> : ''Attente''<br /> | pf<br /> | A major<br /> | 1845–47<br /> | Keyboard <br /> | incomplete<br /> |-<br /> | 171d/7<br /> | —<br /> |<br /> : ''Alternative''<br /> | pf<br /> | E major<br /> | 1845–47<br /> | Keyboard<br /> | <br /> |-<br /> | 171d/8<br /> | —<br /> |<br /> : ''M.K.''<br /> | pf<br /> | D{{flat}} major<br /> | 1845–47<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 171e<br /> | A{{hs|0}}61/4<br /> | '''Litanies de Marie'''<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | formerly S.695a; 1st version of S.172a/4 <br /> |-<br /> | 172<br /> | A111b<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a <br /> |-<br /> | 172/1<br /> | A111b/1<br /> |<br /> : (Andante con moto)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/1; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1<br /> |-<br /> | 172/2<br /> | A111b/2<br /> |<br /> : (Un poco più mosso)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/2 <br /> |-<br /> | 172/3<br /> | A111b/3<br /> |<br /> : (Lento placido)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/3; arr. for org/harm as S.672d/1<br /> |-<br /> | 172/4<br /> | A111b/4<br /> |<br /> : (Quasi Adagio)<br /> | pf<br /> | D{{flat}} major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2<br /> |-<br /> | 172/5<br /> | A111b/5<br /> |<br /> : (Andantino)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard <br /> | 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3<br /> |-<br /> | 172/6<br /> | A111b/6<br /> |<br /> : (Allegretto sempre cantabile)<br /> | pf<br /> | E major<br /> | 1849–50<br /> | Keyboard<br /> | 2nd version of S.171a/6; arr. for org/harm as S.672d/4<br /> |-<br /> | 172a<br /> | A{{hs|0}}61<br /> | '''Harmonies poétiques et religieuses II''' (10):<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173 <br /> |-<br /> | 172a/{{hs|0}}1<br /> | A{{hs|0}}61/{{hs|0}}1<br /> |<br /> : ''Elevez-vous voix'' <br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.172c, S.173/1 <br /> |-<br /> | 172a/{{hs|0}}2<br /> | A{{hs|0}}61/{{hs|0}}2<br /> |<br /> : ''Hymne de la nuit''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/1 <br /> |-<br /> | 172a/{{hs|0}}3<br /> | A{{hs|0}}61/{{hs|0}}3<br /> |<br /> : ''Hymne du matin''<br /> | pf<br /> | B major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173a/2 <br /> |-<br /> | 172a/{{hs|0}}4<br /> | A{{hs|0}}61/{{hs|0}}4<br /> |<br /> : ''Litanies de Marie''<br /> | pf<br /> | E major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171e <br /> |-<br /> | 172a/{{hs|0}}5<br /> | A{{hs|0}}61/{{hs|0}}5<br /> |<br /> : ''Miserere''<br /> | pf<br /> | E minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/8 <br /> |-<br /> | 172a/{{hs|0}}6<br /> | A{{hs|0}}61/{{hs|0}}6<br /> |<br /> : ''Pater noster'' (d&amp;#39;apres la Psalmodie de l&amp;#39;Eglise)<br /> | pf<br /> | C major<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/5; adapted for mch as S.21 <br /> |-<br /> | 172a/{{hs|0}}7<br /> | A{{hs|0}}61/{{hs|0}}7<br /> |<br /> : ''Hymne de l&amp;#39;enfant a son reveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1840–47<br /> | Keyboard <br /> | 2nd version of S.171c, S.173/6 <br /> |-<br /> | 172a/{{hs|0}}8<br /> | A{{hs|0}}61/{{hs|0}}8<br /> |<br /> : ''Prose des morts'' (De profundis)<br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.154, S.173/4 <br /> |-<br /> | 172a/{{hs|0}}9<br /> | A{{hs|0}}61/{{hs|0}}9<br /> |<br /> : ''La lampe du temple'' <br /> | pf<br /> | G minor<br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/9 <br /> |-<br /> | 172a/10<br /> | A{{hs|0}}61/10<br /> |<br /> : {{hs|hymn}}[Hymn]<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | <br /> |-<br /> | 172a/11<br /> | A{{hs|0}}61/11<br /> |<br /> : ''Benediction'' (Prelude)<br /> | pf<br /> | E{{flat}} major<br /> | 1840–47<br /> | Keyboard<br /> | 2nd version of S.171d/1 and S.173/3 <br /> |-<br /> | 172a/12<br /> | A{{hs|0}}61/12<br /> |<br /> : ''Ave Maria'' <br /> | pf<br /> | <br /> | 1840–47<br /> | Keyboard<br /> | 1st version of S.173/2; now lost<br /> |-<br /> | 172b<br /> | A142<br /> | '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | formerly S.579/3 <br /> |-<br /> | 172c<br /> | A{{hs|0}}61/1<br /> | '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/1, S.173/1<br /> |-<br /> | 173a/1<br /> | A{{hs|0}}61/2<br /> | '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/2 <br /> |-<br /> | 173a/2<br /> | A{{hs|0}}61/3<br /> | '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''<br /> | pf<br /> | B major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/3 <br /> |-<br /> | 173<br /> | A158<br /> | '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):<br /> | pf<br /> | <br /> | 1848–53<br /> | Keyboard <br /> | 2nd version of S.172a <br /> |-<br /> | 173/{{hs|0}}1<br /> | A158/{{hs|0}}1<br /> |<br /> : ''Invocation''<br /> | pf<br /> | E major<br /> | 1848–51<br /> | Keyboard<br /> | 3rd version of S.172a/1, S.172c <br /> |-<br /> | 173/{{hs|0}}2<br /> | A158/{{hs|0}}2<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | B{{flat}} major<br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.172/12<br /> |-<br /> | 173/{{hs|0}}3<br /> | A158/{{hs|0}}3<br /> |<br /> : ''Bénédiction de Dieu dans la solitude''<br /> | pf<br /> | F{{sharp}} major<br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.171d/1 and S.172a/11<br /> |-<br /> | 173/{{hs|0}}4<br /> | A158/{{hs|0}}4<br /> |<br /> : ''Pensée des morts''<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | 3rd version of S.154, S.172a/8 <br /> |-<br /> | 173/{{hs|0}}5<br /> | A158/{{hs|0}}5<br /> |<br /> : ''Pater noster''<br /> | pf<br /> | C major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}6<br /> | A158/{{hs|0}}6<br /> |<br /> : ''Hymne de l&amp;#39;enfant á son réveil''<br /> | pf<br /> | A{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | 2nd version of S.171c, S.172a/7 <br /> |-<br /> | 173/{{hs|0}}7<br /> | A158/{{hs|0}}7<br /> |<br /> : ''Funérailles''<br /> | pf<br /> | F minor<br /> | 1849<br /> | Keyboard<br /> | 2nd version of S.226a<br /> |-<br /> | 173/{{hs|0}}8<br /> | A158/{{hs|0}}8<br /> |<br /> : ''Miserere d&amp;#39;après Palestrina''<br /> | pf<br /> | E minor<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.172a/6 <br /> |-<br /> | 173/{{hs|0}}9<br /> | A158/{{hs|0}}9<br /> |<br /> : ''Andante lagrimoso''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1851<br /> | Keyboard <br /> | 2nd version of S.172a/9 <br /> |-<br /> | 173/10<br /> | A158/10<br /> |<br /> : ''Cantique d&amp;#39;amour''<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 174<br /> | A186<br /> | '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1854, 1862<br /> | Keyboard<br /> | 2 versions<br /> |-<br /> | 175<br /> | A219<br /> | '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | <br /> |-<br /> | 175/1<br /> | A219/1<br /> |<br /> : ''St François d&amp;#39;Assise: la prédication aux oiseaux''<br /> | pf<br /> | A major<br /> | 1862–63<br /> | Keyboard<br /> | version for orch as S.113a/1<br /> |-<br /> | 175/2<br /> | A219/2<br /> |<br /> : ''St François de Paule: marchant sur les flots'' <br /> | pf<br /> | E major<br /> | 1862–63<br /> | Keyboard<br /> | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)&amp;nbsp; as S.28<br /> |-<br /> | 175/2bis<br /> | A219/2<br /> |<br /> : ''St François de Paule, marchant sur les flots''<br /> | pf<br /> | E major?<br /> | 1863<br /> | Keyboard<br /> | simplified version of S.175/2<br /> |-<br /> | 175a<br /> | A167<br /> | '''Grand Solo de concert'''<br /> | pf<br /> | E minor?<br /> | 1849<br /> | Keyboard<br /> | rev. as S.176 <br /> |-<br /> | 176<br /> | A167<br /> | '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''<br /> | pf<br /> | E minor<br /> | 1849–50<br /> | Keyboard <br /> | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365<br /> |-<br /> | 176a<br /> | — <br /> | '''Wilde Jagd - Scherzo'''<br /> | pf<br /> | D minor/B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 1st version of S.177<br /> |-<br /> | 177<br /> | A174<br /> | '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''<br /> | pf<br /> | D minor and B{{flat}} major<br /> | 1851<br /> | Keyboard<br /> | 2nd version of S.176a<br /> |-<br /> | 178<br /> | A179<br /> | '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''<br /> | pf<br /> | B minor<br /> | 1852–53<br /> | Keyboard<br /> | <br /> |-<br /> | 179<br /> | A198<br /> | '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1859<br /> | Keyboard<br /> | prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180<br /> |-<br /> | 180<br /> | A214<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | pf<br /> | F minor<br /> | 1862<br /> | Keyboard<br /> | prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673<br /> |-<br /> | 181<br /> | A290<br /> | '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''<br /> | pf<br /> | G minor<br /> | 1879<br /> | Keyboard<br /> | after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}<br /> |-<br /> | 182<br /> | A215<br /> | '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)<br /> | pf<br /> | E major<br /> | 1862<br /> | Keyboard<br /> | also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''<br /> |-<br /> | 182a<br /> | —<br /> | '''Magnificat'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | unpublished; 1st version of S.183/1<br /> |-<br /> | 183/1<br /> | A216/1<br /> | '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.182a<br /> |-<br /> | 183/2<br /> | A216/2<br /> | '''{{LinkWorkN| Ave Maria d&amp;#39;Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1862<br /> | Keyboard<br /> | based on Dietsch&amp;#39;s adaptation of a madrigal by Arcadelt<br /> |-<br /> | 184<br /> | A229<br /> | '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 185<br /> | A226<br /> | '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. for orch as S.355<br /> |-<br /> | 185a<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version (&amp;quot;Paris manuscripts&amp;quot;) of S.186; arr. for pf4h as S.612a<br /> |-<br /> | 185a/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/1; arr. for pf4h as S.612a/1<br /> |-<br /> | 185a/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/2; arr. for pf4h as S.612a/2<br /> |-<br /> | 185a/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/3; arr. for pf4h as S.612a/3<br /> |-<br /> | 185a/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)<br /> | pf<br /> | A major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/4; arr. for pf4h as S.612a/4<br /> |-<br /> | 185a/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso''<br /> | pf<br /> | F major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/5; arr. for pf4h as S.612a/5<br /> |-<br /> | 185a/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Reveille-Matin'' (Wecker) <br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/6; arr. for pf4h as S.612a/6<br /> |-<br /> | 185a/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7<br /> |-<br /> | 185a/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : {{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)<br /> | pf<br /> | B minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/8; arr. for pf4h as S.612a/8<br /> |-<br /> | 185a/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : {{hs| Abendglocken}} (Abendglocken)<br /> | pf<br /> | <br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/9; arr. for pf4h as S.612a/9<br /> |-<br /> | 185a/10<br /> | A267/10<br /> |<br /> : {{hs|Ehemals}}(Ehemals)<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/10; arr. for pf4h as S.612a/10<br /> |-<br /> | 185a/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/11; arr. for pf4h as S.612a/11<br /> |-<br /> | 185a/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1873–74<br /> | Keyboard<br /> | 1st version of S.186/12; arr. for pf4h as S.612a/12<br /> |-<br /> | 186<br /> | A267<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a; arr. for pf4h as S.613 <br /> |-<br /> | 186/{{hs|0}}1<br /> | A267/{{hs|0}}1<br /> |<br /> : ''Altes Weihnacthslied'' (Psalite) <br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/1; arr. for pf4h as S.613/1 <br /> |-<br /> | 186/{{hs|0}}2<br /> | A267/{{hs|0}}2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf<br /> | D minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 <br /> |-<br /> | 186/{{hs|0}}3<br /> | A267/{{hs|0}}3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulce jubilo&amp;quot;)<br /> | pf<br /> | D{{flat}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/3; arr. for pf4h as S.613/3 <br /> |-<br /> | 186/{{hs|0}}4<br /> | A267/{{hs|0}}4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)<br /> | pf<br /> | A major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/4; arr. for pf4h as S.613/4 <br /> |-<br /> | 186/{{hs|0}}5<br /> | A267/{{hs|0}}5<br /> |<br /> : ''Scherzoso'' (Man zündet die Kerzen des Baumes an)<br /> | pf<br /> | F major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/5; arr. for pf4h as S.613/5 <br /> |-<br /> | 186/{{hs|0}}6<br /> | A267/{{hs|0}}6<br /> |<br /> : ''Carillon''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/6; arr. for pf4h as S.613/6 <br /> |-<br /> | 186/{{hs|0}}7<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7<br /> |-<br /> | 186/{{hs|0}}7a<br /> | A267/{{hs|0}}7<br /> |<br /> : ''Schlummerlied''<br /> | pf<br /> | F{{sharp}} major?<br /> | 1882<br /> | Keyboard <br /> | 3rd version of S.185a/7, S.186/7; version for Lachmund<br /> |-<br /> | 186/{{hs|0}}8<br /> | A267/{{hs|0}}8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf<br /> | B minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/8; arr. for pf4h as S.613/8 <br /> |-<br /> | 186/{{hs|0}}9<br /> | A267/{{hs|0}}9<br /> |<br /> : ''Abendglocken''<br /> | pf<br /> | <br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/9; arr. for pf4h as S.613/9 <br /> |-<br /> | 186/10<br /> | A267/10<br /> |<br /> : ''Ehemals''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10<br /> |-<br /> | 186/11<br /> | A267/11<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | F minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/11; arr. for pf4h as S.613/11 <br /> |-<br /> | 186/12<br /> | A267/12<br /> |<br /> : ''Polnisch''<br /> | pf<br /> | B{{flat}} minor<br /> | 1874–76<br /> | Keyboard <br /> | 2nd version of S.185a/12; arr. for pf4h as S.613/12 <br /> |-<br /> | 187<br /> | A278<br /> | '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 187a<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1877<br /> | Keyboard<br /> | 1st version of S.187b<br /> |-<br /> | 187b<br /> | E{{hs|0}}28<br /> | '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''<br /> | pf/org<br /> | E major<br /> | 1881<br /> | Keyboard<br /> | 2nd version of S.187a<br /> |-<br /> | 188<br /> | A300<br /> | '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1880<br /> | Keyboard<br /> | <br /> |-<br /> | 189<br /> | A234<br /> | '''Klavierstück No.1'''<br /> | pf<br /> | A{{flat}} major<br /> | 1866<br /> | Keyboard <br /> | <br /> |-<br /> | 189a<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | A{{flat}} major<br /> | 1845<br /> | Keyboard<br /> | 1st version of S.189b<br /> |-<br /> | 189b<br /> | A116<br /> | '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1845 or later<br /> | Keyboard<br /> | 2nd version of S.189a; themes re-used in S.170 and S.171d/4<br /> |-<br /> | 190<br /> | A241<br /> | '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. <br /> |-<br /> | 191<br /> | A256<br /> | '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1872<br /> | Keyboard<br /> | <br /> |-<br /> | 192<br /> | A233<br /> | '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)<br /> | pf<br /> | <br /> | 1865–79<br /> | Keyboard<br /> | <br /> |-<br /> | 192/1<br /> | A233/1<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | E major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/2<br /> | A233/2<br /> |<br /> : ''Lento assai''<br /> | pf<br /> | A{{flat}} major<br /> | 1865<br /> | Keyboard<br /> | <br /> |-<br /> | 192/3<br /> | A233/3<br /> |<br /> : ''Sehr langsam''<br /> | pf<br /> | F{{sharp}} major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 192/4<br /> | A233/4<br /> |<br /> : ''Andantino''<br /> | pf<br /> | F{{sharp}} major<br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 192/5<br /> | A233/5<br /> |<br /> : ''Sospiri!'' (Andante)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | <br /> |-<br /> | 193<br /> | —<br /> | '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''<br /> | pf<br /> | F{{sharp}} major<br /> | 1854<br /> | Keyboard<br /> | <br /> |-<br /> | 194<br /> | A249<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | re-used as S.205/7; arr. for 2pf as S.756(?)<br /> |-<br /> | 195<br /> | A279<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on S.349 ; arr. for pf4h as S.614; same as S.205/6<br /> |-<br /> | 195a<br /> | A266<br /> | '''Schlummerlied im Grabe'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | rev. as S.196 <br /> |-<br /> | 196<br /> | A266<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c <br /> |-<br /> | 196a<br /> | A277<br /> | '''Entwurf der Ramann-Elegie'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | 1st version of S.197 <br /> |-<br /> | 197<br /> | A277<br /> | '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard <br /> | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis<br /> |-<br /> | 197a<br /> | A295<br /> | '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 197b<br /> | A272<br /> | '''Kaiser Wilhelm!'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | <br /> |-<br /> | 198<br /> | A303<br /> | '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199<br /> | A305<br /> | '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 199a<br /> | A319<br /> | '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k<br /> |-<br /> | 200/1<br /> | A319a<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis<br /> |-<br /> | 200/2<br /> | A319b<br /> | '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134<br /> |-<br /> | 201<br /> | A320<br /> | '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 202<br /> | A321<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | arr. of S.135<br /> |-<br /> | 203<br /> | A322<br /> | '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | <br /> |-<br /> | 204<br /> | A280<br /> | '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 205<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.205a <br /> |-<br /> | 205/1<br /> | A335/1<br /> |<br /> : Stephan Széchenyi<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/1<br /> |-<br /> | 205/2<br /> | A335/4<br /> |<br /> : ''Joseph Eötvös'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/4<br /> |-<br /> | 205/3<br /> | A335/5<br /> |<br /> : ''Michael Vörösmarty'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/5<br /> |-<br /> | 205/4<br /> | A335/3<br /> |<br /> : ''Ladislaus Teleki'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/3<br /> |-<br /> | 205/5<br /> | A335/2<br /> |<br /> : ''Franz Deák''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205a/2<br /> |-<br /> | 205/6<br /> | A335/6<br /> |<br /> : ''Alexander Petofi''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205a/6<br /> |-<br /> | 205/7<br /> | A335/7<br /> |<br /> : ''Michael Mosonyi'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.194; 1st version of S.205a/7<br /> |-<br /> | 205a<br /> | A335<br /> | '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | 2nd version of S.205 <br /> |-<br /> | 205a/1<br /> | A335/1<br /> |<br /> : ''Széchenyi István''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/1<br /> |-<br /> | 205a/2<br /> | A335/2<br /> |<br /> : ''Deák Ferenc'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/5<br /> |-<br /> | 205a/3<br /> | A335/3<br /> |<br /> : ''Teleki László'' <br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/4<br /> |-<br /> | 205a/4<br /> | A335/4<br /> |<br /> : ''Eötvös József''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/2<br /> |-<br /> | 205a/5<br /> | A335/5<br /> |<br /> : ''Vörösmarty Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.205/3<br /> |-<br /> | 205a/6<br /> | A335/6<br /> |<br /> : ''Petofi Sándor''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | same as S.195, S.205/6<br /> |-<br /> | 205a/7<br /> | A335/7<br /> |<br /> : ''Mosonyi Mihály''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.205a/7<br /> |-<br /> | 206<br /> | A334<br /> | '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 206/1<br /> | A334/1<br /> |<br /> : ''Preludio funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard <br /> | <br /> |-<br /> | 206/2<br /> | A334/2<br /> |<br /> : ''Marcia funebre''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi<br /> |-<br /> | 207<br /> | A336<br /> | '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 207a<br /> | A296<br /> | '''{{LinkWorkN|Prélude á la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | formerly listed as S.256; based on the &amp;quot;Chopsticks&amp;quot; polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''<br /> |- style=&quot;background:silver&quot; id=&quot;Works in dance form&quot;<br /> | {{hs|999}}208a-233c<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works in dance form'''<br /> |-<br /> | 208<br /> | A312<br /> | '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 208a<br /> | A{{hs|00}}2/2<br /> | '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):<br /> | pf<br /> | A major<br /> | 1823?<br /> | Keyboard<br /> | arr. of S.126b/2<br /> |-<br /> | 209<br /> | A{{hs|0}}32a<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard <br /> | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 <br /> |-<br /> | 209a<br /> | —<br /> | '''Waltz'''<br /> | pf<br /> | E{{flat}} major<br /> | 1840<br /> | Keyboard<br /> | uses themes from S.209<br /> |-<br /> | 210<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1839<br /> | Keyboard<br /> | 2nd version of S.210a, S.214/2<br /> |-<br /> | 210a<br /> | A{{hs|0}}57a<br /> | '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 1st version of S.210, S.214/2<br /> |- <br /> | 210b<br /> | A{{hs|0}}28<br /> | '''Waltz'''<br /> | pf<br /> | A major<br /> | 1835?<br /> | Keyboard<br /> | <br /> |-<br /> | 211<br /> | A{{hs|0}}95<br /> | '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''<br /> | pf<br /> | A{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 211a<br /> | A289/1<br /> | '''Ländler'''<br /> | pf<br /> | D major<br /> | 1879<br /> | Keyboard<br /> | formerly S.734 <br /> |-<br /> | 212<br /> | A{{hs|0}}84<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.212a, S.213, and S.213bis<br /> |-<br /> | 212a<br /> | A{{hs|0}}84a<br /> | '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.212, S.213, and S.213bis; formerly S.222<br /> |-<br /> | 212b<br /> | A{{hs|0}}82<br /> | '''Valse de Marie ''' (Mariotte)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard <br /> | <br /> |-<br /> | 213<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | 3rd version of S.212, S.212a, and S.213bis<br /> |-<br /> | 213bis<br /> | A{{hs|0}}84c<br /> | '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870s?<br /> | Keyboard<br /> | 4th version (edition facilitée) of S.212, S.212a, and S.213<br /> |-<br /> | 214<br /> | —<br /> | '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):<br /> | pf<br /> | <br /> | 1850–52<br /> | Keyboard<br /> | <br /> |-<br /> | 214/1<br /> | A{{hs|0}}32b<br /> |<br /> : ''Valse de bravoure'' <br /> | pf<br /> | B{{flat}} major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.209 <br /> |-<br /> | 214/2<br /> | A{{hs|0}}57b<br /> |<br /> : ''Valse mélancolique'' <br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | 3rd version of S.210, S.210a<br /> |-<br /> | 214/3<br /> | A{{hs|0}}88b<br /> |<br /> : ''Valse de concert sur deux motifs de &amp;quot;Lucia&amp;quot; et &amp;quot;Parisina&amp;quot; de Donizetti'' <br /> | pf<br /> | A major<br /> | 1850–52<br /> | Keyboard<br /> | 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 214a<br /> | A271<br /> | '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879?<br /> | Keyboard<br /> | <br /> |-<br /> | 215<br /> | A311<br /> | '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):<br /> | pf<br /> | <br /> | 1881–84<br /> | Keyboard<br /> | <br /> |-<br /> | 215/1<br /> | A311/1<br /> |<br /> : ''Valse oubliée No.1'' <br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | <br /> |-<br /> | 215/2<br /> | A311/2<br /> |<br /> : ''Valse oubliée No.2'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 215/3<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.215/3a <br /> |-<br /> | 215/3a<br /> | A311/3<br /> |<br /> : ''Valse oubliée No.3'' <br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | 2nd version of S.215/3 <br /> |-<br /> | 215/4<br /> | A311/4<br /> |<br /> : ''Valse oubliée No.4'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 215a<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 1st version of S.216<br /> |-<br /> | 216<br /> | A325<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.215a; arr. for pf4h as S.615a<br /> |-<br /> | 216a<br /> | A338<br /> | '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 216b<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 1st version of S.696 <br /> |-<br /> | 217<br /> | A317<br /> | '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | exists in two versions<br /> |-<br /> | 218<br /> | A119<br /> | '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''<br /> | pf<br /> | A minor<br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 219<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1838<br /> | Keyboard<br /> | 1st version of S.219bis; arr. for pf4h as S.616 <br /> |-<br /> | 219bis<br /> | A{{hs|0}}43<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf<br /> | E major<br /> | 1840?<br /> | Keyboard<br /> | 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})<br /> |-<br /> | 220<br /> | A{{hs|0}}64<br /> | '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 221<br /> | A168<br /> | '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 221a*<br /> | A221<br /> | ''Mazurka''<br /> | pf<br /> | F minor<br /> | <br /> | Keyboard<br /> | now believed to be spurious <br /> |-<br /> | 222*<br /> | —<br /> | ''Petite valse favorite''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.212<br /> |-<br /> | 223<br /> | A171<br /> | '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):<br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/1<br /> | A171/1<br /> |<br /> : ''Polonaise mélancolique'' <br /> | pf<br /> | C minor<br /> | 1850–51<br /> | Keyboard<br /> | <br /> |-<br /> | 223/2<br /> | A171/2<br /> |<br /> : ''Polonaise'' <br /> | pf<br /> | E major<br /> | 1850–51<br /> | Keyboard <br /> | <br /> |-<br /> | 224<br /> | A313<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. for pf4h as S.617 <br /> |-<br /> | 225<br /> | A333<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/1<br /> | A333/1<br /> |<br /> : ''Csárdás'' <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 225/2<br /> | A333/2<br /> |<br /> : ''Csárdás obstinée'' (Hartnäckiger Csardas) <br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | possibly arr. for pf4h as S.618 <br /> |-<br /> | 226<br /> | A188<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)<br /> | pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. for orch as S.356<br /> |-<br /> | 226a<br /> | A{{hs|0}}10<br /> | '''Marche funèbre'''<br /> | pf<br /> | G minor<br /> | 1827<br /> | Keyboard<br /> | formerly S.745<br /> |-<br /> | 227<br /> | A164a<br /> | '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''<br /> | pf<br /> | E{{flat}} major<br /> | 1849<br /> | Keyboard<br /> | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521<br /> |-<br /> | 227a<br /> | A182<br /> | '''Festmarsch'''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | 1st version of S.228; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1<br /> |-<br /> | 228<br /> | A182<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard <br /> | 2nd version of S.227a; arr. for orch as S.357/2<br /> |-<br /> | 229<br /> | A184<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf<br /> | E{{flat}} major<br /> | 1853–56<br /> | Keyboard<br /> | arr. for pf4h as S.618a; for orch as S.368<br /> |-<br /> | 229a<br /> | —<br /> | '''Ungarischer Marsch'''<br /> | pf<br /> | B{{flat}} major<br /> | 1859<br /> | Keyboard<br /> | unpublished<br /> |-<br /> | 230<br /> | A326<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b <br /> |-<br /> | 230a<br /> | A274<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | formerly S.528; arr. for pf4h as S.619a<br /> |-<br /> | 231<br /> | A{{hs|0}}65<br /> | '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois) <br /> | pf<br /> | A minor<br /> | 1840<br /> | Keyboard<br /> | partly based on S.103<br /> |-<br /> | 232<br /> | A112/1<br /> | '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version of S.119 <br /> |-<br /> | 233<br /> | A252<br /> | '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)<br /> | pf<br /> | <br /> | 1870–71<br /> | Keyboard<br /> | possibly 1st version of S.460<br /> |-<br /> | 233a<br /> | A332<br /> | '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)<br /> | pf<br /> | E{{flat}} major<br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 233b<br /> | A105<br /> | '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard <br /> | <br /> |-<br /> | 233c*<br /> | —<br /> | ''Tyrolean Melody''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.385a <br /> |- style=&quot;background:silver&quot; id=&quot;Works on national themes&quot;<br /> | {{hs|999}}234-254<br /> |<br /> |colspan=&quot;6&quot; |<br /> :: '''Works on national themes'''<br /> |-<br /> | 234<br /> | A{{hs|0}}67<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the song ''T&amp;#283;šme se blahou nad&amp;#283;j&amp;#263;'' by Josef Theodor Krov; arr. for pf4h as S.620 <br /> |-<br /> | 235<br /> | A{{hs|0}}76<br /> | '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1841–49<br /> | Keyboard<br /> | based on the British national anthem; rev. as S.694<br /> |-<br /> | 236/1<br /> | A106<br /> | '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 236/2<br /> | A107<br /> | '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on a song by René de Galard de Béarn, Marquis de Brassac<br /> |-<br /> | 237<br /> | A236<br /> | '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)<br /> | pf<br /> | <br /> | 1866–72<br /> | Keyboard<br /> | after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle<br /> |-<br /> | 238<br /> | A169<br /> | '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''<br /> | pf<br /> | C minor<br /> | 1850?<br /> | Keyboard<br /> | based on an old French song<br /> |-<br /> | 239<br /> | A262<br /> | '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879–80<br /> | Keyboard <br /> | based on the French anthem ''Marche de Henri IV''<br /> |-<br /> | 240<br /> | A{{hs|0}}96<br /> | '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | exists in two versions; based on a traditional student song<br /> |-<br /> | 241<br /> | A{{hs|0}}11<br /> | '''Zum Andenken''' (Ungarische Werbungstänze) (2):<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | Hungarian recruiting songs<br /> |-<br /> | 241/1<br /> | A{{hs|0}}11/1<br /> |<br /> : ''Kiniszi notája''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by László Fáy<br /> |-<br /> | 241/2<br /> | A{{hs|0}}11/2<br /> |<br /> : ''Lassú magyar''<br /> | pf<br /> | <br /> | 1828<br /> | Keyboard<br /> | based on a dance by János Bihari<br /> |-<br /> | 241a<br /> | A180<br /> | '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on popular Hungarian themes, by Liszt and Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}1<br /> | A180/{{hs|0}}1<br /> |<br /> : ''Ungarischer Romanzero No.1''<br /> | pf<br /> | F minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}2<br /> | A180/{{hs|0}}2<br /> |<br /> : ''Ungarischer Romanzero No.2''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}3<br /> | A180/{{hs|0}}3<br /> |<br /> : ''Ungarischer Romanzero No.3''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard <br /> | <br /> |-<br /> | 241a/{{hs|0}}4<br /> | A180/{{hs|0}}4<br /> |<br /> : ''Ungarischer Romanzero No.4''<br /> | pf<br /> | A minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/{{hs|0}}5<br /> | A180/{{hs|0}}5<br /> |<br /> : ''Ungarischer Romanzero No.5''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}6<br /> | A180/{{hs|0}}6<br /> |<br /> : ''Ungarischer Romanzero No.6''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}7<br /> | A180/{{hs|0}}7<br /> |<br /> : ''Ungarischer Romanzero No.7''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}8<br /> | A180/{{hs|0}}8<br /> |<br /> : ''Ungarischer Romanzero No.8''<br /> | pf<br /> | D minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/{{hs|0}}9<br /> | A180/{{hs|0}}9<br /> |<br /> : ''Ungarischer Romanzero No.9''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/10<br /> | A180/10<br /> |<br /> : ''Ungarischer Romanzero No.10''<br /> | pf<br /> | G minor<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/11<br /> | A180/11<br /> |<br /> : ''Ungarischer Romanzero No.11''<br /> | pf<br /> | F major<br /> | 1853<br /> | Keyboard<br /> | <br /> |-<br /> | 241a/12<br /> | A180/12<br /> |<br /> : ''Ungarischer Romanzero No.12''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard <br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/13<br /> | A180/13<br /> |<br /> : ''Ungarischer Romanzero No.13''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/14<br /> | A180/14<br /> |<br /> : ''Ungarischer Romanzero No.14''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/15<br /> | A180/15<br /> |<br /> : ''Ungarischer Romanzero No.15''<br /> | pf<br /> | D major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/16<br /> | A180/16<br /> |<br /> : ''Ungarischer Romanzero No.16''<br /> | pf<br /> | C major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/17<br /> | A180/17<br /> |<br /> : ''Ungarischer Romanzero No.17''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241a/18<br /> | A180/18<br /> |<br /> : ''Ungarischer Romanzero No.18''<br /> | pf<br /> | A major<br /> | 1853<br /> | Keyboard<br /> | composed by Eduard Remenyi <br /> |-<br /> | 241b<br /> | —<br /> | '''Magyar Tempo'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | sketches only<br /> |-<br /> | 242<br /> | A{{hs|0}}60a<br /> | '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) <br /> |-<br /> | 242/{{hs|0}}1<br /> | A{{hs|0}}60a/{{hs|0}}1<br /> |<br /> : (Lento)<br /> | pf<br /> | C minor<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/{{hs|0}}2<br /> | A{{hs|0}}60a/{{hs|0}}2<br /> |<br /> : (Andantino)<br /> | pf<br /> | C major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}3<br /> | A{{hs|0}}60a/{{hs|0}}3<br /> |<br /> : (Sehr langsam)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}4<br /> | A{{hs|0}}60a/{{hs|0}}4<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}5<br /> | A{{hs|0}}60a/{{hs|0}}5<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6<br /> |-<br /> | 242/{{hs|0}}6<br /> | A{{hs|0}}60a/{{hs|0}}6<br /> |<br /> : (Lento)<br /> | pf<br /> | G minor<br /> | 1839–40<br /> | Keyboard<br /> | themes re-used in S.242/12, S.244/5 <br /> |-<br /> | 242/{{hs|0}}7<br /> | A{{hs|0}}60a/{{hs|0}}7<br /> |<br /> : (Andante cantabile, quasi Adagio)<br /> | pf<br /> | E{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.244/4 <br /> |-<br /> | 242/{{hs|0}}8<br /> | A{{hs|0}}60a/{{hs|0}}8<br /> |<br /> : (Lento. Tempo marcato)<br /> | pf<br /> | F minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/{{hs|0}}9<br /> | A{{hs|0}}60a/{{hs|0}}9<br /> |<br /> : (Lento. Quasi Presto)<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | <br /> |-<br /> | 242/10<br /> | A{{hs|0}}60a/10<br /> |<br /> : (Adagio sostenuto a capriccio. Allegro vivace)<br /> | pf<br /> | D major<br /> | 1839–40<br /> | Keyboard <br /> | <br /> |-<br /> | 242/11<br /> | A{{hs|0}}60a/11<br /> |<br /> : (Andante sostenuto. Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1839–40<br /> | Keyboard<br /> | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 <br /> |-<br /> | {{hs|242/11}}<br /> | A{{hs|0}}60b<br /> | '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) <br /> |-<br /> | 242/12<br /> | A{{hs|0}}60b/12<br /> |<br /> : Mesto [&amp;quot;Héroïde élégiaque&amp;quot;]<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | partly based on S.242/6. themes re-used in S.244/5<br /> |-<br /> | 242/13<br /> | A{{hs|0}}60b/13<br /> |<br /> : '' (Tempo di Marcia) ''[&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117<br /> |-<br /> | 242/13bis<br /> | A{{hs|0}}60b<br /> |<br /> : ''Ungarische National-Melodie'' [&amp;quot;Rakoczi-Marsch&amp;quot;]<br /> | pf<br /> | A minor<br /> | 1846?<br /> | Keyboard<br /> | simplified version of S.242/13<br /> |-<br /> | 242/14<br /> | A{{hs|0}}60b/14<br /> |<br /> : (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/11 <br /> |-<br /> | 242/15<br /> | A{{hs|0}}60b/15<br /> |<br /> : (Lento. Tempo e stilo zingarese)<br /> | pf<br /> | D minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/7 <br /> |-<br /> | 242/16<br /> | A{{hs|0}}60b/16<br /> |<br /> : (Preludio. Andante deciso)<br /> | pf<br /> | E major<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/10, S.244/10bis <br /> |-<br /> | 242/17<br /> | A{{hs|0}}60b/17<br /> |<br /> : (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/13 <br /> |-<br /> | 242/18<br /> | A{{hs|0}}60c/18<br /> |<br /> : (Adagio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/12 <br /> |-<br /> | 242/19<br /> | A{{hs|0}}60c/19<br /> |<br /> : (Lento patetico)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in of S.244/8 <br /> |-<br /> | 242/20<br /> | A{{hs|0}}60c/20<br /> |<br /> : '' (Allegro vivace. Andante) ''[&amp;quot;Romanian Rhapsody&amp;quot;]<br /> | pf<br /> | G minor<br /> | 1846–47<br /> | Keyboard <br /> | themes re-used in S.244/6, S.244/12<br /> |-<br /> | 242/21<br /> | A{{hs|0}}60c/21<br /> |<br /> : (Lento, tempo di marcia funèbre)<br /> | pf<br /> | E minor<br /> | 1846–47<br /> | Keyboard<br /> | themes re-used in S.244/14<br /> |-<br /> | 242/22<br /> | A{{hs|0}}60e<br /> |<br /> : ''Pester Karneval''<br /> | pf<br /> | E{{flat}} major<br /> | 1846–48<br /> | Keyboard<br /> | themes re-used in S.244/9 , S.244/14<br /> |-<br /> | 242a<br /> | A{{hs|0}}59<br /> | '''Rákóczi Marsch'''<br /> | pf<br /> | A minor<br /> | 1839–40<br /> | Keyboard<br /> | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.<br /> |-<br /> | 243<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (3):<br /> | pf<br /> | <br /> | 1840–43<br /> | Keyboard<br /> | <br /> |-<br /> | 243/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto)<br /> | pf<br /> | D major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/5, S.243bis/1 <br /> |-<br /> | 243/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato)<br /> | pf<br /> | C{{sharp}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/4, S.243bis/2 <br /> |-<br /> | 243/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1843<br /> | Keyboard<br /> | 2nd version of S.242/11, 243bis/3 <br /> |-<br /> | 243bis<br /> | A{{hs|0}}60d<br /> | '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard <br /> | <br /> |-<br /> | 243bis/1<br /> | A{{hs|0}}60d/1<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/5, S.243/1 <br /> |-<br /> | 243bis/2<br /> | A{{hs|0}}60d/2<br /> |<br /> : (Animato) <br /> | pf<br /> | C major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/4, S.243/2 <br /> |-<br /> | 243bis/3<br /> | A{{hs|0}}60d/3<br /> |<br /> : ''Prélude'' (Allegretto)<br /> | pf<br /> | B{{flat}} major<br /> | 1846<br /> | Keyboard<br /> | 3rd version of S.242/11, S.243/3 <br /> |-<br /> | 243a<br /> | —<br /> | '''Célèbre mélodie hongroise'''<br /> | pf<br /> | <br /> | 1866 or later<br /> | Keyboard<br /> | <br /> |-<br /> | 243b<br /> | —<br /> | '''Rêves et fantaisies'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1844–46?<br /> | Keyboard<br /> | partly based on S.171a; 1st version of S.244/1<br /> |-<br /> | 244<br /> | A132<br /> | '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)<br /> | pf<br /> | <br /> | 1846–85<br /> | Keyboard<br /> | <br /> |-<br /> | 244/{{hs|0}}1<br /> | A132/{{hs|0}}1<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | 2nd version of S.243b<br /> |-<br /> | 244/{{hs|0}}2<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4 <br /> |-<br /> | 244/{{hs|0}}2bis<br /> | A132/{{hs|0}}2<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1885<br /> | Keyboard <br /> | Cadenzas for S.244/2 <br /> |-<br /> | 244/{{hs|0}}3<br /> | A132/{{hs|0}}3<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)<br /> | pf<br /> | B{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/1 and 2; partly based on S.242/11 <br /> |-<br /> | 244/{{hs|0}}4<br /> | A132/{{hs|0}}4<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/7 <br /> |-<br /> | 244/{{hs|0}}5<br /> | A132/{{hs|0}}5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | pf<br /> | E minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5 <br /> |-<br /> | 244/{{hs|0}}6<br /> | A132/{{hs|0}}6<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)<br /> | pf<br /> | D{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3<br /> |-<br /> | 244/{{hs|0}}7<br /> | A132/{{hs|0}}7<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/15 <br /> |-<br /> | 244/{{hs|0}}8<br /> | A132/{{hs|0}}8<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | uses themes from S.242/19 <br /> |-<br /> | 244/{{hs|0}}9<br /> | A132/{{hs|0}}9<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} (&amp;quot;Pesther Carneval&amp;quot;)<br /> | pf<br /> | E{{flat}} major<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 <br /> |-<br /> | 244/10<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/10bis; uses themes from S.242/16<br /> |-<br /> | 244/10bis<br /> | A132/10<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)<br /> | pf<br /> | E major<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/10; uses themes from S.242/16<br /> |-<br /> | 244/11<br /> | A132/11<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/14 <br /> |-<br /> | 244/12<br /> | A132/12<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)<br /> | pf<br /> | C{{sharp}} minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a<br /> |-<br /> | 244/13<br /> | A132/13<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/17 <br /> |-<br /> | 244/14<br /> | A132/14<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)<br /> | pf<br /> | F minor<br /> | 1847<br /> | Keyboard<br /> | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123 <br /> |-<br /> | 244/15<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/15bis<br /> | A132/15<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)<br /> | pf<br /> | A minor<br /> | 1847<br /> | Keyboard<br /> | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 <br /> |-<br /> | 244/16<br /> | A132/16<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)<br /> | pf<br /> | A minor<br /> | 1882<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.622 <br /> |-<br /> | 244/17<br /> | A132/17<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1883<br /> | Keyboard <br /> | <br /> |-<br /> | 244/18<br /> | A132/18<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | F{{sharp}} minor<br /> | 1885<br /> | Keyboard<br /> | exists in two versions; arr. for pf4h as S.623 [?] <br /> |-<br /> | 244/19<br /> | A132/19<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)<br /> | pf<br /> | D minor<br /> | 1885<br /> | Keyboard<br /> | arr. for pf4h as S.623a [?] <br /> |-<br /> | 244a<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1863<br /> | Keyboard<br /> | arr. of orchestral version (S.117); simplified version as S.244b<br /> |-<br /> | 244b<br /> | A224<br /> | '''Rákóczi-Marsch'''<br /> | pf<br /> | A minor<br /> | 1871<br /> | Keyboard<br /> | simplified version of S.244a<br /> |-<br /> | 244c<br /> | A132/15a<br /> | '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)<br /> | pf<br /> | A minor<br /> | 1851<br /> | Keyboard<br /> | based on S.242/13; see also S.244/15, S.117 <br /> |-<br /> | 245<br /> | A263<br /> | '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)<br /> | pf<br /> | <br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/1<br /> | A263/1<br /> |<br /> : ''Csak titokban''<br /> | pf<br /> | D major<br /> | 1873<br /> | Keyboard <br /> | <br /> |-<br /> | 245/2<br /> | A263/2<br /> |<br /> : ''Jaj, beh szennyes''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/3<br /> | A263/3<br /> |<br /> : ''Beh szomoru ez az élet''<br /> | pf<br /> | G major<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/4<br /> | A263/4<br /> |<br /> : ''Beh! Sok falut''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 245/5<br /> | A263/5<br /> |<br /> : ''Erdt, erdt, sfrf erdt''<br /> | pf<br /> | F minor<br /> | 1873<br /> | Keyboard<br /> | <br /> |-<br /> | 246<br /> | A255<br /> | '''Puszta-Wehmut''' (A puszta keserve)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b <br /> |-<br /> | 247*<br /> | —<br /> | ''La romanesca''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | see S.252a <br /> |-<br /> | 248<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 1st version <br /> |-<br /> | 248a<br /> | A{{hs|0}}85<br /> | '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version (&amp;quot;arr. élégant&amp;quot;)<br /> |-<br /> | 249<br /> | A143<br /> | '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard <br /> | <br /> |-<br /> | 249/1<br /> | A143/1<br /> |<br /> : ''Ballade d&amp;#39;Ukraïne'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249/2<br /> | A143/2<br /> |<br /> : ''Mélodies polonaises''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 249/3<br /> | A143/3<br /> |<br /> : ''Complainte'' (Dumka)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 249a<br /> | —<br /> | '''Mélodie polonaise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 249b<br /> | —<br /> | '''Dumka'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | <br /> |-<br /> | 249c<br /> | A289/2<br /> | '''Air cosaque'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | formerly S.735 <br /> |-<br /> | 249d<br /> | A{{hs|0}}86/1<br /> | '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d&amp;#39;Alexander Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1<br /> |-<br /> | 250<br /> | A{{hs|0}}86<br /> | '''Mélodies russes''' (Arabesques) (2):<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | <br /> |-<br /> | 250/1<br /> | A{{hs|0}}86/1<br /> |<br /> : {{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} (Romance de Alexandr Alexandrovitch Alabieff)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 2nd version of S.249d<br /> |-<br /> | 250/2<br /> | A{{hs|0}}86/2<br /> |<br /> : {{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on a song by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 251<br /> | A324<br /> | '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | <br /> |-<br /> | 252<br /> | A{{hs|0}}33<br /> | '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)<br /> | pf<br /> | B{{flat}} major<br /> | 1836<br /> | Keyboard<br /> | based on an aria from Manuel Garcia's opera ''El poeta calculista''<br /> |-<br /> | 252a<br /> | A{{hs|0}}14/1<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1832–33<br /> | Keyboard<br /> | formerly S.247; 1st version of S.252b<br /> |-<br /> | 252b<br /> | A{{hs|0}}14/2<br /> | '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 2nd version of S.252a<br /> |-<br /> | 253<br /> | A114<br /> | '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.738; themes used in S.254<br /> |-<br /> | 254<br /> | A195<br /> | '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d’espagne et Jota aragonesa)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | based on S.253<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet&quot;<br /> | {{hs|999}}255-256a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Piano duet (4 hands)'''<br /> |-<br /> | 255*<br /> | —<br /> | ''Festpolonaise''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.619a<br /> |-<br /> | 256*<br /> | — <br /> | ''Variation über das Thema von Borodin''<br /> | pf4h<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.207a<br /> |-<br /> | 256a*<br /> | — <br /> | ''Nocturne''<br /> | pf4h<br /> | E minor<br /> | <br /> | Keyboard<br /> | arr. of S.161/5; spurious (not by Liszt)<br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos&quot;<br /> | {{hs|999}}257-258<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Two pianos'''<br /> |-<br /> | 257<br /> | C{{hs|0}}1<br /> | '''Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte'''<br /> | 2pf<br /> | <br /> | 1834<br /> | Keyboard<br /> | based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}<br /> |-<br /> | 258/1<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | based on S.176; 1st version of S.258/2 <br /> |-<br /> | 258/2<br /> | C18<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a <br /> |- style=&quot;background:silver&quot; id=&quot;Organ works&quot;<br /> | {{hs|999}}259-268a<br /> |<br /> |colspan=&quot;6&quot; |<br /> : '''Organ works'''<br /> |-<br /> | 259<br /> | E{{hs|0}}1<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1850<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624<br /> |-<br /> | 260/1<br /> | E{{hs|0}}3/1<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | 1st version of S.260/2; arr. for pf as S.529/1<br /> |-<br /> | 260/2<br /> | E{{hs|0}}3/2<br /> | '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | 2nd version of S.260/1; arr. for pf as S.529/2<br /> |-<br /> | 261<br /> | E19a<br /> | '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)<br /> | org<br /> | <br /> | 1863–65<br /> | Keyboard<br /> | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8<br /> |-<br /> | 261a<br /> | E12<br /> | '''Andante religioso'''<br /> | org<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV<br /> |-<br /> | 262<br /> | E20<br /> | '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1864<br /> | Keyboard<br /> | <br /> |-<br /> | 263*<br /> | —<br /> | ''Resignazione''<br /> | org<br /> | <br /> | 1877–81<br /> | Keyboard<br /> | see S.187<br /> |-<br /> | 264<br /> | E33<br /> | '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on S.8, S.265, S.504<br /> |-<br /> | 265<br /> | E32<br /> | '''Gebet''' (Preghiera)<br /> | org<br /> | <br /> | 1879<br /> | Keyboard<br /> | rev. as movt. III of S.264<br /> |-<br /> | 266<br /> | E39<br /> | '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | based on S.12<br /> |-<br /> | 267<br /> | E38<br /> | '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.135<br /> |-<br /> | 268<br /> | —<br /> | '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/1<br /> | E41<br /> |<br /> : ''Introitus''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | <br /> |-<br /> | 268/2<br /> | E{{hs|0}}7<br /> |<br /> : ''Trauerode'' (Die Todten)<br /> | org<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 268a<br /> | E25<br /> | '''Preludio''' <br /> | org<br /> | <br /> | 1885?<br /> | Keyboard<br /> | version of S.666 without vv<br /> |- style=&quot;background:silver&quot; id=&quot;Songs&quot;<br /> | {{hs|999}}269-340a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 269/1<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1839<br /> | Vocal<br /> | 1st version of S.269/2; arr. for pf as S.531/6 <br /> |-<br /> | 269/2<br /> | N{{hs|0}}1<br /> | '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.269/1 <br /> |-<br /> | 270a<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b (for tenor voice)<br /> |-<br /> | 270a/1<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1<br /> |-<br /> | 270a/2<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2<br /> |-<br /> | 270a/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz) <br /> | v pf<br /> | <br /> | 1843–46<br /> | Vocal<br /> | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3<br /> |-<br /> | 270b<br /> | N14<br /> | '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/1<br /> | N14/2<br /> |<br /> : ''Benedetto sia&amp;#39;l giorno'' (Sei gesegnet immerdar) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/2<br /> | N14/1<br /> |<br /> : ''Pace non trovo'' (Fried&amp;#39; ist versagt mir) <br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 270b/3<br /> | N14/3<br /> |<br /> : ''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)<br /> | v pf<br /> | <br /> | 1864–82<br /> | Vocal<br /> | 2nd version of S.270a (for low voice)<br /> |-<br /> | 271<br /> | N{{hs|0}}4<br /> | '''{{LinkWorkN|Il m&amp;#39;aimait tant|S.271|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840–42<br /> | Vocal<br /> | arr. for pf as S.533 <br /> |-<br /> | 272/1<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | 1st version of S.272/2; arr. for pf as S.531/2 <br /> |-<br /> | 272/2<br /> | N{{hs|0}}3<br /> | '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | 2nd version of S.272/1<br /> |-<br /> | 273/1<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.273/2; arr. for pf as S.531/1<br /> |-<br /> | 273/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–56<br /> | Vocal<br /> | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 <br /> |-<br /> | 274/1<br /> | N{{hs|0}}6<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1841<br /> | Vocal<br /> | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1<br /> |-<br /> | 274/2<br /> | N{{hs|0}}5<br /> | '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)<br /> | v pf<br /> | <br /> | 1858–60<br /> | Vocal<br /> | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382<br /> |-<br /> | 275/1<br /> | N{{hs|0}}8/1<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3<br /> |-<br /> | 275/2<br /> | N{{hs|0}}8/2<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | 2nd version of S.275/1, S.275/3<br /> |-<br /> | 275/3<br /> | N{{hs|0}}8/3<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370<br /> |-<br /> | 276/1<br /> | N12/1<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.276/2; arr. for pf as S.534 <br /> |-<br /> | 276/2<br /> | N12/2<br /> | '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.276/1 <br /> |-<br /> | 277/1<br /> | N21/1<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.277/2<br /> |-<br /> | 277/2<br /> | N21/2<br /> | '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | 2nd version of S.277/1<br /> |-<br /> | 278/1<br /> | N{{hs|0}}9/1<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.278/2; arr. for pf as S.531/4 <br /> |-<br /> | 278/2<br /> | N{{hs|0}}9/2<br /> | '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1856<br /> | Vocal<br /> | 2nd version of S.278/2<br /> |-<br /> | 279/1<br /> | N10/1<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 <br /> |-<br /> | 279/2<br /> | N10/2<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.279/1, S.279/3, S.279/4<br /> |-<br /> | 279/3<br /> | N10/3<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 3rd version of S.279/1, S.279/2, S.279/4<br /> |-<br /> | 279/4<br /> | N10/4<br /> | '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870<br /> | Vocal<br /> | 4th version of S.279/1, S.279/2, S.279/3<br /> |-<br /> | 280/1<br /> | N23/1<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis<br /> |-<br /> | 280/2<br /> | N23/2<br /> | '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.280/1; for 2nd setting see S.280bis<br /> |-<br /> | 280bis<br /> | N23/3<br /> | '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848?<br /> | Vocal<br /> | for 1st setting see S.280<br /> |-<br /> | 281<br /> | N22a<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for v orch as S.371<br /> |-<br /> | 282/1<br /> | N11/1<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.282/2; arr. for pf as S.536 <br /> |-<br /> | 282/2<br /> | N11/2<br /> | '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.282/1 <br /> |-<br /> | 283/1<br /> | N24/1<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.283/2; arr. for pf as S.537 <br /> |-<br /> | 283/2<br /> | N24/2<br /> | '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.283/1 <br /> |-<br /> | 284/1<br /> | N25/1<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 1st version of S.284/2; arr. for pf as S.538 <br /> |-<br /> | 284/2<br /> | N25/2<br /> | '''{{LinkWorkN|S&amp;#39;il est un charmant gazon|S.284|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.284/1 <br /> |-<br /> | 285<br /> | N26<br /> | '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.539 <br /> |-<br /> | 286<br /> | N27<br /> | '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | arr. for pf as S.540 <br /> |-<br /> | 287/1<br /> | N19/1<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.287/2<br /> |-<br /> | 287/2<br /> | N19/2<br /> | '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2ndt version of S.287/1<br /> |-<br /> | 288/1<br /> | N{{hs|0}}7/1<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.288/2, S.288/3<br /> |-<br /> | 288/2<br /> | N{{hs|0}}7/2<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854–55<br /> | Vocal<br /> | 2nd version of S.288/1, S.288/3<br /> |-<br /> | 288/3<br /> | N{{hs|0}}7/3<br /> | '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878–79<br /> | Vocal<br /> | 3rd version of S.288/1, S.288/2<br /> |-<br /> | 289/1<br /> | N29/1<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.289/2<br /> |-<br /> | 289/2<br /> | N29/2<br /> | '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.289/1<br /> |-<br /> | 290/1<br /> | N16/1<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.290/2<br /> |-<br /> | 290/2<br /> | N16/2<br /> | '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–59<br /> | Vocal<br /> | 2nd version of S.290/1<br /> |-<br /> | 291/1<br /> | N17/1<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.291/2<br /> |-<br /> | 291/2<br /> | N17/2<br /> | '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1870–79<br /> | Vocal<br /> | 2nd version of S.291/1<br /> |-<br /> | 292a<br /> | N32/1<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b<br /> |-<br /> | 292a/1<br /> | N32/1/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/1<br /> |-<br /> | 292a/2<br /> | N32/1/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/2<br /> |-<br /> | 292a/2<br /> | N32/1/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.292b/3<br /> |-<br /> | 292b<br /> | N32/2<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a; arr. for v orch as S.372<br /> |-<br /> | 292b/1<br /> | N32/2/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/1; arr. for v orch as S.372/1<br /> |-<br /> | 292b/2<br /> | N32/2/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/2; arr. for v orch as S.372/2<br /> |-<br /> | 292b/2<br /> | N32/2/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v pf<br /> | <br /> | 1855?<br /> | Vocal<br /> | 2nd version of S.292a/3; arr. for v orch as S.372/3<br /> |-<br /> | 293/1<br /> | N37/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.293/2; arr. for v orch as S.373/1<br /> |-<br /> | 293/2<br /> | N37/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874–75<br /> | Vocal<br /> | 2nd version of S.293/1; arr. for v orch as S.373/2<br /> |-<br /> | 294/1<br /> | N33/1<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.294/2<br /> |-<br /> | 294/2<br /> | N33/2<br /> | '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849?<br /> | Vocal<br /> | 2nd version of S.294/1<br /> |-<br /> | 295<br /> | N28<br /> | '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | <br /> |-<br /> | 296<br /> | N31<br /> | '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1844–56?<br /> | Vocal<br /> | <br /> |-<br /> | 297/1<br /> | N34/1<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.297/2<br /> |-<br /> | 297/2<br /> | N34/2<br /> | '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 2nd version of S.297/1<br /> |-<br /> | 298/1<br /> | N18/3/1<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 1st version of S.298/2<br /> |-<br /> | 298/2<br /> | N18/3/2<br /> | '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''&lt;br&gt;(Liebestraum No.3)<br /> | v pf<br /> | <br /> | 1843<br /> | Vocal<br /> | 2nd version of S.298/1; arr. for pf as S.541/3<br /> |-<br /> | 298a<br /> | N38<br /> | '''Über die Aeolsharfe'''<br /> | v pf<br /> | <br /> | 1846<br /> | Vocal<br /> | <br /> |-<br /> | 299/1<br /> | N39/1<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | 1st version of S.299/2<br /> |-<br /> | 299/2<br /> | N39/2<br /> | '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.299/1<br /> |-<br /> | 300<br /> | N40<br /> | '''Le Juif errant'''<br /> | v pf<br /> | <br /> | 1847<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 301/1<br /> | N42/1<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.301/2<br /> |-<br /> | 301/2<br /> | N42/2<br /> | '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.301/1<br /> |-<br /> | 301a<br /> | N30<br /> | '''Oh pourquoi donc'''<br /> | v pf<br /> | <br /> | 1844?<br /> | Vocal<br /> | rev. for pf as S.169 <br /> |-<br /> | 301b/1<br /> | N{{hs|0}}6/2/1<br /> | '''En ces lieux tout me parle d&amp;#39;elle''' (Élégie)<br /> | v pf<br /> | <br /> | 1844<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2<br /> |-<br /> | 301b/2<br /> | N{{hs|0}}6/2/2<br /> | '''Elégie''' (En ces lieux)<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis<br /> |-<br /> | 302<br /> | N45<br /> | '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 303<br /> | N43<br /> | '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 304<br /> | N44<br /> | '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 305/1<br /> | N35/1<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st version of S.305/2<br /> |-<br /> | 305/2<br /> | N35/2<br /> | '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849–60<br /> | Vocal<br /> | 2nd version of S.305/1<br /> |-<br /> | 306/1<br /> | N46/1<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | 1st version of S.306/2<br /> |-<br /> | 306/2<br /> | N46/2<br /> | '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1859<br /> | Vocal<br /> | 2nd version of S.306/1<br /> |-<br /> | 306a<br /> | N13<br /> | '''Quand tu chantes bercée'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | <br /> |-<br /> | 306b<br /> | N41<br /> | '''Göttliche Gedanken, selige Gefühle'''<br /> | v pf<br /> | <br /> | 1848<br /> | Vocal<br /> | <br /> |-<br /> | 307<br /> | N18/1<br /> | '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)&lt;br&gt;(Liebestraum No.1)<br /> | v pf<br /> | <br /> | 1850<br /> | Vocal<br /> | arr. for pf as S.541/1 <br /> |-<br /> | 308<br /> | N18/2<br /> | '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)&lt;br&gt;(Liebstraum No.2)<br /> | v pf<br /> | <br /> | 1845–46<br /> | Vocal<br /> | arr. for pf as S.541/2<br /> |-<br /> | 309<br /> | N36/1<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1845<br /> | Vocal<br /> | 1st setting of S.309bis<br /> |-<br /> | 309bis<br /> | N36/2<br /> | '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | 2nd setting of S.309<br /> |-<br /> | 310<br /> | N20<br /> | '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)<br /> | v pf<br /> | <br /> | 1843–49<br /> | Vocal<br /> | <br /> |-<br /> | 311/1<br /> | N48/1<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1849<br /> | Vocal<br /> | 1st version of S.311/2<br /> |-<br /> | 311/2<br /> | N48/2<br /> | '''{{LinkWorkN| Anfangs wollt&amp;#39; ich fast verzagen|S.311|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860?<br /> | Vocal<br /> | 2nd version of S.311/1<br /> |-<br /> | 312<br /> | N51<br /> | '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1855<br /> | Vocal<br /> | <br /> |-<br /> | 313<br /> | N53<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7<br /> |-<br /> | 314<br /> | N49<br /> | '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1852<br /> | Vocal<br /> | <br /> |-<br /> | 315<br /> | N52<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | arr. for pf as S.542a <br /> |-<br /> | 316<br /> | N54<br /> | '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | see also S.765<br /> |-<br /> | 316/1<br /> | N54/1<br /> |<br /> : ''Das Veilchen'' <br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 316/2<br /> | N54/2<br /> |<br /> : ''Das Schlüsselblumen''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | <br /> |-<br /> | 317<br /> | N55<br /> | '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 318<br /> | N56<br /> | '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | <br /> |-<br /> | 319<br /> | N58<br /> | '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 320<br /> | N62/1<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. for vn pf as S.383, for v orch as S.374<br /> |-<br /> | 321<br /> | N59<br /> | '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 322<br /> | N60<br /> | '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 323<br /> | N61<br /> | '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 324<br /> | N50<br /> | '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1854<br /> | Vocal<br /> | <br /> |-<br /> | 325<br /> | N65<br /> | '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871<br /> | Vocal<br /> | <br /> |-<br /> | 326<br /> | N67<br /> | '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 327<br /> | N68<br /> | '''{{LinkWorkN|J&amp;#39;ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)<br /> | v pf<br /> | <br /> | 1872<br /> | Vocal<br /> | <br /> |-<br /> | 328<br /> | N69<br /> | '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1874<br /> | Vocal<br /> | <br /> |-<br /> | 329<br /> | N70<br /> | '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1875–79<br /> | Vocal<br /> | <br /> |-<br /> | 330<br /> | N71<br /> | '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1877–79?<br /> | Vocal<br /> | <br /> |-<br /> | 331<br /> | N72<br /> | '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 332<br /> | N73<br /> | '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 333<br /> | N74<br /> | '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 334<br /> | N75<br /> | '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)<br /> | v pf<br /> | <br /> | 1878<br /> | Vocal<br /> | <br /> |-<br /> | 335<br /> | N76<br /> | '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)<br /> | v pf<br /> | <br /> | 1879<br /> | Vocal<br /> | <br /> |-<br /> | 336<br /> | N77<br /> | '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 337<br /> | N78<br /> | '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1880<br /> | Vocal<br /> | <br /> |-<br /> | 338<br /> | N66<br /> | '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''<br /> | v pf<br /> | <br /> | 1871?<br /> | Vocal<br /> | <br /> |-<br /> | 339<br /> | M37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | v pf (+ mch)<br /> | <br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a<br /> |-<br /> | 340<br /> | N81<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | v pf<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 <br /> |-<br /> | 340a<br /> | N64<br /> | '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (&amp;#1053;&amp;#1077; &amp;#1073;&amp;#1088;&amp;#1072;&amp;#1085;&amp;#1080; &amp;#1084;&amp;#1077;&amp;#1085;&amp;#1103;, &amp;#1084;&amp;#1086;&amp;#1081; &amp;#1076;&amp;#1088;&amp;#1091;&amp;#1075;)<br /> | v pf<br /> | <br /> | 1866<br /> | Vocal<br /> | <br /> |- style=&quot;background:silver&quot; id=&quot;Other choral works&quot;<br /> | {{hs|999}}341-345a<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Other choral works''' <br /> |-<br /> | 341<br /> | K{{hs|0}}8<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | G major<br /> | 1881<br /> | Vocal<br /> | arr. for pf as S.545; for org as S.674b<br /> |-<br /> | 342/1<br /> | K{{hs|0}}9/1<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 1st version of S.342/2, S.342/3<br /> |-<br /> | 342/2<br /> | K{{hs|0}}9/2<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1879<br /> | Vocal<br /> | 2nd version of S.342/1, S.342/3<br /> |-<br /> | 342/3<br /> | K{{hs|0}}9/3<br /> | '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''<br /> | v pf/harm<br /> | <br /> | 1881–83<br /> | Vocal<br /> | 3rd version of S.342/1, S.342/2<br /> |-<br /> | 343<br /> | K{{hs|0}}7<br /> | '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1880–85<br /> | Vocal<br /> | <br /> |-<br /> | 344<br /> | N79<br /> | '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''<br /> | 2vv pf/harm<br /> | <br /> | 1881?<br /> | Vocal<br /> | <br /> |-<br /> | 345<br /> | L14<br /> | '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):<br /> | 3vv ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/0<br /> | L14/0<br /> |<br /> : ''An Frau Minne'' (Die Erde ist erschlossen) <br /> | ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/1<br /> | L14/1<br /> |<br /> : ''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) <br /> | v ch orch/pf<br /> | <br /> | 1872–73<br /> | Choral<br /> | <br /> |-<br /> | 345/2<br /> | L14/2<br /> |<br /> : ''Heinrich von Ofterdingen'' (Hab' ich geträumt?) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/3<br /> | L14/3<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. for v vn pf as S.345/3a<br /> |-<br /> | 345/3a<br /> | L14/3a<br /> |<br /> : ''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) <br /> | v vn pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | arr. of S.345/3<br /> |-<br /> | 345/4<br /> | L14/4<br /> |<br /> : ''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) <br /> | 2vv orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/5<br /> | L14/5<br /> |<br /> : ''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345/6<br /> | L14/6<br /> |<br /> : ''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) <br /> | v orch/pf<br /> | <br /> | 1872–73<br /> | Vocal<br /> | <br /> |-<br /> | 345a<br /> | L16<br /> | '''A magyarok Istene''' (Ungarns Gott)<br /> | v mch ww br perc<br /> | <br /> | 1882<br /> | Choral<br /> | arr. of S.339<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations&quot;<br /> | {{hs|999}}346-350<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 346<br /> | P1<br /> | '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)<br /> | nar pf<br /> | <br /> | 1857–58<br /> | Vocal<br /> | <br /> |-<br /> | 347<br /> | P2<br /> | '''Vor hundert Jahren'''<br /> | nar orch<br /> | <br /> | 1859<br /> | Vocal<br /> | unpublished<br /> |-<br /> | 348<br /> | P3<br /> | '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | <br /> |-<br /> | 349<br /> | P5<br /> | '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)<br /> | nar pf<br /> | <br /> | 1874<br /> | Vocal<br /> | rev. for pf as S.195<br /> |-<br /> | 350<br /> | P6<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | nar pf<br /> | <br /> | 1875–77<br /> | Vocal<br /> | arr. for pf as S.546<br /> |- style=&quot;background:silver&quot; id=&quot;Arrangements etc&quot;<br /> | {{hs|999}}350-686<br /> |<br /> | colspan=&quot;6&quot; | '''Arrangements, transcriptions, etc.'''<br /> |- style=&quot;background:silver&quot; id=&quot;Orchestral works arr&quot;<br /> | {{hs|999}}351-364<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Orchestral works'''<br /> |-<br /> | 351<br /> | G32<br /> | '''Mazurka-Fantaisie''' [H. von Bülow]<br /> | orch<br /> | B minor<br /> | 1865<br /> | Orchestral<br /> | arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 352<br /> | G36<br /> | '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]<br /> | orch<br /> | <br /> | 1877–80<br /> | Orchestral<br /> | second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt<br /> |-<br /> | 353<br /> | G34<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | orch<br /> | <br /> | 1872<br /> | Orchestral<br /> | arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b<br /> |-<br /> | 353a*<br /> | —<br /> | ''Angelus! Prière aux anges gardiens''<br /> | str<br /> | <br /> | <br /> | Orchestral<br /> | renumbered as S.362a<br /> |-<br /> | 354*<br /> | —<br /> | ''Légendes'' (2)<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113a<br /> |-<br /> | 355<br /> | G30<br /> | '''Vexilla regis prodeunt''' (Kreuzeshymne)<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.185<br /> |-<br /> | 356<br /> | G18<br /> | '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.226<br /> |-<br /> | 357/1<br /> | G{{hs|0}}8/1<br /> | '''Festmarsch'''<br /> | ww br perc<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.227a by Liszt and {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 357/2<br /> | G{{hs|0}}8/2<br /> | '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''<br /> | orch<br /> | <br /> | 1857<br /> | Orchestral<br /> | arr. of S.228<br /> |-<br /> | 358<br /> | G11<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | orch<br /> | <br /> | 1853–56?<br /> | Orchestral<br /> | arr. of S.229<br /> |-<br /> | 359<br /> | G21<br /> | '''Hungarian Rhapsodies''' (6)<br /> | orch<br /> | <br /> | 1857–60<br /> | Orchestral<br /> | arr. from S.244; arr. for pf4h as S.621<br /> |-<br /> | 359/1<br /> | G21/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | orch<br /> | F minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1 <br /> |-<br /> | 359/2<br /> | G21/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2 <br /> |-<br /> | 359/3<br /> | G21/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3 <br /> |-<br /> | 359/4<br /> | G21/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | orch<br /> | D minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4 <br /> |-<br /> | 359/5<br /> | G21/5<br /> |<br /> : {{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)<br /> | orch<br /> | E minor<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5 <br /> |-<br /> | 359/6<br /> | G21/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | orch<br /> | D major<br /> | 1857–60<br /> | Orchestral<br /> | arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6 <br /> |-<br /> | 359a<br /> | G19<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | orch<br /> | C major<br /> | 1857<br /> | Orchestral<br /> | arr. of S.313<br /> |-<br /> | 360<br /> | G26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''<br /> | orch<br /> | <br /> | 1862<br /> | Orchestral<br /> | arr. of S.461/1<br /> |-<br /> | 361<br /> | G31<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | orch<br /> | <br /> | 1864<br /> | Orchestral<br /> | arr. of S.261<br /> |-<br /> | 362<br /> | H14<br /> | '''Benedictus aus der Ungarischen Krönungsmesse'''<br /> | vn orch<br /> | <br /> | 1875–77<br /> | Orchestral<br /> | arr. of S.11/7<br /> |-<br /> | 362a<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | str/(2vn va vc)<br /> | <br /> | 1882<br /> | Orchestral<br /> | arr. of S.162/1<br /> |-<br /> | 363<br /> | G24<br /> | '''Märsche von Franz Schubert''' (4)<br /> | orch<br /> | <br /> | 1859–70<br /> | Orchestral<br /> | arr. for pf4h as S.632 <br /> |-<br /> | 363/1<br /> | G24/1<br /> |<br /> : (Vivace)<br /> | orch<br /> | B minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1<br /> |-<br /> | 363/2<br /> | G24/2<br /> |<br /> : ''Trauermarsch''<br /> | orch<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2<br /> |-<br /> | 363/3<br /> | G24/3<br /> |<br /> : ''Reitermarsch''<br /> | orch<br /> | C major<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3<br /> |-<br /> | 363/4<br /> | G24/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | orch<br /> | D minor<br /> | 1859–70<br /> | Orchestral<br /> | orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4<br /> |-<br /> | 364<br /> | G39<br /> | '''Danses galiciennes de Zarembski'''<br /> | orch<br /> | <br /> | 1881–82<br /> | Orchestral<br /> | orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zar&amp;#281;bski}}<br /> |- style=&quot;background:silver&quot; id=&quot;Piano and orchestra arr&quot;<br /> | {{hs|999}}365-367<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Piano and orchestra'''<br /> |-<br /> | 365<br /> | H11/1<br /> | '''Grand solo de concert'''<br /> | pf orch<br /> | <br /> | 1849–50<br /> | Orchestral<br /> | based on S.176<br /> |- <br /> | 365a<br /> | H11/2<br /> | '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''<br /> | pf orch<br /> | E minor<br /> | 1885–86<br /> | Orchestral<br /> | arr. of S.258 by Liszt and Edward Reuss<br /> |-<br /> | 365b<br /> | H{{hs|0}}5<br /> | '''Hexaméron''' (Morceau de concert)<br /> | pf orch<br /> | <br /> | 1837–39<br /> | Orchestral<br /> | arr. of S.392<br /> |- <br /> | 366<br /> | H13<br /> | '''Franz Schuberts Grosse Fantasie'''<br /> | pf orch<br /> | C major<br /> | 1851<br /> | Orchestral<br /> | arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653 <br /> |- <br /> | 367<br /> | H10<br /> | '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]<br /> | pf orch<br /> | E major<br /> | 1848<br /> | Orchestral<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455<br /> |- style=&quot;background:silver&quot; id=&quot;Songs with orchestra&quot;<br /> | {{hs|999}}368-377<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs with orchestra'''<br /> |-<br /> | 368<br /> | N80<br /> | '''Lieder von Francis Korbay''' (2):<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arrs. of songs by Francis Korbay<br /> |- <br /> | 368/1<br /> | N80/1<br /> |<br /> : ''Le matin''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay<br /> |- <br /> | 368/2<br /> | N80/2<br /> |<br /> : ''Gebet''<br /> | v orch<br /> | <br /> | 1883<br /> | Vocal<br /> | arr. of the song by Francis Korbay; also arr. for v org as S.683a<br /> |- <br /> | 369<br /> | N{{hs|0}}5/3<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.273/2<br /> |- <br /> | 370<br /> | N{{hs|0}}8/4<br /> | '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of S.275/3<br /> |- <br /> | 371<br /> | N22/2<br /> | '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1886<br /> | Vocal<br /> | arr. of S.281<br /> |- <br /> | 372<br /> | N32/3<br /> | '''[[3 Lieder aus Schillers &amp;quot;Wilhelm Tell&amp;quot;, S.292 (Liszt, Franz)|Lieder aus Schiller&amp;#39;s Wilhelm Tell]]''' (3)<br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b<br /> |- <br /> | 372/1<br /> | N32/3/1<br /> |<br /> : ''Der Fischerknabe'' (Es lächelt der See) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/1<br /> |- <br /> | 372/2<br /> | N32/3/2<br /> |<br /> : ''Der Hirt'' (Ihr Matten lebt wohl) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/2<br /> |- <br /> | 372/3<br /> | N32/3/3<br /> |<br /> : ''Der Alpenjäger '' (Es donnern die Höh&amp;#39;n) <br /> | v orch<br /> | <br /> | 1855<br /> | Vocal<br /> | arr. of S.292b/3<br /> |- <br /> | 373/1<br /> | N37/5/1<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1858<br /> | Vocal<br /> | arr. of S.293/1; 1st version of S.373/2<br /> |- <br /> | 373/2<br /> | N37/5/2<br /> | '''{{LinkWorkN|Jeanne d&amp;#39;Arc au bûcher|S.293|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1875<br /> | Vocal<br /> | arr. of S.293/2; 1st version of S.373/1<br /> |- <br /> | 374<br /> | N62/2<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''<br /> | v orch<br /> | <br /> | 1871<br /> | Vocal<br /> | arr. of S.320<br /> |- <br /> | 375<br /> | N63<br /> | '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arrs. of songs by {{LinkComp|Franz|Schubert}}<br /> |- <br /> | 375/1<br /> | N63/1<br /> |<br /> : ''Die junge Nonne''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |- <br /> | 375/2<br /> | N63/2<br /> |<br /> : ''Gretchen am Spinnrade''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}<br /> |- <br /> | 375/3<br /> | N63/3<br /> |<br /> : ''Mignons Lied'' (Kennst du das Land)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}<br /> |- <br /> | 375/4<br /> | N63/4<br /> |<br /> : ''Erlkönig''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}<br /> |- <br /> | 375/5<br /> | N63/5<br /> |<br /> : ''Der Doppelgänger'' (Still ist die Nacht)<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 375/6<br /> | N63/6<br /> |<br /> : ''Abschied''<br /> | v orch<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |- <br /> | 376<br /> | L13<br /> | '''Die Allmacht von Franz Schubert''' (Gross ist Jehova, der Herr)<br /> | mch org/harm orch<br /> | <br /> | 1871<br /> | Choral<br /> | arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}<br /> |- <br /> | 377<br /> | N82<br /> | '''Der Zaubersee''' (B&amp;#369;vös tó)<br /> | ten orch<br /> | <br /> | 1884<br /> | Vocal<br /> | arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}<br /> |- style=&quot;background:silver&quot; id=&quot;Chamber music arr&quot;<br /> | {{hs|999}}377a-383<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Chamber music'''<br /> |-<br /> | 377a<br /> | D{{hs|0}}9<br /> | '''La notte'''<br /> | vn pf<br /> | <br /> | 1864–66?<br /> | Chamber<br /> | arr. of S.112/2; formerly S.722<br /> |-<br /> | 378<br /> | D15<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''<br /> | 2vn va vc<br /> | <br /> | 1883<br /> | Chamber<br /> | arr. of S.163/1<br /> |-<br /> | 378a<br /> | D18/1<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c<br /> |-<br /> | 378b<br /> | D18/2<br /> | '''Vallée d'Obermann '''<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 2nd version of S.378a, S.378c<br /> |-<br /> | 378c<br /> | D18/3<br /> | '''Tristia''' (Vallée d'Obermann)<br /> | vn va vc<br /> | <br /> | 1880<br /> | Chamber<br /> | 3rd version of S.378a, S.378b<br /> |-<br /> | 379<br /> | D{{hs|0}}6<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''<br /> | vn vc pf<br /> | E{{flat}} major<br /> | 1848<br /> | Chamber<br /> | arr. of S.244/9 <br /> |-<br /> | 379a<br /> | —<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''<br /> | vn pf<br /> | C{{sharp}} minor<br /> | 1850–59<br /> | Chamber<br /> | arr. of S.244/12<br /> |-<br /> | 379b<br /> | D17<br /> | '''Puszta-Wehmut'''<br /> | vn pf<br /> | <br /> | 1880<br /> | Chamber<br /> | arr. of S.246<br /> |-<br /> | 380<br /> | D{{hs|0}}7<br /> | '''O du mein holder Abendstern'''<br /> | vc pf<br /> | <br /> | 1852<br /> | Chamber<br /> | arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})<br /> |-<br /> | 381<br /> | D10<br /> | '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. from S.11 <br /> |-<br /> | 381/1<br /> | D10/1<br /> |<br /> : ''Benedictus''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 381/2<br /> | D10/2<br /> |<br /> :''Offertorium''<br /> | vn pf<br /> | <br /> | 1869<br /> | Chamber<br /> | arr. of S.11/5<br /> |-<br /> | 381a<br /> | —<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | vn pf<br /> | <br /> | 1882<br /> | Chamber<br /> | arr. of S.339<br /> |-<br /> | 382<br /> | D21<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | vn/vc pf<br /> | <br /> | 1883?<br /> | Chamber<br /> | arr. of S.274/2<br /> |-<br /> | 382a<br /> | D11<br /> | '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):<br /> | vc pf/org<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |- <br /> | 382a/1<br /> | D11/1<br /> |<br /> : (Andante con moto)<br /> | vc pf<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 382a/2<br /> | D11/2<br /> |<br /> : (Quasi Adagio)<br /> | vc pf/org/harm<br /> | <br /> | 1870<br /> | Chamber<br /> | arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}<br /> |-<br /> | 383<br /> | D{{hs|0}}8<br /> | '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''<br /> | vn pf<br /> | <br /> | 1864<br /> | Chamber<br /> | arr. of S.320<br /> |- style=&quot;background:silver&quot; id=&quot;Piano solo arr&quot;<br /> | {{hs|999}}383a-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Piano solo'''<br /> |- style=&quot;background:silver&quot; id=&quot;Paraphrases&quot;<br /> | {{hs|999}}383a-460<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Paraphrases, operatic transcriptions, etc.'''<br /> |-<br /> | 383a<br /> | V12<br /> | '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and corrections by Liszt to the pf piece by Kornél Ábrányi<br /> |-<br /> | 384<br /> | A{{hs|0}}93<br /> | '''Mazurka pour piano composée par un amateur de St. Pétersbourg'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]<br /> |-<br /> | 384a<br /> | — <br /> | '''Variations on &quot;Tiszantuli szép leany&quot;'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | variations on the Hungarian folk song &quot;Tiszantuli szép leany&quot;<br /> |- <br /> | 385/1<br /> | A{{hs|0}}12a/1<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1829<br /> | Keyboard<br /> | based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3<br /> |-<br /> | 385/2<br /> | A{{hs|0}}12a/2<br /> | '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''<br /> | pf<br /> | A major<br /> | 1843?<br /> | Keyboard<br /> | 2nd version of S.385/1, S.385/3<br /> |-<br /> | 385/3<br /> | A{{hs|0}}12a/3<br /> | '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l&amp;#39;opéra La Fiancée d&amp;#39;Auber)<br /> | pf<br /> | A major<br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.385/1, S.385/2<br /> |-<br /> | 385a<br /> | A{{hs|0}}12b<br /> | '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''<br /> | pf<br /> | G major<br /> | 1829<br /> | Keyboard<br /> | formerly S.233c; based on the same theme as S.385<br /> |-<br /> | 386/1<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}};1st version of S.386/2 <br /> |-<br /> | 386/2<br /> | A125<br /> | '''{{LinkWorkN|Tarantelle di bravura d’après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.386/1<br /> |-<br /> | 387<br /> | A144/1<br /> | '''Stücke aus der Oper La muette de Portici von Auber''' (3):<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | <br /> |-<br /> | 387/1<br /> | A144/1<br /> |<br /> : ''Introduction e Cavatine''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La muette de Portici|| Auber|Daniel François Esprit|}} <br /> |-<br /> | 387/2<br /> | A144/2<br /> |<br /> : ''Klavierstück über ein fremdes Thema''<br /> | pf<br /> | <br /> | 1847–48<br /> | Keyboard<br /> | based on an unidentified theme<br /> |-<br /> | 388<br /> | A124<br /> | '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122<br /> |-<br /> | 388a<br /> | A124<br /> | '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d&amp;#39;Athenes de Beethoven]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | extracted from S.388<br /> |-<br /> | 388b<br /> | A177<br /> | '''Fantasie über Themen aus Beethovens Ruinen von Athen'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388<br /> |-<br /> | 389<br /> | A177<br /> | '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122<br /> |-<br /> | 389a<br /> | C27<br /> | '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | extracted from S.657a/1<br /> |-<br /> | 390/1<br /> | A{{hs|0}}34/1<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2<br /> |-<br /> | 390/2<br /> | A{{hs|0}}34/2<br /> | '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 2nd version of S.390/1; ending used in S.391<br /> |-<br /> | 391<br /> | A{{hs|0}}74<br /> | '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}<br /> | pf<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | based on the conclusion of S.390/2<br /> |-<br /> | 392<br /> | A{{hs|0}}41<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654 <br /> |-<br /> | 393/1<br /> | A{{hs|0}}56/1<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l&amp;#39;opera Somnambula de Bellini]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3, <br /> |-<br /> | 393/2<br /> | A{{hs|0}}56/2<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l&amp;#39;opera La sonnambula]]'''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 <br /> |-<br /> | 393/3<br /> | A{{hs|0}}56/3<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 3rd version of S.393/1, S.393/2<br /> |-<br /> | 394<br /> | A{{hs|0}}77<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655<br /> |-<br /> | 395<br /> | —<br /> | ''L'idée fixe''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | renumbered as S.470a/1 <br /> |-<br /> | 396<br /> | A178<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628 <br /> |-<br /> | 397<br /> | A{{hs|0}}22<br /> | '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}<br /> |-<br /> | 398<br /> | A{{hs|0}}23<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a<br /> |-<br /> | 399<br /> | A{{hs|0}}44<br /> | '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l&amp;#39;album de Donizetti) (3):<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/1<br /> | A{{hs|0}}44/1<br /> |<br /> : ''Barcarola '' (Il barcajuolo)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/2<br /> | A{{hs|0}}44/2<br /> |<br /> : ''Notturno'' (L’alito di Bice)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399/3<br /> | A{{hs|0}}44/3<br /> |<br /> : ''Canzone Napoletana'' (La torre di Biasone)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 399a<br /> | A{{hs|0}}71a<br /> | ''Fantaisie sur des motifs favoris de l&amp;#39;opéra Lucrezia Borgia''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2 <br /> |-<br /> | 400<br /> | A{{hs|0}}71b<br /> | '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l&amp;#39;opéra de Gaetano Donizetti)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}<br /> |-<br /> | 400/1<br /> | A{{hs|0}}71b/1<br /> |<br /> : ''Trio du seconde Acte''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}<br /> |-<br /> | 400/2<br /> | A{{hs|0}}71b/2<br /> |<br /> : ''Chanson á boire (Orgie). Duo. Finale''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a <br /> |-<br /> | 400a<br /> | A136<br /> | '''Spirito gentil''' (Kavatine aus der Oper La favorita)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}<br /> |-<br /> | 401<br /> | A{{hs|0}}88a<br /> | '''Valse a capriccio''' (sur deux motifs de ''Lucia'' et ''Parisina'')<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3 <br /> |-<br /> | 402<br /> | A108<br /> | '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}<br /> |-<br /> | 403<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis<br /> |-<br /> | 403bis<br /> | A137<br /> | '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | 2nd version of S.403 (&amp;quot;version facilitée&amp;quot;)<br /> |-<br /> | 404<br /> | A160<br /> | '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 405<br /> | A140<br /> | '''Schwanengesang und Marsch aus Hunyadi László '''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}<br /> |-<br /> | 405a<br /> | V{{hs|0}}4<br /> | '''Pásztor Lakodalmus''' (Magyar nóták)<br /> | pf<br /> | <br /> | 1858<br /> | Keyboard<br /> | corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics<br /> |-<br /> | 406/1<br /> | —<br /> | '''Marcia Circassa tratta dall&amp;#39;opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l&amp;#39;opera ''Rouslan et Loudmila'')<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2<br /> |-<br /> | 406/2<br /> | —<br /> | '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf<br /> | <br /> | 1843, 1875<br /> | Keyboard<br /> | 2nd version of S.406/2; arr. for pf4h as S.629 <br /> |-<br /> | 407<br /> | A208<br /> | '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}<br /> |-<br /> | 408<br /> | A231<br /> | '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l&amp;#39;opéra ''La reine de Saba'')<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}<br /> |-<br /> | 409<br /> | A237<br /> | '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l&amp;#39;opéra ''Roméo et Juliette'')<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}<br /> |-<br /> | 409a<br /> | A{{hs|0}}20<br /> | '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l&amp;#39;opéra de Halévy)<br /> | pf<br /> | <br /> | 1835<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}<br /> |-<br /> | 410<br /> | A166<br /> | '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}} <br /> |-<br /> | 411<br /> | A{{hs|0}}47<br /> | '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/1<br /> | A{{hs|0}}47/1<br /> |<br /> : ''La primavera'' (Canzonetta)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/2<br /> | A{{hs|0}}47/2<br /> |<br /> : ''Il galop''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/3<br /> | A{{hs|0}}47/3<br /> |<br /> : ''Il pastore svizzero'' (Tirolese)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/4<br /> | A{{hs|0}}47/4<br /> |<br /> : ''La serenata del marinaro''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/5<br /> | A{{hs|0}}47/5<br /> |<br /> : ''Il Brindisi'' (Rondoletto)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 411/6<br /> | A{{hs|0}}47/6<br /> |<br /> : ''La zingarella spagnuola'' (Bolero)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}<br /> |-<br /> | 412/1<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1836<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3<br /> |-<br /> | 412/2<br /> | A{{hs|0}}35<br /> | '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.412/1, S.412/3<br /> |-<br /> | 412/3<br /> | A{{hs|0}}35<br /> | '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l&amp;#39;opéra Les Huguenots]]'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | 3rd version of S.412/2, S.412/3<br /> |-<br /> | 412a<br /> | A120<br /> | '''Cavatine de Robert le diable'''<br /> | pf<br /> | <br /> | 1841–46?<br /> | Keyboard<br /> | based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}<br /> |-<br /> | 413<br /> | A{{hs|0}}78<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]<br /> |-<br /> | 414<br /> | A165<br /> | '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/1<br /> | A165/1<br /> |<br /> : ''Prière. Hymne triomphal. Marche du sacre''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/2<br /> | A165/2<br /> |<br /> : ''Les patineurs. Scherzo''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 414/3<br /> | A165/3<br /> |<br /> : ''Pastorale. Appel aux armes''<br /> | pf<br /> | <br /> | 1849–50<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}<br /> |-<br /> | 415<br /> | A230<br /> | '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/1<br /> | A230/1<br /> |<br /> : ''Prière des matelots'' <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 415/2<br /> | A230/2<br /> |<br /> : ''Marche indienne''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 416<br /> | A{{hs|0}}79<br /> | '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}<br /> |-<br /> | 417<br /> | A232<br /> | '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865–67<br /> | Keyboard<br /> | based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi<br /> |-<br /> | 418<br /> | A{{hs|0}}80<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656 <br /> |-<br /> | 419<br /> | A{{hs|0}}24<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine &amp;quot;I tuoi frequenti palpiti&amp;quot;)<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}<br /> |-<br /> | 420<br /> | A{{hs|0}}15<br /> | '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1832–34<br /> | Keyboard<br /> | based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}<br /> |-<br /> | 421<br /> | A183<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631 <br /> |-<br /> | 421/1<br /> | A183/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/1 <br /> |-<br /> | 421/2<br /> | A183/2<br /> |<br /> : ''Marsch''<br /> | pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. for pf4h as S.631/2 <br /> |-<br /> | 421a<br /> | A{{hs|0}}13<br /> | '''Introduction et variations sur une marche du Siège de Corinthe'''<br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750<br /> |-<br /> | 422/1<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2<br /> |-<br /> | 422/2<br /> | A{{hs|0}}25<br /> | '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.422/1<br /> |-<br /> | 423<br /> | A{{hs|0}}26<br /> | '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1835–36<br /> | Keyboard<br /> | based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424<br /> | A{{hs|0}}36<br /> | '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/1<br /> | A{{hs|0}}36/{{hs|0}}1<br /> |<br /> : ''La promessa '' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/2<br /> | A{{hs|0}}36/{{hs|0}}2<br /> |<br /> : ''La regata veneziana'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/3<br /> | A{{hs|0}}36/{{hs|0}}3<br /> |<br /> : ''L'invito'' (Bolero)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/4<br /> | A{{hs|0}}36/{{hs|0}}4<br /> |<br /> : ''La gita in gondola'' (Barcarola)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/5<br /> | A{{hs|0}}36/{{hs|0}}5<br /> |<br /> : ''Il rimprovero'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/6<br /> | A{{hs|0}}36/{{hs|0}}6<br /> |<br /> : ''La pastorella dell'Alpi'' (Tirolese)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/7<br /> | A{{hs|0}}36/{{hs|0}}7<br /> |<br /> : ''La partenza'' (Canzonetta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/8<br /> | A{{hs|0}}36/{{hs|0}}8<br /> |<br /> : ''La pesca '' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/9<br /> | A{{hs|0}}36/{{hs|0}}9<br /> |<br /> : ''La danza'' (Tarantella Napoletana)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/10<br /> | A{{hs|0}}36/10<br /> |<br /> : ''La serenata'' (Notturno)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/11<br /> | A{{hs|0}}36/11<br /> |<br /> : ''L'orgia '' (Arietta)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 424/12<br /> | A{{hs|0}}36/12<br /> |<br /> : ''Li marinari '' (Duetto)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 425<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; &lt;br&gt;1st version of S.425a <br /> |-<br /> | 425/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1 <br /> |-<br /> | 425/2a<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;1st Diabelli edition&amp;quot;)<br /> |-<br /> | 425/2b<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Richault edition&amp;quot;)<br /> |-<br /> | 425/2c<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 (&amp;quot;Lucca edition&amp;quot;)<br /> |-<br /> | 425/2d<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 (&amp;quot;Menter transcription&amp;quot;)<br /> |-<br /> | 425/2e<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marche hongroise''<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (&amp;quot;3rd edition&amp;quot;)<br /> |-<br /> | 425/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3 <br /> |-<br /> | 425a<br /> | A{{hs|0}}48<br /> | '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425 <br /> |-<br /> | 425a/1<br /> | A{{hs|0}}48/1<br /> |<br /> : ''Andante''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425a/1 <br /> |-<br /> | 425a/2<br /> | A{{hs|0}}48/2<br /> |<br /> : ''Marcia''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (&amp;quot;2nd Diabelli edition&amp;quot;)<br /> |-<br /> | 425a/3<br /> | A{{hs|0}}48/3<br /> |<br /> : ''Allegretto''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 2nd (simplified) version of S.425/3 <br /> |-<br /> | 426<br /> | A123<br /> | '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | <br /> |-<br /> | 426/1<br /> | A123/1<br /> |<br /> : ''Trauermarsch'' (Grande marche funèbre)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2<br /> |-<br /> | 426/2<br /> | A123/2<br /> |<br /> : ''Grande marche''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}<br /> |-<br /> | 426/3<br /> | A123/3<br /> |<br /> : ''Grande marche caractéristique''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}<br /> |-<br /> | 426a<br /> | —<br /> | '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)<br /> | pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}<br /> |-<br /> | 427<br /> | A131<br /> | '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d&amp;#39;&amp;#39;après François Schubert)<br /> | pf<br /> | <br /> | 1846–52<br /> | Keyboard<br /> | based on pf pieces by {{LinkComp|Franz|Schubert}}<br /> |-<br /> | 427/1<br /> | A131/1<br /> |<br /> : (Allegretto malinconico)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/2<br /> | A131/2<br /> |<br /> : (Poco Allegro)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/3<br /> | A131/3<br /> |<br /> : (Allegro vivace)<br /> | pf<br /> | E major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}<br /> |-<br /> | 427/4<br /> | A131/4<br /> |<br /> : (Andantino a capriccio)<br /> | pf<br /> | D{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 427/5<br /> | A131/5<br /> |<br /> : (Moderato cantabile con affetto)<br /> | pf<br /> | G{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/6<br /> | A131/6<br /> |<br /> : (Allegro con strepito)<br /> | pf<br /> | A minor<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b<br /> |-<br /> | 427/6a<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1879<br /> | Keyboard<br /> | 2nd version of S.427/6, S.427/6a<br /> |-<br /> | 427/6b<br /> | A131/6<br /> |<br /> : (Allegro con spirito)<br /> | pf<br /> | A minor<br /> | 1883?<br /> | Keyboard<br /> | 3rd version of S.427/6, S.427/6a<br /> |-<br /> | 427/7<br /> | A131/7<br /> |<br /> : (Allegro spiritoso)<br /> | pf<br /> | A major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}<br /> |-<br /> | 427/8<br /> | A131/8<br /> |<br /> : (Allegro con brio)<br /> | pf<br /> | D major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}<br /> |-<br /> | 427/9<br /> | A131/9<br /> |<br /> : (Preludio a capriccio)<br /> | pf<br /> | A{{flat}} major<br /> | 1846–52<br /> | Keyboard<br /> | based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}<br /> |-<br /> | 428<br /> | A115<br /> | '''Feuille morte''' (Élégie d&amp;#39;après Soriano)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | based on an unidentified composition by Mariano Soriano Fuertes<br /> |-<br /> | 429<br /> | A293<br /> | '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}<br /> |-<br /> | 430<br /> | A318<br /> | '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882–83<br /> | Keyboard<br /> | based on part of the ''Suite en forme de valse ''by&lt;span class=&quot;mw-headline&quot;&gt;János Végh&lt;/span&gt;<br /> |-<br /> | 431/1<br /> | A149/1<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2<br /> |-<br /> | 431/2<br /> | A149/2<br /> | '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.431/1<br /> |-<br /> | 431a<br /> | A138<br /> | '''Paraphrase de concert sur Ernani I'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432<br /> |-<br /> | 432<br /> | A203<br /> | '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a<br /> |-<br /> | 433<br /> | A199<br /> | '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}<br /> |-<br /> | 434<br /> | A187<br /> | '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1855–59?<br /> | Keyboard<br /> | based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}<br /> |-<br /> | 435<br /> | A240<br /> | '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)<br /> | pf<br /> | <br /> | 1867–68<br /> | Keyboard<br /> | arr. of the finale (&lt;span class=&quot;mw-headline&quot;&gt;&amp;quot;Ce jour est plein d'allégresse&amp;quot;) from the opera {{LinkWork|&lt;/span&gt;Don Carlos||Verdi|Giuseppe}}<br /> |-<br /> | 436<br /> | A276<br /> | '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | arrs. of extracts from <br /> |-<br /> | 437/1<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1<br /> |-<br /> | 437/2<br /> | A284<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | 2nd version of S.437/2<br /> |-<br /> | 438<br /> | A314<br /> | '''Réminiscences de Boccanegra'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}<br /> |-<br /> | 439<br /> | A200<br /> | '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | based on the battle-hymn &amp;quot;Santo spitiro cavaliere&amp;quot; (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}<br /> |-<br /> | 440<br /> | A204<br /> | '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 441<br /> | A259<br /> | '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}<br /> |-<br /> | 442<br /> | A146<br /> | '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}<br /> |-<br /> | 443/1<br /> | A210a<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2<br /> |-<br /> | 443/2<br /> | A210b<br /> | '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885?<br /> | Keyboard<br /> | 2nd version of S.443/1<br /> |-<br /> | 444<br /> | A163<br /> | '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380 <br /> |-<br /> | 445<br /> | A176<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. for pf4h as S.634b <br /> |-<br /> | 445/1a<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; &lt;br&gt;1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1<br /> |-<br /> | 445/1b<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | 2nd version of S.445/1a, S.445/1c<br /> |-<br /> | 445/1c<br /> | A176/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg ''<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version (&amp;quot;Neue vermehtre Ausgabe&amp;quot;) of S.445/1a, S.445/1b<br /> |-<br /> | 445/2<br /> | A176/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2 <br /> |-<br /> | 446<br /> | A185<br /> | '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/1<br /> | A185/1<br /> |<br /> : ''Festspiel und Brautlied ''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/2<br /> | A185/2<br /> |<br /> : ''Elsas Traum''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 446/3<br /> | A185/3<br /> |<br /> : ''Lohengrins Verweis an Elsa''<br /> | pf<br /> | <br /> | 1854<br /> | Keyboard<br /> | based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}<br /> |-<br /> | 447<br /> | A239<br /> | '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}<br /> |-<br /> | 448<br /> | A254<br /> | '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}<br /> |-<br /> | 449<br /> | A269<br /> | '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}<br /> |-<br /> | 450<br /> | A315<br /> | '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}<br /> |-<br /> | 451<br /> | A{{hs|0}}68<br /> | '''Freischütz Fantasie'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | based on &amp;quot;Und ob die Wolke sie verhülle&amp;quot; (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}<br /> |-<br /> | 452<br /> | A151<br /> | '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 453<br /> | A152<br /> | '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}<br /> |-<br /> | 454<br /> | A150<br /> | '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}<br /> |-<br /> | 455<br /> | A175<br /> | '''Polonaise brillante''' [Weber]<br /> | pf<br /> | <br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367<br /> |-<br /> | 456<br /> | A281<br /> | '''Valse d&amp;#39;Adèle''' (Transcription brillante)<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}<br /> |-<br /> | 457*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 458<br /> | A{{hs|0}}51<br /> | '''Reminiscences de La Scala''' (Fantasie über italienische Opernmelodien)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source<br /> |-<br /> | 459*<br /> | —<br /> | <br /> | <br /> | <br /> | <br /> | <br /> | number not allocated<br /> |-<br /> | 460<br /> | A330<br /> | '''Kavallerie-Geschwindmarsch'''<br /> | pf<br /> | <br /> | 1883?<br /> | Keyboard<br /> | lost; possibly 2nd version of S.233<br /> |- style=&quot;background:silver&quot; id=&quot;Transcriptions&quot;<br /> | {{hs|999}}461-577ter<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: ''' Partitions de piano, transcriptions, etc.'''<br /> |-<br /> | 461/1<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360<br /> |-<br /> | 461/2<br /> | A217<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine ''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 <br /> |-<br /> | 461a<br /> | —<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d<br /> |-<br /> | 462<br /> | A{{hs|0}}92<br /> | '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):<br /> | pf<br /> | <br /> | 1842–50<br /> | Keyboard<br /> | <br /> |-<br /> | 462/1<br /> | A{{hs|0}}92/1<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | A minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/2<br /> | A{{hs|0}}92/2<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/3<br /> | A{{hs|0}}92/3<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/4<br /> | A{{hs|0}}92/4<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | C major<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}<br /> |-<br /> | 462/5<br /> | A{{hs|0}}92/5<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | E minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}<br /> |-<br /> | 462/6<br /> | A{{hs|0}}92/6<br /> |<br /> : ''Präludium und Fuge''<br /> | pf<br /> | B minor<br /> | 1842–50<br /> | Keyboard<br /> | arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1861?<br /> | Keyboard<br /> | arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}<br /> |-<br /> | 463<br /> | A244<br /> | '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''<br /> | pf<br /> | G minor<br /> | 1868<br /> | Keyboard<br /> | 2nd version of S.463/1<br /> |-<br /> | 463a<br /> | A{{hs|0}}37b/1<br /> | '''Symphonie No.5 de Beethoven'''<br /> | pf<br /> | C minor<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5 <br /> |-<br /> | 463b<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6 <br /> |-<br /> | 463c<br /> | A{{hs|0}}37b/2<br /> | '''Symphonie No.6 de Beethoven'''<br /> | pf<br /> | F major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6 <br /> |-<br /> | 463d<br /> | A{{hs|0}}37b/3<br /> | '''Symphonie No.7 de Beethoven'''<br /> | pf<br /> | A major<br /> | 1837<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7 <br /> |-<br /> | 463e<br /> | A{{hs|0}}37a<br /> | '''Marche funèbre de la Symphonie héroïque de Beethoven'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3<br /> |-<br /> | 464<br /> | A{{hs|0}}37<br /> | '''Symphonies de Beethoven''' (9):<br /> | pf<br /> | <br /> | 1863–64<br /> | Keyboard<br /> | <br /> |-<br /> | 464/1<br /> | A{{hs|0}}37c/1<br /> |<br /> : ''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''<br /> | pf<br /> | C major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}<br /> |-<br /> | 464/2<br /> | A{{hs|0}}37c/2<br /> |<br /> : ''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''<br /> | pf<br /> | D major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};<br /> |-<br /> | 464/3<br /> | A{{hs|0}}37c/3<br /> |<br /> : ''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''<br /> | pf<br /> | E{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e <br /> |-<br /> | 464/4<br /> | A{{hs|0}}37c/4<br /> |<br /> : ''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''<br /> | pf<br /> | B{{flat}} major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};<br /> |-<br /> | 464/5<br /> | A{{hs|0}}37c/5<br /> |<br /> : ''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''<br /> | pf<br /> | C minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a <br /> |-<br /> | 464/6<br /> | A{{hs|0}}37c/6<br /> |<br /> : ''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c<br /> |-<br /> | 464/7<br /> | A{{hs|0}}37c/7<br /> |<br /> : ''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''<br /> | pf<br /> | A major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c <br /> |-<br /> | 464/8<br /> | A{{hs|0}}37c/8<br /> |<br /> : ''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''<br /> | pf<br /> | F major<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}<br /> |-<br /> | 464/9<br /> | A{{hs|0}}37c/9<br /> |<br /> : ''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''<br /> | pf<br /> | D minor<br /> | 1863–64<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657<br /> |-<br /> | 465<br /> | A{{hs|0}}69<br /> | '''Grand septuor de Beethoven'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634 <br /> |-<br /> | 466a<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b <br /> |-<br /> | 466b<br /> | A{{hs|0}}58<br /> | '''Adelaide von Beethoven'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a <br /> |-<br /> | 466<br /> | A{{hs|0}}58<br /> | '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b <br /> |-<br /> | 467<br /> | A{{hs|0}}70<br /> | '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 467/1<br /> | A{{hs|0}}70/1<br /> |<br /> : ''Gottes Macht und Vorsehung''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/2<br /> | A{{hs|0}}70/2<br /> |<br /> : ''Bitten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/3<br /> | A{{hs|0}}70/3<br /> |<br /> : ''Bußlied''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/4<br /> | A{{hs|0}}70/4<br /> |<br /> : ''Vom Tode''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/5<br /> | A{{hs|0}}70/5<br /> |<br /> : ''Die Liebe des Nächsten''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 467/6<br /> | A{{hs|0}}70/6<br /> |<br /> : ''Die Ehre Gottes aus der Natur''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}<br /> |-<br /> | 468<br /> | A161<br /> | '''Beethovens Lieder von Goethe''' (6)<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | <br /> |-<br /> | 468/1<br /> | A161/1<br /> |<br /> : ''[[6 Songs, Op.75 (Beethoven, Ludwig van)|Mignon]]''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/2<br /> | A161/2<br /> |<br /> : ''Mit einem gemalten Bande''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/3<br /> | A161/3<br /> |<br /> : ''Freudvoll und leidvoll''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 468/4<br /> | A161/4<br /> |<br /> : ''Es war einmal ein König''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}<br /> |-<br /> | 468/5<br /> | A161/5<br /> |<br /> : ''Wonne der Wehmut''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}<br /> |-<br /> | 468/6<br /> | A161/6<br /> |<br /> : ''Die Trommel gerühret''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}<br /> |-<br /> | 469<br /> | A162<br /> | '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/1<br /> | A162/1<br /> |<br /> : ''Auf dem Hügel''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/2<br /> | A162/2<br /> |<br /> : ''Wo die Bergen''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/3<br /> | A162/3<br /> |<br /> : ''Leichte Segler''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/4<br /> | A162/4<br /> |<br /> : ''Diese Wolken''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/5<br /> | A162/5<br /> |<br /> : ''Es kehret der Maien''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 469/6<br /> | A162/6<br /> |<br /> : ''Nimm sie hin denn''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}<br /> |-<br /> | 470<br /> | A{{hs|0}}16a<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d&amp;#39;un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2<br /> |-<br /> | 470a/1<br /> | A{{hs|0}}16b<br /> | '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d&amp;#39;après une mélodie de Berlioz)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}<br /> |-<br /> | 470a/2<br /> | A{{hs|0}}16c<br /> | '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz) <br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | 2nd version of 4th movement from S.470<br /> |-<br /> | 471<br /> | A{{hs|0}}31<br /> | '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}<br /> |-<br /> | 472/1<br /> | D{{hs|0}}5a<br /> | '''Harold en Italie''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2<br /> |-<br /> | 472/2<br /> | D{{hs|0}}5b<br /> | '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)<br /> | pf (+ va)<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | 2nd version of S.472/1<br /> |-<br /> | 473/1<br /> | A{{hs|0}}29a<br /> | '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | 1st version of S.473/1<br /> |-<br /> | 473/2<br /> | A{{hs|0}}29b<br /> | '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.473/2<br /> |-<br /> | 474<br /> | A{{hs|0}}30<br /> | '''Ouverture du Roi Lear de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1836–37<br /> | Keyboard<br /> | arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}<br /> |-<br /> | 475<br /> | A205<br /> | '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}<br /> |-<br /> | 476<br /> | A{{hs|0}}38a<br /> | '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)<br /> | vv ch pf<br /> | <br /> | 1837<br /> | Stage<br /> | vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a<br /> |-<br /> | 477<br /> | A{{hs|0}}38b<br /> | '''Air chanté par Massol de Esmerelda de L. Bertin'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of Quasimodo’s aria &amp;quot;Mon Dieu! j’aime&amp;quot; (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2<br /> |-<br /> | 477a<br /> | A{{hs|0}}38c<br /> | '''Morceaux detachés d‘Esmeralda de L. Bertin''' (3):<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/1<br /> | A{{hs|0}}38c/1<br /> |<br /> : ''Entracte, Recitatif et Romance''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;Quoi! lui&amp;quot; (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 477a/2<br /> | A{{hs|0}}38c/2<br /> |<br /> : ''Air''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | see S.476<br /> |-<br /> | 477a/3<br /> | A{{hs|0}}38c/3<br /> |<br /> : ''Scène et Trio''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of &amp;quot;D’ici vous pourrez voir, sans être vu&amp;quot; (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476<br /> |-<br /> | 478<br /> | A{{hs|0}}99<br /> | '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}<br /> |-<br /> | 479<br /> | A265<br /> | '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}<br /> |-<br /> | 480<br /> | A193<br /> | '''{{LinkWorkN|6 Polish Songs|S.480|Liszt|Franz|0}}''' (after Chopin)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/1<br /> | A193/1<br /> |<br /> : ''Mädchens Wunsch'' (Zyczenie)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/2<br /> | A193/2<br /> |<br /> : ''Frühling'' (Wiosna)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/3<br /> | A193/3<br /> |<br /> : ''Das Ringlein'' (Pier&amp;#347;cie&amp;#324;)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/4<br /> | A193/4<br /> |<br /> : ''Bacchanal'' (Hulanka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 480/5,<br /> | A193/5<br /> |<br /> : ''Meine Freuden '' (Moja pieszczotka)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis <br /> |-<br /> | 480/5bis<br /> | A193/5<br /> |<br /> : ''Mes Joies''<br /> | pf<br /> | <br /> | 1860 or later<br /> | Keyboard<br /> | 2nd version of S.480 <br /> |-<br /> | 480/6<br /> | A193/6<br /> |<br /> : ''Die Heimkehr'' (Narzeczony)<br /> | pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}<br /> |-<br /> | 481<br /> | A147<br /> | '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi) <br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}<br /> |-<br /> | 482<br /> | A327<br /> | '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}<br /> |-<br /> | 483<br /> | A291<br /> | '''Tarantella de Dargomijski'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}<br /> |-<br /> | 483bis<br /> | A{{hs|0}}91<br /> | '''Souvenir de Russie ''' (d'après Ferdinand David)<br /> | pf<br /> | B{{flat}} minor<br /> | 1842<br /> | Keyboard<br /> | arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22<br /> |-<br /> | 484<br /> | A170<br /> | '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/1<br /> | A170/{{hs|0}}1<br /> |<br /> : ''Scherzo''<br /> | pf<br /> | C major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/2<br /> | A170/{{hs|0}}2<br /> |<br /> : ''Erinnerung''<br /> | pf<br /> | C minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/3<br /> | A170/{{hs|0}}3<br /> |<br /> : ''Mazurka''<br /> | pf<br /> | D{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/4<br /> | A170/{{hs|0}}4<br /> |<br /> : ''Tanz''<br /> | pf<br /> | C{{sharp}} mino<br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/5<br /> | A170/{{hs|0}}5<br /> |<br /> : ''Kinderlied''<br /> | pf<br /> | D major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/6<br /> | A170/{{hs|0}}6<br /> |<br /> : ''Capriccio''<br /> | pf<br /> | D minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/7<br /> | A170/{{hs|0}}7<br /> |<br /> : ''Bolero''<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/8<br /> | A170/{{hs|0}}8<br /> |<br /> : ''Elegie''<br /> | pf<br /> | E{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/9<br /> | A170/{{hs|0}}9<br /> |<br /> : ''Marsch''<br /> | pf<br /> | E major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/10<br /> | A170/10<br /> |<br /> : ''Toccata''<br /> | pf<br /> | E minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/11<br /> | A170/11<br /> |<br /> : ''Gondellied''<br /> | pf<br /> | F major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/12<br /> | A170/12<br /> |<br /> : ''Im Sturm''<br /> | pf<br /> | F minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/13<br /> | A170/13<br /> |<br /> : ''Romanze''<br /> | pf<br /> | F{{sharp}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/14<br /> | A170/14<br /> |<br /> : ''Allegro agitato''<br /> | pf<br /> | F{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/15<br /> | A170/15<br /> |<br /> : ''Menuetto''<br /> | pf<br /> | G major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/16<br /> | A170/16<br /> |<br /> : ''Etüde''<br /> | pf<br /> | G minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/17<br /> | A170/17<br /> |<br /> : ''Intermezzo''<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/18<br /> | A170/18<br /> |<br /> : ''Serenade''<br /> | pf<br /> | G{{sharp}} minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/19<br /> | A170/19<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis<br /> |-<br /> | 484/19bis<br /> | A170/19b<br /> |<br /> : ''Ungarisch''<br /> | pf<br /> | A major<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.484/19<br /> |-<br /> | 484/20<br /> | A170/20<br /> |<br /> : ''Tarantella''<br /> | pf<br /> | A minor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/21<br /> | A170/21<br /> |<br /> : ''Impromptu''<br /> | pf<br /> | B{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/22<br /> | A170/22<br /> |<br /> : ''Im russischer Weise''<br /> | pf<br /> | B{{flat}} minor<br /> | 1850<br /> | Keyboard<br /> | 2nd version of S.483bis<br /> |-<br /> | 484/23<br /> | A170/23<br /> |<br /> : ''Lied''<br /> | pf<br /> | B major<br /> | 1850<br /> | Keyboard<br /> | arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 484/24<br /> | A170/24<br /> |<br /> : ''Capriccio ''<br /> | pf<br /> | B mnor<br /> | 1850<br /> | Keyboard<br /> | arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}<br /> |-<br /> | 485<br /> | A130<br /> | '''Dessauers Lieder''' (3):<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | <br /> |-<br /> | 485/1<br /> | A130/1<br /> |<br /> : ''Lockung''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/2<br /> | A130/2<br /> |<br /> : ''Zwei Wege''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485/3<br /> | A130/3<br /> |<br /> : ''Spanisches Lied '' (Bolero)<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the song by Josef Desauer<br /> |-<br /> | 485a<br /> | A251<br /> | '''Der Schwur am Rütli ''' (von F. Draeseke)<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of the cantata by {{LinkComp|Felix|Draeseke}}<br /> |-<br /> | 485b<br /> | A{{hs|0}}89<br /> | '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha<br /> |-<br /> | 486<br /> | A261<br /> | '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.353 <br /> |-<br /> | 487<br /> | A110<br /> | '''Spanisches Ständchen''' (Melodie von Graf Leó Festetics)<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song by Leo Festetics<br /> |-<br /> | 488<br /> | A154<br /> | '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}<br /> |-<br /> | 489<br /> | A157<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft I: ''Schilflieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/1<br /> | A157/1<br /> |<br /> : ''Auf geheimen Waldespfadeie''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/2<br /> | A157/2<br /> |<br /> : ''Drüben geht die Sonne scheiden''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/3<br /> | A157/3<br /> |<br /> : ''Trübe wird&amp;#39;s''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/4<br /> | A157/4<br /> |<br /> : ''Sonnenuntergang''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/5<br /> | A157/5<br /> |<br /> : ''Auf dem Teich''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/5a}}<br /> | {{hs| A157/5a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft II: ''Drei Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/6<br /> | A157/6<br /> |<br /> : ''Der Schalk ''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/7<br /> | A157/7<br /> |<br /> : ''Der Bote''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/8<br /> | A157/8<br /> |<br /> : ''Meeresstille''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | {{hs|489/8a}}<br /> | {{hs| A157/8a}}<br /> | '''Lieder von Robert Franz''' (12):&lt;br&gt;Heft III: ''Vier Lieder''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 489/9<br /> | A157/9<br /> |<br /> : ''Treibt der Sommer seinen Rosen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/10<br /> | A157/10<br /> |<br /> : ''Gewitternacht''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/11<br /> | A157/11<br /> |<br /> : ''Das ist ein Brausen und Heulen''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 489/12<br /> | A157/12<br /> |<br /> : ''Frühling und Liebe''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}<br /> |-<br /> | 490<br /> | A298<br /> | '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt<br /> |-<br /> | 491<br /> | A235<br /> | '''Hymne á Sainte Cécile de Charles Gounod'''<br /> | pf<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}<br /> |-<br /> | 492<br /> | A245<br /> | '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/1<br /> | A245/1<br /> |<br /> : ''Tanzmomente No.1''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/2<br /> | A245/2<br /> |<br /> : ''Tanzmomente No.2''<br /> | pf<br /> | A minor<br /> | 1869<br /> | Keyboard<br /> | arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/3<br /> | A245/3<br /> |<br /> : ''Tanzmomente No.3''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/4<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis<br /> |-<br /> | 492/4bis<br /> | A245/4<br /> |<br /> : ''Tanzmomente No.4''<br /> | pf<br /> | A major<br /> | 1869<br /> | Keyboard<br /> | 2nd version of S.492/4<br /> |-<br /> | 492/5<br /> | A245/5<br /> |<br /> : ''Tanzmomente No.5''<br /> | pf<br /> | F major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/6<br /> | A245/6<br /> |<br /> : ''Tanzmomente No.6''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/7<br /> | A245/7<br /> |<br /> : ''Tanzmomente No.7''<br /> | pf<br /> | G major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 492/8<br /> | A245/8<br /> |<br /> : ''Tanzmomente No.8''<br /> | pf<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}<br /> |-<br /> | 493/1<br /> | A155<br /> | '''Großes Septett von Johann Nepomuk Hummel'''<br /> | pf<br /> | D minor<br /> | 1848<br /> | Keyboard<br /> | arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2<br /> |-<br /> | 493/2<br /> | U12<br /> | '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''<br /> | pf<br /> | D minor<br /> | 1869?<br /> | Keyboard<br /> | 2nd version of S.493/1<br /> |-<br /> | 494/1<br /> | A211/1<br /> | '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2 <br /> |-<br /> | 494/2<br /> | A211/1<br /> | '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | 2nd version of S.494/1<br /> |-<br /> | 495<br /> | A211/2<br /> | '''Ich weil&amp;#39; in tiefer Einsamkeit ''' (Lied von Eduard Lassen)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}<br /> |-<br /> | 496<br /> | A285/I<br /> | '''Aus der Musik zu Hebbels Nibelungen und Goethes Faust'''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | <br /> |-<br /> | 496/1<br /> | A285/I/1<br /> |<br /> : ''Hagen und Kreimhild''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/2<br /> | A285/I/2<br /> |<br /> : ''Bechlarn''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/3<br /> | A285/II/1<br /> |<br /> : ''Osterhymne''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 496/4<br /> | A285/II/2<br /> |<br /> : ''Hoffestliche Marsch und Polonaise''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 497<br /> | A323<br /> | '''Symphonisches Zwischenspiel zu Über allen Zauber Liebe ''' (Intermezzo von Eduard Lassen)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}<br /> |-<br /> | 498<br /> | A316<br /> | '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/1<br /> | A316/1<br /> |<br /> : ''Der Lenz ist gekommen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.1 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/2<br /> | A316/2<br /> |<br /> : ''Trinklied'' (&amp;quot;Itzt hört ein neues Liedlein an&amp;quot;)<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.2 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498/3<br /> | A316/3<br /> |<br /> : ''Du schaust mich an mit stummen Fragen''<br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of No.3 from ''3 Lieder aus Wolff’s Tannhäuser'', Op.27, by Otto Lessmann<br /> |-<br /> | 498a<br /> | A192<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arrs. of extracts from S.2<br /> |-<br /> | 498a/1<br /> | A192/1<br /> |<br /> : ''Orchester Einleitung'' (Orchestral Introduction)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of the introduction to S.2 <br /> |-<br /> | 498a/2<br /> | A192/2<br /> |<br /> : ''Marsch der Kreuzritter'' (Crusaders&amp;#39; March)<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/3e <br /> |-<br /> | 498a/3<br /> | A192/3<br /> |<br /> : ''Interludium''<br /> | pf<br /> | <br /> | 1857–62<br /> | Keyboard<br /> | arr. of S.2/6a<br /> |-<br /> | 498b<br /> | A222<br /> | '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arrs. of extracts from S.3 <br /> |-<br /> | 498b/1<br /> | A222/1<br /> |<br /> : ''Hirtengesang an der Krippe''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/4 <br /> |-<br /> | 498b/2<br /> | A222/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.3/5 <br /> |-<br /> | 498c<br /> | A301<br /> | '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d&amp;#39;Assisi)<br /> | pf<br /> | <br /> | 1880?<br /> | Keyboard<br /> | arr. of prelude from S.4/2 <br /> |-<br /> | 499<br /> | A307<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''<br /> | pf<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.4/2<br /> |-<br /> | 500<br /> | —<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | &lt;p ALIGN=&quot;left&quot;&gt;arr. of prelude from S.6<br /> |-<br /> | 501<br /> | A238<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of extracts from S.11 <br /> |-<br /> | 501/1<br /> | A238/1<br /> |<br /> : ''Benedictus''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/4 <br /> |-<br /> | 501/2<br /> | A238/2<br /> |<br /> : ''Offertorium''<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of S.11/5<br /> |-<br /> | 502<br /> | A227<br /> | '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.32 <br /> |-<br /> | 503<br /> | A223<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 504/1<br /> | A247/1<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D major<br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.38; 1st version of S.504/2<br /> |-<br /> | 504/2<br /> | A247/2<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | pf<br /> | D{{flat}} major<br /> | 1872<br /> | Keyboard<br /> | arr. of S.38; 2nd version of S.504/1<br /> |-<br /> | 504a<br /> | A287<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 504b<br /> | A286a<br /> | '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50 <br /> |-<br /> | 504b/1<br /> | A286a/1<br /> |<br /> : ''Crux ave benedicta''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/9 <br /> |-<br /> | 504b/2<br /> | A286a/2<br /> |<br /> : ''Jesu Christe '' (Die fünf Wunden)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/12 <br /> |-<br /> | 504b/3<br /> | A286a/3<br /> |<br /> : ''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/2 <br /> |-<br /> | 504b/3a<br /> | A286a/3a<br /> |<br /> : ''Es segne uns Gott''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/1 <br /> |-<br /> | 504b/4<br /> | A286a/4<br /> |<br /> : ''Nun danket alle Gott!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/11 <br /> |-<br /> | 504b/5<br /> | A286a/5<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/3 <br /> |-<br /> | 504b/6<br /> | A286a/6<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/4 <br /> |-<br /> | 504b/7<br /> | A286a/7<br /> |<br /> : ''O Lamm Gottes!''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/5; arr. for pf4h as S.582 <br /> |-<br /> | 504b/8<br /> | A286a/8<br /> |<br /> : ''O Traurigkeit''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/10 <br /> |-<br /> | 504b/9<br /> | A286a/9<br /> |<br /> : ''Vexilla Regis''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/8 <br /> |-<br /> | 504b/10<br /> | A286a/10<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/6 <br /> |-<br /> | 504b/11<br /> | A286a/11<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | pf<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.50/7 <br /> |-<br /> | 505<br /> | A331<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57 <br /> |-<br /> | 506<br /> | A243<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | arr. of 2nd version of S.34 <br /> |-<br /> | 506b<br /> | A294<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.54 <br /> |-<br /> | 507<br /> | A126<br /> | '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | based on themes from the 1st movement of S.507<br /> |-<br /> | 507a<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 <br /> |-<br /> | 508<br /> | A213<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2; 2nd version of S.507a<br /> |-<br /> | 509<br /> | A246<br /> | '''Gaudeamus igitur ''' (Humoreske)<br /> | pf<br /> | <br /> | 1869–70<br /> | Keyboard<br /> | arr. of S.71a <br /> |-<br /> | 510<br /> | A153<br /> | '''Marche héroïque'''<br /> | pf<br /> | <br /> | 1847–48?<br /> | Keyboard<br /> | based on S.82; arr. for pf4h as S.587<br /> |-<br /> | 510a<br /> | —<br /> | '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511 <br /> |-<br /> | 510a/1<br /> | —<br /> |<br /> : ''La consolation''<br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/1; arr. of S.90/4a<br /> |-<br /> | 510a/2<br /> | —<br /> |<br /> : ''Avant la bataille'' <br /> | pf<br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/2; arr. of S.90/5a <br /> |-<br /> | 510a/3<br /> | —<br /> |<br /> : ''L'espérance'' <br /> | pf <br /> | <br /> | 1852?<br /> | Keyboard<br /> | 1st version of S.511/3; arr. of S.90/6a <br /> |-<br /> | 511<br /> | A207<br /> | '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a<br /> |-<br /> | 511/1<br /> | A207/1<br /> |<br /> : ''Vor der Schlacht''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/1 <br /> |-<br /> | 511/2<br /> | A207/2<br /> |<br /> : ''Nicht gezagt''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/2<br /> |-<br /> | 511/3<br /> | A207/3<br /> |<br /> : ''Es rufet Gott uns mahnend''<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | 2nd version of S.510a/3<br /> |-<br /> | 511a<br /> | —<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.97 by Karl Klauser, with revisions by Liszt <br /> |-<br /> | 511b<br /> | —<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.98 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 511c<br /> | —<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt<br /> |-<br /> | 511d<br /> | —<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)<br /> | pf<br /> | <br /> | 1870–79?<br /> | Keyboard<br /> | arr. of S.101 by Ludwig Stark, with revisions by Liszt<br /> |-<br /> | 511e<br /> | —<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.103 by Friedrich Spiro, with revisions by Liszt<br /> |-<br /> | 512<br /> | A310<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 513<br /> | A190<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)<br /> | pf<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. II from S.108<br /> |-<br /> | 513a<br /> | A189/1<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. of S.110/1<br /> |-<br /> | 514<br /> | A189/1<br /> | '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''<br /> | pf<br /> | <br /> | 1859–61<br /> | Keyboard<br /> | arr. for orch as S.110/2 <br /> |-<br /> | 515<br /> | A288<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1878–81?<br /> | Keyboard<br /> | arr. for orch as S.111; arr. for pf4h as S.600 <br /> |-<br /> | 516<br /> | A202/1<br /> | '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1860?<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 516a<br /> | A202/2<br /> | '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1864–66<br /> | Keyboard<br /> | arr. of S.112/2 (formerly S.699) <br /> |-<br /> | 517<br /> | A202/3<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 518<br /> | A225<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)<br /> | pf<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/2<br /> |-<br /> | 519<br /> | A302<br /> | '''Polonaises de l&amp;#39;oratorio St. Stanislaus'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extracts from S.688 <br /> |-<br /> | 519/1<br /> | A302/1<br /> |<br /> : ''Polonaise No.1''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 519/2<br /> | A302/2<br /> |<br /> : ''Polonaise No.2''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of extract from S.688 <br /> |-<br /> | 520<br /> | A201<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1859–60<br /> | Keyboard<br /> | arr. of S.114<br /> |-<br /> | 521<br /> | A164b<br /> | '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''<br /> | pf<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 522<br /> | A196<br /> | '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''<br /> | pf<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116<br /> |-<br /> | 523<br /> | A248<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 524<br /> | A112/2<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf<br /> | <br /> | 1875–76<br /> | Keyboard<br /> | arr. of S.119 <br /> |-<br /> | 524a<br /> | H{{hs|0}}6<br /> | '''Concerto sans orchestre'''<br /> | pf<br /> | A major<br /> | 1839?<br /> | Keyboard<br /> | unfinished; rev. as S.125<br /> |-<br /> | 525<br /> | A{{hs|0}}62<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 526<br /> | A260<br /> | '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129 <br /> |-<br /> | 527<br /> | A299<br /> | '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]<br /> |-<br /> | 528*<br /> | —<br /> | ''Festpolonaise''<br /> | pf<br /> | <br /> | <br /> | Keyboard<br /> | renumbered as S.230a<br /> |-<br /> | 529<br /> | A250/1<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''<br /> | pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.260/1; 1st version of S.529/2 <br /> |-<br /> | 529<br /> | A250/2<br /> | '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''<br /> | pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.260/2; 2nd version of S.529/1 <br /> |-<br /> | 530<br /> | A228<br /> | '''Hymne du Pape'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 531<br /> | A{{hs|0}}97<br /> | '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arrs. of various solo songs <br /> |-<br /> | 531/1<br /> | A{{hs|0}}97/1<br /> |<br /> : ''Die Loreley''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.273/1 <br /> |-<br /> | 531/2<br /> | A{{hs|0}}97/2<br /> |<br /> : ''Am Rhein in schönen Strome''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.272/1 <br /> |-<br /> | 531/3<br /> | A{{hs|0}}97/3<br /> |<br /> : ''Kennst du das Land''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.275/1 <br /> |-<br /> | 531/4<br /> | A{{hs|0}}97/4<br /> |<br /> : ''Es war ein König in Thule''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.278/1 <br /> |-<br /> | 531/5<br /> | A{{hs|0}}97/5<br /> |<br /> : ''Der du von dem Himmel bist''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.279/1 <br /> |-<br /> | 531/6<br /> | A{{hs|0}}97/6<br /> |<br /> : ''Angiolin''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.269/1 <br /> |-<br /> | 532<br /> | A209<br /> | '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of S.273/2 <br /> |-<br /> | 533<br /> | A{{hs|0}}98<br /> | '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | arr. of S.271 <br /> |-<br /> | 534/1<br /> | A{{hs|0}}81a<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.274/1<br /> |-<br /> | 534/2<br /> | A{{hs|0}}81b<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.301b/1<br /> |-<br /> | 534/2bis<br /> | A{{hs|0}}81c<br /> | '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d&amp;#39;album No.2]]'''<br /> | pf<br /> | <br /> | 1849<br /> | Keyboard<br /> | arr. of S.301b/2<br /> |-<br /> | 534/3<br /> | A{{hs|0}}81d<br /> | '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.274/2<br /> |-<br /> | —<br /> | A139<br /> | '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 535<br /> | A139/2<br /> |<br /> : ''Comment, disaient-ils''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.276/1<br /> |-<br /> | 536<br /> | A139/1<br /> |<br /> : ''Oh, quand je dors''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.282/1<br /> |-<br /> | 537<br /> | A139/3<br /> |<br /> : ''Enfant, si j&amp;#39;étais roi''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.283/1<br /> |-<br /> | 538<br /> | A139/4<br /> |<br /> : ''S&amp;#39;il est un charmant gazon''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.284/1<br /> |-<br /> | 539<br /> | A139/5<br /> |<br /> : ''La tombe et la rose''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.285 <br /> |-<br /> | 540<br /> | A139/6<br /> |<br /> : ''Gastibelza''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of S.286 <br /> |-<br /> | 540a<br /> | —<br /> | ''O lieb, so lang du lieben kannst!''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of S.298/1; original version lost; reconstructed by Leslie Howard<br /> |-<br /> | 541<br /> | A103<br /> | '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | <br /> |-<br /> | 541/1<br /> | A103/1<br /> |<br /> : ''Liebesträume No.1'' (Hohe Liebe)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.307 <br /> |-<br /> | 541/2<br /> | A103/2<br /> |<br /> : ''Liebesträume No.2 '' (Seliger Tod)<br /> | pf<br /> | E{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.308; an album leaf on themes from this work exist, entitled &quot;Nocturne No.2&quot;<br /> |-<br /> | 541/3<br /> | A103/3<br /> |<br /> : ''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)<br /> | pf<br /> | A{{flat}} major<br /> | 1850<br /> | Keyboard<br /> | arr. of S.298/2<br /> |-<br /> | 542/1<br /> | A191a<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | C major<br /> | 1857<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.542/2<br /> |-<br /> | 542/2<br /> | A191b<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | pf<br /> | F major<br /> | 1873<br /> | Keyboard<br /> | 2nd version of S.542/1<br /> |-<br /> | 542a<br /> | A194<br /> | '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1857–60?<br /> | Keyboard<br /> | arr. of S.315 <br /> |-<br /> | 542b<br /> | A268b<br /> | '''Fanfare zur Enthüllung des Carl-Augusts Monument'''<br /> | pf<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of Fanfare from S.92<br /> |-<br /> | 543<br /> | A309/1<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 543bis<br /> | A309/2<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pflh<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339 <br /> |-<br /> | 544<br /> | A328<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 545<br /> | A308<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 546<br /> | A282<br /> | '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (&amp;#1057;&amp;#1083;&amp;#1077;&amp;#1087;&amp;#1086;&amp;#1081;)<br /> | pf<br /> | <br /> | 1878<br /> | Keyboard<br /> | arr. of S.350 <br /> |-<br /> | 546a<br /> | —<br /> | ''O Roma nobilis''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.506b<br /> |-<br /> | 547<br /> | A{{hs|0}}72<br /> | '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''&lt;br&gt; (Lieders de Mendelssohn)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | <br /> |-<br /> | 547/1<br /> | A{{hs|0}}72/1<br /> |<br /> : ''Auf Flügeln des Gesanges'' (Les ailes du chant)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/2<br /> | A{{hs|0}}72/2<br /> |<br /> : ''Sonntagslied'' (Chant du dimanche)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/3<br /> | A{{hs|0}}72/3<br /> |<br /> : ''Reiselied'' (Chant du voyage)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 547/4<br /> | A{{hs|0}}72/4<br /> |<br /> : ''Neue Liebe'' (Amour nouveau)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/5<br /> | A{{hs|0}}72/5<br /> |<br /> : ''Frühlingslied'' (Chant du printemps)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}<br /> |-<br /> | 547/6<br /> | A{{hs|0}}72/6<br /> |<br /> : ''Winterlied'' (Chant d&amp;#39;hiver)<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}<br /> |-<br /> | 547/7<br /> | A{{hs|0}}72/7<br /> |<br /> : ''Suleika''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}<br /> |-<br /> | 548<br /> | A156<br /> | '''Mendelssohns Wasserfahrt und Jäger-Abschied'''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | <br /> |-<br /> | 548/1<br /> | A156/1<br /> |<br /> : ''Wasserfahrt''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 548/2<br /> | A156/2<br /> |<br /> : ''Der Jäger Abschied''<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}<br /> |-<br /> | 549<br /> | A206<br /> | '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)<br /> | pf<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}<br /> |-<br /> | 550<br /> | A220<br /> | '''Transcriptionen aus Mozarts Requiem ''' (2):<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/1<br /> | A220/1<br /> |<br /> : ''Confutatis maledictis''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 550/2<br /> | A220/2<br /> |<br /> : ''Lacrymosa''<br /> | pf<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 551<br /> | A270<br /> | '''Una stella amica''' (Polka mazurka de F. Pezzini)<br /> | pf<br /> | <br /> | 1874–75?<br /> | Keyboard<br /> | arr. of an unidentified waltz attributed to &amp;quot;F. Pezzini&amp;quot;<br /> |-<br /> | 551a<br /> | V{{hs|0}}3<br /> | '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)<br /> | pf<br /> | D{{flat}} major<br /> | 1854<br /> | Keyboard<br /> | additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}<br /> |-<br /> | 552<br /> | A{{hs|0}}54<br /> | '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}<br /> |-<br /> | 552a<br /> | —<br /> | '''Caritas ''' (nach Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a<br /> |-<br /> | 552b<br /> | —<br /> | '''La caritá''' (d'après Rossini)<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a<br /> |-<br /> | 553<br /> | A141<br /> | '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d&amp;#39;après Rossini]]''' (2):<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | <br /> |-<br /> | 553/1<br /> | A141/1<br /> |<br /> : ''Air du Stabat Mater''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682<br /> |-<br /> | 553/2<br /> | A141/2<br /> |<br /> : ''La charité''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b<br /> |-<br /> | 554/1<br /> | A304<br /> | '''O! Wenn es doch immer so bliebe! ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}<br /> |-<br /> | 554/2<br /> | A329<br /> | '''Der Asra ''' (Lied von Anton Rubinstein)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}<br /> |-<br /> | 554a<br /> | V{{hs|0}}5<br /> | '''{{hs|Etude}}Étude sur des notes fausses''' (Einleitung und Coda zu Anton Rubinsteins Etude)<br /> | pf<br /> | C major<br /> | 1880?<br /> | Keyboard<br /> | revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}<br /> |-<br /> | 555<br /> | A273<br /> | '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}<br /> |-<br /> | 556/1<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1833<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3<br /> |-<br /> | 556/2<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | 2nd version of S.556/1, S.556/3<br /> |-<br /> | 556/3<br /> | A{{hs|0}}17<br /> | '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | 3rd version of S.556/1, S.556/2<br /> |-<br /> | 557<br /> | A{{hs|0}}45<br /> | '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}<br /> |-<br /> | 557a<br /> | A{{hs|0}}42/{{hs|0}}4<br /> | '''Erlkönig''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis<br /> |-<br /> | 557b<br /> | A{{hs|0}}42/{{hs|0}}5<br /> | '''Meeresstille''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5 <br /> |-<br /> | 557c<br /> | A{{hs|0}}42/{{hs|0}}7<br /> | '''Frühlingsglaube''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis<br /> |-<br /> | 557d<br /> | A{{hs|0}}42/12<br /> | '''Ave Maria''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12 <br /> |-<br /> | 558<br /> | A{{hs|0}}42<br /> | '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | <br /> |-<br /> | 558/{{hs|0}}1<br /> | A{{hs|0}}42/{{hs|0}}1<br /> |<br /> : ''Sei mir gegrüßt'' (Sois toujours mes seuls amours)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}2<br /> | A{{hs|0}}42/{{hs|0}}2<br /> |<br /> : ''Auf dem Wasser zu singen'' (Barcarolle)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}3<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39;'' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis<br /> |-<br /> | 558/{{hs|0}}3bis<br /> | A{{hs|0}}42/{{hs|0}}3<br /> |<br /> : ''Du bist die Ruh&amp;#39; '' (L&amp;#39;attente)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/3 <br /> |-<br /> | 558/{{hs|0}}4<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis<br /> |-<br /> | 558/{{hs|0}}4bis<br /> | A{{hs|0}}42/{{hs|0}}4<br /> |<br /> : ''Erlkönig'' (Le roi des Aulnes)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557a, S.558/4 <br /> |-<br /> | 558/{{hs|0}}5<br /> | A{{hs|0}}42/{{hs|0}}5<br /> |<br /> : ''Meeresstille'' (La mer calme)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b<br /> |-<br /> | 558/{{hs|0}}6<br /> | A{{hs|0}}42{{hs|0}}/6<br /> |<br /> : ''Die junge Nonne '' (La jeune r éligieuse)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}<br /> |-<br /> | 558/{{hs|0}}7<br /> | A{{hs|0}}42{{hs|0}}/7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis<br /> |-<br /> | 558/{{hs|0}}7bis<br /> | A{{hs|0}}42/{{hs|0}}7<br /> |<br /> : ''Frühlingsglaube'' (Espoir dans le printemps)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 3rd version of S.557c, S.558/7 <br /> |-<br /> | 558/{{hs|0}}8<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade '' (Marguerite)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis<br /> |-<br /> | 558/{{hs|0}}8bis<br /> | A{{hs|0}}42/{{hs|0}}8<br /> |<br /> : ''Gretchen am Spinnrade'' (Marguerite)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/8 <br /> |-<br /> | 558/{{hs|0}}9<br /> | A{{hs|0}}42/{{hs|0}}9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis<br /> |-<br /> | 558/{{hs|0}}9bis<br /> | A{{hs|0}}42{{hs|0}}/9<br /> |<br /> : ''Ständchen von Shakespeare'' (La sérénade de Shakspeare)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/9 <br /> |-<br /> | 558/10<br /> | A{{hs|0}}42/10<br /> |<br /> : ''Rastlose Liebe''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}<br /> |-<br /> | 558/11<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis<br /> |-<br /> | 558/11bis<br /> | A{{hs|0}}42/11<br /> |<br /> : ''Der Wanderer'' (Le pèlerin)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | 2nd version of S.558/11 <br /> |-<br /> | 558/12<br /> | A{{hs|0}}42/12<br /> |<br /> : ''Ave Maria''<br /> | pf<br /> | <br /> | 1837–38<br /> | Keyboard<br /> | arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d <br /> |-<br /> | 559<br /> | A{{hs|0}}46<br /> | '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}<br /> |-<br /> | 559a<br /> | A{{hs|0}}49/7<br /> | '''La sérénade de Franz Schubert'''<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a<br /> |-<br /> | 560<br /> | A{{hs|0}}49<br /> | '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/1<br /> | A{{hs|0}}49/{{hs|0}}1<br /> |<br /> : ''Die Stadt''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/2<br /> | A{{hs|0}}49/{{hs|0}}2<br /> |<br /> : ''Das Fischermädchen''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/3<br /> | A{{hs|0}}49/{{hs|0}}3<br /> |<br /> : ''Aufenthalt''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/4<br /> | A{{hs|0}}49/{{hs|0}}4<br /> |<br /> : ''Am Meer''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/5<br /> | A{{hs|0}}49/{{hs|0}}5<br /> |<br /> : ''Abschied''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/6<br /> | A{{hs|0}}49/{{hs|0}}6<br /> |<br /> : ''In der Ferne''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/7<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a <br /> |-<br /> | 560/7a<br /> | A{{hs|0}}49/{{hs|0}}7<br /> |<br /> : ''Ständchen''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | 3rd version of S.559a, S.560/7<br /> |-<br /> | 560/8<br /> | A{{hs|0}}49/{{hs|0}}8<br /> |<br /> : ''Ihr Bild''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/9<br /> | A{{hs|0}}49/{{hs|0}}9<br /> |<br /> : ''Frühlingssehnsucht''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/10<br /> | A{{hs|0}}49/10<br /> |<br /> : ''Liebesbotschaft''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/11<br /> | A{{hs|0}}49/11<br /> |<br /> : ''Der Atlas''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/12<br /> | A{{hs|0}}49/12<br /> |<br /> : ''Der Doppelgänger''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/13<br /> | A{{hs|0}}49/13<br /> |<br /> : ''Die Taubenpost''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 560/14<br /> | A{{hs|0}}49/14<br /> |<br /> : ''Kriegers Ahnung''<br /> | pf<br /> | <br /> | 1838–39<br /> | Keyboard<br /> | arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}<br /> |-<br /> | 561<br /> | A{{hs|0}}50<br /> | '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/1<br /> | A{{hs|0}}50/{{hs|0}}1<br /> |<br /> : ''Gute Nacht''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/2<br /> | A{{hs|0}}50/{{hs|0}}2<br /> |<br /> : ''Die Nebensonnen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/3<br /> | A{{hs|0}}50/{{hs|0}}3<br /> |<br /> : ''Mut!''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/4<br /> | A{{hs|0}}50/{{hs|0}}4<br /> |<br /> : ''Die Post''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/5<br /> | A{{hs|0}}50/{{hs|0}}5<br /> |<br /> : ''Erstarrung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/6<br /> | A{{hs|0}}50/{{hs|0}}6<br /> |<br /> : ''Wasserflut''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/7<br /> | A{{hs|0}}50/{{hs|0}}7<br /> |<br /> : ''Der Lindenbaum''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/8<br /> | A{{hs|0}}50/{{hs|0}}8<br /> |<br /> : ''Der Leiermann''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/9<br /> | A{{hs|0}}50/{{hs|0}}9<br /> |<br /> : ''Täuschung''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/10<br /> | A{{hs|0}}50/10<br /> |<br /> : ''Das Wirtshaus''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/11<br /> | A{{hs|0}}50/11<br /> |<br /> : ''Der stürmische Morgen''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 561/12<br /> | A{{hs|0}}50/12<br /> |<br /> : ''Im Dorfe''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}<br /> |-<br /> | 562<br /> | A{{hs|0}}73<br /> | '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert '' <br /> |-<br /> | 562/1<br /> | A{{hs|0}}73/1<br /> |<br /> : ''Litaney''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}<br /> |-<br /> | 562/2<br /> | A{{hs|0}}73/2<br /> |<br /> : ''Himmelsfunken''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}<br /> |-<br /> | 562/3<br /> | A{{hs|0}}73/3<br /> |<br /> : ''Die Gestirne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}<br /> |-<br /> | 562/4<br /> | A{{hs|0}}73/4<br /> |<br /> : ''Hymne''<br /> | pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}<br /> |-<br /> | 563<br /> | A109<br /> | '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/1<br /> | A109/1<br /> |<br /> : ''Lebe wohl!''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | <br /> |-<br /> | 563/2<br /> | A109/2<br /> |<br /> : ''Mädchens Klage''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}<br /> |-<br /> | 563/3<br /> | A109/3<br /> |<br /> : ''Das Sterbeglöcklein''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}<br /> |-<br /> | 563/4<br /> | A109/4<br /> |<br /> : ''Trockne Blumen''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}<br /> |-<br /> | 563/5<br /> | A109/5<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6<br /> |-<br /> | 563/6<br /> | A109/6<br /> |<br /> : ''Die Forelle''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564<br /> |-<br /> | 564<br /> | A127<br /> | '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6<br /> |-<br /> | 565<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | 1st version of S.565bis <br /> |-<br /> | 565/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1<br /> |-<br /> | 565/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2<br /> |-<br /> | 565/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3<br /> |-<br /> | 565/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4<br /> |-<br /> | 565/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5<br /> |-<br /> | 565/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6<br /> |-<br /> | 565bis<br /> | A128<br /> | '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | 2nd (simplified) version of S.565 <br /> |-<br /> | 565bis/1<br /> | A128/1<br /> |<br /> : ''Das Wandern''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1<br /> |-<br /> | 565bis/2<br /> | A128/2<br /> |<br /> : ''Der Müller und der Bach ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2<br /> |-<br /> | 565bis/3<br /> | A128/3<br /> |<br /> : ''Der Jäger''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3<br /> |-<br /> | 565bis/4<br /> | A128/4<br /> |<br /> : ''Die böse Farbe''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4<br /> |-<br /> | 565bis/5<br /> | A128/5<br /> |<br /> : ''Wohin?''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5<br /> |-<br /> | 565bis/6<br /> | A128/6<br /> |<br /> : ''Ungeduld''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6<br /> |-<br /> | 565a<br /> | U14/1<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''<br /> | pf<br /> | C major<br /> | 1868<br /> | Keyboard<br /> | edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[4 Impromptus, D.899 (Schubert, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}<br /> |-<br /> | 565b<br /> | U14/2<br /> | '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|4 Impromptus von F. Schubert]]'''<br /> | pf<br /> | <br /> | 1868<br /> | Keyboard<br /> | <br /> |-<br /> | 566<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1848<br /> | Keyboard<br /> | arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a<br /> |-<br /> | 566a<br /> | A133<br /> | '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)<br /> | pf<br /> | <br /> | 1850-59?<br /> | Keyboard<br /> | 2nd version of S.566<br /> |-<br /> | 567<br /> | A212<br /> | '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | <br /> |-<br /> | 567/1<br /> | A212/1<br /> |<br /> : ''An den Sonnenschein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}<br /> |-<br /> | 567/2<br /> | A212/2<br /> |<br /> : ''Rotes Röslein''<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}<br /> |-<br /> | 568<br /> | A257<br /> | '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}<br /> |-<br /> | 569<br /> | A264a<br /> | '''Lieder von Robert und Clara Schumann ''' (10):<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | <br /> |-<br /> | 569/1<br /> | A264a/1<br /> |<br /> : ''Weihnachtslied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/2<br /> | A264a/2<br /> |<br /> : ''Die wandelnde Glocke''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/3<br /> | A264a/3<br /> |<br /> : ''Frühlings Ankunft''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/4<br /> | A264a/4<br /> |<br /> : ''Des Sennen Abschied''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/5<br /> | A264a/5<br /> |<br /> : ''Er ist&amp;#39;s''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}<br /> |-<br /> | 569/6<br /> | A264a/6<br /> |<br /> : ''Nur wer die Sehnsucht kennt''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/7<br /> | A264a/7<br /> |<br /> : ''An die Türen will ich schleichen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}<br /> |-<br /> | 569/8<br /> | A264b/1<br /> |<br /> : ''Warum willst du and&amp;#39;re fragen''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.9 of ''Gedichte aus Ru&amp;#776;ckerts Liebesfru&amp;#776;hling'', Op.12, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/9<br /> | A264b/2<br /> |<br /> : ''Ich hab&amp;#39; in deinem Auge''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 569/10<br /> | A264b/3<br /> |<br /> : ''Geheimes Flüstern hier und dort''<br /> | pf<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}<br /> |-<br /> | 570<br /> | A306<br /> | '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}<br /> |-<br /> | 570a<br /> | V16<br /> | '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)<br /> | pf<br /> | F{{sharp}} major<br /> | 1885<br /> | Keyboard<br /> | additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bed&amp;#345;ich}}<br /> |-<br /> | 571<br /> | A275<br /> | '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)<br /> | pf<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}<br /> |-<br /> | 571a<br /> | V15<br /> | '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a <br /> |-<br /> | 572<br /> | A292<br /> | '''Marche hongroise de Szabadi''' (Revive Szegedin!)<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.<br /> |-<br /> | 573<br /> | A258<br /> | '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )<br /> | pf<br /> | <br /> | 1872<br /> | Keyboard<br /> | based on the ''Ungarischer Marsch'' by Imre Széchényi<br /> |-<br /> | 573a<br /> | A297<br /> | '''Seconda Mazurka di Tirindelli'''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli<br /> |-<br /> | 574<br /> | A122<br /> | '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}<br /> |-<br /> | 575<br /> | A129<br /> | '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}<br /> |-<br /> | 576<br /> | A121<br /> | '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''<br /> | pf<br /> | <br /> | 1846<br /> | Keyboard<br /> | arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}<br /> |-<br /> | 576a<br /> | —<br /> | '''Konzertstück''' (von Weber)<br /> | pf<br /> | <br /> | 1868–70<br /> | Keyboard<br /> | arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}<br /> |-<br /> | 577/1<br /> | A{{hs|0}}87<br /> | '''I Love''' (Romanze von Wielhorski)<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | arr. of the romance'' I Love'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter<br /> |-<br /> | 577/2<br /> | A{{hs|0}}87<br /> | '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | 4th version of S.577/1, S.577bis, and S.577ter<br /> |-<br /> | 577bis<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1842?<br /> | Keyboard<br /> | 1st version of S.577ter, S.577/1, and S.577/2<br /> |-<br /> | 577ter<br /> | — <br /> | '''Romance &quot;Lyubila ya&quot;'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | 3rd version of S.577bis, S.577/1, and S.577/2<br /> |- style=&quot;background:silver&quot; id=&quot;Piano duet arr&quot;<br /> | {{hs|999}}577a-634b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Piano duet (4 hands)'''<br /> |-<br /> | 577a<br /> | T33<br /> | '''12 Nocturnes''' (John Field)<br /> | pf4h<br /> | <br /> | 1877 <br /> | Keyboard<br /> | <br /> |-<br /> | 577a/{{hs|0}}1<br /> | T33/{{hs|0}}1<br /> |<br /> : ''Nocturne No.1''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}2<br /> | T33/{{hs|0}}2<br /> |<br /> : ''Nocturne No.2''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}3<br /> | T33/{{hs|0}}3<br /> |<br /> : ''Nocturne No.3''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}4<br /> | T33/{{hs|0}}4<br /> |<br /> : ''Nocturne No.4''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}5<br /> | T33/{{hs|0}}5<br /> |<br /> : ''Nocturne No.5''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}6<br /> | T33/{{hs|0}}6<br /> |<br /> : ''Nocturne No.6''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}7<br /> | T33/{{hs|0}}7<br /> |<br /> : ''Nocturne No.7''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}8<br /> | T33/{{hs|0}}8<br /> |<br /> : ''Nocturne No.8''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/{{hs|0}}9<br /> | T33/{{hs|0}}9<br /> |<br /> : ''Nocturne No.9''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/10<br /> | T33/10<br /> |<br /> : ''Nocturne No.10''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/11<br /> | T33/11<br /> |<br /> : ''Nocturne No.11''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}<br /> |-<br /> | 577a/12<br /> | T33/12<br /> |<br /> : ''Nocturne No.12''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of ''Nocturne No.18'' in E major (&amp;quot;Midi&amp;quot;), H.13, by {{LinkComp|John|Field}}<br /> |-<br /> | 578<br /> | B27<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. from S.2 <br /> |-<br /> | 578/1<br /> | B27/1<br /> |<br /> : ''Orchester Einleitung''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of Introduction from S.2<br /> |-<br /> | 578/2<br /> | B27/2<br /> |<br /> : ''Marsch der Kreuzritter''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.3e from S.2 <br /> |-<br /> | 578/3<br /> | B27/3<br /> |<br /> : ''Der Sturm''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.4d from S.2 <br /> |-<br /> | 578/4<br /> | B27/4<br /> |<br /> : ''Interludium''<br /> | pf4h<br /> | <br /> | 1862–66?<br /> | Keyboard<br /> | arr. of No.6a from S.2 <br /> |-<br /> | 579<br /> | B30<br /> | '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. from S.3 <br /> |-<br /> | 579/1<br /> | B30/1<br /> |<br /> : ''Hirtengespiel an der Krippe''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.4 from S.3 <br /> |-<br /> | 579/2<br /> | B30/2<br /> |<br /> : ''Die heiligen drei Könige''<br /> | pf4h<br /> | <br /> | 1866–73?<br /> | Keyboard<br /> | arr. of No.5 from S.3 <br /> |-<br /> | 580<br /> | B42<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of prelude from S.6<br /> |-<br /> | 581<br /> | B31<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. from S.11<br /> |-<br /> | 581/1<br /> | B31/1<br /> |<br /> : ''Benedictus''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 581/2<br /> | B31/2<br /> |<br /> : ''Offertorium''<br /> | pf4h<br /> | <br /> | 1869<br /> | Keyboard<br /> | arr. of No.7 from S.11<br /> |-<br /> | 582<br /> | B53<br /> | '''O Lamm Gottes!'''<br /> | pf4h<br /> | <br /> | 1878-79<br /> | Keyboard<br /> | arr. of S.504b/7<br /> |-<br /> | 583<br /> | B52<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | pf4h<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.53 <br /> |-<br /> | 584<br /> | B{{hs|0}}6<br /> | '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''<br /> | pf4h<br /> | <br /> | 1845<br /> | Keyboard<br /> | arr. of S.67 <br /> |-<br /> | 585<br /> | B24<br /> | '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)<br /> | pf4h<br /> | <br /> | 1861<br /> | Keyboard<br /> | arr. of No.4 from S.69/2<br /> |-<br /> | 586<br /> | B34<br /> | '''Gaudeamus igitur''' (Humoreske)<br /> | pf4h<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.71a<br /> |-<br /> | 587<br /> | B{{hs|0}}7<br /> | '''Marche héroique'''<br /> | pf4h<br /> | <br /> | 1848?<br /> | Keyboard<br /> | arr. of S.510 <br /> |-<br /> | 588<br /> | B16<br /> | '''Weimars Volkslied'''<br /> | pf4h<br /> | <br /> | 1857<br /> | Keyboard<br /> | arr. of S.313<br /> |-<br /> | 589<br /> | B37<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.95 (3rd version) <br /> |-<br /> | 590<br /> | B20<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 591<br /> | B12<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | pf4h<br /> | <br /> | 1853–58<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 592<br /> | B17<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | pf4h<br /> | <br /> | 1858<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 593<br /> | B18<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 594<br /> | B38<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 595<br /> | B13<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | pf4h<br /> | <br /> | 1854–61<br /> | Keyboard<br /> | arr. of S.101<br /> |-<br /> | 596<br /> | B39<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 596a<br /> | B49<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' &lt;br&gt;(Symphonic Poem No.8)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.102<br /> |-<br /> | 596b<br /> | B51<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 596c<br /> | B44<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | pf4h<br /> | <br /> | 1874–77<br /> | Keyboard<br /> | arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}<br /> |-<br /> | 597<br /> | B40<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 598<br /> | B55<br /> | '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) &lt;br&gt;(Symphonic Poem No.13)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.107 <br /> |-<br /> | 599<br /> | B15<br /> | '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110 <br /> |-<br /> | 599/1<br /> | B15/1<br /> |<br /> : ''Der nächtliche Zug''<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/1 <br /> |-<br /> | 599/2<br /> | B15/2<br /> |<br /> : ''Der Tanz in der Dorfschenke'' (Mephisto Waltz)<br /> | pf4h<br /> | <br /> | 1856–61?<br /> | Keyboard<br /> | arr. of S.110/2 <br /> |-<br /> | 600<br /> | B54<br /> | '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1880–81<br /> | Keyboard<br /> | arr. of S.515 <br /> |-<br /> | —<br /> | B23<br /> | '''Odes funèbres''' (3):<br /> | pf4h<br /> | <br /> | 1860–69<br /> | Keyboard<br /> | arr. from S.112<br /> |-<br /> | 601<br /> | B23/1<br /> |<br /> : ''Les morts''<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.112/1 <br /> |-<br /> | 602<br /> | B23/2<br /> |<br /> : ''La notte''<br /> | pf4h<br /> | <br /> | 1866<br /> | Keyboard<br /> | arr. of S.112/2 <br /> |-<br /> | 603<br /> | B23/3<br /> |<br /> : {{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}<br /> | pf4h<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3 <br /> |-<br /> | 604/1<br /> | B28/1<br /> | '''Boze co&amp;#347; Polsk&amp;#281;'''<br /> | pf4h<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.113/1 <br /> |-<br /> | 604/2<br /> | B28/2<br /> | '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)<br /> | pf4h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.113/2 <br /> |-<br /> | 605<br /> | B22<br /> | '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1859<br /> | Keyboard<br /> | arr. of S.114 <br /> |-<br /> | 606<br /> | B19<br /> | '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1858?<br /> | Keyboard<br /> | arr. of S.115<br /> |-<br /> | 607<br /> | B21<br /> | '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''<br /> | pf4h<br /> | <br /> | 1858–59<br /> | Keyboard<br /> | arr. of S.116 <br /> |-<br /> | 608<br /> | B33<br /> | '''Rákóczi-Marsch'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 609<br /> | B32<br /> | '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.118<br /> |-<br /> | 610<br /> | B46<br /> | '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.119<br /> |-<br /> | 611<br /> | W{{hs|0}}7<br /> | '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)<br /> | pf4h<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. of S.129; Liszt's authorship doubtful<br /> |-<br /> | 612<br /> | B36<br /> | '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1874<br /> | Keyboard<br /> | arr. of S.196 <br /> |-<br /> | 612a<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a; 1st version of S.613<br /> |-<br /> | 612a/1<br /> | B43/1<br /> |<br /> : ''Psallite'' (Altes Weihnacthen)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/1; 1st version of S.613/1 <br /> |-<br /> | 612a/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/2; 1st version of S.613/2<br /> |-<br /> | 612a/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/3; 1st version of S.613/3<br /> |-<br /> | 612a/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige) <br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/4; 1st version of S.613/4<br /> |-<br /> | 612a/5<br /> | B43/5<br /> |<br /> : ''Scherzoso''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/5; 1st version of S.613/5<br /> |-<br /> | 612a/6<br /> | B43/6<br /> |<br /> : ''Reveille-Matin'' (Wecker)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/6; 1st version of S.613/6<br /> |-<br /> | 612a/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/7; 1st version of S.613/7<br /> |-<br /> | 612a/8<br /> | B43/8<br /> |<br /> : (Alt-provenzalisches Noel)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/8; 1st version of S.613/8<br /> |-<br /> | 612a/9<br /> | B43/9<br /> |<br /> : (Abendglocken)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/9; 1st version of S.613/9<br /> |-<br /> | 612a/10<br /> | B43/10<br /> |<br /> : (Ehemals)<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/10; 1st version of S.613/10<br /> |-<br /> | 612a/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/11; 1st version of S.613/11<br /> |-<br /> | 612a/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1875?<br /> | Keyboard<br /> | arr. of S.185a/12; 1st version of S.613/12<br /> |-<br /> | 613<br /> | B43<br /> | '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186; 2nd version of S.613 <br /> |-<br /> | 613/1<br /> | B43/1<br /> |<br /> : ''Altes Weihnacthen'' (Psalite)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/1; 2nd version of S.613/1<br /> |-<br /> | 613/2<br /> | B43/2<br /> |<br /> : ''O heilige Nacht!''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/2; 2nd version of S.613/2<br /> |-<br /> | 613/3<br /> | B43/3<br /> |<br /> : ''Die Hirten an der Krippe'' (&amp;quot;In dulci jubilo&amp;quot;)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/3; 2nd version of S.613/3<br /> |-<br /> | 613/4<br /> | B43/4<br /> |<br /> : ''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/4; 2nd version of S.613/4<br /> |-<br /> | 613/5<br /> | B43/5<br /> |<br /> : ''Scherzoso '' (Man zündet die Kerzen des Baumes an)<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/5; 2nd version of S.613/5<br /> |-<br /> | 613/6<br /> | B43/6<br /> |<br /> : ''Carillon''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/6; 2nd version of S.613/6<br /> |-<br /> | 613/7<br /> | B43/7<br /> |<br /> : ''Schlummerlied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/7; 2nd version of S.613/7<br /> |-<br /> | 613/8<br /> | B43/8<br /> |<br /> : ''Altes provenzalisches Weihnachtslied''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/8; 2nd version of S.613/8<br /> |-<br /> | 613/9<br /> | B43/9<br /> |<br /> : ''Abendglocken''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/9; 2nd version of S.613/9<br /> |-<br /> | 613/10<br /> | B43/10<br /> |<br /> : ''Ehemals''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/10; 2nd version of S.613/10<br /> |-<br /> | 613/11<br /> | B43/11<br /> |<br /> : ''Ungarisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/11; 2nd version of S.613/11<br /> |-<br /> | 613/12<br /> | B43/12<br /> |<br /> : ''Polnisch''<br /> | pf4h<br /> | <br /> | 1876–81<br /> | Keyboard<br /> | arr. of S.186/12; 2nd version of S.613/12<br /> |-<br /> | 614<br /> | B50<br /> | '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.349 <br /> |-<br /> | 615<br /> | B{{hs|0}}1<br /> | '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)<br /> | pf4h<br /> | <br /> | 1836<br /> | Keyboard<br /> | arr. of S.209 <br /> |-<br /> | 615a<br /> | —<br /> | '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.216<br /> |-<br /> | 616<br /> | B{{hs|0}}2<br /> | '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1838<br /> | Keyboard<br /> | arr. of S.219 <br /> |-<br /> | 617<br /> | B56<br /> | '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1881–82<br /> | Keyboard<br /> | arr. of S.224 [by Liszt and János Végh?]<br /> |-<br /> | 618<br /> | W11<br /> | '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''<br /> | pf4h<br /> | <br /> | 1884?<br /> | Keyboard<br /> | arr. of S.225/2 [Liszt's authorship uncertain]<br /> |-<br /> | 618a<br /> | B14<br /> | '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)<br /> | pf4h<br /> | <br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.229 <br /> |-<br /> | 619<br /> | B59<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.230 <br /> |-<br /> | 619a<br /> | B48<br /> | '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1876<br /> | Keyboard<br /> | arr. of S.230a<br /> |-<br /> | 620<br /> | B{{hs|0}}3<br /> | '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)<br /> | pf4h<br /> | <br /> | 1840–41<br /> | Keyboard<br /> | arr. of S.234 <br /> |-<br /> | 621<br /> | B41<br /> | '''Hungarian Rhapsodies''' (6):<br /> | pf4h<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.359 <br /> |-<br /> | 621/1<br /> | B41/1<br /> |<br /> : ''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''<br /> | pf4h<br /> | F minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/1 (based on S.244/14)<br /> |-<br /> | 621/2<br /> | B41/2<br /> |<br /> : ''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/2 (based on S.244/12)<br /> |-<br /> | 621/3<br /> | B41/3<br /> |<br /> : ''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''<br /> | pf4h<br /> | D major<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/3 (based on S.244/6)<br /> |-<br /> | 621/4<br /> | B41/4<br /> |<br /> : ''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''<br /> | pf4h<br /> | D minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/4 (based on S.244/2)<br /> |-<br /> | 621/5<br /> | B41/5<br /> |<br /> : ''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)<br /> | pf4h<br /> | E minor<br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/5 (based on S.244/5)<br /> |-<br /> | 621/6<br /> | B41/6<br /> |<br /> : ''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)<br /> | pf4h<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.359/6 (based on S.244/9)<br /> |-<br /> | 622<br /> | B57<br /> | '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''<br /> | pf4h<br /> | <br /> | 1882<br /> | Keyboard<br /> | arr. of S.244/16 <br /> |-<br /> | 623<br /> | W12<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885<br /> | Keyboard<br /> | arr. of S.244/18 (Liszt's authorshop doubtful)<br /> |-<br /> | 623a<br /> | W13<br /> | '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1885?<br /> | Keyboard<br /> | arr. of S.244/19 (Liszt's authorshop doubtful)<br /> |-<br /> | 624<br /> | B{{hs|0}}8<br /> | '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1850<br /> | Keyboard<br /> | arr. of S.259; published as S.414/4<br /> |-<br /> | 625<br /> | B29<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.261 <br /> |-<br /> | 626<br /> | B60<br /> | '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)<br /> | pf4h<br /> | <br /> | 1883<br /> | Keyboard<br /> | arr. of S.340 <br /> |-<br /> | 627<br /> | B{{hs|0}}9<br /> | '''[[Fantaisie sur des motifs favoris de l’opéra La sonnambula, S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''<br /> | pf4h<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.393 <br /> |-<br /> | 628<br /> | B10<br /> | '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)<br /> | pf4h<br /> | <br /> | 1852–53<br /> | Keyboard<br /> | arr. of S.396 <br /> |-<br /> | 628a<br /> | B{{hs|0}}5<br /> | '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1844?<br /> | Keyboard<br /> | arr. of S.398 <br /> |-<br /> | 628b<br /> | —<br /> | '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) <br /> | pf4h<br /> | <br /> | 1873<br /> | Keyboard<br /> | arr. of S.353 (Liszt's authorship doubtful)<br /> |-<br /> | 629<br /> | B45<br /> | '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''<br /> | pf4h<br /> | <br /> | 1875<br /> | Keyboard<br /> | arr. of S.406/2<br /> |-<br /> | 630<br /> | W{{hs|0}}2<br /> | '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)<br /> | pf4h<br /> | <br /> | 1841-43<br /> | Keyboard<br /> | arr. of S.413 (Liszt's authorship doubtful) <br /> |-<br /> | 631<br /> | B11<br /> | '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421 <br /> |-<br /> | 631/1<br /> | B11/1<br /> |<br /> : ''Andante''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/1 <br /> |-<br /> | 631/2<br /> | B11/2<br /> |<br /> : ''Marsch''<br /> | pf4h<br /> | <br /> | 1853?<br /> | Keyboard<br /> | arr. of S.421/2 <br /> |-<br /> | 632<br /> | B35<br /> | '''Franz Schuberts Märsche''' (4)<br /> | pf4h<br /> | <br /> | 1859–70<br /> | Keyboard<br /> | arr. from S.363<br /> |-<br /> | 632/1<br /> | B35/1<br /> |<br /> : (Vivace)<br /> | pf4h<br /> | B minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/1<br /> |-<br /> | 632/2<br /> | B35/2<br /> |<br /> : ''Trauermarsch''<br /> | pf4h<br /> | E{{flat}} minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/2<br /> |-<br /> | 632/3<br /> | B35/3<br /> |<br /> : ''Reitermarsch''<br /> | pf4h<br /> | C major<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/3<br /> |-<br /> | 632/4<br /> | B35/4<br /> |<br /> : ''Ungarischer Marsch''<br /> | pf4h<br /> | D minor<br /> | 1859–70<br /> | Keyboard<br /> | arr. of S.363/4<br /> |-<br /> | 633<br /> | B26<br /> | '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d&amp;#39;Allegri et Ave verum Corpus de Mozart)<br /> | pf4h<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of S.461/2<br /> |-<br /> | 634<br /> | B{{hs|0}}4<br /> | '''Grand septuor de Beethoven'''<br /> | pf4h<br /> | <br /> | 1840–42<br /> | Keyboard<br /> | arr. of S.465 <br /> |-<br /> | 634a<br /> | B47<br /> | '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse) <br /> | pf4h<br /> | <br /> | 1875–81?<br /> | Keyboard<br /> | arr. of &amp;quot;&lt;em style=&quot;font-style: normal&quot;&gt;Der, welcher wandelt diese Straße&lt;/em&gt; voll Beschwerden&amp;quot; from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}<br /> |-<br /> | 634b<br /> | B25<br /> | '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445 <br /> |-<br /> | 634b/1<br /> | B25/1<br /> |<br /> : ''Einzug der Gäste auf der Wartburg''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/1a<br /> |-<br /> | 634b/2<br /> | B25/2<br /> |<br /> : ''Elsas Brautzug zum Münster''<br /> | pf4h<br /> | <br /> | 1862?<br /> | Keyboard<br /> | arr. of S.445/2 <br /> |- style=&quot;background:silver&quot; id=&quot;Two pianos arr&quot;<br /> | {{hs|999}}635-657b<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Two pianos'''<br /> |-<br /> | 635<br /> | C{{hs|0}}9<br /> | '''{{LinkWorkN|Ce qu&amp;#39;on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.95<br /> |-<br /> | 636<br /> | C10<br /> | '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.2)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.96 <br /> |-<br /> | 637<br /> | C11<br /> | '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''&lt;br&gt;(Symphonic Poem No.3)<br /> | 2pf<br /> | <br /> | 1855?<br /> | Keyboard<br /> | arr. of S.97 <br /> |-<br /> | 638<br /> | C12<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.98 <br /> |-<br /> | 639<br /> | C14<br /> | '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.5)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.99 <br /> |-<br /> | 640<br /> | C13<br /> | '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.6)<br /> | 2pf<br /> | <br /> | 1855<br /> | Keyboard<br /> | arr. of S.100 <br /> |-<br /> | 641<br /> | C{{hs|0}}7<br /> | '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.7)<br /> | 2pf<br /> | <br /> | 1853<br /> | Keyboard<br /> | arr. of S.101 <br /> |-<br /> | 642<br /> | C15<br /> | '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.8)<br /> | 2pf<br /> | <br /> | 1854–56<br /> | Keyboard<br /> | arr. of S.102 <br /> |-<br /> | 643<br /> | C16<br /> | '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.9)<br /> | 2pf<br /> | <br /> | 1855–56<br /> | Keyboard<br /> | arr. of S.103 <br /> |-<br /> | 644<br /> | C22<br /> | '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''&lt;br&gt;(Symphonic Poem No.10)<br /> | 2pf<br /> | <br /> | 1858–60<br /> | Keyboard<br /> | arr. of S.104 <br /> |-<br /> | 645<br /> | C21<br /> | '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.11)<br /> | 2pf<br /> | <br /> | 1857–60<br /> | Keyboard<br /> | arr. of S.105 <br /> |-<br /> | 646<br /> | C17<br /> | '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' &lt;br&gt;(Symphonic Poem No.12)<br /> | 2pf<br /> | <br /> | 1857–58<br /> | Keyboard<br /> | arr. of S.106 <br /> |-<br /> | 647<br /> | C19<br /> | '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)<br /> | 2pf<br /> | <br /> | 1856<br /> | Keyboard<br /> | arr. of S.108 <br /> |-<br /> | 648<br /> | C20<br /> | '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)<br /> | 2pf<br /> | <br /> | 1856–57<br /> | Keyboard<br /> | arr. of S.109 <br /> |-<br /> | 649<br /> | C{{hs|0}}6<br /> | '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''<br /> | 2pf<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of S.122 <br /> |-<br /> | 650<br /> | C{{hs|0}}8<br /> | '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''<br /> | 2pf<br /> | E{{flat}} major<br /> | 1853–56?<br /> | Keyboard<br /> | arr. of S.124 <br /> |-<br /> | 651<br /> | C23<br /> | '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''<br /> | 2pf<br /> | A major<br /> | 1859<br /> | Keyboard<br /> | arr. of S.125 <br /> |-<br /> | 652<br /> | C24<br /> | '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1859–65?<br /> | Keyboard<br /> | arr. of S.126/2<br /> |-<br /> | 652a<br /> | C25<br /> | '''Rákóczi-Marsch'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.117 <br /> |-<br /> | 653<br /> | C{{hs|0}}5<br /> | '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''<br /> | 2pf<br /> | C major<br /> | 1851–62?<br /> | Keyboard<br /> | arr. of S.366<br /> |-<br /> | 654/1<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1840<br /> | Keyboard<br /> | arr. of S.392; 1st version <br /> |-<br /> | 654/2<br /> | C{{hs|0}}2<br /> | '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)<br /> | 2pf<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. of S.392; 2nd version <br /> |-<br /> | 655<br /> | C{{hs|0}}3<br /> | '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1845–74?<br /> | Keyboard<br /> | arr. of S.394 <br /> |-<br /> | 656<br /> | C26<br /> | '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)<br /> | 2pf<br /> | <br /> | 1876–77<br /> | Keyboard<br /> | arr. of S.418 <br /> |-<br /> | 657<br /> | C{{hs|0}}4<br /> | '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | D minor<br /> | 1851<br /> | Keyboard<br /> | arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9<br /> |-<br /> | 657a/1<br /> | C27<br /> | '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | C minor<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a<br /> |-<br /> | 657a/2<br /> | C28<br /> | '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]<br /> | 2pf<br /> | G major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657a/3<br /> | C29<br /> | '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]<br /> | 2pf<br /> | E{{flat}} major<br /> | 1878–79<br /> | Keyboard<br /> | arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}<br /> |-<br /> | 657b<br /> | C30<br /> | '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''<br /> | 2pf8h<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.230 <br /> |- style=&quot;background:silver&quot; id=&quot;Organ arr&quot;<br /> | {{hs|999}}658-676<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ'''<br /> |-<br /> | 658<br /> | E15<br /> | '''Evocation á la Chapelle Sixtine'''<br /> | org/harm<br /> | <br /> | 1862–65?<br /> | Keyboard<br /> | arr. of S.461<br /> |-<br /> | 659<br /> | E14<br /> | '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.183/2<br /> |-<br /> | 660/1<br /> | E{{hs|0}}9<br /> | '''Einleitung und Fuge ''' (aus der Motette Ich hatte viel Bekümmernis)<br /> | org/harm<br /> | <br /> | 1860–66<br /> | Keyboard<br /> | arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}<br /> |-<br /> | 660/2<br /> | E{{hs|0}}5<br /> | '''Andante ''' (Aus tiefer Not)<br /> | org/harm<br /> | <br /> | 1856–60?<br /> | Keyboard<br /> | arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}<br /> |-<br /> | 661<br /> | E13<br /> | '''Adagio vom Bach'''<br /> | org/harm<br /> | <br /> | 1861–63<br /> | Keyboard<br /> | arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}<br /> |-<br /> | 662/1<br /> | E16/1<br /> | '''Prelude'''<br /> | org<br /> | E minor<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 662/2<br /> | E16/2<br /> | '''Prelude'''<br /> | org<br /> | E major<br /> | 1862–63?<br /> | Keyboard<br /> | arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}<br /> |-<br /> | 663<br /> | E21<br /> | '''Regina coeli laetare'''<br /> | org/harm<br /> | <br /> | 1865<br /> | Keyboard<br /> | arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}<br /> |-<br /> | 663a<br /> | E25<br /> | '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''<br /> | org/harm<br /> | <br /> | 1872<br /> | Keyboard<br /> | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2<br /> |-<br /> | 664/1<br /> | E19b/1<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org/harm<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of No.8 from S.3; 1st version of S.664/2<br /> |-<br /> | 664/2<br /> | E19b/2<br /> | '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''<br /> | org<br /> | <br /> | 1867<br /> | Keyboard<br /> | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1<br /> |-<br /> | 665<br /> | E35<br /> | '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''<br /> | org<br /> | <br /> | 1880<br /> | Keyboard<br /> | arr. of the prelude from S.4/2 <br /> |-<br /> | 666<br /> | E26<br /> | '''Preludio''' (Excelsior!)<br /> | org (+ ch)<br /> | <br /> | 1874–75<br /> | Choral<br /> | arr. of prelude from S.6<br /> |-<br /> | 667<br /> | E23<br /> | '''Offertorium aus der Ungarischen Krönungsmesse'''<br /> | org/harm<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. of No.5 from S.11<br /> |-<br /> | 667a<br /> | —<br /> | '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)<br /> | org<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. of S.14/1<br /> |-<br /> | 667b/1<br /> | —<br /> | '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)<br /> | org<br /> | <br /> | 1842?<br /> | Keyboard<br /> | arr. of S.20/1<br /> |-<br /> | 667b/2<br /> | E{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1856–59?<br /> | Keyboard<br /> | arr. of S.20/2; incomplete sketch as S.701n<br /> |-<br /> | 667c<br /> | E24<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | harm<br /> | D major<br /> | 1869<br /> | Keyboard<br /> | arr. of S.38<br /> |-<br /> | 668<br /> | E18<br /> | '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1863<br /> | Keyboard<br /> | arr. of S.33<br /> |-<br /> | 668a<br /> | E27/2a<br /> | '''Ave maris stella'''<br /> | harm<br /> | <br /> | 1871<br /> | Keyboard<br /> | arr. of S.34; 1st version of S.669/2<br /> |-<br /> | 669<br /> | E27<br /> | '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/1<br /> | E27/1<br /> |<br /> : ''Salve Regina''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | <br /> |-<br /> | 669/2<br /> | E27/2b<br /> |<br /> : ''Ave maris stella''<br /> | org/harm<br /> | <br /> | 1877<br /> | Keyboard<br /> | arr. of S.34; 2nd version of S.668a<br /> |-<br /> | 669a<br /> | —<br /> | '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):<br /> | v ch pf/org<br /> | <br /> | 1878-1879<br /> | Choral<br /> | arr. from S.50<br /> |-<br /> | 669a/1<br /> | —<br /> |<br /> : ''Es segne uns Gott''<br /> | ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/1<br /> |-<br /> | 669a/2<br /> | —<br /> |<br /> : ''Gott sei gnädig'' (Der Kirchensegen)<br /> | v/ch org<br /> | <br /> | 1878–79<br /> | Choral<br /> | arr. of S.50/2<br /> |-<br /> | 669a/3<br /> | —<br /> |<br /> : ''Nun ruhen alle Wälder''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/3<br /> |-<br /> | 669a/4<br /> | —<br /> |<br /> : ''O Haupt voll Blut und Wunden''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/4<br /> |-<br /> | 669a/5<br /> | —<br /> |<br /> : ''O Lamm Gottes!''<br /> | v pf/org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/5<br /> |-<br /> | 669a/6<br /> | —<br /> |<br /> : ''Was Gott tut, das ist wohlgetan''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/6<br /> |-<br /> | 669a/7<br /> | —<br /> |<br /> : ''Wer nur den lieben Gott läßt walten''<br /> | v org<br /> | <br /> | 1878–79<br /> | Vocal<br /> | arr. of S.50/7<br /> |-<br /> | 669b<br /> | E31<br /> | '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)<br /> | org<br /> | <br /> | 1876–79<br /> | Keyboard<br /> | arr. of S.53<br /> |-<br /> | 669c<br /> | —<br /> | '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1878–79<br /> | Keyboard<br /> | arr. of S.54<br /> |-<br /> | 670<br /> | E34<br /> | '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. from S.56<br /> |-<br /> | 670/1<br /> | E34/1<br /> |<br /> : ''Mysteria gaudiosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/1<br /> |-<br /> | 670/2<br /> | E34/2<br /> |<br /> : ''Mysteria dolorosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/2<br /> |-<br /> | 670/3<br /> | E34/3<br /> |<br /> : ''Mysteria gloriosa'' <br /> | org/harm<br /> | <br /> | 1879<br /> | Keyboard<br /> | arr. of S.56/3<br /> |-<br /> | 671<br /> | E40<br /> | '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.57<br /> |-<br /> | 671a<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | org<br /> | <br /> | 1883?<br /> | Keyboard<br /> | arr. of S.60<br /> |-<br /> | 672/1<br /> | E{{hs|0}}6/1<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1857–63?<br /> | Keyboard<br /> | arr. of S.313; 1st version of S.672/2<br /> |-<br /> | 672/2<br /> | E{{hs|0}}6/2<br /> | '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.313; 2nd version of S.672/1<br /> |-<br /> | 672a<br /> | E11<br /> | '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}&lt;br&gt;''' (Symphonic Poem No.4)<br /> | org/harm<br /> | <br /> | 1860–72<br /> | Keyboard<br /> | arr. of S.98<br /> |-<br /> | 672b<br /> | E{{hs|0}}8<br /> | '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109<br /> |-<br /> | 672c<br /> | E30<br /> | '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''<br /> | harm<br /> | <br /> | 1877–82<br /> | Keyboard<br /> | arr. of S.163/1<br /> |-<br /> | 672d<br /> | E22<br /> | '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):<br /> | org/harm<br /> | <br /> | 1866–79<br /> | Keyboard<br /> | arr. from S.172<br /> |-<br /> | 672d/1<br /> | E22/1<br /> |<br /> : (Lento placido)<br /> | org/harm<br /> | A major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/3<br /> |-<br /> | 672d/2<br /> | E22/2<br /> |<br /> : (Adagio)<br /> | org/harm<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/3<br /> | E22/3<br /> |<br /> : (Andantino)<br /> | org/harm<br /> | E major<br /> | 1872–73?<br /> | Keyboard<br /> | arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}<br /> |-<br /> | 672d/4<br /> | E22/4<br /> |<br /> : (Trôstung)<br /> | org/harm<br /> | E major<br /> | 1879?<br /> | Keyboard<br /> | arr. of S.172/6<br /> |-<br /> | 673<br /> | E17<br /> | '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1862–63<br /> | Keyboard<br /> | arr. of S.180<br /> |-<br /> | 674<br /> | E37<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339<br /> |-<br /> | 674a<br /> | E36<br /> | '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881–85?<br /> | Keyboard<br /> | arr. of S.58<br /> |-<br /> | 674b<br /> | —<br /> | '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''<br /> | org/harm<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.341<br /> |-<br /> | 674c<br /> | —<br /> | '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1884<br /> | Keyboard<br /> | arr. of S.61<br /> |-<br /> | 674d<br /> | E42<br /> | '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''<br /> | org<br /> | <br /> | 1886<br /> | Keyboard<br /> | arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a<br /> |-<br /> | 675<br /> | E{{hs|0}}2<br /> | '''Kirchliche Fest-Ouvertu&amp;#776;re '''<br /> | org/pfped<br /> | <br /> | 1852<br /> | Keyboard<br /> | arr. of the ''Kirchliche Fest-Ouvertu&amp;#776;re u&amp;#776;ber den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}<br /> |-<br /> | 675a<br /> | V10<br /> | '''In der Christmette '''<br /> | vn org<br /> | <br /> | 1873?<br /> | Keyboard<br /> | corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter<br /> |-<br /> | 675b<br /> | V18<br /> | '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''<br /> | org<br /> | <br /> | 1870?<br /> | Keyboard<br /> | arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}<br /> |-<br /> | 675c/1<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1877–78<br /> | Keyboard<br /> | based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2<br /> |-<br /> | 675c/2<br /> | E29<br /> | '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''<br /> | org/harm<br /> | <br /> | 1883<br /> | Keyboard<br /> | 2nd version of S.675c/1<br /> |-<br /> | 676/1<br /> | E10a<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1860<br /> | Keyboard<br /> | based on the chorus &amp;quot;Heil! Heil! Der Gnade Wunder Heil!&amp;quot; from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2<br /> |-<br /> | 676/2<br /> | E10b<br /> | '''Chor der jüngeren Pilger''' (Der Gnade Heil)<br /> | org/harm<br /> | <br /> | 1862<br /> | Keyboard<br /> | 2nd version of S.676/1<br /> |- style=&quot;background:silver&quot; id=&quot;Organ with other arr&quot;<br /> | {{hs|999}}677-679<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Organ with other instruments'''<br /> |-<br /> | 677<br /> | F2<br /> | '''Hosannah''' (Alleluja del Cantico del sol)<br /> | org (+ tbn)<br /> | <br /> | 1862–63<br /> | Chamber<br /> | arr. of &amp;#39;Alleluja&amp;#39; from S.4/1<br /> |-<br /> | 678<br /> | F3<br /> | '''Aus der Ungarischen Krönungsmesse'''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of extracts from S.11 <br /> |-<br /> | 678/1<br /> | F3/1<br /> |<br /> : ''Benedictus''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/5 <br /> |-<br /> | 678/2<br /> | F3/2<br /> |<br /> : ''Offertorium''<br /> | vn org/harm<br /> | <br /> | 1871<br /> | Chamber<br /> | arr. of S.11/7<br /> |-<br /> | 679<br /> | F1<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | tbn org<br /> | <br /> | 1860–70?<br /> | Chamber<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1<br /> |- style=&quot;background:silver&quot; id=&quot;Songs arr&quot;<br /> | {{hs|999}}680-685<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Songs'''<br /> |-<br /> | 680<br /> | K{{hs|0}}3<br /> | '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | D major<br /> | 1868<br /> | Vocal<br /> | arr. of S.34/2<br /> |-<br /> | 681<br /> | K{{hs|0}}4<br /> | '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''<br /> | v org/harm<br /> | <br /> | 1869<br /> | Vocal<br /> | arr. of S.38<br /> |-<br /> | 682<br /> | K{{hs|0}}5<br /> | '''Cujus animam aus Rossinis Stabat Mater'''<br /> | ten org<br /> | <br /> | 1874?<br /> | Vocal<br /> | arr. of &amp;quot;Cujus animam&amp;quot; from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1<br /> |-<br /> | 683<br /> | N57<br /> | '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)<br /> | v pf<br /> | <br /> | 1858?<br /> | Vocal<br /> | <br /> |-<br /> | 683a<br /> | K10<br /> | '''Gebet'''<br /> | v org<br /> | <br /> | 1883?<br /> | Vocal<br /> | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2<br /> |-<br /> | 684<br /> | N{{hs|0}}2<br /> | '''Barcarole vénitienne de Pantaleoni'''<br /> | v pf<br /> | <br /> | 1840<br /> | Vocal<br /> | arr. of the song by Luigi Pantaleoni<br /> |-<br /> | 685<br /> | N47<br /> | '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)<br /> | v pf<br /> | <br /> | 1849–54<br /> | Vocal<br /> | arr. of the song by Maria Pavlovna, Grand Duchess of Russia<br /> |- style=&quot;background:silver&quot; id=&quot;Recitations arr&quot;<br /> | {{hs|999}}686<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Recitations'''<br /> |-<br /> | 686<br /> | P4<br /> | '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''<br /> | nar pf<br /> | <br /> | 1860<br /> | Vocal<br /> | arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}<br /> |- style=&quot;background:silver&quot; id=&quot;Appendix&quot;<br /> | {{hs|999}}687-768<br /> |<br /> | colspan=&quot;6&quot; | '''Appendix'''<br /> |- style=&quot;background:silver&quot; id=&quot;Unfinished&quot;<br /> | {{hs|999}}687-701<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Unfinished works'''<br /> |-<br /> | 687<br /> | Q13<br /> | '''Sardanapale'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1846–55?<br /> | Stage<br /> | unfinished sketches for an opera, based on Byron's ''Sardanapalus''<br /> |-<br /> | 688<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | vv ch orch<br /> | &amp;nbsp;<br /> | 1869–85<br /> | Choral<br /> | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a<br /> |-<br /> | 688a<br /> | Q17<br /> | '''Die Legende vom heiligen Stanislaus'''<br /> | pf<br /> | <br /> | 1868?<br /> | Keyboard<br /> | arr. from S.688; incomplete sketches<br /> |-<br /> | 689<br /> | Q14<br /> | '''Singe wem Gesang gegeben'''<br /> | mch orch<br /> | <br /> | 1848?<br /> | Choral<br /> | orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete<br /> |-<br /> | 689a<br /> | Q{{hs|0}}9<br /> | '''Manfred'''<br /> | ch orch<br /> | <br /> | 1842–44<br /> | Choral<br /> | incomplete<br /> |-<br /> | 690<br /> | Q{{hs|0}}1<br /> | '''Symphonie révolutionnaire'''<br /> | orch<br /> | <br /> | 1830–53<br /> | Orchestral<br /> | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703<br /> |-<br /> | 691*<br /> | —<br /> | ''De Profundis''<br /> | pf orch<br /> | <br /> | 1834<br /> | Orchestral<br /> | renumbered as S.121a<br /> |-<br /> | 692<br /> | S49<br /> | '''Violin Concerto'''<br /> | vn orch<br /> | <br /> | 1860<br /> | Orchestral<br /> | lost<br /> |-<br /> | 692a<br /> | Q18<br /> | '''Die vier Jahreszeiten'''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719<br /> |-<br /> | 692b<br /> | S22<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1880<br /> | Keyboard<br /> | the first page of S.725/1 (now lost), copied by Liszt in 1880<br /> |-<br /> | 692c<br /> | —<br /> | '''Allegro maestoso''' (Etude No. 13)<br /> | pf<br /> | F{{sharp}} major<br /> | 1826<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 692d<br /> | —<br /> | '''Rakoczi-Marsch'''<br /> | pf<br /> | <br /> | 1839–40<br /> | Keyboard<br /> | simplified arr. of S.242a; incomplete sketches<br /> |-<br /> | 692e<br /> | —<br /> | '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''<br /> | pf<br /> | <br /> | 1850?<br /> | Keyboard<br /> | arr. of No.5 from S.69; incomplete sketches<br /> |-<br /> | 693<br /> | Q12<br /> | '''Marches dans le genre hongrois''' (2):<br /> | pf<br /> | <br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/1<br /> | Q12/1<br /> |<br /> : ''March No.1'' <br /> | pf<br /> | D minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693/2<br /> | Q12/2<br /> |<br /> : ''March No.2'' <br /> | pf<br /> | B{{flat}} minor<br /> | 1840?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 693a<br /> | —<br /> | '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':<br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. from S.2<br /> |-<br /> | 693a/1<br /> | —<br /> |<br /> : ''Das Rosenmirakel'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/2c<br /> |-<br /> | 693a/2<br /> | —<br /> |<br /> : ''Der Sturm'' <br /> | pf<br /> | <br /> | 1862<br /> | Keyboard<br /> | arr. of S.2/4d<br /> |-<br /> | 694<br /> | Q{{hs|0}}8<br /> | '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantasie sur thèmes anglais)<br /> | pf orch<br /> | <br /> | 1841<br /> | Orchestral<br /> | partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e<br /> |-<br /> | 695<br /> | A100<br /> | '''Klavierstück'''<br /> | pf<br /> | F major<br /> | 1843<br /> | Keyboard<br /> | <br /> |-<br /> | 695a*<br /> | —<br /> | ''Litanies de Marie''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | renumbered as S.171e<br /> |-<br /> | 695b<br /> | —<br /> | '''Zigeuner-Epos''' (11):<br /> | pf<br /> | <br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/1<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | C minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/2<br /> | —<br /> |<br /> : (Andantino) <br /> | pf<br /> | C major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/3<br /> | —<br /> |<br /> : (Sehr langsam) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/4<br /> | —<br /> |<br /> : (Animato) <br /> | pf<br /> | C{{sharp}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/5<br /> | —<br /> |<br /> : (Tempo giusto) <br /> | pf<br /> | D{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/6<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | G minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/7<br /> | —<br /> |<br /> : Tempo di marca <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/8<br /> | —<br /> |<br /> : (Adagio sostenuto a capriccio) <br /> | pf<br /> | D major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/9<br /> | —<br /> |<br /> : (Andante cantabile quasi adagio) <br /> | pf<br /> | E{{flat}} major<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/10<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | F minor<br /> | 1848?<br /> | Keyboard<br /> | sketches<br /> |-<br /> | 695b/11<br /> | —<br /> |<br /> : (Lento) <br /> | pf<br /> | A minor<br /> | 1848?<br /> | Keyboard<br /> | incomplete sketches<br /> |-<br /> | 695c<br /> | Q11b<br /> | '''Romancero espagnol''' (3)<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | incomplete sketches for S.253, S.254; 2nd version of S.738(?)<br /> |-<br /> | 695c/1<br /> | Q11b/1<br /> | Introduction and Fandango with variations<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/2<br /> | Q11b/2<br /> | Elaboration of an unidentified theme<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695c/3<br /> | Q11b/3<br /> | Jota aragonesa and coda<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | <br /> |-<br /> | 695d<br /> | Q21<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?<br /> |-<br /> | 695e<br /> | Q21?<br /> | '''Petite valse''' (&amp;quot;Nachspiel zu den drei vergessenen Walzer&amp;quot;)<br /> | pf<br /> | <br /> | 1884?<br /> | Keyboard<br /> | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?<br /> |-<br /> | 695f<br /> | —<br /> | '''Cadenza'''<br /> | pf<br /> | <br /> | 1883-85?<br /> | Keyboard<br /> | for S.514<br /> |-<br /> | 696<br /> | A337<br /> | '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1885<br /> | Keyboard<br /> | 2nd version of S.216b; unfinished<br /> |-<br /> | 697<br /> | A{{hs|0}}90<br /> | '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''<br /> | pf<br /> | <br /> | 1842<br /> | Keyboard<br /> | based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard<br /> |-<br /> | 698<br /> | Q19<br /> | '''La mandragore''' (Ballade de l&amp;#39;opera Jean de Nivelle)<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of &amp;quot;Tant que le jour dure&amp;quot; from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete<br /> |-<br /> | 699*<br /> | —<br /> | ''La notte''<br /> | pf<br /> | <br /> | 1864-66<br /> | Keyboard<br /> | renumbered as S.516a<br /> |-<br /> | 700/1<br /> | A113<br /> | '''Grande Fantaisie sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2<br /> |-<br /> | 700/2<br /> | A113<br /> | '''Variations de bravoure sur des thèmes de Paganini'''<br /> | pf<br /> | <br /> | 1845<br /> | Keyboard<br /> | 2nd version of S.700/1<br /> |-<br /> | 700a<br /> | Q{{hs|0}}7<br /> | '''Variations sur le Carnaval de Venise'''<br /> | pf<br /> | <br /> | 1843<br /> | Keyboard<br /> | based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete<br /> |-<br /> | 700f<br /> | Q{{hs|0}}4<br /> | '''La belle en robe des Dimanches'''<br /> | v pf<br /> | <br /> | 1830–39?<br /> | Vocal<br /> | incomplete<br /> |-<br /> | 700g<br /> | J44<br /> | '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''<br /> | v 2pf<br /> | <br /> | 1883–87?<br /> | Vocal<br /> | arr. of S.60<br /> |-<br /> | 700j<br /> | M14/1<br /> | '''Titan''' (Auf des Athos blauen Felsenspitzen)<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | 1st version of S.79/1; pf part incomplete<br /> |-<br /> | 701<br /> | N15<br /> | '''Den Felsengipfel stieg ich einst hinan'''<br /> | v pf<br /> | <br /> | 1843?<br /> | Vocal<br /> | <br /> |-<br /> | 701a<br /> | Q{{hs|0}}2<br /> | '''Allegro di bravura'''<br /> | orch<br /> | <br /> | 1830<br /> | Orchestral<br /> | arr. of S.151 [by Liszt?]; incomplete sketch<br /> |-<br /> | 701b<br /> | Q{{hs|0}}5<br /> | '''Marie-Poème'''<br /> | pf/(str?)<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701c<br /> | —<br /> | '''Andante sensibilissimo'''<br /> | pf<br /> | <br /> | 1880–86<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701d<br /> | Q16<br /> | '''Melodie in Dorische Tonart''' (Prose des Morts)<br /> | pf<br /> | <br /> | 1861<br /> | Keyboard<br /> | incomplete sketch; based on the ''Dies irae''<br /> |-<br /> | 701e<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Dante fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1837<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701f<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Glasgow fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701g<br /> | A253<br /> | '''Polnisch'''<br /> | pf<br /> | <br /> | 1876?<br /> | Keyboard<br /> | sketch<br /> |-<br /> | 701h/1<br /> | —<br /> | '''Valse infernale'''<br /> | pf<br /> | <br /> | 1841?<br /> | Keyboard<br /> | arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch<br /> |-<br /> | 701h/2<br /> | —<br /> | '''Album Leaf'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch<br /> |-<br /> | 701j<br /> | —<br /> | '''La Charité''' <br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | incomplete sketch for S.552a; originally intended for S.172a<br /> |-<br /> | 701k<br /> | —<br /> | '''Korrekturblatt''' <br /> | pf<br /> | <br /> | 1882<br /> | Keyboard<br /> | incomplete sketch for S.199a<br /> |-<br /> | 701l<br /> | —<br /> | '''Album Leaf''' (&amp;quot;Weimar fragment&amp;quot;)<br /> | pf<br /> | <br /> | 1886?<br /> | Keyboard<br /> | incomplete sketch<br /> |-<br /> | 701m<br /> | —<br /> | '''Trio''' <br /> | vn vc pf<br /> | G minor<br /> | 1886?<br /> | Chamber<br /> | incomplete sketch for 2 ''Harmonies poétiques et religieuses''<br /> |-<br /> | 701n<br /> | —<br /> | '''Korrekturblatt''' <br /> | org<br /> | <br /> | 1853?<br /> | Keyboard<br /> | incomplete sketch for S.667b/2<br /> |-<br /> | 701o<br /> | R1<br /> | '''Scherzo''' <br /> | pf<br /> | <br /> | 1830<br /> | Keyboard<br /> | incomplete<br /> |-<br /> | 701v<br /> | —<br /> | '''Marche de Prozinsky'''<br /> | pf<br /> | C{{sharp}} minor<br /> | 1846<br /> | Keyboard<br /> | incomplete sketch for S.171d<br /> |- style=&quot;background:silver&quot; id=&quot;Lost&quot;<br /> | {{hs|999}}702-768<br /> |<br /> | colspan=&quot;6&quot; |<br /> : '''Doubtful or lost works'''<br /> |- style=&quot;background: silver&quot; id=&quot;Sacred choral lost&quot;<br /> | {{hs|999}}702-707<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Sacred choral works'''<br /> |-<br /> | 702<br /> | S{{hs|0}}1<br /> | '''Tantum ergo'''<br /> | ch<br /> | <br /> | 1822<br /> | Choral<br /> | lost<br /> |-<br /> | 703<br /> | Q15<br /> | '''Psalm 2 ''' (Quare fremuerunt gentes et populi)<br /> | ten ch orch<br /> | <br /> | 1851<br /> | Choral<br /> | incomplete sketches; originally intended as 5th movement of S.690<br /> |-<br /> | 704<br /> | —<br /> | '''Requiem''' (on the death of Emperor Maximilian of Mexico)<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 705<br /> | —<br /> | '''The Creation'''<br /> | vv ch ?orch<br /> | <br /> | 1867?<br /> | Choral<br /> | lost<br /> |-<br /> | 706<br /> | T45<br /> | '''Benedictus'''<br /> | ch<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |-<br /> | 707<br /> | —<br /> | '''Excelsior'''<br /> | ch?<br /> | <br /> | ?<br /> | Choral<br /> | unrealized project<br /> |- style=&quot;background: silver&quot; id=&quot;Secular choral lost&quot;<br /> | {{hs|999}}708a-708b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Secular choral works'''<br /> |-<br /> | 708a<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch orch<br /> | <br /> | 1848<br /> | Choral<br /> | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}} as S.708b<br /> |-<br /> | 708b<br /> | L{{hs|0}}6<br /> | '''Rinaldo'''<br /> | ten mch pf<br /> | <br /> | 1848<br /> | Choral<br /> | arr. of S.708a by Liszt and {{LinkComp| August|Conradi}} <br /> |- style=&quot;background: silver&quot; id=&quot;Orchestral works lost&quot;<br /> | {{hs|999}}709-712<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Orchestral works'''<br /> |-<br /> | 709*<br /> | —<br /> | ''Salve Polonia''<br /> | orch<br /> | <br /> | 1863<br /> | Orchestral<br /> | renumbered as S.113<br /> |-<br /> | 710<br /> | S41<br /> | '''Funeral March'''<br /> | orch<br /> | <br /> | 1850<br /> | Orchestral<br /> | lost; possibly the same as S.102 or S.761<br /> |-<br /> | 711<br /> | S62<br /> | '''Csárdás macabre'''<br /> | orch<br /> | <br /> | 1882?<br /> | Orchestral<br /> | lost; reconstruction by G. Darvos not based on authentic material<br /> |-<br /> | 712<br /> | W{{hs|0}}9<br /> | '''Romance oubliée'''<br /> | orch<br /> | <br /> | 1881<br /> | Orchestral<br /> | arr. of S.527; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Piano and orchestra lost&quot;<br /> | {{hs|999}}713-716<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Piano and orchestra'''<br /> |-<br /> | 713/1<br /> | S{{hs|0}}8<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | A minor<br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/2<br /> |-<br /> | 713/2<br /> | S{{hs|0}}9<br /> | '''Piano Concerto'''<br /> | pf orch<br /> | <br /> | 1825?<br /> | Orchestral<br /> | lost; not the same as S.713/1<br /> |-<br /> | 714<br /> | Q20<br /> | '''Piano Concerto''' (in the Hungarian style)<br /> | pf orch<br /> | <br /> | 1880–85?<br /> | Orchestral<br /> | incomplete sketches; not the same as S.126a<br /> |-<br /> | 715<br /> | S19<br /> | '''Piano Concerto''' (in the Italian style)<br /> | pf orch<br /> | <br /> | 1830–39?<br /> | Orchestral<br /> | lost<br /> |-<br /> | 716<br /> | —<br /> | '''Grande fantaisie symphonique'''<br /> | pf orch (?)<br /> | <br /> | ?<br /> | Orchestral<br /> | lost; maybe based on S.120?<br /> |- style=&quot;background: silver&quot; id=&quot;Chamber music lost&quot;<br /> | {{hs|999}}717-723a<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Chamber music'''<br /> |-<br /> | 717<br /> | D{{hs|0}}2<br /> | '''Trio'''<br /> | vn vc pf<br /> | D{{flat}} major<br /> | 1825<br /> | Chamber<br /> | vc part was lost until 1997<br /> |-<br /> | 718<br /> | S11<br /> | '''Quintet'''<br /> | 2vn va vc db?<br /> | <br /> | 1825<br /> | Chamber<br /> | lost<br /> |-<br /> | 718a<br /> | —<br /> | '''Duo on Rossini's Semiramide'''<br /> | vn pf<br /> | <br /> | 1827<br /> | Chamber<br /> | based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost<br /> |-<br /> | 718b<br /> | —<br /> | '''The Fall of Paris ms, a Military Air with Variations'''<br /> | fl pf<br /> | <br /> | 1827<br /> | Chamber<br /> | lost<br /> |-<br /> | 718c<br /> | — <br /> | '''Un petit morceau'''<br /> | vn pf<br /> | <br /> | 1830-31?<br /> | Chamber<br /> | lost<br /> |-<br /> | 718d<br /> | —<br /> | '''Sextet'''<br /> | 2vn 2va 2vc<br /> | <br /> | 1835 or earlier<br /> | Chamber<br /> | lost<br /> |-<br /> | 718e<br /> | —<br /> | '''Grand Fantasie on God Save the Queen and Rule Britannia'''<br /> | vn va vc pf<br /> | <br /> | 1841<br /> | Chamber<br /> | arr. of S.694; lost<br /> |-<br /> | 719*<br /> | —<br /> | ''Die vier Jahreszeiten''<br /> | 2vn va vc<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.692a<br /> |-<br /> | 720<br /> | S18<br /> | '''Allegro moderato'''<br /> | vn pf<br /> | E major<br /> | 1829<br /> | Chamber<br /> | lost<br /> |-<br /> | 721<br /> | S63<br /> | '''Prelude'''<br /> | vn (+ pf?)<br /> | <br /> | 1882<br /> | Chamber<br /> | lost<br /> |-<br /> | 722*<br /> | —<br /> | ''La notte''<br /> | vn pf<br /> | <br /> | 1864-66<br /> | Chamber<br /> | renumbered as S.377a<br /> |-<br /> | 723*<br /> | —<br /> | ''Tristia''<br /> | vn vc pf<br /> | <br /> | 1880?<br /> | Chamber<br /> | renumbered as S.378a, S.378b, S.378c<br /> |-<br /> | 723a*<br /> | W{{hs|0}}6<br /> | ''Postlude'' (on a theme from Orpheus)<br /> | ?<br /> | <br /> | 1871<br /> | Chamber<br /> | based on S.98; now attributed to Leopold Alexander Zellner<br /> |- style=&quot;background: silver&quot; id=&quot;Piano lost&quot;<br /> | {{hs|999}}724-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Piano solo'''<br /> |- style=&quot;background: silver&quot; id=&quot;Piano original lost&quot;<br /> | {{hs|999}}724-738<br /> |<br /> | colspan=&quot;6&quot; |<br /> ::: '''Original works'''<br /> |-<br /> | 724/1<br /> | S{{hs|0}}3<br /> | '''Rondo'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost; possibly S.152?<br /> |-<br /> | 724/2<br /> | S{{hs|0}}4<br /> | '''Fantasia'''<br /> | pf<br /> | <br /> | 1824<br /> | Keyboard<br /> | lost<br /> |-<br /> | 725/1<br /> | S{{hs|0}}5<br /> | '''pf Sonata'''<br /> | pf<br /> | F minor<br /> | 1825<br /> | Keyboard<br /> | lost; only several bars were copied down from memory later by Liszt<br /> |-<br /> | 725/2<br /> | S{{hs|0}}6<br /> | '''pf Sonata'''<br /> | pf<br /> | C minor<br /> | 1825<br /> | Keyboard<br /> | lost; only three bars were copied down from memory in a letter from Liszt to his mother<br /> |-<br /> | 725/3<br /> | S{{hs|0}}7<br /> | '''pf Sonata'''<br /> | pf<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726<br /> | —<br /> | '''Etude'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 726a<br /> | S23<br /> | '''Valse'''<br /> | pf<br /> | E major<br /> | 1835<br /> | Keyboard<br /> | lost<br /> |-<br /> | 727*<br /> | —<br /> | ''Prélude omnitonique''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | renumbered as S.166e<br /> |-<br /> | 728*<br /> | —<br /> | ''Sospiri!''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.192/5<br /> |-<br /> | 729<br /> | —<br /> | '''Tantum ergo'''<br /> | pf<br /> | <br /> | 1869<br /> | Keyboard<br /> | lost; possibly arr. of S.42 or S.702<br /> |-<br /> | 730<br /> | —<br /> | ''Dem Andenken Petöfis''<br /> | pf<br /> | <br /> | 1877<br /> | Keyboard<br /> | renumbered as S.195<br /> |-<br /> | 731*<br /> | —<br /> | ''Valse élégiaque''<br /> | pf<br /> | <br /> | 1839<br /> | Keyboard<br /> | renumbered as S.210<br /> |-<br /> | 732*<br /> | —<br /> | ''Valse oubliée No.4''<br /> | pf<br /> | <br /> | 1884<br /> | Keyboard<br /> | renumbered as S.215/4<br /> |-<br /> | 733*<br /> | —<br /> | ''Marche hongroise''<br /> | pf<br /> | E{{flat}} minor<br /> | 1844<br /> | Keyboard<br /> | renumbered as S.233b<br /> |-<br /> | 734*<br /> | —<br /> | ''Ländler'' <br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.211a<br /> |-<br /> | 735*<br /> | —<br /> | ''Air cosaque ''<br /> | pf<br /> | <br /> | 1879<br /> | Keyboard<br /> | renumbered as S.249c<br /> |-<br /> | 736<br /> | W16<br /> | '''Kerepsi csárdás'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost; Liszt's authorship doubtful<br /> |-<br /> | 737<br /> | W15<br /> | '''Morceaux en style de danse ancien hongrois''' (3)<br /> | pf<br /> | <br /> | 1850<br /> | Keyboard<br /> | manuscript lost; Liszt's authorshop doubtful<br /> |-<br /> | 738<br /> | A114 <br /> | '''Grosse Konzertfantasie über spanische Weisen'''<br /> | pf<br /> | <br /> | 1844<br /> | Keyboard<br /> | rediscovered, but not renumbered; 1st version of S.253<br /> |- style=&quot;background: silver&quot; id=&quot;Arrangements lost&quot;<br /> | {{hs|999}}739-754<br /> |<br /> | colspan=&quot;6&quot; |<br /> ::: '''Arrangements, transcriptions, etc.'''<br /> |-<br /> | 739<br /> | S38<br /> | '''Corolian Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 740<br /> | S39<br /> | '''Egmont Overture'''<br /> | pf<br /> | <br /> | 1846–47<br /> | Keyboard<br /> | arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost<br /> |-<br /> | 741<br /> | S37<br /> | '''Le carnaval romain'''<br /> | pf<br /> | <br /> | 1844–49?<br /> | Keyboard<br /> | arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost<br /> |-<br /> | 742*<br /> | —<br /> | ''Duettino de La favorite''<br /> | pf<br /> | <br /> | 1847<br /> | Keyboard<br /> | renumbered as S.400a<br /> |-<br /> | 743<br /> | S55<br /> | '''Chœur des soldats de Faust'''<br /> | pf<br /> | <br /> | 1864<br /> | Keyboard<br /> | arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost<br /> |-<br /> | 743a<br /> | S31<br /> | '''Fantaisie sur des thèmes de l'opéra Guitarero'''<br /> | pf<br /> | <br /> | 1841<br /> | Keyboard<br /> | based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost<br /> |-<br /> | 744<br /> | S36<br /> | '''Dom Sebastien''' (Paraphrase de concert)<br /> | pf<br /> | <br /> | 1843–44?<br /> | Keyboard<br /> | based on themes from Act IV of the opera ''Dom Sebastien ''by {{LinkComp|Theodor|Kullak}}; lost<br /> |-<br /> | 745*<br /> | —<br /> | ''Marche funèbre''<br /> | pf<br /> | <br /> | 1827<br /> | Keyboard<br /> | renumbered as S.226a<br /> |-<br /> | 746<br /> | —<br /> | '''Andante maestoso'''<br /> | pf<br /> | <br /> | ?<br /> | Keyboard<br /> | lost<br /> |-<br /> | 747<br /> | W{{hs|0}}3<br /> | '''Poco adagio ''' <br /> | pf<br /> | <br /> | 1847?<br /> | Keyboard<br /> | arr. from S.9; lost; Liszt's authorship uncertain<br /> |-<br /> | 748<br /> | S35<br /> | '''Die Zauberflöte'''<br /> | pf<br /> | <br /> | 1843?<br /> | Keyboard<br /> | arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost<br /> |-<br /> | 749<br /> | S56<br /> | '''Preussischer Armeemarsch'''<br /> | pf<br /> | <br /> | 1866?<br /> | Keyboard<br /> | arr. of an unidentified composition, attributed to &amp;quot;Radovsky&amp;quot;; lost<br /> |-<br /> | 750*<br /> | —<br /> | ''Introduction et variations sur une marche du Siège de Corinthe''<br /> | pf<br /> | <br /> | 1830?<br /> | Keyboard<br /> | renumbered as S.421a<br /> |-<br /> | 751<br /> | —<br /> | '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)<br /> | pf<br /> | <br /> | 1839-41<br /> | Keyboard<br /> | lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}<br /> |-<br /> | 752*<br /> | S43<br /> | ''Gelb rollt ''<br /> | pf<br /> | <br /> | 1881<br /> | Keyboard<br /> | renumbered as S.554/1<br /> |-<br /> | 753<br /> | S42<br /> | '''Alfonso und Estrella''' <br /> | pf<br /> | <br /> | 1850–51<br /> | Keyboard<br /> | arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost<br /> |-<br /> | 754*<br /> | —<br /> | ''Seconda mazurka variata''<br /> | pf<br /> | <br /> | 1880<br /> | Keyboard<br /> | renumbered as S.573a<br /> |- style=&quot;background: silver&quot; id=&quot;Piano duet lost&quot;<br /> | {{hs|999}}755-755b<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Piano duet (4 hands)'''<br /> |-<br /> | 755<br /> | S10<br /> | '''Sonata'''<br /> | pf4h<br /> | <br /> | 1825<br /> | Keyboard<br /> | lost<br /> |-<br /> | 755a<br /> | W10<br /> | '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)<br /> | pf4h<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.339; Liszt's authorship doubtful<br /> |-<br /> | 755b<br /> | S30<br /> | '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie uber englische Themen)<br /> | pf4h<br /> | <br /> | 1841<br /> | Keyboard<br /> | arr. of S.694; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Two pianos lost&quot;<br /> | {{hs|999}}756-757<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Two pianos'''<br /> |-<br /> | 756<br /> | W{{hs|0}}5<br /> | '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1870<br /> | Keyboard<br /> | arr. of S.194; Liszt's authorship uncertain<br /> |-<br /> | 757<br /> | S57<br /> | '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''<br /> | 2pf<br /> | <br /> | 1866–69<br /> | Keyboard<br /> | arr. of S.112/3; lost<br /> |- style=&quot;background: silver&quot; id=&quot;Organ lost&quot;<br /> | {{hs|999}}758-761<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Organ'''<br /> |-<br /> | 758<br /> | S40<br /> | '''Die Orgel'''<br /> | org<br /> | <br /> | 1850–59?<br /> | Keyboard<br /> | symphonic poem after Johann Gottfried Herder; lost<br /> |-<br /> | 759*<br /> | E22/2<br /> | ''Adagio''<br /> | org<br /> | D{{flat}} major<br /> | 1866–67?<br /> | Keyboard<br /> | renumbered as S.672d/2<br /> |-<br /> | 760<br /> | S59<br /> | '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''<br /> | org<br /> | <br /> | 1881<br /> | Keyboard<br /> | arr. of S.4/2; lost<br /> |-<br /> | 761<br /> | S51<br /> | '''Marche funèbre'''<br /> | vc pf org<br /> | <br /> | 1860–69?<br /> | Keyboard<br /> | arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}<br /> |- style=&quot;background: silver&quot; id=&quot;Songs lost&quot;<br /> | {{hs|999}}762-767<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Songs'''<br /> |-<br /> | 762<br /> | S46<br /> | '''Air de Chateaubriand'''<br /> | v (pf?)<br /> | <br /> | 1858<br /> | Vocal<br /> | lost; possibly the same as S.18/4<br /> |-<br /> | 763<br /> | S47<br /> | '''Strophes de Herlossohn'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 764<br /> | S48<br /> | '''Kränze pour chant'''<br /> | v pf<br /> | <br /> | 1858<br /> | Vocal<br /> | lost<br /> |-<br /> | 765<br /> | S45<br /> | '''Die Glöckchen'''<br /> | v pf<br /> | <br /> | 1857<br /> | Vocal<br /> | intended as S.316/3; lost<br /> |-<br /> | 765a<br /> | S32<br /> | '''L'aube naît'''<br /> | v pf<br /> | <br /> | 1842<br /> | Vocal<br /> | lost<br /> |-<br /> | 766<br /> | W{{hs|0}}4<br /> | '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''<br /> | v pf<br /> | <br /> | 1865?<br /> | Vocal<br /> | Liszt's authorship doubtful<br /> |-<br /> | 767<br /> | W{{hs|0}}8<br /> | '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)<br /> | v org<br /> | <br /> | 1874<br /> | Vocal<br /> | arr. of prelude from S.6; Liszt's authorship doubtful<br /> |- style=&quot;background: silver&quot; id=&quot;Recitations lost&quot;<br /> | {{hs|999}}768<br /> |<br /> | colspan=&quot;6&quot; |<br /> :: '''Recitations'''<br /> |-<br /> | 768<br /> | S60<br /> | '''Der ewige Jude'''<br /> | nar pf orch<br /> | <br /> | 1881<br /> | Vocal<br /> | melodrama to words by Christian Friedrich Daniel Schubart; lost<br /> |}</div>

Funper //imslp.org/wiki/Nouveau_Gradus_ad_Parnassum,_Op.822_(Czerny,_Carl) 2016-07-31T03:54:14Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP481982-CCzerny_Noveau_Gradus_ad_Parnassum,_Op.822_Books1_2.pdf<br /> |File Name 2=PMLP481982-CCzerny_Noveau_Gradus_ad_Parnassum,_Op.822_Books3_4.pdf<br /> |File Description 1=Books 1 (Nos.1-16) and 2 (Nos.17-25)<br /> |File Description 2=Books 3 (Nos.26-39) and 4 (Nos.40-46)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner={{BNF|12148/btv1b525030134}}<br /> |Uploader=[[User:Cypressdome|Cypressdome]]<br /> |Date Submitted=2013/9/25<br /> |Publisher Information={{p|Richault|S. Richault|Paris|n.d [1854]|||12805, 12806 R}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-CCzerny_Nouveau_Gradus_ad_Parnassum,_Op.822.jpg<br /> |Misc. Notes={{Cypsub|400dpi, color jpg|4070 by 5520}} Minimal clean up done. Title page carries library stamp of the Bibliothèque Imperiale with stamped date of 1854.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP481982-Czerny_-_822_Nouveau_Gradus_ad_Parnassum_Op.822_-_Grigory_Ginzburg_(NO.1_page_7_missing).pdf<br /> |File Description 1=Selection<br /> |Editor={{LinkEd|Grigory|Ginzburg}} (1904-1961)<br /> |Image Type=Normal Scan<br /> |Scanner={{RSL}}<br /> |Uploader=[[User:Notenquetser|Notenquetser]]<br /> |Date Submitted=2015/6/19<br /> |Publisher Information=Moscow: [[Muzyka]], 1930. Plate M. 10366 Г.<br /> |Copyright=Public Domain<br /> |Misc. Notes=Selection of 14 etudes. (No.1 has page 7 missing}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Nouveau Gradus ad Parnassum<br /> |Alternative Title=Collection de grands exercices de tout genre dans le style élégant et dans le style sévère<br /> |Opus/Catalogue Number=Op.822<br /> |Key=<br /> |Movements Header=46<br /> |Number of Movements/Sections=46 studies in 4 books<br /> # Allegro velocissimo ({{K|Gb}})<br /> # Molto Allegro ({{K|Eb}})<br /> # Allegro vivace (Style de D. Scarlatti) ({{K|e}})<br /> # Prélude et Fugue<br /> #* Lento moderato ({{K|E}})<br /> #* Fuga. Allegro vivace ({{K|a}})<br /> # Allegro vivace ({{K|C}})<br /> # Allegro maestoso con bravura ({{K|Eb}})<br /> # Prélude et Fugue<br /> #* Allegro moderato ({{K|g}})<br /> #* Fuga. Andante espressivo ({{K|g}})<br /> # Allegro veloce ({{K|A}})<br /> # Scherzo vivace ({{K|C}})<br /> # Prélude et Fugue<br /> #* Moderato ({{K|G}})<br /> #* Fuga. Allegro giocoso ({{K|G}})<br /> # Allegro con fuoco ({{K|C}})<br /> # Allegro ({{K|G}})<br /> # Allegro piacevole ({{K|Ab}})<br /> # Prélude et Fugue<br /> #* Agitato ({{K|f}})<br /> #* Fuga. Allegro moderato ({{K|F}})<br /> # Molta Allegro agitato ed appassionato ({{K|e}})<br /> # Allegro vivacissimo ({{K|Eb}})<br /> # Prélude et Fugue<br /> #* Andante espressivo ({{K|d}})<br /> #* Fuga. Allegro vivace ({{K|D}})<br /> # Presto con Bravura ({{K|A}})<br /> # Molto vivace ({{K|F}})<br /> # Prélude et Fugue<br /> #* Allegro molto agitato ({{K|a}})<br /> #* Fuga. Allegro vivace ({{K|a}})<br /> # Allegro moderato ({{K|Eb}})<br /> # Presto ({{K|a}})<br /> # Molto Allegro brillante ({{K|Db}})<br /> # Allegretto animato ({{K|A}})<br /> # Grand Allegro di Bravura. Con brio ({{K|C}})<br /> # Prélude et Fugue<br /> #* Maestoso ({{K|Bb}})<br /> #* Fuga. Moderato ({{K|Bb}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|g}})<br /> #* Fuga. Moderato ({{K|g}})<br /> # Prélude et Fugue<br /> #* Allegro non troppo ({{K|C}})<br /> #* Fuga. Allegro ({{K|C}})<br /> # Prélude et Fugue<br /> #* Andante ({{K|c}})<br /> #* Fuga. Allegro moderato ({{K|c}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|Db}})<br /> #* Fuga. Allegro giocoso ({{K|Db}})<br /> # Prélude et Fugue<br /> #* Moderato ({{K|g}})<br /> #* Fuga. Maestoso ({{K|g}})<br /> # Prélude et Fugue<br /> #* Allegro commodo ({{K|G}})<br /> #* Fuga. Allegro vivace ({{K|G}})<br /> # Prélude et Fugue<br /> #* Allegretto ({{K|a}})<br /> #* Fuga. Moderato espressivo ({{K|a}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|A}})<br /> #* Fuga. Allegro moderato ({{K|A}})<br /> # Prélude et Fugue<br /> #* Andante serioso ({{K|c}})<br /> #* Fuga. Moderato ({{K|c}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|Eb}})<br /> #* Fuga. Allegro vivace e risolute ({{K|Eb}})<br /> # Prélude et Fugue<br /> #* Allegro vivace ({{K|Bb}})<br /> #* Fuga. Allegretto con moto ({{K|bb}})<br /> # Prélude et Fugue<br /> #* Andante con moto ({{K|D}})<br /> #* Fuga. Allegro moderato ({{K|D}})<br /> # Prélude et Fugue<br /> #* Allegro agitato ({{K|d}})<br /> #* Fuga. Lento moderato ({{K|d}})<br /> # Prélude et Fugue<br /> #* Moderato ({{K|Ab}})<br /> #* Fuga. Allegro vivace ({{K|Ab}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|g}})<br /> #* Fuga. Vivace ({{K|g}})<br /> # Prélude et Fugue<br /> #* Allegro vivace ({{K|E}})<br /> #* Fuga. Lento moderato ({{K|E}})<br /> # Prélude et Fugue<br /> #* Allegro ({{K|f#}})<br /> #* Fuga. Moderato ({{K|f#}})<br /> # Prélude et Fugue<br /> #* Allegro moderato ({{K|D}})<br /> #* Fuga. Allegro ({{K|D}})<br /> # Prélude et Fugue<br /> #* Allegro vivace ({{K|b}})<br /> #* Fuga. Allegro ({{K|b}})<br /> # Grand étude en forme de variations ({{K|G}})<br /> #: Introduction, Theme and 34 Variations<br /> |Average Duration=<br /> |Dedication=[[wikipedia:Grand Duchess Maria Pavlovna of Russia (1786–1859)|Maria Pavlovna of Russia]] (1786–1859)<br /> |First Performance=<br /> |Year/Date of Composition=<br /> |Year of First Publication=1853/1854 {{EN}} Paris: [[Richault]] / Mainz: [[Schott]] <br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano<br /> |Tags=studies ; pf ; methods<br /> <br /> | *****COMMENTS***** =<br /> Publication of books 1 and 2 by Schott announced in {{HMBref|1853|409}} (September issue).<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Cantico_del_sol_di_Francesco_d%27Assisi,_S.4_(Liszt,_Franz) 2016-07-31T00:23:07Z

<p>Funper: see discussion</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Assissi_ed.pdf<br /> |File Description 1=Full Score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BNF}}<br /> |Uploader=[[User:Schalltrichter|Schalltrichter]]<br /> |Date Submitted=2013/10/7<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d. (ca. 1882) Plate 2615.<br /> |Copyright=Public Domain<br /> |Thumb Filename=Liszt Assissi full sc cov.jpg<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Vocal Scores===<br /> ====1st version (S.4/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_S.4.1,_Autograph,_GSA_60.R_4.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=12<br /> |Editor=<br /> |Language=Italian<br /> |Image Type=Manuscript Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/23<br /> |Publisher Information=Composer's manuscript.<br /> |Copyright=Public Domain<br /> |Misc. Notes=Most pages more readable than the 1st.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-pdfsam_Liszt,_Franz,_Cantico_del_sol,_FE,_GSA_60R_4a.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=24<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/12<br /> |Publisher Information=Manuscript - Rome: Pietro Cavallin (copyist), 1862(?).<br /> |Copyright=Public Domain<br /> |Misc. Notes=See discussion.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol_di_Francesco_d'Assisi,_S.4.1,_Kahnt.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=Ralph Theo Misch<br /> |Uploader=[[User:Ralph Theo Misch|Ralph Theo Misch]]<br /> |Date Submitted=2011/8/2<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d.(ca.1884). Plate 2617.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt, Franz, Cantico del sol di Francesco d'Assisi, S.4.1, Kahnt.jpg<br /> |Misc. Notes=Scanned at 600dpi grayscale, converted to monochrome.<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version (S.4/2)====<br /> =====for Baritone, Male Chorus and Orchestra (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Musikalische_Werke_5_Band_5_12.pdf<br /> |File Description 1=Complete Score (S.4/2)<br /> |Page Count 1=62 (xiv, 48)<br /> |Editor={{LinkEd|Philipp|Wolfrum}} (1854–1919)<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2010/3/12<br /> |Publisher Information={{Liszt-Stiftung|V|5|1936|v 12}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].&lt;br&gt;The orchestration includes organ.<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_filter.pdf<br /> |File Description 1=Complete Score (S.499) (scan)<br /> |File Description 2=Complete Score (S.499) (filter)<br /> |Page Count 1=16 (#59-74)<br /> |Page Count 2=16 (#59-74)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Prelude====<br /> =====*For Piano or Organ (Liszt)===== <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Cantico_del_sol_di_San_Francesco_d'Assisi._Preludio;_arr.pdf<br /> |File Description 1=Complete score (S.498c/S.665)<br /> |Page Count 1=14<br /> |Arranger={{LinkComp|Franz|Liszt}} (1811-1886)<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115175}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18|80}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Tags=pf (arr) ; org (arr)<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph.pdf<br /> |File Name 2=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph,_cleaned.pdf<br /> |File Description 1=Complete Score (S.498c/S.665)<br /> |File Description 2=Complete Score (without borders)<br /> |Page Count 1=<br /> |Page Count 2=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner=[http://www.klassik-stiftung.de/index.php?id=336 Klassik-Stiftung]/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/22<br /> |Publisher Information=Copyist's {{MssD|18||85}}. →[[Talk:Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|discussion]]<br /> |Copyright=Public Domain<br /> |Misc. Notes=Simultaneous notation for piano/organ.&lt;br&gt;600dpi monochrome.<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_filter.pdf<br /> |File Description 1=Complete Score (S.498c) (scan)<br /> |File Description 2=Complete Score (S.498c) (filter)<br /> |Page Count 1=4 (#55-58)<br /> |Page Count 2=4 (#55-58)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Hosannah (&quot;Alleluja&quot;)====<br /> =====For Trombone and Organ (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico...,_Allelujah,_S.677.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=6<br /> |Editor={{LinkEd|Adelbert|Kühn}}<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/11897}}<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/26<br /> |Publisher Information=''Album für die Orgel''&lt;br&gt;&lt;small&gt;''zu J.G. Töpfer's goldener Amts-Jubelfeier''&lt;/small&gt;&lt;br&gt;Weimar: [[T.F.A. Kühn]], [1867]. Plate K. 176 W.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Album für die Orgel, Kühn-Töpfer, Sibley.jpg<br /> |Misc. Notes=S.677&lt;br&gt;{{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=WIMA.bb60-S677_Hosannah_Score.pdf<br /> |File Name 2=WIMA.d87b-S677_Hosannah_Posaune.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Trombone<br /> |Page Count 1=6<br /> |Page Count 2=2<br /> |Editor={{LinkEd|Gyula|Pfeiffer}}<br /> |Image Type=Typeset<br /> |Scanner=Gyula Pfeiffer<br /> |Uploader=[[User:Wrshannon|wrshannon]]<br /> |Date Submitted=2012/4/17<br /> |Publisher Information=Gyula Pfeiffer<br /> |Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0<br /> |Misc. Notes={{WIMAProject}}<br /> }}<br /> | *****WORK INFO*****<br /> <br /> |Work Title=Cantico del sol di Francesco d'Assisi, S.4<br /> |Alternative Title=Der Sonnen-Hymnus des heiligen Franziskus von Assisi<br /> |Opus/Catalogue Number=S.4/1 ; I.8a (1st version)&lt;br&gt;S.4/2 ; I.8b (2nd version)<br /> |Key=F major<br /> |Number of Movements/Sections=1<br /> |Average Duration=14 minutes<br /> |Dedication=Arnold Senfft von Pilsach (1834–1889) (2nd version)<br /> |First Performance=Rome, Palazzo Altieri, 23 March 1863 (1st version)&lt;br&gt;Pressburg, 21 December 1884 (2nd version)<br /> |Year/Date of Composition=1862 (1st version)&lt;br&gt;1879–82 (2nd version)<br /> |Year of First Publication=1862 &quot;Pietro Cavallini face Roma 25 Aprile 1862&quot; (1st version)&lt;br&gt;1987 (1st version), the possible version for baritone and organ only.&lt;br&gt;1884 (2nd version)<br /> |Librettist=Liturgical texts<br /> |Language=Italian / German<br /> |Piece Style=Romantic<br /> |Instrumentation=''Voices:'' baritone; male chorus (TTBB)&lt;br&gt;''Orchestra:'' 2 flutes, 2 oboes, 2 clarinets (B{{flat}}), 2 bassoons, 4 horns (F), 2 trumpets (F), bass trombone, tuba, timpani, strings, organ (2nd version)<br /> |Tags=canticles ; bar mch orch org ; de ; it<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * Composed for baritone (and male chorus ''ad lib.''), organ (or harmonium) and piano, 1862, as ''Cantico di San Francesco'' (= S.4/1)<br /> : Published ca.1884 by [[Kahnt]] (Leipzig)<br /> : Later published 1987 by [[Universal Edition]] (Vienna) → only the version for baritone and organ.<br /> * &quot;Alleluja&quot; arranged for organ (and trombone ''ad lib.''), 1862–63, as ''Hosannah'' (= S.677)<br /> : Published 1867 by [[Kühn]] (Weimar)<br /> * Revised for baritone, male chorus, organ and orchestra, 1879–82, as ''Cantico del sol di Francesco d'Assisi'' (= S.4/2)<br /> : Published 1884 by [[Kahnt]] (Leipzig)<br /> * Arranged for organ, 1881, as ''Cantico di San Francesco'' (= S.760)<br /> : Version lost<br /> * Arranged for solo piano, 1881–82, as ''Cantico di San Francesco'' (= S.499)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for organ, 1880, as ''San Francesco'' (= S.665)<br /> : Published 1972 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for solo piano, 1880?, as ''San Francesco'' (= S.498c)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Cantico_del_sol_di_Francesco_d%27Assisi,_S.4_(Liszt,_Franz) 2016-07-30T15:59:01Z

<p>Funper: Reverted edits by Steltz (talk) to last revision by Funper</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Assissi_ed.pdf<br /> |File Description 1=Full Score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BNF}}<br /> |Uploader=[[User:Schalltrichter|Schalltrichter]]<br /> |Date Submitted=2013/10/7<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d. (ca. 1882) Plate 2615.<br /> |Copyright=Public Domain<br /> |Thumb Filename=Liszt Assissi full sc cov.jpg<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Vocal Scores===<br /> ====1st version (S.4/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_S.4.1,_Autograph,_GSA_60.R_4.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=12<br /> |Editor=<br /> |Language=Italian<br /> |Image Type=Manuscript Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/23<br /> |Publisher Information=Composer's manuscript.<br /> |Copyright=Public Domain<br /> |Misc. Notes=Most pages more readable than the 1st.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-pdfsam_Liszt,_Franz,_Cantico_del_sol,_FE,_GSA_60R_4a.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=24<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/12<br /> |Publisher Information=Manuscript - Rome: Pietro Cavallin (copyist), 1862(?).<br /> |Copyright=Public Domain<br /> |Misc. Notes=See discussion.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol_di_Francesco_d'Assisi,_S.4.1,_Kahnt.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=Ralph Theo Misch<br /> |Uploader=[[User:Ralph Theo Misch|Ralph Theo Misch]]<br /> |Date Submitted=2011/8/2<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d.(ca.1884). Plate 2617.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt, Franz, Cantico del sol di Francesco d'Assisi, S.4.1, Kahnt.jpg<br /> |Misc. Notes=Scanned at 600dpi grayscale, converted to monochrome.<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version (S.4/2)====<br /> =====for Baritone, Male chorus, Organ and Orchestra (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Musikalische_Werke_5_Band_5_12.pdf<br /> |File Description 1=Complete Score (S.4/2)<br /> |Page Count 1=62 (xiv, 48)<br /> |Editor={{LinkEd|Philipp|Wolfrum}} (1854–1919)<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2010/3/12<br /> |Publisher Information={{Liszt-Stiftung|V|5|1936|v 12}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_filter.pdf<br /> |File Description 1=Complete Score (S.499) (scan)<br /> |File Description 2=Complete Score (S.499) (filter)<br /> |Page Count 1=16 (#59-74)<br /> |Page Count 2=16 (#59-74)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Prelude====<br /> =====*For Piano or Organ (Liszt)===== <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Cantico_del_sol_di_San_Francesco_d'Assisi._Preludio;_arr.pdf<br /> |File Description 1=Complete score (S.498c/S.665)<br /> |Page Count 1=14<br /> |Arranger={{LinkComp|Franz|Liszt}} (1811-1886)<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115175}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18|80}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Tags=pf (arr) ; org (arr)<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph.pdf<br /> |File Name 2=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph,_cleaned.pdf<br /> |File Description 1=Complete Score (S.498c/S.665)<br /> |File Description 2=Complete Score (without borders)<br /> |Page Count 1=<br /> |Page Count 2=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner=[http://www.klassik-stiftung.de/index.php?id=336 Klassik-Stiftung]/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/22<br /> |Publisher Information=Copyist's {{MssD|18||85}}. →[[Talk:Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|discussion]]<br /> |Copyright=Public Domain<br /> |Misc. Notes=Simultaneous notation for piano/organ.&lt;br&gt;600dpi monochrome.<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_filter.pdf<br /> |File Description 1=Complete Score (S.498c) (scan)<br /> |File Description 2=Complete Score (S.498c) (filter)<br /> |Page Count 1=4 (#55-58)<br /> |Page Count 2=4 (#55-58)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Hosannah (&quot;Alleluja&quot;)====<br /> =====For Organ and Trombone (S.677) (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico...,_Allelujah,_S.677.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=6<br /> |Editor={{LinkEd|Adelbert|Kühn}}<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/11897}}<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/26<br /> |Publisher Information=''Album für die Orgel''&lt;br&gt;&lt;small&gt;''zu J.G. Töpfer's goldener Amts-Jubelfeier''&lt;/small&gt;&lt;br&gt;Weimar: [[T.F.A. Kühn]], [1867]. Plate K. 176 W.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Album für die Orgel, Kühn-Töpfer, Sibley.jpg<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=WIMA.bb60-S677_Hosannah_Score.pdf<br /> |File Name 2=WIMA.d87b-S677_Hosannah_Posaune.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Trombone<br /> |Page Count 1=6<br /> |Page Count 2=2<br /> |Editor={{LinkEd|Gyula|Pfeiffer}}<br /> |Image Type=Typeset<br /> |Scanner=Gyula Pfeiffer<br /> |Uploader=[[User:Wrshannon|wrshannon]]<br /> |Date Submitted=2012/4/17<br /> |Publisher Information=Gyula Pfeiffer<br /> |Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0<br /> |Misc. Notes={{WIMAProject}}<br /> }}<br /> | *****WORK INFO*****<br /> <br /> |Work Title=Cantico del sol di Francesco d'Assisi, S.4<br /> |Alternative Title=Der Sonnen-Hymnus des heiligen Franziskus von Assisi<br /> |Opus/Catalogue Number=S.4/1 ; I.8a (1st version)&lt;br&gt;S.4/2 ; I.8b (2nd version)<br /> |Key=F major<br /> |Number of Movements/Sections=1<br /> |Average Duration=14 minutes<br /> |Dedication=Arnold Senfft von Pilsach (1834–1889) (2nd version)<br /> |First Performance=Rome, Palazzo Altieri, 23 March 1863 (1st version)&lt;br&gt;Pressburg, 21 December 1884 (2nd version)<br /> |Year/Date of Composition=1862 (1st version)&lt;br&gt;1879–82 (2nd version)<br /> |Year of First Publication=1862 &quot;Pietro Cavallini face Roma 25 Aprile 1862&quot; (1st version)&lt;br&gt;1987 (1st version), the possible version for baritone and organ only.&lt;br&gt;1884 (2nd version)<br /> |Librettist=Liturgical texts<br /> |Language=Italian / German<br /> |Piece Style=Romantic<br /> |Instrumentation=Baritone solo, Chorus (TTBB) + 2 Flutes, 2 Oboes, 2 Clarinets (B{{flat}}), 2 Bassoons, 4 Horns (F), 2 Trumpets (F), Bass Trombone, Tuba, Timpani, Organ, Violins I, Violins II, Violas, Cellos, Double Basses (2nd version)<br /> |Tags=canticles ; bar mch org orch ; de ; it<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * Composed for baritone (and male chorus ''ad lib.''), organ (or harmonium) and piano, 1862, as ''Cantico di San Francesco'' (= S.4/1)<br /> : Published ca.1884 by [[Kahnt]] (Leipzig)<br /> : Later published 1987 by [[Universal Edition]] (Vienna) → only the version for baritone and organ.<br /> * &quot;Alleluja&quot; arranged for organ (and trombone ''ad lib.''), 1862–63, as ''Hosannah'' (= S.677)<br /> : Published 1867 by [[Kühn]] (Weimar)<br /> * Revised for baritone, male chorus, organ and orchestra, 1879–82, as ''Cantico del sol di Francesco d'Assisi'' (= S.4/2)<br /> : Published 1884 by [[Kahnt]] (Leipzig)<br /> * Arranged for organ, 1881, as ''Cantico di San Francesco'' (= S.760)<br /> : Version lost<br /> * Arranged for solo piano, 1881–82, as ''Cantico di San Francesco'' (= S.499)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for organ, 1880, as ''San Francesco'' (= S.665)<br /> : Published 1972 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for solo piano, 1880?, as ''San Francesco'' (= S.498c)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Isoldens_Liebestod,_S.447_(Liszt,_Franz) 2016-07-30T03:24:02Z

<p>Funper: Reverted edits by P.davydov (talk) to last revision by Funper</p> <hr /> <div>#REDIRECT [[Isoldens Liebestod aus Wagner's Tristan und Isolde, S.447 (Liszt, Franz)]]</div>

Funper //imslp.org/wiki/Franz_Liszt:_Neue_Liszt-Ausgabe 2016-07-28T13:51:12Z

<p>Funper: /* Series II */</p> <hr /> <div>==History==<br /> '''Neue Liszt-Ausgabe''' (abbreviated as &quot;NLA&quot;; full name, ''Franz Liszt. Neue Ausgabe sämtlicher Werke'') is the second complete authentic edition of the music of [[:Category:Liszt, Franz|Franz Liszt]]. The complete edition is based on all the available manuscript and printed sources of Liszt's works. The edition was published jointly by Edition Musica Budapest and the Bärenreiter-Verlag Kassel from 1970 to present. Cooperation between the Bärenreiter-Verlag and Editio Musica Budapest came to an end in 1985 with the completion of series 1, however EMB has independently continued the series.<br /> ====Copyright status====<br /> &lt;span style=&quot;color:crimson&quot;&gt;''Please note that the IMSLP makes no guarantee whatsoever that the information appearing here is legally accurate and assumes no liability or legal responsibility therefor.''&lt;/span&gt;&lt;br&gt;<br /> Under Canadian law, a work must contain a sufficient amount of original material to qualify for copyright protection - which is usually described as the &quot;threshold of originality.&quot; Works which consist of collation and comparison of public domain sources, though they often require intensive research and scholarship, fail to meet this test under the copyright statutes of many nations around the world, including Canada. However, the determination of originality is ultimately up to a court, since there is no specific language in the Canadian statute explicitly defining which items are considered original enough to meet the &quot;threshold of originality&quot; on a given editor's part. It is also true that such editions have been granted a special, limited-term, copyright in certain countries (notably Germany and Italy), and in the EU itself. IMSLP, though it is under no sort of legal obligation to do so, therefore voluntarily enforces a term of 25 years from date of publication for such modern, scholarly editions, which originate in the European Union.<br /> <br /> Before its 1989 demise, the Hungarian communist state published works of living or deceased persons on which the state claimed copyright. Editio Musica Budapest (founded in 1950) was a government agency formed by government expropriation of privately-owned publishing firms like Roszavolgyi, Rozsnyai, and others at the start of the Soviet occupation. Although original works of contemporary Hungarian composers have been judged to be the vaild copyrights of the composers themselves or their heirs in most Western countries, urtext or critical editions published during this era (1945-1989) have not been considered to be subject of copyright, as such editions were prepared by government employees working for a state agency as part of their employment - thus government works. Moreover, the copyright owner itself (the Hungarian communist government) ceased to exist. See [[Public domain#Russia / USSR|this section on USSR editions]] for more information.<br /> <br /> Additionally, Section 70 of the German copyright law states that scientific editions (editions which are produced as a result of scientific analysis, i.e. urtext) are entitled to only a limited copyright term of publication plus 25 years. Since series 1 of Neue Liszt-Ausgabe was published jointly with the German publisher Bärenreiter, all volumes in series 1 that are older than 25 years are public domain in Germany and all published more than 30 years ago are public domain in the EU as a whole. See [[Public domain#Germany|this]] for more information. (Article 5 of the EU Copyright Directive 93/98/EC specifically limits the term of critical or urtext editions to a maximum of 30 years following publication.)<br /> <br /> &lt;span style=&quot;color:crimson&quot;&gt;Despite the foregoing points regarding the Canadian status of sections of this edition, the location Project Petrucci LLC (the owner of this site) in the USA complicates matters considerably. Since many volumes of the NLA were issued simultaneously in Germany and bear a proper copyright notice after 1963 (which means they were automatically renewed in the USA), they would appear to be protected under US law until there is a challenge to clarify the &quot;threshold of originality&quot; with respect to such editions directly. IMSLP therefore has moved all such items to servers of the unaffiliated organization IMSLP-EU, where they are available only to non-US downloaders.&lt;/span&gt;<br /> <br /> ==Template==<br /> &lt;nowiki&gt;{{&lt;/nowiki&gt;[[Template:NeueLisztAusgabe|NeueLisztAusgabe]]&lt;nowiki&gt;|Series|Band|Year|Plate}}&lt;/nowiki&gt;<br /> ==Editors==<br /> *Zoltán Gárdonyi (1906-1986), István Szelényi (1904-1972) '''Vol.1-4<br /> *Antal Boronkay '''Vol.5<br /> *Imre Mező, Imre Sulyok (1912-2008) '''Vol.6-18<br /> ==Contents==<br /> Neue Liszt-Ausgabe is planned to comprise the following ten series, of which only two have been published:<br /> <br /> *I. Solo piano works (1970-85)<br /> *II. Free arrangements and transcriptions for piano solo (1986-2005)<br /> *III. Works and arrangements for piano four hands and for two pianos<br /> *IV. Works and arrangements for several instruments<br /> *V. Works and arrangements for organ, and for organ and other instruments<br /> *VI. Orchestral works<br /> *VII. Works for piano and orchestra<br /> *VIII. Vocal works with piano<br /> *IX. Vocal works with orchestra, or with several instruments<br /> *X. A cappella choral works<br /> **Supplements to Series I and II<br /> <br /> ===Series I===<br /> Series I of the Neue Liszt-Ausgabe contains Franz Liszt's original solo piano works,<br /> and transcriptions for solo piano of his own compositions. Mostly final versions appears in these volumes, but some earlier versions that are significantly different from their final form appear here to.<br /> <br /> *'''Volume 1 (Etüden I), 1970. Plate Z.5411.''' <br /> **[[Études d'exécution transcendante, S.139 (Liszt, Franz)|Études d'exécution transcendante]] (S.139)<br /> *'''Volume 2 (Etüden II), 1971. Plate Z.5412.'''<br /> **[[3 Études de concert, S.144 (Liszt, Franz)|Trois Études de concert - Trois Caprices poétiques]] (S.144)<br /> **[[Ab Irato, Étude de perfectionnement, S.143 (Liszt, Franz)|Ab irato]] (S.143)<br /> **[[2 Konzertetüden, S.145 (Liszt, Franz)|Zwei Konzertetüden - Two Concert-Studies]] (S.145)<br /> **[[Grandes études de Paganini, S.141 (Liszt, Franz)|Grandes études de Paganini]] (S.141)<br /> *'''Volume 3 (Ungarische Rhapsodien I), 1972. Plate Z.6210.'''<br /> **[[Hungarian Rhapsody No.1, S.244/1 (Liszt, Franz)|I. Rhapsodie hongroise]] (S.244/1)<br /> **[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|II. Rhapsodie hongroise]] (S.244/2)<br /> **[[Hungarian Rhapsody No.3, S.244/3 (Liszt, Franz)|III. Rhapsodie hongroise]] (S.244/3)<br /> **[[Hungarian Rhapsody No.4, S.244/4 (Liszt, Franz)|IV. Rhapsodie hongroise]] (S.244/4)<br /> **[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|V. Rhapsodie hongroise - Héroïde-Élégiaque]] (S.244/5)<br /> **[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|VI. Rhapsodie hongroise]] (S.244/6)<br /> **[[Hungarian Rhapsody No.7, S.244/7 (Liszt, Franz)|VII. Rhapsodie hongroise]] (S.244/7)<br /> **[[Hungarian Rhapsody No.8, S.244/8 (Liszt, Franz)|VIII. Rhapsodie hongroise]] (S.244/8)<br /> **[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|IX. Rhapsodie hongroise - Pesther Carneval - Le Carnaval de Pesth]] (S.244/9)<br /> *'''Volume 4 (Ungarische Rhapsodien II), 1973. Plate Z.6211.'''<br /> **[[Hungarian Rhapsody No.10, S.244/10 (Liszt, Franz)|X. Rhapsodie hongroise]] (S.244/10)<br /> **[[Hungarian Rhapsody No.11, S.244/11 (Liszt, Franz)|XI. Rhapsodie hongroise]] (S.244/11)<br /> **[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|XII. Rhapsodie hongroise]] (S.244/12)<br /> **[[Hungarian Rhapsody No.13, S.244/13 (Liszt, Franz)|XIII. Rhapsodie hongroise]] (S.244/13)<br /> **[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|XIV. Rhapsodie hongroise]] (S.244/14)<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|XV. Rhapsodie hongroise - Rákóczi-Marsch]] (S.244/15)<br /> **[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|XVI. Magyar rhapsodia - Ungarische Rhapsodie]] (S.244/16)<br /> **[[Hungarian Rhapsody No.17, S.244/17 (Liszt, Franz)|XVII. Rhapsodie hongroise]] (S.244/17)<br /> **[[Hungarian Rhapsody No.18, S.244/18 (Liszt, Franz)|XVIII. Magyar rhapsodia]] (S.244/18)<br /> **[[Hungarian Rhapsody No.19, S.244/19 (Liszt, Franz)|XIX. Rhapsodie hongroise - Ungarische Rhapsodie ]] (S.244/19)<br /> *'''Volume 5 (Grosses Konzertsolo, Sonate, B-a-c-h), 1983. Plate Z.7295.'''<br /> **[[Grosses Konzertsolo, S.176 (Liszt, Franz)|Großes Konzertsolo (S.176)]]<br /> **[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonate B minor - h-Moll (S.178)]]<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B-A-C-H (S.529ii)]]<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Praeludium und Fuge über das Motiv B-a-c-h - 1&lt;sup&gt;st&lt;/sup&gt; version (S.529)]]<br /> *'''Volume 6 (Années de Pélerinage I), 1976. Plate Z.7474.'''<br /> **[[Années de pèlerinage I, S.160 (Liszt, Franz)|Années de pèlerinage - Première Année — Suisse]] (S.160)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - I. Impressions et Poésies]] (Nos. 1, 4, 7) (S.156/1)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - II. Fleurs mélodiques des Alpes]] (S.156/2)<br /> *'''Volume 7 (Années de Pélerinage II), 1974. Plate Z.6785.'''<br /> **[[Années de pèlerinage II, S.161 (Liszt, Franz)|Années de Pèlerinage - Deuxième Année — Italie]] (S.161)<br /> **[[Années de pèlerinage II, Supplément, S.162 (Liszt, Franz)|Venezia e Napoli. Supplément aux Années de Pèlerinage 2&lt;sup&gt;nd&lt;/sup&gt; volume — Italie]] (S.162)<br /> **[[Venezia e Napoli, S.159 (Liszt, Franz)|Venezia e Napoli - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.159)<br /> *'''Volume 8 (Années de Pélerinage III), 1975, Z.6957.'''<br /> **[[Années de pèlerinage III, S.163 (Liszt, Franz)|Années de Pèlerinage - Troisième Année]] (S.163)<br /> *'''Volume 9 (Various Cyclical Works I), 1981, Z.8011.'''<br /> **[[8 Variations, S.148 (Liszt, Franz)|Huit variations (S.147)]]<br /> **[[Apparitions, S.155 (Liszt, Franz)|Apparitions (S.155)]]<br /> **[[Harmonies poétiques et religieuses III, S.173 (Liszt, Franz)|Harmonies poétiques et religieuses (S.173)]]<br /> **[[Consolations, S.172 (Liszt, Franz)|Consolations - Six pensées poétiques (S.172)]]<br /> **[[Ballade No.1, S.170 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Ballade - Le chant du croisé (S.170)]]<br /> **[[Ballade No.2, S.171 (Liszt, Franz)|2&lt;sup&gt;e&lt;/sup&gt; Ballade (S.171)]]<br /> **[[Harmonies poétiques et religieuses I, S.154 (Liszt, Franz)|Harmonies poétiques et religieuses - 1&lt;sup&gt;st&lt;/sup&gt; version (S.154)]]<br /> **[[Invocation, early version, S.172a/2 (Liszt, Franz)|Invocation - 1&lt;sup&gt;st&lt;/sup&gt; version (S.172a/2)]]<br /> **[[Hymne de la nuit, S.173a/1 (Liszt, Franz)|Hymne de la Nuit (S.173a/1)]]<br /> **[[Hymne du matin, S.173a/2 (Liszt, Franz)|Hymne du Matin (S.173a/2)]]<br /> **[[Klavierstück No.2, S.189a (Liszt, Franz)|Klavierstück As-Dur Nr. 2 (S.189a)]]<br /> *'''Volume 10 (Various Cyclical Works II), 1980, Z.8459.'''<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes (S.175)]]<br /> **[[5 Klavierstücke, S.192 (Liszt, Franz)|Five Piano Pieces - Fünf Klavierstücke (S.192)]]<br /> **[[Elegy No.1, S.196 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Élégie (S.196)]]<br /> **[[Elegy No.2, S.197 (Liszt, Franz)|Zweite Elegie (S.197)]]<br /> **[[Weihnachtsbaum, S.186 (Liszt, Franz)|Weihnachtsbaum - L'albero del natale - Arbre de Noël]]<br /> **[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|Choräle]]<br /> **[[Historische ungarische Bildnisse, S.205 (Liszt, Franz)|Historical Hungarian Portraits - Historische ungarische Bildnisse - Portraits hongrois historiques (S.205)]]<br /> **[[Via Crucis, S.504a (Liszt, Franz)|Via Crucis (S.504a)]]<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes No. 2, St. François de Paule «marchant sur les flots» (version facilitée)]]<br /> *'''Volume 11 (Individual Character Pieces I), 1979, Z.6216.'''<br /> **[[Allegro di bravura, S.151 (Liszt, Franz)|Allegro di bravura]]<br /> **[[Rondo di bravura, S.152 (Liszt, Franz)|Rondo di bravura]]<br /> **[[Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 (Liszt, Franz)|Élégie sur des motifs du Prince Louis Ferdinand de Prusse]]<br /> **[[Klavierstück aus der Bonn Beethoven-Cantata, S.507 (Liszt, Franz)|70 Bars on Themes from the First Beethoven Cantata- 70 Takte nach Motiven aus der Ersten Beethoven-Kantate]]<br /> **[[Romance, S.169 (Liszt, Franz)|Romance]]<br /> **[[Festvorspiel, S.226 (Liszt, Franz)|Festvorspiel - Prélude]]<br /> **[[Les morts, S.112/1 (Liszt, Franz)|Les morts - Die Toten]] (S.516)<br /> **[[Klavierstück, S.193 (Liszt, Franz)|Piano Piece in F sharp major - Klavierstück Fis-Dur]]<br /> **[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)|Ave Maria (für die große Klavierschule von Lebert und Stark)]]<br /> **[[Alleluja, S.183/1 (Liszt, Franz)|Alleluja]]<br /> **[[Berceuse, S.174 (Liszt, Franz)|Berceuse (2nd version - 2. Fassung)]]<br /> **[[Slavimo slavno, Slaveni!, S.33 (Liszt, Franz)|Slavimo slavno slaveni!]]<br /> **[[La notte, S.112/2 (Liszt, Franz)|La Notte]] (S.516a)<br /> *'''Volume 12 (Individual Character Pieces II), 1978, Z.6217.'''<br /> **[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla Regis prodeunt]]<br /> **[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et orbi]]<br /> **[[Un portrait en musique, S.190 (Liszt, Franz)|Un portrait en musique]]<br /> **[[Ave Maria II, S.38 (Liszt, Franz)|Ave Maria (aus den neun Kirchenchorgesängen)]]<br /> **[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]<br /> **[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]<br /> **[[Impromptu, S.191 (Liszt, Franz)|Impromptu]]<br /> **[[Receuillement, S.204 (Liszt, Franz)|Recueillement]]<br /> **[[Sancta Dorothea, S.187 (Liszt, Franz)|Sancta Dorothea]]<br /> **[[Carrousel de Madame Pelet-Narbonne, S.214a (Liszt, Franz)|Carrousel de Madame P-N]]<br /> **[[Toccata, S.197a (Liszt, Franz)|Toccata]]<br /> **[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione (1st version - 1. Fassung)]]<br /> **[[In festo transfigurationis Domini nostri Jesu Christi, S.188 (Liszt, Franz)|In festo transfigurationis Domini]]<br /> **[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée - Vergessene Romanze]]<br /> **[[Ave Maria IV, S.341 (Liszt, Franz)|Ave Maria (IV)]]<br /> **[[Wiegenlied, S.198 (Liszt, Franz)|Wiegenlied - Chant du berceau]]<br /> **[[Trübe Wolken, S.199 (Liszt, Franz)|Trübe Wolken - Nuages gris]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 1 - La lugubre gondola No. 1]]<br /> **[[R.W. - Venezia, S.201 (Liszt, Franz)|R. W. Venezia]]<br /> **[[Schlaflos! Frage und Antwort, S.203 (Liszt, Franz)|Schlaflos!]]<br /> **[[Am Grabe Richard Wagners, S.135 (Liszt, Franz)|Am Grabe Richard Wagners]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 2 - La lugubre gondola No. 2]]<br /> **[[Trauervorspiel und Trauermarsch, S.206 (Liszt, Franz)|Trauervorspiel und Trauermarsch]]<br /> **[[En rêve, S.207 (Liszt, Franz)|En rêve]]<br /> **[[Unstern, S.208 (Liszt, Franz)|Unstern! - Sinistre]]<br /> *'''Volume 13 (Dances, Marches and Scherzos I), 1985, Z.8252.'''<br /> **[[2 Waltzes, S.126b (Liszt, Franz)|Waltz - Walzer (S.208a)]]<br /> **[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique]]<br /> **[[Heroischer Marsch in ungarischem Stil, S.231 (Liszt, Franz)|Heroischer Marsch in ungarischem Stil - Marche héroïque dans le genre hongrois]]<br /> **[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt - Feuille d'Album No. 1]]<br /> **[[Galop de bal, S.220 (Liszt, Franz)|Galop de Bal]]<br /> **[[Galop in A minor, S.218 (Liszt, Franz)|Gallop (A minor) - Galopp (a-Moll)]]<br /> **[[Feuilles d'album, S.165 (Liszt, Franz)|Feuilles d'Album (A flat major - As-Dur)]]<br /> **[[Albumblatt in Walzerform, S.166 (Liszt, Franz)|Valse]]<br /> **[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler (A flat major - As-Dur)]]<br /> **[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise (E flat minor - es-Moll)]]<br /> **[[Mazurka brillante, S.221 (Liszt, Franz)|Mazurka brillante]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse de bravoure]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse mélancolique (2nd version - 2. Fassung)]]<br /> **[[2 Polonaises, S.223 (Liszt, Franz)|2 Polonaises]]<br /> **[[Scherzo und Marsch, S.177 (Liszt, Franz)|Scherzo und Marsch]]<br /> **[[Valse-Impromptu, S.213 (Liszt, Franz)|Valse-Impromptu]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique (simplifié par l'auteur)]]<br /> **[[Petite valse favorite, S.212 (Liszt, Franz)|Petite Valse favorite]]<br /> *'''Volume 14 (Dances, Marches and Scherzos I), 1984, Z.8858.'''<br /> **[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch (2nd version - 2. Fassung)]]<br /> **[[Siegesmarsch, S.233a (Liszt, Franz)|Siegesmarsch - Marche triomphale]]<br /> **[[Ungarischer Geschwindmarsch, S.233 (Liszt, Franz)|Magyar gyors induló - Ungarischer Geschwindmarsch]]<br /> **[[Csárdás macabre, S.224 (Liszt, Franz)|Csardas macabre]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Première Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Deuxième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Troisième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Vierter vergessener Walzer - Quatrième Valse oubliée]]<br /> **[[Mephisto Waltz No.3, S.216 (Liszt, Franz)|Dritter Mephisto-Walzer]]<br /> **[[Mephisto Polka, S.217 (Liszt, Franz)|Mephisto-Polka]]<br /> **[[Bülow-Marsch, S.230 (Liszt, Franz)|Bülow-Marsch]]<br /> **[[2 Csárdás, S.225 (Liszt, Franz)|2 Csardas]]<br /> **[[Mephisto Waltz No.4, S.216b (Liszt, Franz)|Vierter Mephisto-Walzer]]<br /> **[[Bagatelle sans tonalité, S.216a (Liszt, Franz)|Vierter Mephisto-Walzer - Bagatelle ohne Tonart - Bagatelle sans tonalité]]<br /> **[[Festmarsch zur Säcularfeier von Goethes Geburtstag, S.227 (Liszt, Franz)|Festmarsch zur Säkularfeier von Goethes Geburtstag (1st version - 1. Fassung)]]<br /> *'''Volume 15 (Klavier-Versionen Eigener Werke I), 1982, Z.8253.'''<br /> **[[Il m'aimait tant, S.271 (Liszt, Franz)|Il m'aimait tant!]]<br /> **[[Buch der Lieder I, S.531 (Liszt, Franz)|Buch der Lieder I - Poésies]]<br /> **[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Liebesträume - 3 Notturnos]]<br /> **[[Huldigungsmarsch, S.228 (Liszt, Franz)|Huldigungsmarsch]]<br /> **[[Vom Fels zum Meer!, S.229 (Liszt, Franz)|Vom Fels zum Meer!]]<br /> **[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|2. Festmarsch (nach Motiven von E. H. z. S.)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 1)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 2)]]<br /> **[[Ich liebe dich, S.315 (Liszt, Franz)|Ich liebe dich]]<br /> **[[Künstlerfestzug zur Schillerfeier 1859, S.114 (Liszt, Franz)|Künstlerfestzug]]<br /> **[[Mephisto Waltz No.1, S.514 (Liszt, Franz)|1. Mephisto-Walzer (''Der Tanz in der Dorfschenke'')]]<br /> **[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]<br /> **[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale (Schnitterchor aus dem entfesselten Prometheus)]]<br /> **[[Die Loreley, S.273 (Liszt, Franz)|Die Lorelei (2nd version - 2. Fassung)]]<br /> **[[Christus ist geboren II, S.32 (Liszt, Franz)|Weihnachtslied]]<br /> **[[Pio IX, S.261 (Liszt, Franz)|L'hymne du pape]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Notturno No. 2 (1st version - 1. Fassung)]]<br /> *'''Volume 16 (Klavier-Versionen Eigener Werke II), 1982, Z.8859.'''<br /> **[[Totentanz, S.126 (Liszt, Franz)|Totentanz]] (S.525)<br /> **[[Le triomphe funèbre du Tasse, S.112/3 (Liszt, Franz)|Le triomphe funèbre du Tasse (S.517)]]<br /> **[[Christus, S.3 (Liszt, Franz)|Zwei Orchestersätze aus dem Oratorium Christus]]<br /> **[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Drei Stücke aus der Legende der heiligen Elisabeth]]<br /> **[[Ungarische Krönungsmesse, S.11 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]<br /> **[[Ave maris stella, S.34 (Liszt, Franz)|Ave maris stella]]<br /> **[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur (Humoreske)]]<br /> **[[Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867, S.118 (Liszt, Franz)|Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1867)]]<br /> **[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Ungarischer Hymnus - Szózat és Magyar Himnusz]]<br /> **[[Faust Symphony, S.108 (Liszt, Franz)|Gretchen (Aus Faust-Symphonie)]]<br /> **[[Ungarischer Sturmmarsch, S.119 (Liszt, Franz)|Ungarischer Sturmmarsch (Neue Bearbeitung 1876)]]<br /> **[[Seconde marche hongroise, S.232 (Liszt, Franz)|Seconde marche hongroise - Ungarischer Sturmmarsch (1st version - 1. Fassung)]]<br /> *'''Volume 17 (Klavier-Versionen Eigener Werke III), 1983, Z.8860.'''<br /> **[[Festpolonaise, S.230a (Liszt, Franz)|Festpolonaise]]<br /> **[[Der blinde Sänger, S.350 (Liszt, Franz)|Der blinde Sänger (Слепой)]]<br /> **[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]<br /> **[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Deux polonaises (de l'oratorio St. Stanislas)]]<br /> **[[O Roma nobilis, S.54 (Liszt, Franz)|O Roma nobilis]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco (preludio per il Cantico del Sol, di San Francesco d'Assisi)]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]<br /> **[[Mephisto Waltz No.2, S.515 (Liszt, Franz)|2. Mephisto-Walzer]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|A magyarok istene - Ungarns Gott]]<br /> **[[Von der Wiege bis zum Grabe, S.107 (Liszt, Franz)|Von der Wiege bis zum Grabe — Du berceau jusqu' à la tombe]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Die Zelle in Nonnenwerth (4th version — 4. Fassung)]]<br /> **[[Magyar király-dal, S.340 (Liszt, Franz)|Magyar király-dal — Ungarisches Königslied]]<br /> **[[In domum Domini ibimus, S.57 (Liszt, Franz)|In domum Domini ibimus — Zum Haus des Herrn ziehen wir]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No. 2 (als &quot;Die Zelle in Nonnenwerth&quot;, 3. Fassung)]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|Ungarns Gott — A magyarok istene (Klavier-Transkription für die linke Hand — zongoraátirat bal kézre)]]<br /> *'''Volume 18 (Supplement), 1985, Z.12903.'''<br /> **[[Étude en douze exercices, S.136 (Liszt, Franz)|Étude en douze exercices (op. 6)]]<br /> **[[Magyar dalok, S.242 (Liszt, Franz)|Magyar dalok — Ungarische Nationalmelodien (Nos. 1-10)]]<br /> **[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien Im leichten Stile bearbeitet]]<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|Rákóczi-Marsch (1st version — 1. Fassung)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Rákóczi-Marsch - Magyar Dalok (S.242/13)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Ungarische Nationalmelodie (Rákóczi-Marsch) Erleichtert]]<br /> **[[Marche de Rákóczy, S.244c (Liszt, Franz)|Marche de Rákóczi - Édition populaire (S.244c)]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für das Pianoforte]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für Pianoforte erleichtert]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Magyar rapszódiák (Nos. 15, 17, 20)]]<br /> **[[Buch der Lieder II, S.535–540 (Liszt, Franz)|Buch der Lieder für Piano allein — II - Poésies lyriques pour piano seul — (S.535-40)]]<br /> <br /> ===Series II===<br /> &lt;span style=&quot;color:crimson&quot;&gt;''As of 2016, scores from volumes 1, 7, and 14, are permissible to submit since ≥25 years have passed since date of publication.''&lt;/span&gt;&lt;br&gt;<br /> Series II of the Neue Liszt-Ausgabe contains solo piano works based on works or themes of other composers, and arrangements of certain folk melodies (or melodies of a folk character by known composers).<br /> <br /> *'''Volume 1 (Free Arrangements I), 1990, Z.8766.'''<br /> **Variation on a Waltz of Diabelli <br /> **Seven Brilliant Variations on a Theme of Rossini S.149<br /> **Impromptu Brillant on Themes of Rossini and Spontini S.150 <br /> **Two Hungarian Recruiting Dances by László Fáy and János Bihari S.241<br /> **Souvenir de La Fiancée. Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (3. változat - 3rd version) S.385<br /> **Grande Fantaisie di bravura sur la Clochette de Paganini S.420<br /> **L'Idée fixe. Andante amoroso S.395<br /> **Réminiscences de La Juive S.409a <br /> **Deux fantaisies 1. La Serenata e l'Orgia. Grande fantaisie sur des motifs des Soirées musicales de Rossini (2nd version) S.422<br /> **Deux fantaisies 2. La pastorella dell'Alpi e Li marinari. 2me fantaisie sur des motifs des Soirées musicales de Rossini S.423<br /> **Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (1st version) S.385<br /> **Tyrolean Melody from the Opera 'La Fiancée' by Auber S.385a<br /> *'''Volume 2 (Free Arrangements II), 2004, Z.8767.'''<br /> *'''Volume 3 (Free Arrangements III), 1999, Z.12392.'''<br /> *'''Volume 4 (Free Arrangements IV), 2002, Z.12393.'''<br /> *'''Volume 5 (Free Arrangements V), 2000, Z.12394.'''<br /> *'''Volume 6 (Free Arrangements VI), 2001, Z.12395.'''<br /> *'''Volume 7 (Free Arrangements VII), 1988, Z.12396.'''<br /> **Capriccio alla turca sur des motifs de Beethoven S.388<br /> **6 Melodien von Franz Schubert 1. Lebe wohl! - Adieu! S.563<br /> **6 Melodien von Franz Schubert 2. Mädchens Klage - Les Plaintes de la Jeune fille S.563<br /> **6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein - La Cloche des Agonisants S.563<br /> **6 Melodien von Franz Schubert 4. Trockne Blumen - La Fleur Fanée S.563<br /> **6 Melodien von Franz Schubert 5. Ungeduld - Toute ma vie (1st version) S.563<br /> **6 Melodien von Franz Schubert 6. Die Forelle - La Truite (1st version) S.563<br /> **Müller-Lieder von Franz Schubert 1. Das Wandern - Le meunier voyageur S.565<br /> **Müller-Lieder von Franz Schubert 2. Der Müller und der Bach - La voix enchantresse S.565<br /> **Müller-Lieder von Franz Schubert 3. Der Jäger - Le chasseur S.565<br /> **Müller-Lieder von Franz Schubert 4. Die böse Farbe - Garde moi souvenir S.565<br /> **Müller-Lieder von Franz Schubert 5. Wohin? - Au bord de la fontaine S.565<br /> **Müller-Lieder von Franz Schubert 6. Ungeduld - Toute ma vie (3rd version) S.565<br /> **Die Forelle. Lied von F. Schubert (2nd version) S.564<br /> **Franz Schuberts Märsche 1. Trauermarsch - Grande marche funebre de Francois Schubert S.426<br /> **Franz Schuberts Märsche 2. Grande Marche de Francois Schubert S.426<br /> **Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert S.426<br /> *'''Volume 8 (Free Arrangements VIII), 1999, Z.12397.'''<br /> *'''Volume 9 (Free Arrangements IX), 2001, Z.12398.'''<br /> *'''Volume 10 (Free Arrangements X), 2002, Z.12399.'''<br /> *'''Volume 11 (Free Arrangements XI), 2004, Z.12400.'''<br /> *'''Volume 12 (Free Arrangements XII), 1994, Z.12401.'''<br /> *'''Volume 13 (Free Arrangements XIII), 2005, Z.12402.'''<br /> *'''Volume 14 (Free Arrangements XIV), 1991, Z.12403.'''<br /> **Danse macabre. Poeme symphonique de Camille Saint-Saens S.555<br /> **Trois morceaux suisses (2nd version) 1.Ranz de vaches S.156/3<br /> **Trois morceaux suisses (2nd version) 2.Un soir dans la montagne. Mélodie d'Ernest Knop S.156/3<br /> **Trois morceaux suisses (2nd version) 3.Ranz de chevres S.156/3<br /> **Valse d'Adele. Pour piano a la main gauche seule par le Comte Géza Zichy S.456<br /> **Agnus Dei della Messa da Requiem di Giuseppe Verdi (2nd version) S.437<br /> **Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und Kriemhild S.496/1<br /> **Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. Bechlarn S.496/1<br /> **Aus der Musik von Eduard Lassen zu Goethes Faust 1. Osterhymne S.496/2<br /> **Aus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und Polonaise S.496/2<br /> **Revive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet S.572<br /> **Sarabande und Chaconne aus dem Singspiel 'Almira' von Georg Friedrich Händel S.181<br /> **Tarantella de Dargomijski S.483<br /> **Vive Henri IV S.239<br /> *'''Volume 15 (Free Arrangements XV), 2003, Z.12404.'''<br /> *'''Volume 16 (Transcriptions I), 1996, Z.13353.'''<br /> *'''Volume 17 (Transcriptions II), 1992, Z.13354.'''<br /> **Symphonie No.1 S.464/1<br /> **Symphonie No.2 S.464/2<br /> **Symphonie No.3 S.464/3<br /> **Symphonie No.4 S.464/4<br /> *'''Volume 18 (Transcriptions III), 1992, Z.13355.'''<br /> **Symphonie No.5 (2nd version) S.464/5<br /> **Symphonie Pastorale (No. 6) (3rd version) S.464/6<br /> **Symphonie No.7 (2nd version) S.464/7<br /> *'''Volume 19 (Transcriptions IV), 1993, Z.13356.'''<br /> **Symphonie No.8 S.464/8<br /> **Symphonie No.9 S.464/9<br /> *'''Volume 20 (Transcriptions V), 1997, Z.13357.'''<br /> *'''Volume 21 (Transcriptions VI), 1995, Z.13358.'''<br /> *'''Volume 22 (Transcriptions VII), 1997, Z.13359.'''<br /> *'''Volume 23 (Transcriptions VIII), 1996, Z.13360.'''<br /> *'''Volume 24 (Transcriptions IX), 1998, Z.13361.'''<br /> <br /> ==References==<br /> *[http://www.emb.hu/cat/80031.pdf Neue Liszt-Ausgabe catalogue] - PDF version<br /> [[Category:Editions|Liszt]]</div>

Funper //imslp.org/wiki/Franz_Liszt:_Neue_Liszt-Ausgabe 2016-07-28T13:43:14Z

<p>Funper: /* Series II */</p> <hr /> <div>==History==<br /> '''Neue Liszt-Ausgabe''' (abbreviated as &quot;NLA&quot;; full name, ''Franz Liszt. Neue Ausgabe sämtlicher Werke'') is the second complete authentic edition of the music of [[:Category:Liszt, Franz|Franz Liszt]]. The complete edition is based on all the available manuscript and printed sources of Liszt's works. The edition was published jointly by Edition Musica Budapest and the Bärenreiter-Verlag Kassel from 1970 to present. Cooperation between the Bärenreiter-Verlag and Editio Musica Budapest came to an end in 1985 with the completion of series 1, however EMB has independently continued the series.<br /> ====Copyright status====<br /> &lt;span style=&quot;color:crimson&quot;&gt;''Please note that the IMSLP makes no guarantee whatsoever that the information appearing here is legally accurate and assumes no liability or legal responsibility therefor.''&lt;/span&gt;&lt;br&gt;<br /> Under Canadian law, a work must contain a sufficient amount of original material to qualify for copyright protection - which is usually described as the &quot;threshold of originality.&quot; Works which consist of collation and comparison of public domain sources, though they often require intensive research and scholarship, fail to meet this test under the copyright statutes of many nations around the world, including Canada. However, the determination of originality is ultimately up to a court, since there is no specific language in the Canadian statute explicitly defining which items are considered original enough to meet the &quot;threshold of originality&quot; on a given editor's part. It is also true that such editions have been granted a special, limited-term, copyright in certain countries (notably Germany and Italy), and in the EU itself. IMSLP, though it is under no sort of legal obligation to do so, therefore voluntarily enforces a term of 25 years from date of publication for such modern, scholarly editions, which originate in the European Union.<br /> <br /> Before its 1989 demise, the Hungarian communist state published works of living or deceased persons on which the state claimed copyright. Editio Musica Budapest (founded in 1950) was a government agency formed by government expropriation of privately-owned publishing firms like Roszavolgyi, Rozsnyai, and others at the start of the Soviet occupation. Although original works of contemporary Hungarian composers have been judged to be the vaild copyrights of the composers themselves or their heirs in most Western countries, urtext or critical editions published during this era (1945-1989) have not been considered to be subject of copyright, as such editions were prepared by government employees working for a state agency as part of their employment - thus government works. Moreover, the copyright owner itself (the Hungarian communist government) ceased to exist. See [[Public domain#Russia / USSR|this section on USSR editions]] for more information.<br /> <br /> Additionally, Section 70 of the German copyright law states that scientific editions (editions which are produced as a result of scientific analysis, i.e. urtext) are entitled to only a limited copyright term of publication plus 25 years. Since series 1 of Neue Liszt-Ausgabe was published jointly with the German publisher Bärenreiter, all volumes in series 1 that are older than 25 years are public domain in Germany and all published more than 30 years ago are public domain in the EU as a whole. See [[Public domain#Germany|this]] for more information. (Article 5 of the EU Copyright Directive 93/98/EC specifically limits the term of critical or urtext editions to a maximum of 30 years following publication.)<br /> <br /> &lt;span style=&quot;color:crimson&quot;&gt;Despite the foregoing points regarding the Canadian status of sections of this edition, the location Project Petrucci LLC (the owner of this site) in the USA complicates matters considerably. Since many volumes of the NLA were issued simultaneously in Germany and bear a proper copyright notice after 1963 (which means they were automatically renewed in the USA), they would appear to be protected under US law until there is a challenge to clarify the &quot;threshold of originality&quot; with respect to such editions directly. IMSLP therefore has moved all such items to servers of the unaffiliated organization IMSLP-EU, where they are available only to non-US downloaders.&lt;/span&gt;<br /> <br /> ==Template==<br /> &lt;nowiki&gt;{{&lt;/nowiki&gt;[[Template:NeueLisztAusgabe|NeueLisztAusgabe]]&lt;nowiki&gt;|Series|Band|Year|Plate}}&lt;/nowiki&gt;<br /> ==Editors==<br /> *Zoltán Gárdonyi (1906-1986), István Szelényi (1904-1972) '''Vol.1-4<br /> *Antal Boronkay '''Vol.5<br /> *Imre Mező, Imre Sulyok (1912-2008) '''Vol.6-18<br /> ==Contents==<br /> Neue Liszt-Ausgabe is planned to comprise the following ten series, of which only two have been published:<br /> <br /> *I. Solo piano works (1970-85)<br /> *II. Free arrangements and transcriptions for piano solo (1986-2005)<br /> *III. Works and arrangements for piano four hands and for two pianos<br /> *IV. Works and arrangements for several instruments<br /> *V. Works and arrangements for organ, and for organ and other instruments<br /> *VI. Orchestral works<br /> *VII. Works for piano and orchestra<br /> *VIII. Vocal works with piano<br /> *IX. Vocal works with orchestra, or with several instruments<br /> *X. A cappella choral works<br /> **Supplements to Series I and II<br /> <br /> ===Series I===<br /> Series I of the Neue Liszt-Ausgabe contains Franz Liszt's original solo piano works,<br /> and transcriptions for solo piano of his own compositions. Mostly final versions appears in these volumes, but some earlier versions that are significantly different from their final form appear here to.<br /> <br /> *'''Volume 1 (Etüden I), 1970. Plate Z.5411.''' <br /> **[[Études d'exécution transcendante, S.139 (Liszt, Franz)|Études d'exécution transcendante]] (S.139)<br /> *'''Volume 2 (Etüden II), 1971. Plate Z.5412.'''<br /> **[[3 Études de concert, S.144 (Liszt, Franz)|Trois Études de concert - Trois Caprices poétiques]] (S.144)<br /> **[[Ab Irato, Étude de perfectionnement, S.143 (Liszt, Franz)|Ab irato]] (S.143)<br /> **[[2 Konzertetüden, S.145 (Liszt, Franz)|Zwei Konzertetüden - Two Concert-Studies]] (S.145)<br /> **[[Grandes études de Paganini, S.141 (Liszt, Franz)|Grandes études de Paganini]] (S.141)<br /> *'''Volume 3 (Ungarische Rhapsodien I), 1972. Plate Z.6210.'''<br /> **[[Hungarian Rhapsody No.1, S.244/1 (Liszt, Franz)|I. Rhapsodie hongroise]] (S.244/1)<br /> **[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|II. Rhapsodie hongroise]] (S.244/2)<br /> **[[Hungarian Rhapsody No.3, S.244/3 (Liszt, Franz)|III. Rhapsodie hongroise]] (S.244/3)<br /> **[[Hungarian Rhapsody No.4, S.244/4 (Liszt, Franz)|IV. Rhapsodie hongroise]] (S.244/4)<br /> **[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|V. Rhapsodie hongroise - Héroïde-Élégiaque]] (S.244/5)<br /> **[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|VI. Rhapsodie hongroise]] (S.244/6)<br /> **[[Hungarian Rhapsody No.7, S.244/7 (Liszt, Franz)|VII. Rhapsodie hongroise]] (S.244/7)<br /> **[[Hungarian Rhapsody No.8, S.244/8 (Liszt, Franz)|VIII. Rhapsodie hongroise]] (S.244/8)<br /> **[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|IX. Rhapsodie hongroise - Pesther Carneval - Le Carnaval de Pesth]] (S.244/9)<br /> *'''Volume 4 (Ungarische Rhapsodien II), 1973. Plate Z.6211.'''<br /> **[[Hungarian Rhapsody No.10, S.244/10 (Liszt, Franz)|X. Rhapsodie hongroise]] (S.244/10)<br /> **[[Hungarian Rhapsody No.11, S.244/11 (Liszt, Franz)|XI. Rhapsodie hongroise]] (S.244/11)<br /> **[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|XII. Rhapsodie hongroise]] (S.244/12)<br /> **[[Hungarian Rhapsody No.13, S.244/13 (Liszt, Franz)|XIII. Rhapsodie hongroise]] (S.244/13)<br /> **[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|XIV. Rhapsodie hongroise]] (S.244/14)<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|XV. Rhapsodie hongroise - Rákóczi-Marsch]] (S.244/15)<br /> **[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|XVI. Magyar rhapsodia - Ungarische Rhapsodie]] (S.244/16)<br /> **[[Hungarian Rhapsody No.17, S.244/17 (Liszt, Franz)|XVII. Rhapsodie hongroise]] (S.244/17)<br /> **[[Hungarian Rhapsody No.18, S.244/18 (Liszt, Franz)|XVIII. Magyar rhapsodia]] (S.244/18)<br /> **[[Hungarian Rhapsody No.19, S.244/19 (Liszt, Franz)|XIX. Rhapsodie hongroise - Ungarische Rhapsodie ]] (S.244/19)<br /> *'''Volume 5 (Grosses Konzertsolo, Sonate, B-a-c-h), 1983. Plate Z.7295.'''<br /> **[[Grosses Konzertsolo, S.176 (Liszt, Franz)|Großes Konzertsolo (S.176)]]<br /> **[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonate B minor - h-Moll (S.178)]]<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B-A-C-H (S.529ii)]]<br /> **[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Praeludium und Fuge über das Motiv B-a-c-h - 1&lt;sup&gt;st&lt;/sup&gt; version (S.529)]]<br /> *'''Volume 6 (Années de Pélerinage I), 1976. Plate Z.7474.'''<br /> **[[Années de pèlerinage I, S.160 (Liszt, Franz)|Années de pèlerinage - Première Année — Suisse]] (S.160)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - I. Impressions et Poésies]] (Nos. 1, 4, 7) (S.156/1)<br /> **[[Album d'un voyageur, S.156 (Liszt, Franz)|Album d'un voyageur - II. Fleurs mélodiques des Alpes]] (S.156/2)<br /> *'''Volume 7 (Années de Pélerinage II), 1974. Plate Z.6785.'''<br /> **[[Années de pèlerinage II, S.161 (Liszt, Franz)|Années de Pèlerinage - Deuxième Année — Italie]] (S.161)<br /> **[[Années de pèlerinage II, Supplément, S.162 (Liszt, Franz)|Venezia e Napoli. Supplément aux Années de Pèlerinage 2&lt;sup&gt;nd&lt;/sup&gt; volume — Italie]] (S.162)<br /> **[[Venezia e Napoli, S.159 (Liszt, Franz)|Venezia e Napoli - 1&lt;sup&gt;st&lt;/sup&gt; version]] (S.159)<br /> *'''Volume 8 (Années de Pélerinage III), 1975, Z.6957.'''<br /> **[[Années de pèlerinage III, S.163 (Liszt, Franz)|Années de Pèlerinage - Troisième Année]] (S.163)<br /> *'''Volume 9 (Various Cyclical Works I), 1981, Z.8011.'''<br /> **[[8 Variations, S.148 (Liszt, Franz)|Huit variations (S.147)]]<br /> **[[Apparitions, S.155 (Liszt, Franz)|Apparitions (S.155)]]<br /> **[[Harmonies poétiques et religieuses III, S.173 (Liszt, Franz)|Harmonies poétiques et religieuses (S.173)]]<br /> **[[Consolations, S.172 (Liszt, Franz)|Consolations - Six pensées poétiques (S.172)]]<br /> **[[Ballade No.1, S.170 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Ballade - Le chant du croisé (S.170)]]<br /> **[[Ballade No.2, S.171 (Liszt, Franz)|2&lt;sup&gt;e&lt;/sup&gt; Ballade (S.171)]]<br /> **[[Harmonies poétiques et religieuses I, S.154 (Liszt, Franz)|Harmonies poétiques et religieuses - 1&lt;sup&gt;st&lt;/sup&gt; version (S.154)]]<br /> **[[Invocation, early version, S.172a/2 (Liszt, Franz)|Invocation - 1&lt;sup&gt;st&lt;/sup&gt; version (S.172a/2)]]<br /> **[[Hymne de la nuit, S.173a/1 (Liszt, Franz)|Hymne de la Nuit (S.173a/1)]]<br /> **[[Hymne du matin, S.173a/2 (Liszt, Franz)|Hymne du Matin (S.173a/2)]]<br /> **[[Klavierstück No.2, S.189a (Liszt, Franz)|Klavierstück As-Dur Nr. 2 (S.189a)]]<br /> *'''Volume 10 (Various Cyclical Works II), 1980, Z.8459.'''<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes (S.175)]]<br /> **[[5 Klavierstücke, S.192 (Liszt, Franz)|Five Piano Pieces - Fünf Klavierstücke (S.192)]]<br /> **[[Elegy No.1, S.196 (Liszt, Franz)|1&lt;sup&gt;re&lt;/sup&gt; Élégie (S.196)]]<br /> **[[Elegy No.2, S.197 (Liszt, Franz)|Zweite Elegie (S.197)]]<br /> **[[Weihnachtsbaum, S.186 (Liszt, Franz)|Weihnachtsbaum - L'albero del natale - Arbre de Noël]]<br /> **[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|Choräle]]<br /> **[[Historische ungarische Bildnisse, S.205 (Liszt, Franz)|Historical Hungarian Portraits - Historische ungarische Bildnisse - Portraits hongrois historiques (S.205)]]<br /> **[[Via Crucis, S.504a (Liszt, Franz)|Via Crucis (S.504a)]]<br /> **[[2 Légendes, S.175 (Liszt, Franz)|Légendes No. 2, St. François de Paule «marchant sur les flots» (version facilitée)]]<br /> *'''Volume 11 (Individual Character Pieces I), 1979, Z.6216.'''<br /> **[[Allegro di bravura, S.151 (Liszt, Franz)|Allegro di bravura]]<br /> **[[Rondo di bravura, S.152 (Liszt, Franz)|Rondo di bravura]]<br /> **[[Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 (Liszt, Franz)|Élégie sur des motifs du Prince Louis Ferdinand de Prusse]]<br /> **[[Klavierstück aus der Bonn Beethoven-Cantata, S.507 (Liszt, Franz)|70 Bars on Themes from the First Beethoven Cantata- 70 Takte nach Motiven aus der Ersten Beethoven-Kantate]]<br /> **[[Romance, S.169 (Liszt, Franz)|Romance]]<br /> **[[Festvorspiel, S.226 (Liszt, Franz)|Festvorspiel - Prélude]]<br /> **[[Les morts, S.112/1 (Liszt, Franz)|Les morts - Die Toten]] (S.516)<br /> **[[Klavierstück, S.193 (Liszt, Franz)|Piano Piece in F sharp major - Klavierstück Fis-Dur]]<br /> **[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)|Ave Maria (für die große Klavierschule von Lebert und Stark)]]<br /> **[[Alleluja, S.183/1 (Liszt, Franz)|Alleluja]]<br /> **[[Berceuse, S.174 (Liszt, Franz)|Berceuse (2nd version - 2. Fassung)]]<br /> **[[Slavimo slavno, Slaveni!, S.33 (Liszt, Franz)|Slavimo slavno slaveni!]]<br /> **[[La notte, S.112/2 (Liszt, Franz)|La Notte]] (S.516a)<br /> *'''Volume 12 (Individual Character Pieces II), 1978, Z.6217.'''<br /> **[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla Regis prodeunt]]<br /> **[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et orbi]]<br /> **[[Un portrait en musique, S.190 (Liszt, Franz)|Un portrait en musique]]<br /> **[[Ave Maria II, S.38 (Liszt, Franz)|Ave Maria (aus den neun Kirchenchorgesängen)]]<br /> **[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]<br /> **[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]<br /> **[[Impromptu, S.191 (Liszt, Franz)|Impromptu]]<br /> **[[Receuillement, S.204 (Liszt, Franz)|Recueillement]]<br /> **[[Sancta Dorothea, S.187 (Liszt, Franz)|Sancta Dorothea]]<br /> **[[Carrousel de Madame Pelet-Narbonne, S.214a (Liszt, Franz)|Carrousel de Madame P-N]]<br /> **[[Toccata, S.197a (Liszt, Franz)|Toccata]]<br /> **[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione (1st version - 1. Fassung)]]<br /> **[[In festo transfigurationis Domini nostri Jesu Christi, S.188 (Liszt, Franz)|In festo transfigurationis Domini]]<br /> **[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée - Vergessene Romanze]]<br /> **[[Ave Maria IV, S.341 (Liszt, Franz)|Ave Maria (IV)]]<br /> **[[Wiegenlied, S.198 (Liszt, Franz)|Wiegenlied - Chant du berceau]]<br /> **[[Trübe Wolken, S.199 (Liszt, Franz)|Trübe Wolken - Nuages gris]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 1 - La lugubre gondola No. 1]]<br /> **[[R.W. - Venezia, S.201 (Liszt, Franz)|R. W. Venezia]]<br /> **[[Schlaflos! Frage und Antwort, S.203 (Liszt, Franz)|Schlaflos!]]<br /> **[[Am Grabe Richard Wagners, S.135 (Liszt, Franz)|Am Grabe Richard Wagners]]<br /> **[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel Nr. 2 - La lugubre gondola No. 2]]<br /> **[[Trauervorspiel und Trauermarsch, S.206 (Liszt, Franz)|Trauervorspiel und Trauermarsch]]<br /> **[[En rêve, S.207 (Liszt, Franz)|En rêve]]<br /> **[[Unstern, S.208 (Liszt, Franz)|Unstern! - Sinistre]]<br /> *'''Volume 13 (Dances, Marches and Scherzos I), 1985, Z.8252.'''<br /> **[[2 Waltzes, S.126b (Liszt, Franz)|Waltz - Walzer (S.208a)]]<br /> **[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique]]<br /> **[[Heroischer Marsch in ungarischem Stil, S.231 (Liszt, Franz)|Heroischer Marsch in ungarischem Stil - Marche héroïque dans le genre hongrois]]<br /> **[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt - Feuille d'Album No. 1]]<br /> **[[Galop de bal, S.220 (Liszt, Franz)|Galop de Bal]]<br /> **[[Galop in A minor, S.218 (Liszt, Franz)|Gallop (A minor) - Galopp (a-Moll)]]<br /> **[[Feuilles d'album, S.165 (Liszt, Franz)|Feuilles d'Album (A flat major - As-Dur)]]<br /> **[[Albumblatt in Walzerform, S.166 (Liszt, Franz)|Valse]]<br /> **[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler (A flat major - As-Dur)]]<br /> **[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise (E flat minor - es-Moll)]]<br /> **[[Mazurka brillante, S.221 (Liszt, Franz)|Mazurka brillante]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse de bravoure]]<br /> **[[3 Caprices-Valses, S.214 (Liszt, Franz)|Valse mélancolique (2nd version - 2. Fassung)]]<br /> **[[2 Polonaises, S.223 (Liszt, Franz)|2 Polonaises]]<br /> **[[Scherzo und Marsch, S.177 (Liszt, Franz)|Scherzo und Marsch]]<br /> **[[Valse-Impromptu, S.213 (Liszt, Franz)|Valse-Impromptu]]<br /> **[[Grand galop chromatique, S.219 (Liszt, Franz)|Grand Galop chromatique (simplifié par l'auteur)]]<br /> **[[Petite valse favorite, S.212 (Liszt, Franz)|Petite Valse favorite]]<br /> *'''Volume 14 (Dances, Marches and Scherzos I), 1984, Z.8858.'''<br /> **[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch (2nd version - 2. Fassung)]]<br /> **[[Siegesmarsch, S.233a (Liszt, Franz)|Siegesmarsch - Marche triomphale]]<br /> **[[Ungarischer Geschwindmarsch, S.233 (Liszt, Franz)|Magyar gyors induló - Ungarischer Geschwindmarsch]]<br /> **[[Csárdás macabre, S.224 (Liszt, Franz)|Csardas macabre]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Première Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Deuxième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Troisième Valse oubliée]]<br /> **[[Valses oubliées, S.215 (Liszt, Franz)|Vierter vergessener Walzer - Quatrième Valse oubliée]]<br /> **[[Mephisto Waltz No.3, S.216 (Liszt, Franz)|Dritter Mephisto-Walzer]]<br /> **[[Mephisto Polka, S.217 (Liszt, Franz)|Mephisto-Polka]]<br /> **[[Bülow-Marsch, S.230 (Liszt, Franz)|Bülow-Marsch]]<br /> **[[2 Csárdás, S.225 (Liszt, Franz)|2 Csardas]]<br /> **[[Mephisto Waltz No.4, S.216b (Liszt, Franz)|Vierter Mephisto-Walzer]]<br /> **[[Bagatelle sans tonalité, S.216a (Liszt, Franz)|Vierter Mephisto-Walzer - Bagatelle ohne Tonart - Bagatelle sans tonalité]]<br /> **[[Festmarsch zur Säcularfeier von Goethes Geburtstag, S.227 (Liszt, Franz)|Festmarsch zur Säkularfeier von Goethes Geburtstag (1st version - 1. Fassung)]]<br /> *'''Volume 15 (Klavier-Versionen Eigener Werke I), 1982, Z.8253.'''<br /> **[[Il m'aimait tant, S.271 (Liszt, Franz)|Il m'aimait tant!]]<br /> **[[Buch der Lieder I, S.531 (Liszt, Franz)|Buch der Lieder I - Poésies]]<br /> **[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Liebesträume - 3 Notturnos]]<br /> **[[Huldigungsmarsch, S.228 (Liszt, Franz)|Huldigungsmarsch]]<br /> **[[Vom Fels zum Meer!, S.229 (Liszt, Franz)|Vom Fels zum Meer!]]<br /> **[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|2. Festmarsch (nach Motiven von E. H. z. S.)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 1)]]<br /> **[[Weimars Volkslied, S.313 (Liszt, Franz)|Weimars Volkslied (Nr. 2)]]<br /> **[[Ich liebe dich, S.315 (Liszt, Franz)|Ich liebe dich]]<br /> **[[Künstlerfestzug zur Schillerfeier 1859, S.114 (Liszt, Franz)|Künstlerfestzug]]<br /> **[[Mephisto Waltz No.1, S.514 (Liszt, Franz)|1. Mephisto-Walzer (''Der Tanz in der Dorfschenke'')]]<br /> **[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]<br /> **[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale (Schnitterchor aus dem entfesselten Prometheus)]]<br /> **[[Die Loreley, S.273 (Liszt, Franz)|Die Lorelei (2nd version - 2. Fassung)]]<br /> **[[Christus ist geboren II, S.32 (Liszt, Franz)|Weihnachtslied]]<br /> **[[Pio IX, S.261 (Liszt, Franz)|L'hymne du pape]]<br /> **[[Liebesträume, S.541 (Liszt, Franz)|Notturno No. 2 (1st version - 1. Fassung)]]<br /> *'''Volume 16 (Klavier-Versionen Eigener Werke II), 1982, Z.8859.'''<br /> **[[Totentanz, S.126 (Liszt, Franz)|Totentanz]] (S.525)<br /> **[[Le triomphe funèbre du Tasse, S.112/3 (Liszt, Franz)|Le triomphe funèbre du Tasse (S.517)]]<br /> **[[Christus, S.3 (Liszt, Franz)|Zwei Orchestersätze aus dem Oratorium Christus]]<br /> **[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Drei Stücke aus der Legende der heiligen Elisabeth]]<br /> **[[Ungarische Krönungsmesse, S.11 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]<br /> **[[Ave maris stella, S.34 (Liszt, Franz)|Ave maris stella]]<br /> **[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur (Humoreske)]]<br /> **[[Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867, S.118 (Liszt, Franz)|Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1867)]]<br /> **[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Ungarischer Hymnus - Szózat és Magyar Himnusz]]<br /> **[[Faust Symphony, S.108 (Liszt, Franz)|Gretchen (Aus Faust-Symphonie)]]<br /> **[[Ungarischer Sturmmarsch, S.119 (Liszt, Franz)|Ungarischer Sturmmarsch (Neue Bearbeitung 1876)]]<br /> **[[Seconde marche hongroise, S.232 (Liszt, Franz)|Seconde marche hongroise - Ungarischer Sturmmarsch (1st version - 1. Fassung)]]<br /> *'''Volume 17 (Klavier-Versionen Eigener Werke III), 1983, Z.8860.'''<br /> **[[Festpolonaise, S.230a (Liszt, Franz)|Festpolonaise]]<br /> **[[Der blinde Sänger, S.350 (Liszt, Franz)|Der blinde Sänger (Слепой)]]<br /> **[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]<br /> **[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Deux polonaises (de l'oratorio St. Stanislas)]]<br /> **[[O Roma nobilis, S.54 (Liszt, Franz)|O Roma nobilis]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco (preludio per il Cantico del Sol, di San Francesco d'Assisi)]]<br /> **[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]<br /> **[[Mephisto Waltz No.2, S.515 (Liszt, Franz)|2. Mephisto-Walzer]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|A magyarok istene - Ungarns Gott]]<br /> **[[Von der Wiege bis zum Grabe, S.107 (Liszt, Franz)|Von der Wiege bis zum Grabe — Du berceau jusqu' à la tombe]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Die Zelle in Nonnenwerth (4th version — 4. Fassung)]]<br /> **[[Magyar király-dal, S.340 (Liszt, Franz)|Magyar király-dal — Ungarisches Königslied]]<br /> **[[In domum Domini ibimus, S.57 (Liszt, Franz)|In domum Domini ibimus — Zum Haus des Herrn ziehen wir]]<br /> **[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No. 2 (als &quot;Die Zelle in Nonnenwerth&quot;, 3. Fassung)]]<br /> **[[A magyarok Istene, S.339 (Liszt, Franz)|Ungarns Gott — A magyarok istene (Klavier-Transkription für die linke Hand — zongoraátirat bal kézre)]]<br /> *'''Volume 18 (Supplement), 1985, Z.12903.'''<br /> **[[Étude en douze exercices, S.136 (Liszt, Franz)|Étude en douze exercices (op. 6)]]<br /> **[[Magyar dalok, S.242 (Liszt, Franz)|Magyar dalok — Ungarische Nationalmelodien (Nos. 1-10)]]<br /> **[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien Im leichten Stile bearbeitet]]<br /> **[[Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)|Rákóczi-Marsch (1st version — 1. Fassung)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Rákóczi-Marsch - Magyar Dalok (S.242/13)]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Ungarische Nationalmelodie (Rákóczi-Marsch) Erleichtert]]<br /> **[[Marche de Rákóczy, S.244c (Liszt, Franz)|Marche de Rákóczi - Édition populaire (S.244c)]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für das Pianoforte]]<br /> **[[Rákóczi-Marsch, S.244a/b (Liszt, Franz)|Rákóczi-Marsch nach der Orchesterbearbeitung für Pianoforte erleichtert]]<br /> **[[Magyar rapszódiák, S.242 (Liszt, Franz)|Magyar rapszódiák (Nos. 15, 17, 20)]]<br /> **[[Buch der Lieder II, S.535–540 (Liszt, Franz)|Buch der Lieder für Piano allein — II - Poésies lyriques pour piano seul — (S.535-40)]]<br /> <br /> ===Series II===<br /> &lt;span style=&quot;color:crimson&quot;&gt;''As of 2016, scores from Series II, volumes 1, 7, and 17, are permissible to submit since ≥25 years have passed since date of publication.''&lt;/span&gt;&lt;br&gt;<br /> Series II of the Neue Liszt-Ausgabe contains solo piano works based on works or themes of other composers, and arrangements of certain folk melodies (or melodies of a folk character by known composers).<br /> <br /> *'''Volume 1 (Free Arrangements I), 1990, Z.8766.'''<br /> **Variation on a Waltz of Diabelli <br /> **Seven Brilliant Variations on a Theme of Rossini S.149<br /> **Impromptu Brillant on Themes of Rossini and Spontini S.150 <br /> **Two Hungarian Recruiting Dances by László Fáy and János Bihari S.241<br /> **Souvenir de La Fiancée. Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (3. változat - 3rd version) S.385<br /> **Grande Fantaisie di bravura sur la Clochette de Paganini S.420<br /> **L'Idée fixe. Andante amoroso S.395<br /> **Réminiscences de La Juive S.409a <br /> **Deux fantaisies 1. La Serenata e l'Orgia. Grande fantaisie sur des motifs des Soirées musicales de Rossini (2nd version) S.422<br /> **Deux fantaisies 2. La pastorella dell'Alpi e Li marinari. 2me fantaisie sur des motifs des Soirées musicales de Rossini S.423<br /> **Grande fantaisie sur la Tyrolienne de l'opéra La Fiancée d'Auber (1st version) S.385<br /> **Tyrolean Melody from the Opera 'La Fiancée' by Auber S.385a<br /> *'''Volume 2 (Free Arrangements II), 2004, Z.8767.'''<br /> *'''Volume 3 (Free Arrangements III), 1999, Z.12392.'''<br /> *'''Volume 4 (Free Arrangements IV), 2002, Z.12393.'''<br /> *'''Volume 5 (Free Arrangements V), 2000, Z.12394.'''<br /> *'''Volume 6 (Free Arrangements VI), 2001, Z.12395.'''<br /> *'''Volume 7 (Free Arrangements VII), 1988, Z.12396.'''<br /> **Capriccio alla turca sur des motifs de Beethoven S.388<br /> **6 Melodien von Franz Schubert 1. Lebe wohl! - Adieu! S.563<br /> **6 Melodien von Franz Schubert 2. Mädchens Klage - Les Plaintes de la Jeune fille S.563<br /> **6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein - La Cloche des Agonisants S.563<br /> **6 Melodien von Franz Schubert 4. Trockne Blumen - La Fleur Fanée S.563<br /> **6 Melodien von Franz Schubert 5. Ungeduld - Toute ma vie (1st version) S.563<br /> **6 Melodien von Franz Schubert 6. Die Forelle - La Truite (1st version) S.563<br /> **Müller-Lieder von Franz Schubert 1. Das Wandern - Le meunier voyageur S.565<br /> **Müller-Lieder von Franz Schubert 2. Der Müller und der Bach - La voix enchantresse S.565<br /> **Müller-Lieder von Franz Schubert 3. Der Jäger - Le chasseur S.565<br /> **Müller-Lieder von Franz Schubert 4. Die böse Farbe - Garde moi souvenir S.565<br /> **Müller-Lieder von Franz Schubert 5. Wohin? - Au bord de la fontaine S.565<br /> **Müller-Lieder von Franz Schubert 6. Ungeduld - Toute ma vie (3rd version) S.565<br /> **Die Forelle. Lied von F. Schubert (2nd version) S.564<br /> **Franz Schuberts Märsche 1. Trauermarsch - Grande marche funebre de Francois Schubert S.426<br /> **Franz Schuberts Märsche 2. Grande Marche de Francois Schubert S.426<br /> **Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert S.426<br /> *'''Volume 8 (Free Arrangements VIII), 1999, Z.12397.'''<br /> *'''Volume 9 (Free Arrangements IX), 2001, Z.12398.'''<br /> *'''Volume 10 (Free Arrangements X), 2002, Z.12399.'''<br /> *'''Volume 11 (Free Arrangements XI), 2004, Z.12400.'''<br /> *'''Volume 12 (Free Arrangements XII), 1994, Z.12401.'''<br /> *'''Volume 13 (Free Arrangements XIII), 2005, Z.12402.'''<br /> *'''Volume 14 (Free Arrangements XIV), 1991, Z.12403.'''<br /> **Danse macabre. Poeme symphonique de Camille Saint-Saens S.555<br /> **Trois morceaux suisses (2nd version) 1.Ranz de vaches S.156/3<br /> **Trois morceaux suisses (2nd version) 2.Un soir dans la montagne. Mélodie d'Ernest Knop S.156/3<br /> **Trois morceaux suisses (2nd version) 3.Ranz de chevres S.156/3<br /> **Valse d'Adele. Pour piano a la main gauche seule par le Comte Géza Zichy S.456<br /> **Agnus Dei della Messa da Requiem di Giuseppe Verdi (2nd version) S.437<br /> **Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und Kriemhild S.496/1<br /> **Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. Bechlarn S.496/1<br /> **Aus der Musik von Eduard Lassen zu Goethes Faust 1. Osterhymne S.496/2<br /> **Aus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und Polonaise S.496/2<br /> **Revive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet S.572<br /> **Sarabande und Chaconne aus dem Singspiel 'Almira' von Georg Friedrich Händel S.181<br /> **Tarantella de Dargomijski S.483<br /> **Vive Henri IV S.239<br /> *'''Volume 15 (Free Arrangements XV), 2003, Z.12404.'''<br /> *'''Volume 16 (Transcriptions I), 1996, Z.13353.'''<br /> *'''Volume 17 (Transcriptions II), 1992, Z.13354.'''<br /> **Symphonie No.1 S.464/1<br /> **Symphonie No.2 S.464/2<br /> **Symphonie No.3 S.464/3<br /> **Symphonie No.4 S.464/4<br /> *'''Volume 18 (Transcriptions III), 1992, Z.13355.'''<br /> **Symphonie No.5 (2nd version) S.464/5<br /> **Symphonie Pastorale (No. 6) (3rd version) S.464/6<br /> **Symphonie No.7 (2nd version) S.464/7<br /> *'''Volume 19 (Transcriptions IV), 1993, Z.13356.'''<br /> **Symphonie No.8 S.464/8<br /> **Symphonie No.9 S.464/9<br /> *'''Volume 20 (Transcriptions V), 1997, Z.13357.'''<br /> *'''Volume 21 (Transcriptions VI), 1995, Z.13358.'''<br /> *'''Volume 22 (Transcriptions VII), 1997, Z.13359.'''<br /> *'''Volume 23 (Transcriptions VIII), 1996, Z.13360.'''<br /> *'''Volume 24 (Transcriptions IX), 1998, Z.13361.'''<br /> <br /> ==References==<br /> *[http://www.emb.hu/cat/80031.pdf Neue Liszt-Ausgabe catalogue] - PDF version<br /> [[Category:Editions|Liszt]]</div>

Funper //imslp.org/wiki/Totentanz,_S.126_(Liszt,_Franz) 2016-07-28T04:49:16Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> ====2nd version====<br /> =====For Piano and Orchestra (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-totentanz.mp3<br /> |File Description 1=Complete Performance (S.126/2)<br /> |Audio Length 1=15:30<br /> |Performers=Unidentified orchestra and conductor<br /> |Performer Categories=O'Doan, Neal=Piano<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/7/11<br /> |Publisher Information={{AGarch}}<br /> |Copyright=Creative Commons Attribution Share Alike 3.0<br /> |Misc. Notes=<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-12_Track.mp3<br /> |File Description 1=Live Performance<br /> |Audio Length 1=16:51<br /> |Performers=<br /> |Performer Categories=Manookian, Jeff=piano<br /> |Uploader=[[User:Kerikan|Kerikan]]<br /> |Date Submitted=2012/10/22<br /> |Publisher Information=Windsor Editios<br /> |Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****FILES***** =<br /> <br /> ===Full Scores===<br /> ====1st version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt1.pdf<br /> |File Description 1=Segment 1<br /> |Page Count 1=14<br /> |File Name 2=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt2.pdf<br /> |File Description 2=Segment 2<br /> |Page Count 2=13<br /> |File Name 3=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt3.pdf<br /> |File Description 3=Segment 3<br /> |Page Count 3=14<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115178}}<br /> |Uploader=[[User:Cypressdome|Cypressdome]]<br /> |Date Submitted=2012/5/14<br /> |Publisher Information={{MssD|18|49}}, dated Oct. 21.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-FLiszt_Totentanz_ms.jpg<br /> |Misc. Notes=Original images: 300dpi, color jpg files approx. 2400 by 3400 pixels.&lt;br&gt;Full score copy in the hand of {{LinkName|August|Conradi}} with additions/corrections by Liszt. Pages 4{{EN}}7 of segment 1 and 12{{EN}}14 of segment 3 apparently contain Liszt's corrections/drafts. Cover page reads &quot;Toten Tanz Phantasie für Pianoforte und Orchester. terminé le 21 Octobre 1849.&quot;<br /> }}<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> |File Name 2=SIBLEY1802.13163.f584-39087009550023score.pdf<br /> |File Description 2=Complete Score (S.126/2)<br /> |Page Count 2=50 (48)<br /> |Scanner 2={{SibleyScan|1802/13163}}<br /> |Uploader 2=[[User:Carolus|Carolus]]<br /> |Date Submitted 2=2010/11/2<br /> |File Name 1=PMLP35285-Liszt_Musikalische_Werke_1_Band_13_29.pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Page Count 1=48<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)<br /> |Image Type=Normal Scan<br /> |Scanner 1={{BSB}}<br /> |Uploader 1=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 1=2010/4/9<br /> |Publisher Information={{Liszt-Stiftung|I|13|1915|29|135-82}}&lt;br&gt;''Reissue'' - n.d.(ca.1920), as Partitur-Bibliothek No.2505 (#83692)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].&lt;br&gt;#83692 - {{SibleyProject}}<br /> |Amazon={{AmazonLinks|160874034X|PLP study score (reprint)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)&lt;br&gt;{{LinkEd|Max|Alberti}}<br /> |Image Type=Normal Scan<br /> |Scanner=[[User:Funper|Funper]]<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/24<br /> |Page Count 1=82 (v, 78)<br /> |Publisher Information=Leipzig: [[Ernst Eulenburg]], No.722, n.d.(ca.1920), Plate E.E. 6137.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Sample Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Misc. Notes=Alberti's edition is directly based upon Stavenhagen's edition above.&lt;br&gt;[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke]]. Series I, Vol.13.&lt;br&gt; Copy scanned from &lt;span class=&quot;plainlinks&quot;&gt;[http://www.biblioteket.se/default.asp?id=8227&amp;itemid=165398 ''Stockholms Stadsbibliotek'']&lt;/span&gt;<br /> }}<br /> <br /> ===Parts===<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> ||File Name 11=PMLP35285-Liszt_-_Totentanz_(cello-part)a.pdf<br /> |File Description 11=Cellos<br /> |Page Count 11=4<br /> |Uploader 11=[[User:Generoso|Generoso]]<br /> |Date Submitted 11=2009/1/11<br /> |Publisher Information=Leipzig: [[Breitkopf &amp; Härtel]], n.d.(ca.1920). Plate Orch.B. 2382<br /> |Reprint={{RpEFK}}<br /> |Copyright=Public Domain<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862-1914)<br /> |File Name 1=PMLP35285-Liszt-Totentanz.Flute.pdf<br /> |File Name 2=PMLP35285-Liszt-Totentanz.Oboe.pdf<br /> |File Name 3=PMLP35285-Liszt-Totentanz.Clarinet.pdf<br /> |File Name 4=PMLP35285-Liszt-Totentanz.Bassoon.pdf<br /> |File Name 5=PMLP35285-Liszt-Totentanz.Horn.pdf<br /> |File Name 6=PMLP35285-Liszt-Totentanz.Trumpet.pdf<br /> |File Name 7=PMLP35285-Liszt-Totentanz.LowBrass.pdf<br /> |File Name 8=PMLP35285-Liszt-Totentanz.TimpPerc.pdf<br /> |File Name 9=PMLP35285-Liszt-Totentanz.Violin.pdf<br /> |File Name 10=PMLP35285-Liszt-Totentanz.Viola.pdf<br /> |File Name 12=PMLP35285-Liszt-Totentanz.Bass.pdf<br /> |File Description 1=Flute 1, 2, Piccolo<br /> |File Description 2=Oboe 1, 2<br /> |File Description 3=Clarinet 1, 2 (in A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2 (in D)<br /> |File Description 6=Trumpet 1, 2 (in D)<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani, Cymbals/Triangle/Tam-Tam<br /> |File Description 9=Violins I, II<br /> |File Description 10=Violas<br /> |File Description 12=Basses<br /> |Page Count 1=10 (4, 4, 2)<br /> |Page Count 2=6 (3, 3)<br /> |Page Count 3=8 (4, 4)<br /> |Page Count 4=8 (4, 4)<br /> |Page Count 5=6 (3, 3)<br /> |Page Count 6=4 (2, 2)<br /> |Page Count 7=10 (3, 3, 2, 2)<br /> |Page Count 8=5 (3, 2)<br /> |Page Count 9=8 (4, 4)<br /> |Page Count 10=4<br /> |Page Count 12=4<br /> |Uploader=[[User:Perlnerd666|Perlnerd666]]<br /> |Date Submitted=2009/11/1<br /> |Misc. Notes={{OrchPartsProj}}<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version====<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-totentanz_2_pianos.pdf<br /> |File Description 1=Complete score<br /> |Arranger=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{ONB|AL00235173}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/28<br /> |Publisher Information={{Mss|18|59|1865?}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_filter.pdf<br /> |File Name 3=Totentanz.pdf<br /> |File Description 1=Complete Score (S.652) (scan)<br /> |File Description 2=Complete Score (S.652) (filter)<br /> |File Description 3=Complete Score (S.652) (lower resolution)<br /> |Page Count 1=34<br /> |Page Count 2=34<br /> |Page Count 3=33<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner 1=piupianissimo<br /> |Scanner 2=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/12/13<br /> |Scanner 3=<br /> |Uploader 3=[[User:Patrickmerrill|Patrickmerrill]]<br /> |Date Submitted 3=2006/10/29<br /> |Publisher Information={{LisztKlavierwerkePeters|11: Werke für Klavier und Orchester|3602c|9893|1913-17|101-34}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S525_Totentanz_(siegel).pdf<br /> |File Description 1=Complete Score (S.525)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{Danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/28<br /> |Page Count 1=31<br /> |Publisher Information=Leipzig: [[C.F.W. Siegel]], n.d.(1865). Plate 2185.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Danaliszt}}<br /> |File Name 2=Liszt_-_S525_Totentanz_(siegel)_mono.pdf<br /> |File Description 2=Complete Score (S.525)<br /> |Scanner 2={{Danaliszt/mono}}<br /> |Page Count 2=30<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_filter.pdf<br /> |File Name 3=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_scan.pdf<br /> |File Name 4=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_filter.pdf<br /> |File Name 5=Liszt_-_S525_Totentanz_(nla).pdf<br /> |File Description 1=Frontmatter (scan)<br /> |File Description 2=Frontmatter (filter)<br /> |File Description 3=Complete Score (S.525) (scan)<br /> |File Description 4=Complete Score (S.525) (filter)<br /> |File Description 5=Complete Score (S.525) (low resolution)<br /> |Page Count 1=16 (i-xvi)<br /> |Page Count 2=16 (i-xvi)<br /> |Page Count 3=25<br /> |Page Count 4=25<br /> |Page Count 5=23<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/28<br /> |Scanner 5=<br /> |Uploader 5=[[User:Funper|Funper]]<br /> |Date Submitted 5=2007/7/7<br /> |Publisher Information={{NeueLisztAusgabe|1|16|1982|8859|3-25}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> | *****WORK INFO*****<br /> <br /> |Work Title=Totentanz<br /> |Alternative Title=Paraphrase über ''Dies Irae''<br /> |Opus/Catalogue Number=S.126/1 ; LW.H8 (1st version)&lt;br&gt;S.126/2 ; LW.H8 (2nd version)<br /> |Number of Movements/Sections=1<br /> |Dedication={{LinkName|Hans von|Bülow}}<br /> |Year/Date of Composition=1847–53 (1st version), 1864 (2nd version)<br /> |Year of First Publication=1865 (2nd version), 1919 (1st version)<br /> |First Performance=1865-04-15 in The Hague (2nd version)<br /> |Librettist=<br /> |Language=<br /> |External Links=[[wikipedia:Totentanz (Liszt)|Wikipedia article]]<br /> |Piece Style=Romantic<br /> |Average Duration=16 minutes<br /> |Instrumentation=''Solo'' — piano&lt;br&gt;''Orchestra'' — piccolo, 2 flutes, 2 oboes, 2 clarinets (in A), 2 bassoons + 2 horns (in D), 2 trumpets (in D), 3 trombones, tuba + timpani, percussion + strings<br /> |Tags=dances ; pf orch<br /> <br /> | *****COMMENTS***** =<br /> ====Version History====<br /> * Composed for piano and orchestra, 1847–53 (= 1st version, S.126/1)<br /> : Published 1919 by [[Breitkopf &amp; Härtel]] (Leipzig), as ''De Profundis'' (revised by {{LinkComp|Ferruccio|Busoni}})<br /> * Revised 1859–64? (= 2nd version, S.126/2)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for 2 pianos, 1859–65? (= S.652)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for solo piano, 1860–65? (= S.525)<br /> : Published 1865 by Siegel (Leipzig)<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Totentanz,_S.126_(Liszt,_Franz) 2016-07-28T04:48:34Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> ====2nd version====<br /> =====For Piano and Orchestra (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-totentanz.mp3<br /> |File Description 1=Complete Performance (S.126/2)<br /> |Audio Length 1=15:30<br /> |Performers=Unidentified orchestra and conductor<br /> |Performer Categories=O'Doan, Neal=Piano<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/7/11<br /> |Publisher Information={{AGarch}}<br /> |Copyright=Creative Commons Attribution Share Alike 3.0<br /> |Misc. Notes=<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-12_Track.mp3<br /> |File Description 1=Live Performance<br /> |Audio Length 1=16:51<br /> |Performers=<br /> |Performer Categories=Manookian, Jeff=piano<br /> |Uploader=[[User:Kerikan|Kerikan]]<br /> |Date Submitted=2012/10/22<br /> |Publisher Information=Windsor Editios<br /> |Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****FILES***** =<br /> <br /> ===Full Scores===<br /> ====1st version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt1.pdf<br /> |File Description 1=Segment 1<br /> |Page Count 1=14<br /> |File Name 2=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt2.pdf<br /> |File Description 2=Segment 2<br /> |Page Count 2=13<br /> |File Name 3=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt3.pdf<br /> |File Description 3=Segment 3<br /> |Page Count 3=14<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115178}}<br /> |Uploader=[[User:Cypressdome|Cypressdome]]<br /> |Date Submitted=2012/5/14<br /> |Publisher Information={{MssD|18|49}}, dated Oct. 21.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-FLiszt_Totentanz_ms.jpg<br /> |Misc. Notes=Original images: 300dpi, color jpg files approx. 2400 by 3400 pixels.&lt;br&gt;Full score copy in the hand of {{LinkName|August|Conradi}} with additions/corrections by Liszt. Pages 4{{EN}}7 of segment 1 and 12{{EN}}14 of segment 3 apparently contain Liszt's corrections/drafts. Cover page reads &quot;Toten Tanz Phantasie für Pianoforte und Orchester. terminé le 21 Octobre 1849.&quot;<br /> }}<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> |File Name 2=SIBLEY1802.13163.f584-39087009550023score.pdf<br /> |File Description 2=Complete Score (S.126/2)<br /> |Page Count 2=50 (48)<br /> |Scanner 2={{SibleyScan|1802/13163}}<br /> |Uploader 2=[[User:Carolus|Carolus]]<br /> |Date Submitted 2=2010/11/2<br /> |File Name 1=PMLP35285-Liszt_Musikalische_Werke_1_Band_13_29.pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Page Count 1=48<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)<br /> |Image Type=Normal Scan<br /> |Scanner 1={{BSB}}<br /> |Uploader 1=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 1=2010/4/9<br /> |Publisher Information={{Liszt-Stiftung|I|13|1915|29|135-82}}&lt;br&gt;''Reissue'' - n.d.(ca.1920), as Partitur-Bibliothek No.2505 (#83692)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].&lt;br&gt;#83692 - {{SibleyProject}}<br /> |Amazon={{AmazonLinks|160874034X|PLP study score (reprint)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)&lt;br&gt;{{LinkEd|Max|Alberti}}<br /> |Image Type=Normal Scan<br /> |Scanner=[[User:Funper|Funper]]<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/24<br /> |Page Count 1=82 (v, 78)<br /> |Publisher Information=Leipzig: [[Ernst Eulenburg]], No.722, n.d.(ca.1920), Plate E.E. 6137.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Sample Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Misc. Notes=Alberti's edition is directly based upon Stavenhagen's edition above.&lt;br&gt;[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke]]. Series I, Vol.13.&lt;br&gt; Copy scanned from &lt;span class=&quot;plainlinks&quot;&gt;[http://www.biblioteket.se/default.asp?id=8227&amp;itemid=165398 ''Stockholms Stadsbibliotek'']&lt;/span&gt;<br /> }}<br /> <br /> ===Parts===<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> ||File Name 11=PMLP35285-Liszt_-_Totentanz_(cello-part)a.pdf<br /> |File Description 11=Cellos<br /> |Page Count 11=4<br /> |Uploader 11=[[User:Generoso|Generoso]]<br /> |Date Submitted 11=2009/1/11<br /> |Publisher Information=Leipzig: [[Breitkopf &amp; Härtel]], n.d.(ca.1920). Plate Orch.B. 2382<br /> |Reprint={{RpEFK}}<br /> |Copyright=Public Domain<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862-1914)<br /> |File Name 1=PMLP35285-Liszt-Totentanz.Flute.pdf<br /> |File Name 2=PMLP35285-Liszt-Totentanz.Oboe.pdf<br /> |File Name 3=PMLP35285-Liszt-Totentanz.Clarinet.pdf<br /> |File Name 4=PMLP35285-Liszt-Totentanz.Bassoon.pdf<br /> |File Name 5=PMLP35285-Liszt-Totentanz.Horn.pdf<br /> |File Name 6=PMLP35285-Liszt-Totentanz.Trumpet.pdf<br /> |File Name 7=PMLP35285-Liszt-Totentanz.LowBrass.pdf<br /> |File Name 8=PMLP35285-Liszt-Totentanz.TimpPerc.pdf<br /> |File Name 9=PMLP35285-Liszt-Totentanz.Violin.pdf<br /> |File Name 10=PMLP35285-Liszt-Totentanz.Viola.pdf<br /> |File Name 12=PMLP35285-Liszt-Totentanz.Bass.pdf<br /> |File Description 1=Flute 1, 2, Piccolo<br /> |File Description 2=Oboe 1, 2<br /> |File Description 3=Clarinet 1, 2 (in A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2 (in D)<br /> |File Description 6=Trumpet 1, 2 (in D)<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani, Cymbals/Triangle/Tam-Tam<br /> |File Description 9=Violins I, II<br /> |File Description 10=Violas<br /> |File Description 12=Basses<br /> |Page Count 1=10 (4, 4, 2)<br /> |Page Count 2=6 (3, 3)<br /> |Page Count 3=8 (4, 4)<br /> |Page Count 4=8 (4, 4)<br /> |Page Count 5=6 (3, 3)<br /> |Page Count 6=4 (2, 2)<br /> |Page Count 7=10 (3, 3, 2, 2)<br /> |Page Count 8=5 (3, 2)<br /> |Page Count 9=8 (4, 4)<br /> |Page Count 10=4<br /> |Page Count 12=4<br /> |Uploader=[[User:Perlnerd666|Perlnerd666]]<br /> |Date Submitted=2009/11/1<br /> |Misc. Notes={{OrchPartsProj}}<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version====<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_filter.pdf<br /> |File Name 3=Totentanz.pdf<br /> |File Description 1=Complete Score (S.652) (scan)<br /> |File Description 2=Complete Score (S.652) (filter)<br /> |File Description 3=Complete Score (S.652) (lower resolution)<br /> |Page Count 1=34<br /> |Page Count 2=34<br /> |Page Count 3=33<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner 1=piupianissimo<br /> |Scanner 2=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/12/13<br /> |Scanner 3=<br /> |Uploader 3=[[User:Patrickmerrill|Patrickmerrill]]<br /> |Date Submitted 3=2006/10/29<br /> |Publisher Information={{LisztKlavierwerkePeters|11: Werke für Klavier und Orchester|3602c|9893|1913-17|101-34}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S525_Totentanz_(siegel).pdf<br /> |File Description 1=Complete Score (S.525)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{Danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/28<br /> |Page Count 1=31<br /> |Publisher Information=Leipzig: [[C.F.W. Siegel]], n.d.(1865). Plate 2185.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Danaliszt}}<br /> |File Name 2=Liszt_-_S525_Totentanz_(siegel)_mono.pdf<br /> |File Description 2=Complete Score (S.525)<br /> |Scanner 2={{Danaliszt/mono}}<br /> |Page Count 2=30<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_filter.pdf<br /> |File Name 3=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_scan.pdf<br /> |File Name 4=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_filter.pdf<br /> |File Name 5=Liszt_-_S525_Totentanz_(nla).pdf<br /> |File Description 1=Frontmatter (scan)<br /> |File Description 2=Frontmatter (filter)<br /> |File Description 3=Complete Score (S.525) (scan)<br /> |File Description 4=Complete Score (S.525) (filter)<br /> |File Description 5=Complete Score (S.525) (low resolution)<br /> |Page Count 1=16 (i-xvi)<br /> |Page Count 2=16 (i-xvi)<br /> |Page Count 3=25<br /> |Page Count 4=25<br /> |Page Count 5=23<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/28<br /> |Scanner 5=<br /> |Uploader 5=[[User:Funper|Funper]]<br /> |Date Submitted 5=2007/7/7<br /> |Publisher Information={{NeueLisztAusgabe|1|16|1982|8859|3-25}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-totentanz_2_pianos.pdf<br /> |File Description 1=Complete score<br /> |Arranger={{LinkComp|Franz|Liszt}} (1811-1886)<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{ONB|AL00235173}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/28<br /> |Publisher Information={{Mss|18|59|1865?}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Totentanz<br /> |Alternative Title=Paraphrase über ''Dies Irae''<br /> |Opus/Catalogue Number=S.126/1 ; LW.H8 (1st version)&lt;br&gt;S.126/2 ; LW.H8 (2nd version)<br /> |Number of Movements/Sections=1<br /> |Dedication={{LinkName|Hans von|Bülow}}<br /> |Year/Date of Composition=1847–53 (1st version), 1864 (2nd version)<br /> |Year of First Publication=1865 (2nd version), 1919 (1st version)<br /> |First Performance=1865-04-15 in The Hague (2nd version)<br /> |Librettist=<br /> |Language=<br /> |External Links=[[wikipedia:Totentanz (Liszt)|Wikipedia article]]<br /> |Piece Style=Romantic<br /> |Average Duration=16 minutes<br /> |Instrumentation=''Solo'' — piano&lt;br&gt;''Orchestra'' — piccolo, 2 flutes, 2 oboes, 2 clarinets (in A), 2 bassoons + 2 horns (in D), 2 trumpets (in D), 3 trombones, tuba + timpani, percussion + strings<br /> |Tags=dances ; pf orch<br /> <br /> | *****COMMENTS***** =<br /> ====Version History====<br /> * Composed for piano and orchestra, 1847–53 (= 1st version, S.126/1)<br /> : Published 1919 by [[Breitkopf &amp; Härtel]] (Leipzig), as ''De Profundis'' (revised by {{LinkComp|Ferruccio|Busoni}})<br /> * Revised 1859–64? (= 2nd version, S.126/2)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for 2 pianos, 1859–65? (= S.652)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for solo piano, 1860–65? (= S.525)<br /> : Published 1865 by Siegel (Leipzig)<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Totentanz,_S.126_(Liszt,_Franz) 2016-07-28T04:46:23Z

<p>Funper: Added 1 files to Totentanz, S.126 (Liszt, Franz)</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> ====2nd version====<br /> =====For Piano and Orchestra (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-totentanz.mp3<br /> |File Description 1=Complete Performance (S.126/2)<br /> |Audio Length 1=15:30<br /> |Performers=Unidentified orchestra and conductor<br /> |Performer Categories=O'Doan, Neal=Piano<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/7/11<br /> |Publisher Information={{AGarch}}<br /> |Copyright=Creative Commons Attribution Share Alike 3.0<br /> |Misc. Notes=<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP35285-12_Track.mp3<br /> |File Description 1=Live Performance<br /> |Audio Length 1=16:51<br /> |Performers=<br /> |Performer Categories=Manookian, Jeff=piano<br /> |Uploader=[[User:Kerikan|Kerikan]]<br /> |Date Submitted=2012/10/22<br /> |Publisher Information=Windsor Editios<br /> |Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****FILES***** =<br /> <br /> ===Full Scores===<br /> ====1st version====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt1.pdf<br /> |File Description 1=Segment 1<br /> |Page Count 1=14<br /> |File Name 2=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt2.pdf<br /> |File Description 2=Segment 2<br /> |Page Count 2=13<br /> |File Name 3=PMLP35285-FLiszt_Totentanz_Conradi_ms_sgmt3.pdf<br /> |File Description 3=Segment 3<br /> |Page Count 3=14<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115178}}<br /> |Uploader=[[User:Cypressdome|Cypressdome]]<br /> |Date Submitted=2012/5/14<br /> |Publisher Information={{MssD|18|49}}, dated Oct. 21.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-FLiszt_Totentanz_ms.jpg<br /> |Misc. Notes=Original images: 300dpi, color jpg files approx. 2400 by 3400 pixels.&lt;br&gt;Full score copy in the hand of {{LinkName|August|Conradi}} with additions/corrections by Liszt. Pages 4{{EN}}7 of segment 1 and 12{{EN}}14 of segment 3 apparently contain Liszt's corrections/drafts. Cover page reads &quot;Toten Tanz Phantasie für Pianoforte und Orchester. terminé le 21 Octobre 1849.&quot;<br /> }}<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> |File Name 2=SIBLEY1802.13163.f584-39087009550023score.pdf<br /> |File Description 2=Complete Score (S.126/2)<br /> |Page Count 2=50 (48)<br /> |Scanner 2={{SibleyScan|1802/13163}}<br /> |Uploader 2=[[User:Carolus|Carolus]]<br /> |Date Submitted 2=2010/11/2<br /> |File Name 1=PMLP35285-Liszt_Musikalische_Werke_1_Band_13_29.pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Page Count 1=48<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)<br /> |Image Type=Normal Scan<br /> |Scanner 1={{BSB}}<br /> |Uploader 1=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 1=2010/4/9<br /> |Publisher Information={{Liszt-Stiftung|I|13|1915|29|135-82}}&lt;br&gt;''Reissue'' - n.d.(ca.1920), as Partitur-Bibliothek No.2505 (#83692)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_1_Band_13_29.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].&lt;br&gt;#83692 - {{SibleyProject}}<br /> |Amazon={{AmazonLinks|160874034X|PLP study score (reprint)}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).pdf<br /> |File Description 1=Complete Score (S.126/2)<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862–1914)&lt;br&gt;{{LinkEd|Max|Alberti}}<br /> |Image Type=Normal Scan<br /> |Scanner=[[User:Funper|Funper]]<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/24<br /> |Page Count 1=82 (v, 78)<br /> |Publisher Information=Leipzig: [[Ernst Eulenburg]], No.722, n.d.(ca.1920), Plate E.E. 6137.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Sample Filename=TN-Liszt_-_S126ii_Totentanz_2nd_version_(Breitkopf).png<br /> |Misc. Notes=Alberti's edition is directly based upon Stavenhagen's edition above.&lt;br&gt;[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke]]. Series I, Vol.13.&lt;br&gt; Copy scanned from &lt;span class=&quot;plainlinks&quot;&gt;[http://www.biblioteket.se/default.asp?id=8227&amp;itemid=165398 ''Stockholms Stadsbibliotek'']&lt;/span&gt;<br /> }}<br /> <br /> ===Parts===<br /> ====2nd version====<br /> {{#fte:imslpfile<br /> ||File Name 11=PMLP35285-Liszt_-_Totentanz_(cello-part)a.pdf<br /> |File Description 11=Cellos<br /> |Page Count 11=4<br /> |Uploader 11=[[User:Generoso|Generoso]]<br /> |Date Submitted 11=2009/1/11<br /> |Publisher Information=Leipzig: [[Breitkopf &amp; Härtel]], n.d.(ca.1920). Plate Orch.B. 2382<br /> |Reprint={{RpEFK}}<br /> |Copyright=Public Domain<br /> |Editor={{LinkEd|Bernhard|Stavenhagen}} (1862-1914)<br /> |File Name 1=PMLP35285-Liszt-Totentanz.Flute.pdf<br /> |File Name 2=PMLP35285-Liszt-Totentanz.Oboe.pdf<br /> |File Name 3=PMLP35285-Liszt-Totentanz.Clarinet.pdf<br /> |File Name 4=PMLP35285-Liszt-Totentanz.Bassoon.pdf<br /> |File Name 5=PMLP35285-Liszt-Totentanz.Horn.pdf<br /> |File Name 6=PMLP35285-Liszt-Totentanz.Trumpet.pdf<br /> |File Name 7=PMLP35285-Liszt-Totentanz.LowBrass.pdf<br /> |File Name 8=PMLP35285-Liszt-Totentanz.TimpPerc.pdf<br /> |File Name 9=PMLP35285-Liszt-Totentanz.Violin.pdf<br /> |File Name 10=PMLP35285-Liszt-Totentanz.Viola.pdf<br /> |File Name 12=PMLP35285-Liszt-Totentanz.Bass.pdf<br /> |File Description 1=Flute 1, 2, Piccolo<br /> |File Description 2=Oboe 1, 2<br /> |File Description 3=Clarinet 1, 2 (in A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2 (in D)<br /> |File Description 6=Trumpet 1, 2 (in D)<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani, Cymbals/Triangle/Tam-Tam<br /> |File Description 9=Violins I, II<br /> |File Description 10=Violas<br /> |File Description 12=Basses<br /> |Page Count 1=10 (4, 4, 2)<br /> |Page Count 2=6 (3, 3)<br /> |Page Count 3=8 (4, 4)<br /> |Page Count 4=8 (4, 4)<br /> |Page Count 5=6 (3, 3)<br /> |Page Count 6=4 (2, 2)<br /> |Page Count 7=10 (3, 3, 2, 2)<br /> |Page Count 8=5 (3, 2)<br /> |Page Count 9=8 (4, 4)<br /> |Page Count 10=4<br /> |Page Count 12=4<br /> |Uploader=[[User:Perlnerd666|Perlnerd666]]<br /> |Date Submitted=2009/11/1<br /> |Misc. Notes={{OrchPartsProj}}<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version====<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre_filter.pdf<br /> |File Name 3=Totentanz.pdf<br /> |File Description 1=Complete Score (S.652) (scan)<br /> |File Description 2=Complete Score (S.652) (filter)<br /> |File Description 3=Complete Score (S.652) (lower resolution)<br /> |Page Count 1=34<br /> |Page Count 2=34<br /> |Page Count 3=33<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner 1=piupianissimo<br /> |Scanner 2=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/12/13<br /> |Scanner 3=<br /> |Uploader 3=[[User:Patrickmerrill|Patrickmerrill]]<br /> |Date Submitted 3=2006/10/29<br /> |Publisher Information={{LisztKlavierwerkePeters|11: Werke für Klavier und Orchester|3602c|9893|1913-17|101-34}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_11_03_Danse_macabre.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S525_Totentanz_(siegel).pdf<br /> |File Description 1=Complete Score (S.525)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{Danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/28<br /> |Page Count 1=31<br /> |Publisher Information=Leipzig: [[C.F.W. Siegel]], n.d.(1865). Plate 2185.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Danaliszt}}<br /> |File Name 2=Liszt_-_S525_Totentanz_(siegel)_mono.pdf<br /> |File Description 2=Complete Score (S.525)<br /> |Scanner 2={{Danaliszt/mono}}<br /> |Page Count 2=30<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_scan.pdf<br /> |File Name 2=PMLP35285-Liszt_NLA_Serie_I_Band_16_00_Vorwort_filter.pdf<br /> |File Name 3=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_scan.pdf<br /> |File Name 4=PMLP35285-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525_filter.pdf<br /> |File Name 5=Liszt_-_S525_Totentanz_(nla).pdf<br /> |File Description 1=Frontmatter (scan)<br /> |File Description 2=Frontmatter (filter)<br /> |File Description 3=Complete Score (S.525) (scan)<br /> |File Description 4=Complete Score (S.525) (filter)<br /> |File Description 5=Complete Score (S.525) (low resolution)<br /> |Page Count 1=16 (i-xvi)<br /> |Page Count 2=16 (i-xvi)<br /> |Page Count 3=25<br /> |Page Count 4=25<br /> |Page Count 5=23<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/28<br /> |Scanner 5=<br /> |Uploader 5=[[User:Funper|Funper]]<br /> |Date Submitted 5=2007/7/7<br /> |Publisher Information={{NeueLisztAusgabe|1|16|1982|8859|3-25}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_16_01_Totentanz_S.525.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> =====For 2 Pianos (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP35285-totentanz_2_pianos.pdf<br /> |File Description 1=Complete score<br /> |Arranger={<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{ONB|AL00235173}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/28<br /> |Publisher Information={{MssD|18|63}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Totentanz<br /> |Alternative Title=Paraphrase über ''Dies Irae''<br /> |Opus/Catalogue Number=S.126/1 ; LW.H8 (1st version)&lt;br&gt;S.126/2 ; LW.H8 (2nd version)<br /> |Number of Movements/Sections=1<br /> |Dedication={{LinkName|Hans von|Bülow}}<br /> |Year/Date of Composition=1847–53 (1st version), 1864 (2nd version)<br /> |Year of First Publication=1865 (2nd version), 1919 (1st version)<br /> |First Performance=1865-04-15 in The Hague (2nd version)<br /> |Librettist=<br /> |Language=<br /> |External Links=[[wikipedia:Totentanz (Liszt)|Wikipedia article]]<br /> |Piece Style=Romantic<br /> |Average Duration=16 minutes<br /> |Instrumentation=''Solo'' — piano&lt;br&gt;''Orchestra'' — piccolo, 2 flutes, 2 oboes, 2 clarinets (in A), 2 bassoons + 2 horns (in D), 2 trumpets (in D), 3 trombones, tuba + timpani, percussion + strings<br /> |Tags=dances ; pf orch<br /> <br /> | *****COMMENTS***** =<br /> ====Version History====<br /> * Composed for piano and orchestra, 1847–53 (= 1st version, S.126/1)<br /> : Published 1919 by [[Breitkopf &amp; Härtel]] (Leipzig), as ''De Profundis'' (revised by {{LinkComp|Ferruccio|Busoni}})<br /> * Revised 1859–64? (= 2nd version, S.126/2)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for 2 pianos, 1859–65? (= S.652)<br /> : Published 1865 by Siegel (Leipzig)<br /> * Arranged for solo piano, 1860–65? (= S.525)<br /> : Published 1865 by Siegel (Leipzig)<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/File:PMLP35285-totentanz_2_pianos.pdf 2016-07-28T04:46:21Z

<p>Funper: </p> <hr /> <div></div>

Funper //imslp.org/wiki/Von_der_Wiege_bis_zum_Grabe,_S.107_(Liszt,_Franz) 2016-07-28T04:17:14Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> ===Full Scores===<br /> {{#fte:imslpfile<br /> ||File Name 1=PMLP47522-Liszt_Werke_-_Von_der_Wiege_bis_zum_Grabe.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=25<br /> |Uploader 1=[[User:Caprotti|Caprotti]]<br /> |Date Submitted 1=2008/8/6<br /> |File Name 2=PMLP47522-Liszt_Musikalische_Werke_1_Band_10_18.pdf<br /> |File Description 2=Complete Score<br /> |Page Count 2=26<br /> |Editor={{LisztStiftungEds}}<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader 2=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted 2=2010/4/6<br /> |Publisher Information={{Liszt-Stiftung|I|10|1913|18|161-84}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_1_Band_10_18.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_1_Band_10_18.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].<br /> |Amazon={{AmazonLinks|1608740382|PLP study score (reprint)}}<br /> }}<br /> <br /> ===Parts===<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Grobe_Flöte.pdf<br /> |File Name 2=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Hoboen.pdf<br /> |File Name 3=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Klarinetten_in_Bb,_in_A.pdf<br /> |File Name 4=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Fagotte.pdf<br /> |File Name 5=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Hörner_in_F.pdf<br /> |File Name 6=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Trompeten_in_E.pdf<br /> |File Name 7=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Tenorposaunen.pdf<br /> |File Name 8=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Pauken_in_H._dis.pdf<br /> |File Name 9=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Pauken_in_H._dis,_Becken_(ohne_grobe_tomnel.).pdf<br /> |File Name 10=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Harfe.pdf<br /> |File Name 11=PMLP47522-Von_der_wiege_bis_zum_grabe_partes_-_Cuerdas.pdf<br /> |File Description 1=Flute 1, 2, Piccolo<br /> |File Description 2=Oboe 1, 2, English horn<br /> |File Description 3=Clatinet 1, 2 (B{{Flat}}, and A)<br /> |File Description 4=Bassoon 1, 2<br /> |File Description 5=Horn 1, 2, 3, 4 (F)<br /> |File Description 6=Trumpet 1, 2<br /> |File Description 7=Trombone 1, 2, 3, Tuba<br /> |File Description 8=Timpani<br /> |File Description 9=Percussion<br /> |File Description 10=Harp<br /> |File Description 11=Strings<br /> |Editor={{LinkEd|Ezequiel|Diz}}<br /> |Image Type=Typeset<br /> |Scanner=editor<br /> |Uploader=[[User:Eze|Eze]]<br /> |Date Submitted=2015/3/10<br /> |Publisher Information=Ezequiel Diz, OSPR<br /> |Copyright=Creative Commons Attribution 4.0<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Arrangements and Transcriptions===<br /> =====For 2 Pianos 4 Hands (Starybrat)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP47522-von_der_wiege_bis_zum_grabe.pdf<br /> |File Description 1=Complete Score<br /> |Arranger={{LinkArr|Klemens|Starybrat}}<br /> |Editor=<br /> |Image Type=Typeset<br /> |Scanner=arranger<br /> |Uploader=[[User:K Starybrat|K Starybrat]]<br /> |Date Submitted=2016/4/21<br /> |Publisher Information=Klemens Starybrat<br /> |Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0<br /> |Misc. Notes=<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP47522-Liszt_-_S512_Symphonic_Poem_No12_(MS_leaf).pdf<br /> |File Description 1=Manuscript Leaf (S.512)<br /> |Page Count 1=1<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2010/6/29<br /> |Publisher Information=Copyist's manuscript, n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=First page.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP47522-Liszt_NLA_Serie_I_Band_17_10_Von_der_Wiege_bis_zum_Grabe_S.512_scan.pdf<br /> |File Name 2=PMLP47522-Liszt_NLA_Serie_I_Band_17_10_Von_der_Wiege_bis_zum_Grabe_S.512_filter.pdf<br /> |File Description 1=Complete Score (S.512) (scan)<br /> |File Description 2=Complete Score (S.512) (filter)<br /> |Page Count 1=14<br /> |Page Count 2=14<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860|103-16}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_10_Von_der_Wiege_bis_zum_Grabe_S.512.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_10_Von_der_Wiege_bis_zum_Grabe_S.512.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Von der Wiege bis zum Grabe<br /> |Alternative Title=From the Cradle to the Grave (Symphonic Poem No.13)<br /> |Opus/Catalogue Number=S.107 ; LW.G38<br /> |Number of Movements/Sections=3 movements<br /> # ''Die Wiege''<br /> # ''Der Kampf um’s Dasein''<br /> # ''Zum Grabe, die Wiege des zukünftigen Lebens''<br /> |Dedication=Count Géza Zichy (1849–1924)<br /> |Year/Date of Composition=1881–82<br /> |Year of First Publication=1883<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=''Orchestra:'' 2 flutes, piccolo, 2 oboes/English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp, strings<br /> |Tags=symphonic poems ; orch<br /> <br /> | *****COMMENTS***** =<br /> <br /> ====Version History====<br /> * Composed for orchestra, 1881–82 (= S.107)<br /> : Published 1883 by [[Bote &amp; Bock]] (Berlin)<br /> * Arranged for solo piano, 1881 (= S.512)<br /> : Published 1883 by [[Bote &amp; Bock]] (Berlin)<br /> * Arranged for piano 4 hands, 1881 (= S.598)<br /> : Published 1883 by [[Bote &amp; Bock]] (Berlin)<br /> * 1st movement arranged for 4 violins, 1881 (= S.133)<br /> : Version lost<br /> ----<br /> {{Symphonic Poems (Liszt, Franz)}}<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Mephisto_Waltz_No.1,_S.514_(Liszt,_Franz) 2016-07-28T04:01:39Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP02602-Liszt_mefisto_mp3.mp3<br /> |File Description 1=Complete performance<br /> |Audio Length 1=12:07<br /> |Performers=<br /> |Performer Categories=Mantione, Carmelo=piano<br /> |Uploader=[[User:Carmantione|Carmantione]]<br /> |Date Submitted=2012/12/24<br /> |Publisher Information={{plain|http://www.mantionemusica.it|Carmelo Mantione}}<br /> |Copyright=Creative Commons Attribution Non-commercial 3.0<br /> |Misc. Notes=Live recording in Auditorium Chiesa di S. Pietro, Bagheria (Palermo) Italy. Piano: mezza-coda Seiler 2008<br /> }}<br /> <br /> |NCRecordings={{YT|krF3zMoD7I8|Tibor Szász}} performing all 6 &quot;Mephisto&quot; piano works by Liszt (S.514, S.515, S.216, S.216b, S.217, S.216a) (S.514 from 27 seconds to 11:14 or so) at the 1984 festival of the American Liszt Society<br /> <br /> | *****FILES***** =<br /> ===Piano Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-1.pdf<br /> |File Description 1=Complete score (Part 1/3)<br /> |Page Count 1=15<br /> |File Name 2=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-2.pdf<br /> |File Description 2=Complete score (Part 2/3)<br /> |Page Count 2=16<br /> |File Name 3=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-3.pdf<br /> |File Description 3=Complete score (Part 3/3)<br /> |Page Count 3=17<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115171}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||59}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(schubert).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/12<br /> |Page Count 1=26<br /> |Publisher Information=Leipzig: [[J. Schuberth|J. Schuberth &amp; Co.]], n.d.(1862). Plate 2792.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{danaliszt}}<br /> |File Name 2=Liszt_-_S514_Mephisto_Waltz_No1_(schubert)_mono.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Page Count 2=25<br /> |Scanner 2={{Danaliszt/mono}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=SIBLEY1802.13460.f487-39087012839322piano.pdf<br /> |File Name 2=SIBLEY1802.13460.978e-39087012839322color_cover.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Color cover<br /> |Page Count 1=28<br /> |Page Count 2=1<br /> |Editor={{LinkEd|Eugen d'|Albert}} (1864-1932)<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/13460}}<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/12/1<br /> |Publisher Information=Berlin: [[Bote &amp; Bock]], 1917. Plate B. &amp; B. 18611<br /> |Copyright=Public Domain<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(peters).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader 1=[[User:Funper|Funper]]<br /> |Date Submitted 1=2007/7/2<br /> |Page Count 1=24<br /> |Copyright=Public Domain<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Misc. Notes=#09259: ''With corrections. Bar 763: the D{{sharp}} introduced by Sauer has been corrected.''&lt;br&gt;#11633: ''This particular edition contains typeset-errors.''<br /> |File Name 2=Mephisto-Waltz-No1.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Uploader 2=[[User:Scherzo39|Scherzo39]]<br /> |Date Submitted 2=2007/8/12<br /> |Page Count 2=24<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=24<br /> |Page Count 2=24<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(muzgiz).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=nlib.narod.ru<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/7/2<br /> |Page Count 1=25<br /> |Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=26<br /> |Page Count 2=26<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/26<br /> |Publisher Information={{NeueLisztAusgabe|1|15|1982|8253|116-41}}&lt;br&gt;Reissue with Plate 13951. (#11868)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> |File Name 3=Liszt_-_S514_Mephisto_Waltz_No1_(emb).pdf<br /> |File Description 3=Complete Score (S.514)<br /> |Scanner 3=<br /> |Uploader 3=[[User:Funper|Funper]]<br /> |Date Submitted 3=2007/8/15<br /> |Page Count 3=25<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Mephisto Waltz No.1<br /> |Alternative Title=Erster Mephisto-Walzer (Der Tanz in der Dorfschenke)<br /> |Opus/Catalogue Number=S.514 ; LW.A189<br /> |Number of Movements/Sections=1 piece<br /> |Dedication={{LinkName|Carl|Tausig}}<br /> |Year/Date of Composition=1856–61?<br /> |Year of First Publication=1862<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ====Version History====<br /> * Composed for solo piano, 1856–61?, as ''Mephisto Waltz No.1'' (= S.514)<br /> : Published 1862 by Schuberth (Hamburg)<br /> * Revised for orchestra, 1856–61?, as ''Der Tanz in der Dorfschenke'' (= No.2 of {{LinkWork|2 Episoden aus Lenau's Faust|S.110|Liszt|Franz|0}})<br /> : Published 1866 by Schuberth (Leipzig)<br /> <br /> NB: The most recent edition of ''{{plain|http://www.grovemusic.com|Grove Online}}'' asserts that &quot;contrary to earlier chronologies&quot; the piano version (S.514) preceded the orchestral version (S.110/2). <br /> <br /> ----<br /> {{Template:Mephisto Waltzes (Liszt, Franz)}}<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Mephisto_Waltz_No.1,_S.514_(Liszt,_Franz) 2016-07-28T03:59:36Z

<p>Funper: Added 1 files to Mephisto Waltz No.1, S.514 (Liszt, Franz)</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP02602-Liszt_mefisto_mp3.mp3<br /> |File Description 1=Complete performance<br /> |Audio Length 1=12:07<br /> |Performers=<br /> |Performer Categories=Mantione, Carmelo=piano<br /> |Uploader=[[User:Carmantione|Carmantione]]<br /> |Date Submitted=2012/12/24<br /> |Publisher Information={{plain|http://www.mantionemusica.it|Carmelo Mantione}}<br /> |Copyright=Creative Commons Attribution Non-commercial 3.0<br /> |Misc. Notes=Live recording in Auditorium Chiesa di S. Pietro, Bagheria (Palermo) Italy. Piano: mezza-coda Seiler 2008<br /> }}<br /> <br /> |NCRecordings={{YT|krF3zMoD7I8|Tibor Szász}} performing all 6 &quot;Mephisto&quot; piano works by Liszt (S.514, S.515, S.216, S.216b, S.217, S.216a) (S.514 from 27 seconds to 11:14 or so) at the 1984 festival of the American Liszt Society<br /> <br /> | *****FILES***** =<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-1.pdf<br /> |File Description 1=Complete score (Part 1/3)<br /> |Page Count 1=15<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115171}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||59}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-2.pdf<br /> |File Description 1=Complete score (Part 2/3)<br /> |Page Count 1=16<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115155}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18||83}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-3.pdf<br /> |File Description 1=Complete score (Part 3/3)<br /> |Page Count 1=17<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115181}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information=holograph<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Piano Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(schubert).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/12<br /> |Page Count 1=26<br /> |Publisher Information=Leipzig: [[J. Schuberth|J. Schuberth &amp; Co.]], n.d.(1862). Plate 2792.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{danaliszt}}<br /> |File Name 2=Liszt_-_S514_Mephisto_Waltz_No1_(schubert)_mono.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Page Count 2=25<br /> |Scanner 2={{Danaliszt/mono}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=SIBLEY1802.13460.f487-39087012839322piano.pdf<br /> |File Name 2=SIBLEY1802.13460.978e-39087012839322color_cover.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Color cover<br /> |Page Count 1=28<br /> |Page Count 2=1<br /> |Editor={{LinkEd|Eugen d'|Albert}} (1864-1932)<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/13460}}<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/12/1<br /> |Publisher Information=Berlin: [[Bote &amp; Bock]], 1917. Plate B. &amp; B. 18611<br /> |Copyright=Public Domain<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(peters).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader 1=[[User:Funper|Funper]]<br /> |Date Submitted 1=2007/7/2<br /> |Page Count 1=24<br /> |Copyright=Public Domain<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Misc. Notes=#09259: ''With corrections. Bar 763: the D{{sharp}} introduced by Sauer has been corrected.''&lt;br&gt;#11633: ''This particular edition contains typeset-errors.''<br /> |File Name 2=Mephisto-Waltz-No1.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Uploader 2=[[User:Scherzo39|Scherzo39]]<br /> |Date Submitted 2=2007/8/12<br /> |Page Count 2=24<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=24<br /> |Page Count 2=24<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(muzgiz).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=nlib.narod.ru<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/7/2<br /> |Page Count 1=25<br /> |Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=26<br /> |Page Count 2=26<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/26<br /> |Publisher Information={{NeueLisztAusgabe|1|15|1982|8253|116-41}}&lt;br&gt;Reissue with Plate 13951. (#11868)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> |File Name 3=Liszt_-_S514_Mephisto_Waltz_No1_(emb).pdf<br /> |File Description 3=Complete Score (S.514)<br /> |Scanner 3=<br /> |Uploader 3=[[User:Funper|Funper]]<br /> |Date Submitted 3=2007/8/15<br /> |Page Count 3=25<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Mephisto Waltz No.1<br /> |Alternative Title=Erster Mephisto-Walzer (Der Tanz in der Dorfschenke)<br /> |Opus/Catalogue Number=S.514 ; LW.A189<br /> |Number of Movements/Sections=1 piece<br /> |Dedication={{LinkName|Carl|Tausig}}<br /> |Year/Date of Composition=1856–61?<br /> |Year of First Publication=1862<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ====Version History====<br /> * Composed for solo piano, 1856–61?, as ''Mephisto Waltz No.1'' (= S.514)<br /> : Published 1862 by Schuberth (Hamburg)<br /> * Revised for orchestra, 1856–61?, as ''Der Tanz in der Dorfschenke'' (= No.2 of {{LinkWork|2 Episoden aus Lenau's Faust|S.110|Liszt|Franz|0}})<br /> : Published 1866 by Schuberth (Leipzig)<br /> <br /> NB: The most recent edition of ''{{plain|http://www.grovemusic.com|Grove Online}}'' asserts that &quot;contrary to earlier chronologies&quot; the piano version (S.514) preceded the orchestral version (S.110/2). <br /> <br /> ----<br /> {{Template:Mephisto Waltzes (Liszt, Franz)}}<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/File:PMLP02602-Episoden_aus_Lenau%27s_Faust._Tanz_in_der_Dorfschenke;_arr.-3.pdf 2016-07-28T03:59:34Z

<p>Funper: </p> <hr /> <div></div>

Funper //imslp.org/wiki/Mephisto_Waltz_No.1,_S.514_(Liszt,_Franz) 2016-07-28T03:54:37Z

<p>Funper: Added 1 files to Mephisto Waltz No.1, S.514 (Liszt, Franz)</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP02602-Liszt_mefisto_mp3.mp3<br /> |File Description 1=Complete performance<br /> |Audio Length 1=12:07<br /> |Performers=<br /> |Performer Categories=Mantione, Carmelo=piano<br /> |Uploader=[[User:Carmantione|Carmantione]]<br /> |Date Submitted=2012/12/24<br /> |Publisher Information={{plain|http://www.mantionemusica.it|Carmelo Mantione}}<br /> |Copyright=Creative Commons Attribution Non-commercial 3.0<br /> |Misc. Notes=Live recording in Auditorium Chiesa di S. Pietro, Bagheria (Palermo) Italy. Piano: mezza-coda Seiler 2008<br /> }}<br /> <br /> |NCRecordings={{YT|krF3zMoD7I8|Tibor Szász}} performing all 6 &quot;Mephisto&quot; piano works by Liszt (S.514, S.515, S.216, S.216b, S.217, S.216a) (S.514 from 27 seconds to 11:14 or so) at the 1984 festival of the American Liszt Society<br /> <br /> | *****FILES***** =<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-1.pdf<br /> |File Description 1=Complete score (Part 1/3)<br /> |Page Count 1=15<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115171}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||59}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-2.pdf<br /> |File Description 1=Complete score (Part 2/3)<br /> |Page Count 1=16<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115155}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18||83}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Piano Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(schubert).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/12<br /> |Page Count 1=26<br /> |Publisher Information=Leipzig: [[J. Schuberth|J. Schuberth &amp; Co.]], n.d.(1862). Plate 2792.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{danaliszt}}<br /> |File Name 2=Liszt_-_S514_Mephisto_Waltz_No1_(schubert)_mono.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Page Count 2=25<br /> |Scanner 2={{Danaliszt/mono}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=SIBLEY1802.13460.f487-39087012839322piano.pdf<br /> |File Name 2=SIBLEY1802.13460.978e-39087012839322color_cover.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Color cover<br /> |Page Count 1=28<br /> |Page Count 2=1<br /> |Editor={{LinkEd|Eugen d'|Albert}} (1864-1932)<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/13460}}<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/12/1<br /> |Publisher Information=Berlin: [[Bote &amp; Bock]], 1917. Plate B. &amp; B. 18611<br /> |Copyright=Public Domain<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(peters).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader 1=[[User:Funper|Funper]]<br /> |Date Submitted 1=2007/7/2<br /> |Page Count 1=24<br /> |Copyright=Public Domain<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Misc. Notes=#09259: ''With corrections. Bar 763: the D{{sharp}} introduced by Sauer has been corrected.''&lt;br&gt;#11633: ''This particular edition contains typeset-errors.''<br /> |File Name 2=Mephisto-Waltz-No1.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Uploader 2=[[User:Scherzo39|Scherzo39]]<br /> |Date Submitted 2=2007/8/12<br /> |Page Count 2=24<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=24<br /> |Page Count 2=24<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(muzgiz).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=nlib.narod.ru<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/7/2<br /> |Page Count 1=25<br /> |Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=26<br /> |Page Count 2=26<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/26<br /> |Publisher Information={{NeueLisztAusgabe|1|15|1982|8253|116-41}}&lt;br&gt;Reissue with Plate 13951. (#11868)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> |File Name 3=Liszt_-_S514_Mephisto_Waltz_No1_(emb).pdf<br /> |File Description 3=Complete Score (S.514)<br /> |Scanner 3=<br /> |Uploader 3=[[User:Funper|Funper]]<br /> |Date Submitted 3=2007/8/15<br /> |Page Count 3=25<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Mephisto Waltz No.1<br /> |Alternative Title=Erster Mephisto-Walzer (Der Tanz in der Dorfschenke)<br /> |Opus/Catalogue Number=S.514 ; LW.A189<br /> |Number of Movements/Sections=1 piece<br /> |Dedication={{LinkName|Carl|Tausig}}<br /> |Year/Date of Composition=1856–61?<br /> |Year of First Publication=1862<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ====Version History====<br /> * Composed for solo piano, 1856–61?, as ''Mephisto Waltz No.1'' (= S.514)<br /> : Published 1862 by Schuberth (Hamburg)<br /> * Revised for orchestra, 1856–61?, as ''Der Tanz in der Dorfschenke'' (= No.2 of {{LinkWork|2 Episoden aus Lenau's Faust|S.110|Liszt|Franz|0}})<br /> : Published 1866 by Schuberth (Leipzig)<br /> <br /> NB: The most recent edition of ''{{plain|http://www.grovemusic.com|Grove Online}}'' asserts that &quot;contrary to earlier chronologies&quot; the piano version (S.514) preceded the orchestral version (S.110/2). <br /> <br /> ----<br /> {{Template:Mephisto Waltzes (Liszt, Franz)}}<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/File:PMLP02602-Episoden_aus_Lenau%27s_Faust._Tanz_in_der_Dorfschenke;_arr.-2.pdf 2016-07-28T03:54:35Z

<p>Funper: </p> <hr /> <div></div>

Funper //imslp.org/wiki/Cantico_del_sol_di_Francesco_d%27Assisi,_S.4_(Liszt,_Franz) 2016-07-28T03:49:49Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Assissi_ed.pdf<br /> |File Description 1=Full Score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BNF}}<br /> |Uploader=[[User:Schalltrichter|Schalltrichter]]<br /> |Date Submitted=2013/10/7<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d. (ca. 1882) Plate 2615.<br /> |Copyright=Public Domain<br /> |Thumb Filename=Liszt Assissi full sc cov.jpg<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Vocal Scores===<br /> ====1st version (S.4/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_S.4.1,_Autograph,_GSA_60.R_4.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=12<br /> |Editor=<br /> |Language=Italian<br /> |Image Type=Manuscript Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/23<br /> |Publisher Information=Composer's manuscript.<br /> |Copyright=Public Domain<br /> |Misc. Notes=Most pages more readable than the 1st.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-pdfsam_Liszt,_Franz,_Cantico_del_sol,_FE,_GSA_60R_4a.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=24<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/12<br /> |Publisher Information=Manuscript - Rome: Pietro Cavallin (copyist), 1862(?).<br /> |Copyright=Public Domain<br /> |Misc. Notes=See discussion.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol_di_Francesco_d'Assisi,_S.4.1,_Kahnt.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=Ralph Theo Misch<br /> |Uploader=[[User:Ralph Theo Misch|Ralph Theo Misch]]<br /> |Date Submitted=2011/8/2<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d.(ca.1884). Plate 2617.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt, Franz, Cantico del sol di Francesco d'Assisi, S.4.1, Kahnt.jpg<br /> |Misc. Notes=Scanned at 600dpi grayscale, converted to monochrome.<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version (S.4/2)====<br /> =====for Baritone, Male chorus, Organ and Orchestra (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Musikalische_Werke_5_Band_5_12.pdf<br /> |File Description 1=Complete Score (S.4/2)<br /> |Page Count 1=62 (xiv, 48)<br /> |Editor={{LinkEd|Philipp|Wolfrum}} (1854–1919)<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2010/3/12<br /> |Publisher Information={{Liszt-Stiftung|V|5|1936|v 12}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_filter.pdf<br /> |File Description 1=Complete Score (S.499) (scan)<br /> |File Description 2=Complete Score (S.499) (filter)<br /> |Page Count 1=16 (#59-74)<br /> |Page Count 2=16 (#59-74)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Prelude====<br /> =====*For Piano or Organ (Liszt)===== <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Cantico_del_sol_di_San_Francesco_d'Assisi._Preludio;_arr.pdf<br /> |File Description 1=Complete score (S.498c/S.665)<br /> |Page Count 1=14<br /> |Arranger={{LinkComp|Franz|Liszt}} (1811-1886)<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115175}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18|80}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Tags=pf (arr) ; org (arr)<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph.pdf<br /> |File Name 2=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph,_cleaned.pdf<br /> |File Description 1=Complete Score (S.498c/S.665)<br /> |File Description 2=Complete Score (without borders)<br /> |Page Count 1=<br /> |Page Count 2=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner=[http://www.klassik-stiftung.de/index.php?id=336 Klassik-Stiftung]/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/22<br /> |Publisher Information=Copyist's {{MssD|18||85}}. →[[Talk:Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|discussion]]<br /> |Copyright=Public Domain<br /> |Misc. Notes=Simultaneous notation for piano/organ.&lt;br&gt;600dpi monochrome.<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_filter.pdf<br /> |File Description 1=Complete Score (S.498c) (scan)<br /> |File Description 2=Complete Score (S.498c) (filter)<br /> |Page Count 1=4 (#55-58)<br /> |Page Count 2=4 (#55-58)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Hosannah (&quot;Alleluja&quot;)====<br /> =====For Organ and Trombone (S.677) (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico...,_Allelujah,_S.677.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=6<br /> |Editor={{LinkEd|Adelbert|Kühn}}<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/11897}}<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/26<br /> |Publisher Information=''Album für die Orgel''&lt;br&gt;&lt;small&gt;''zu J.G. Töpfer's goldener Amts-Jubelfeier''&lt;/small&gt;&lt;br&gt;Weimar: [[T.F.A. Kühn]], [1867]. Plate K. 176 W.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Album für die Orgel, Kühn-Töpfer, Sibley.jpg<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=WIMA.bb60-S677_Hosannah_Score.pdf<br /> |File Name 2=WIMA.d87b-S677_Hosannah_Posaune.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Trombone<br /> |Page Count 1=6<br /> |Page Count 2=2<br /> |Editor={{LinkEd|Gyula|Pfeiffer}}<br /> |Image Type=Typeset<br /> |Scanner=Gyula Pfeiffer<br /> |Uploader=[[User:Wrshannon|wrshannon]]<br /> |Date Submitted=2012/4/17<br /> |Publisher Information=Gyula Pfeiffer<br /> |Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0<br /> |Misc. Notes={{WIMAProject}}<br /> }}<br /> | *****WORK INFO*****<br /> <br /> |Work Title=Cantico del sol di Francesco d'Assisi, S.4<br /> |Alternative Title=Der Sonnen-Hymnus des heiligen Franziskus von Assisi<br /> |Opus/Catalogue Number=S.4/1 ; I.8a (1st version)&lt;br&gt;S.4/2 ; I.8b (2nd version)<br /> |Key=F major<br /> |Number of Movements/Sections=1<br /> |Average Duration=14 minutes<br /> |Dedication=Arnold Senfft von Pilsach (1834–1889) (2nd version)<br /> |First Performance=Rome, Palazzo Altieri, 23 March 1863 (1st version)&lt;br&gt;Pressburg, 21 December 1884 (2nd version)<br /> |Year/Date of Composition=1862 (1st version)&lt;br&gt;1879–82 (2nd version)<br /> |Year of First Publication=1862 &quot;Pietro Cavallini face Roma 25 Aprile 1862&quot; (1st version)&lt;br&gt;1987 (1st version), the possible version for baritone and organ only.&lt;br&gt;1884 (2nd version)<br /> |Librettist=Liturgical texts<br /> |Language=Italian / German<br /> |Piece Style=Romantic<br /> |Instrumentation=Baritone solo, Chorus (TTBB) + 2 Flutes, 2 Oboes, 2 Clarinets (B{{flat}}), 2 Bassoons, 4 Horns (F), 2 Trumpets (F), Bass Trombone, Tuba, Timpani, Organ, Violins I, Violins II, Violas, Cellos, Double Basses (2nd version)<br /> |Tags=canticles ; bar mch org orch ; de ; it<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * Composed for baritone (and male chorus ''ad lib.''), organ (or harmonium) and piano, 1862, as ''Cantico di San Francesco'' (= S.4/1)<br /> : Published ca.1884 by [[Kahnt]] (Leipzig)<br /> : Later published 1987 by [[Universal Edition]] (Vienna) → only the version for baritone and organ.<br /> * &quot;Alleluja&quot; arranged for organ (and trombone ''ad lib.''), 1862–63, as ''Hosannah'' (= S.677)<br /> : Published 1867 by [[Kühn]] (Weimar)<br /> * Revised for baritone, male chorus, organ and orchestra, 1879–82, as ''Cantico del sol di Francesco d'Assisi'' (= S.4/2)<br /> : Published 1884 by [[Kahnt]] (Leipzig)<br /> * Arranged for organ, 1881, as ''Cantico di San Francesco'' (= S.760)<br /> : Version lost<br /> * Arranged for solo piano, 1881–82, as ''Cantico di San Francesco'' (= S.499)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for organ, 1880, as ''San Francesco'' (= S.665)<br /> : Published 1972 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for solo piano, 1880?, as ''San Francesco'' (= S.498c)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Cantico_del_sol_di_Francesco_d%27Assisi,_S.4_(Liszt,_Franz) 2016-07-28T03:46:37Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Assissi_ed.pdf<br /> |File Description 1=Full Score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BNF}}<br /> |Uploader=[[User:Schalltrichter|Schalltrichter]]<br /> |Date Submitted=2013/10/7<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d. (ca. 1882) Plate 2615.<br /> |Copyright=Public Domain<br /> |Thumb Filename=Liszt Assissi full sc cov.jpg<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Vocal Scores===<br /> ====1st version (S.4/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_S.4.1,_Autograph,_GSA_60.R_4.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=12<br /> |Editor=<br /> |Language=Italian<br /> |Image Type=Manuscript Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/23<br /> |Publisher Information=Composer's manuscript.<br /> |Copyright=Public Domain<br /> |Misc. Notes=Most pages more readable than the 1st.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-pdfsam_Liszt,_Franz,_Cantico_del_sol,_FE,_GSA_60R_4a.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=24<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=&lt;span class=&quot;plainlinks&quot;&gt;[http://www.klassik-stiftung.de/index.php?id=336 Kl-Stiftung]&lt;/span&gt;/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/12<br /> |Publisher Information=Manuscript - Rome: Pietro Cavallin (copyist), 1862(?).<br /> |Copyright=Public Domain<br /> |Misc. Notes=See discussion.&lt;br&gt;600dpi monochrome.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol_di_Francesco_d'Assisi,_S.4.1,_Kahnt.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=<br /> |Editor=<br /> |Language=Italian / German<br /> |Image Type=Normal Scan<br /> |Scanner=Ralph Theo Misch<br /> |Uploader=[[User:Ralph Theo Misch|Ralph Theo Misch]]<br /> |Date Submitted=2011/8/2<br /> |Publisher Information=Leipzig: [[C.F. Kahnt]], n.d.(ca.1884). Plate 2617.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt, Franz, Cantico del sol di Francesco d'Assisi, S.4.1, Kahnt.jpg<br /> |Misc. Notes=Scanned at 600dpi grayscale, converted to monochrome.<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====2nd version (S.4/2)====<br /> =====for Baritone, Male chorus, Organ and Orchestra (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_Musikalische_Werke_5_Band_5_12.pdf<br /> |File Description 1=Complete Score (S.4/2)<br /> |Page Count 1=62 (xiv, 48)<br /> |Editor={{LinkEd|Philipp|Wolfrum}} (1854–1919)<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2010/3/12<br /> |Publisher Information={{Liszt-Stiftung|V|5|1936|v 12}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_5_Band_5_12.jpg<br /> |Misc. Notes=Originally scanned at about 160pi, [[Image Conversion|converted to 600dpi monochrome]].<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499_filter.pdf<br /> |File Description 1=Complete Score (S.499) (scan)<br /> |File Description 2=Complete Score (S.499) (filter)<br /> |Page Count 1=16 (#59-74)<br /> |Page Count 2=16 (#59-74)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_07_Cantico_di_San_Francesco_S.499.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Prelude====<br /> =====*For Piano or Organ (Liszt)===== <br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Cantico_del_sol_di_San_Francesco_d'Assisi._Preludio;_arr.pdf<br /> |File Description 1=Complete score (S.498c/S.665)<br /> |Page Count 1=14<br /> |Arranger={{LinkComp|Franz|Liszt}} (1811-1886)<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115175}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssUA|18|80}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Tags=pf (arr) ; org (arr)<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph.pdf<br /> |File Name 2=PMLP120509-Liszt,_Franz,_Cantico_del_sol,_Prelude,_Autograph,_cleaned.pdf<br /> |File Description 1=Complete Score (S.498c/S.665)<br /> |File Description 2=Complete Score (without borders)<br /> |Page Count 1=<br /> |Page Count 2=<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner=[http://www.klassik-stiftung.de/index.php?id=336 Klassik-Stiftung]/RTM<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/22<br /> |Publisher Information=Composer's manuscript, 1885. →[[Talk:Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|discussion]]<br /> |Copyright=Public Domain<br /> |Misc. Notes=Simultaneous notation for piano/organ.&lt;br&gt;600dpi monochrome.<br /> }}<br /> =====For Piano solo (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_scan.pdf<br /> |File Name 2=PMLP120509-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665_filter.pdf<br /> |File Description 1=Complete Score (S.498c) (scan)<br /> |File Description 2=Complete Score (S.498c) (filter)<br /> |Page Count 1=4 (#55-58)<br /> |Page Count 2=4 (#55-58)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/10/11<br /> |Publisher Information={{NeueLisztAusgabe|1|17|1983|8860}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_17_06_San_Francesco_S.665.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Hosannah (&quot;Alleluja&quot;)====<br /> =====For Organ and Trombone (S.677) (Liszt)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP120509-Liszt,_Franz,_Cantico...,_Allelujah,_S.677.pdf<br /> |File Description 1=Complete Score<br /> |Page Count 1=6<br /> |Editor={{LinkEd|Adelbert|Kühn}}<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/11897}}<br /> |Uploader=[[User:Ralph Theo Misch|RTM]]<br /> |Date Submitted=2011/10/26<br /> |Publisher Information=''Album für die Orgel''&lt;br&gt;&lt;small&gt;''zu J.G. Töpfer's goldener Amts-Jubelfeier''&lt;/small&gt;&lt;br&gt;Weimar: [[T.F.A. Kühn]], [1867]. Plate K. 176 W.<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Album für die Orgel, Kühn-Töpfer, Sibley.jpg<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=WIMA.bb60-S677_Hosannah_Score.pdf<br /> |File Name 2=WIMA.d87b-S677_Hosannah_Posaune.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Trombone<br /> |Page Count 1=6<br /> |Page Count 2=2<br /> |Editor={{LinkEd|Gyula|Pfeiffer}}<br /> |Image Type=Typeset<br /> |Scanner=Gyula Pfeiffer<br /> |Uploader=[[User:Wrshannon|wrshannon]]<br /> |Date Submitted=2012/4/17<br /> |Publisher Information=Gyula Pfeiffer<br /> |Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0<br /> |Misc. Notes={{WIMAProject}}<br /> }}<br /> | *****WORK INFO*****<br /> <br /> |Work Title=Cantico del sol di Francesco d'Assisi, S.4<br /> |Alternative Title=Der Sonnen-Hymnus des heiligen Franziskus von Assisi<br /> |Opus/Catalogue Number=S.4/1 ; I.8a (1st version)&lt;br&gt;S.4/2 ; I.8b (2nd version)<br /> |Key=F major<br /> |Number of Movements/Sections=1<br /> |Average Duration=14 minutes<br /> |Dedication=Arnold Senfft von Pilsach (1834–1889) (2nd version)<br /> |First Performance=Rome, Palazzo Altieri, 23 March 1863 (1st version)&lt;br&gt;Pressburg, 21 December 1884 (2nd version)<br /> |Year/Date of Composition=1862 (1st version)&lt;br&gt;1879–82 (2nd version)<br /> |Year of First Publication=1862 &quot;Pietro Cavallini face Roma 25 Aprile 1862&quot; (1st version)&lt;br&gt;1987 (1st version), the possible version for baritone and organ only.&lt;br&gt;1884 (2nd version)<br /> |Librettist=Liturgical texts<br /> |Language=Italian / German<br /> |Piece Style=Romantic<br /> |Instrumentation=Baritone solo, Chorus (TTBB) + 2 Flutes, 2 Oboes, 2 Clarinets (B{{flat}}), 2 Bassoons, 4 Horns (F), 2 Trumpets (F), Bass Trombone, Tuba, Timpani, Organ, Violins I, Violins II, Violas, Cellos, Double Basses (2nd version)<br /> |Tags=canticles ; bar mch org orch ; de ; it<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * Composed for baritone (and male chorus ''ad lib.''), organ (or harmonium) and piano, 1862, as ''Cantico di San Francesco'' (= S.4/1)<br /> : Published ca.1884 by [[Kahnt]] (Leipzig)<br /> : Later published 1987 by [[Universal Edition]] (Vienna) → only the version for baritone and organ.<br /> * &quot;Alleluja&quot; arranged for organ (and trombone ''ad lib.''), 1862–63, as ''Hosannah'' (= S.677)<br /> : Published 1867 by [[Kühn]] (Weimar)<br /> * Revised for baritone, male chorus, organ and orchestra, 1879–82, as ''Cantico del sol di Francesco d'Assisi'' (= S.4/2)<br /> : Published 1884 by [[Kahnt]] (Leipzig)<br /> * Arranged for organ, 1881, as ''Cantico di San Francesco'' (= S.760)<br /> : Version lost<br /> * Arranged for solo piano, 1881–82, as ''Cantico di San Francesco'' (= S.499)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for organ, 1880, as ''San Francesco'' (= S.665)<br /> : Published 1972 by [[Editio Musica Budapest]] (Budapest)<br /> * Prelude arranged for solo piano, 1880?, as ''San Francesco'' (= S.498c)<br /> : Published 1983 by [[Editio Musica Budapest]] (Budapest)<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Mephisto_Waltz_No.1,_S.514_(Liszt,_Franz) 2016-07-28T03:46:00Z

<p>Funper: Added 1 files to Mephisto Waltz No.1, S.514 (Liszt, Franz)</p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> {{#fte:imslpaudio<br /> |File Name 1=PMLP02602-Liszt_mefisto_mp3.mp3<br /> |File Description 1=Complete performance<br /> |Audio Length 1=12:07<br /> |Performers=<br /> |Performer Categories=Mantione, Carmelo=piano<br /> |Uploader=[[User:Carmantione|Carmantione]]<br /> |Date Submitted=2012/12/24<br /> |Publisher Information={{plain|http://www.mantionemusica.it|Carmelo Mantione}}<br /> |Copyright=Creative Commons Attribution Non-commercial 3.0<br /> |Misc. Notes=Live recording in Auditorium Chiesa di S. Pietro, Bagheria (Palermo) Italy. Piano: mezza-coda Seiler 2008<br /> }}<br /> <br /> |NCRecordings={{YT|krF3zMoD7I8|Tibor Szász}} performing all 6 &quot;Mephisto&quot; piano works by Liszt (S.514, S.515, S.216, S.216b, S.217, S.216a) (S.514 from 27 seconds to 11:14 or so) at the 1984 festival of the American Liszt Society<br /> <br /> | *****FILES***** =<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Episoden_aus_Lenau's_Faust._Tanz_in_der_Dorfschenke;_arr.-1.pdf<br /> |File Description 1=Complete score (Part 1/3)<br /> |Page Count 1=15<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115171}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||59}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> <br /> ===Piano Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(schubert).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{FE}}<br /> |Image Type=Normal Scan<br /> |Scanner 1={{danaliszt/color}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/9/12<br /> |Page Count 1=26<br /> |Publisher Information=Leipzig: [[J. Schuberth|J. Schuberth &amp; Co.]], n.d.(1862). Plate 2792.<br /> |Copyright=Public Domain<br /> |Misc. Notes={{danaliszt}}<br /> |File Name 2=Liszt_-_S514_Mephisto_Waltz_No1_(schubert)_mono.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Page Count 2=25<br /> |Scanner 2={{Danaliszt/mono}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=SIBLEY1802.13460.f487-39087012839322piano.pdf<br /> |File Name 2=SIBLEY1802.13460.978e-39087012839322color_cover.pdf<br /> |File Description 1=Complete score<br /> |File Description 2=Color cover<br /> |Page Count 1=28<br /> |Page Count 2=1<br /> |Editor={{LinkEd|Eugen d'|Albert}} (1864-1932)<br /> |Image Type=Normal Scan<br /> |Scanner={{SibleyScan|1802/13460}}<br /> |Uploader=[[User:Carolus|Carolus]]<br /> |Date Submitted=2010/12/1<br /> |Publisher Information=Berlin: [[Bote &amp; Bock]], 1917. Plate B. &amp; B. 18611<br /> |Copyright=Public Domain<br /> |Misc. Notes={{SibleyProject}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(peters).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader 1=[[User:Funper|Funper]]<br /> |Date Submitted 1=2007/7/2<br /> |Page Count 1=24<br /> |Copyright=Public Domain<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Misc. Notes=#09259: ''With corrections. Bar 763: the D{{sharp}} introduced by Sauer has been corrected.''&lt;br&gt;#11633: ''This particular edition contains typeset-errors.''<br /> |File Name 2=Mephisto-Waltz-No1.pdf<br /> |File Description 2=Complete Score (S.514)<br /> |Uploader 2=[[User:Scherzo39|Scherzo39]]<br /> |Date Submitted 2=2007/8/12<br /> |Page Count 2=24<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=24<br /> |Page Count 2=24<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5:&lt;br&gt;Original Kompositionen für Klavier zu zwei Händen|3601a|9880|1913-17|70-93}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Sample Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_05_Mephisto_Walzer_1.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S514_Mephisto_Waltz_No1_(muzgiz).pdf<br /> |File Description 1=Complete Score (S.514)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=nlib.narod.ru<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/7/2<br /> |Page Count 1=25<br /> |Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_scan.pdf<br /> |File Name 2=PMLP02602-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=26<br /> |Page Count 2=26<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/8/26<br /> |Publisher Information={{NeueLisztAusgabe|1|15|1982|8253|116-41}}&lt;br&gt;Reissue with Plate 13951. (#11868)<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_15_11_Erster_Mephisto-Walzer_S.514.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> |File Name 3=Liszt_-_S514_Mephisto_Waltz_No1_(emb).pdf<br /> |File Description 3=Complete Score (S.514)<br /> |Scanner 3=<br /> |Uploader 3=[[User:Funper|Funper]]<br /> |Date Submitted 3=2007/8/15<br /> |Page Count 3=25<br /> }}<br /> <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Mephisto Waltz No.1<br /> |Alternative Title=Erster Mephisto-Walzer (Der Tanz in der Dorfschenke)<br /> |Opus/Catalogue Number=S.514 ; LW.A189<br /> |Number of Movements/Sections=1 piece<br /> |Dedication={{LinkName|Carl|Tausig}}<br /> |Year/Date of Composition=1856–61?<br /> |Year of First Publication=1862<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> <br /> ====Version History====<br /> * Composed for solo piano, 1856–61?, as ''Mephisto Waltz No.1'' (= S.514)<br /> : Published 1862 by Schuberth (Hamburg)<br /> * Revised for orchestra, 1856–61?, as ''Der Tanz in der Dorfschenke'' (= No.2 of {{LinkWork|2 Episoden aus Lenau's Faust|S.110|Liszt|Franz|0}})<br /> : Published 1866 by Schuberth (Leipzig)<br /> <br /> NB: The most recent edition of ''{{plain|http://www.grovemusic.com|Grove Online}}'' asserts that &quot;contrary to earlier chronologies&quot; the piano version (S.514) preceded the orchestral version (S.110/2). <br /> <br /> ----<br /> {{Template:Mephisto Waltzes (Liszt, Franz)}}<br /> <br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/File:PMLP02602-Episoden_aus_Lenau%27s_Faust._Tanz_in_der_Dorfschenke;_arr.-1.pdf 2016-07-28T03:45:58Z

<p>Funper: </p> <hr /> <div></div>

Funper //imslp.org/wiki/Valses_oubli%C3%A9es,_S.215_(Liszt,_Franz) 2016-07-28T03:36:05Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> ===Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215_scan.pdf<br /> |File Name 2=PMLP02622-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=36 (#41-76)<br /> |Page Count 2=36 (#41-76)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/7/9<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Nos.1-3 (S.215/1–3)====<br /> {{#fte:imslpfile<br /> |File Name 1=Three_Valses_Oubliées,_S215.pdf<br /> |File Description 1=Complete score<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862-1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:NachoBA|NachoBA]]<br /> |Date Submitted=2007/2/24<br /> |Page Count 1=32<br /> |Publisher Information={{LisztKlavierwerkePeters|5: Original Kompositionen für Klavier zu zwei Händen|3601a|9880}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=Nos.1-3 only; No.4 was not available at the time of printing.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=32 (#165–196)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|103-105}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> ====Valse oubliée No.1 (S.215/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee_scan.pdf<br /> |File Name 2=PMLP02622-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee_filter.pdf<br /> |File Description 1=Complete score (scan)<br /> |File Description 2=Complete score (filter)<br /> |Page Count 1=6 (#104-109)<br /> |Page Count 2=6 (#104-109)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5: Original Kompositionen für Klavier zu zwei Händen|3601a|9880}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee.jpg<br /> |Sample Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No1_Valse_Oubliee_(breitkopf).pdf<br /> |File Description 1=Complete score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=liszt.dk<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=7<br /> |Publisher Information={{NoPubID|1915}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=6 (#165–170)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|103}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No1_Valse_Oubliee_(muzika).pdf<br /> |File Description 1=Complete score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=7 (2-8)<br /> |Publisher Information=Moscow: [[Muzgiz]], n.d.(ca.1932). Plate M. 9900 Г.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====Valse oubliée No.2 (S.215/2)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Valses_oubliées._No.2_PART1.pdf<br /> |File Name 2=PMLP02622-Valses_oubliées._No.2_PART2.pdf<br /> |File Description 1=Complete score (Part 1/2)<br /> |File Description 2=Complete score (Part 2/2)<br /> |Page Count 1=18<br /> |Page Count 2=18<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115181}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||83}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=14 (#171–184)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|104}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No2_Valse_Oubliee_(setco).pdf<br /> |File Description 1=Complete score<br /> |Editor=Liszt Society<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=14 (22-35)<br /> |Publisher Information=''[[Liszt Society Publications]], Vol.4: Dances for piano''.&lt;br&gt;London: [[Schott|Schott &amp; Co.]], 1957. Plate S. &amp; Co. 6036<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====Valse oubliée No.3 (S.215/3)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP70394-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=12 (#185–196)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/2<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|105}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> ====Valse oubliée No.4 (S.215/4)====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No4_Valse_Oubliee_(nla).pdf<br /> |File Description 1=Complete score<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Urtext}}<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====Valse oubliée No.1 (S.215/1)====<br /> =====For Violin and Piano (Hubay)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-valse_oubliee_1_liszt_hubay003.pdf<br /> |File Description 1=Complete Score and Part<br /> |Page Count 1=12<br /> |Arranger={{LinkArr|Jenö|Hubay}} (1858-1937)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Janno|Janno]]<br /> |Date Submitted=2011/1/13<br /> |Publisher Information=Budapest: Rózsavölgyi &amp; Co., 1932.<br /> |Reprint=Budapest: [[Editio Musica Budapest]], 1950. Plate Z.7220.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> =====For Cello and Piano (Busoni)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-valse_oubliee_1_busoni005.pdf<br /> |File Description 1=Piano Score<br /> |Page Count 1=7<br /> |File Name 2=PMLP02622-valse_oubliee_1_busoni_cello_part006.pdf<br /> |File Description 2=Cello Part<br /> |Page Count 2=3<br /> |Arranger={{LinkArr|Ferruccio|Busoni}} (1866-1924)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Janno|Janno]]<br /> |Date Submitted=2011/1/16<br /> |Publisher Information=Leipzig: [[Breitkopf und Härtel]], 1917. Plate 27900.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> |NCRecordings=<br /> {{KlaRes|category|32}} <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Valses oubliées<br /> |Alternative Title=Vergessener Walzer / Forgotten Waltzes<br /> |Opus/Catalogue Number=S.215 ; LW.A311<br /> |Number of Movements/Sections=4 pieces<br /> |Dedication=Baroness Olga von Meyendorff (1837–1926) (Nos.2 and 3 only)<br /> |Year/Date of Composition=1881–84<br /> |Year of First Publication=1881 (No.1), 1884 (Nos.2–3), 1954 (No.4)<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * No.1 composed for solo piano, 1881 (= S.215/1)<br /> : Published 1881 by [[Bote &amp; Bock]] (Berlin)<br /> * No.2 composed for solo piano, 1883 (= S.215/2)<br /> : Published 1884 by [[Bote &amp; Bock]] (Berlin)<br /> * No.3 composed for solo piano, 1883 (= S.215/3)<br /> : Published 1884 by [[Bote &amp; Bock]] (Berlin)<br /> * No.3 revised 1883?, with alternative conclusion (= S.215/3a)<br /> : Published 1984 by [[Editio Musica Budapest]] (Budapest)<br /> * No.4 composed for solo piano, 1884 (= S.215/4)<br /> : Published 1954 by Presser (Bryn Mawr)<br /> The unfinished ''Petite valse'', S.695d, may have originally been intended as a fifth ''Valse oubliée''<br /> <br /> | *****END OF TEMPLATE***** }}</div>

Funper //imslp.org/wiki/Valses_oubli%C3%A9es,_S.215_(Liszt,_Franz) 2016-07-28T03:35:32Z

<p>Funper: </p> <hr /> <div>{{#fte:imslppage<br /> <br /> | *****AUDIO***** =<br /> <br /> | *****FILES***** =<br /> ===Scores===<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215_scan.pdf<br /> |File Name 2=PMLP02622-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215_filter.pdf<br /> |File Description 1=Complete Score (scan)<br /> |File Description 2=Complete Score (filter)<br /> |Page Count 1=36 (#41-76)<br /> |Page Count 2=36 (#41-76)<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/7/9<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215.jpg<br /> |Sample Filename=PV-Liszt_NLA_Serie_I_Band_13_05_Valses_Oubliees_S.215.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}{{Urtext}}<br /> }}<br /> ====Nos.1-3 (S.215/1–3)====<br /> {{#fte:imslpfile<br /> |File Name 1=Three_Valses_Oubliées,_S215.pdf<br /> |File Description 1=Complete score<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862-1942)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:NachoBA|NachoBA]]<br /> |Date Submitted=2007/2/24<br /> |Page Count 1=32<br /> |Publisher Information={{LisztKlavierwerkePeters|5: Original Kompositionen für Klavier zu zwei Händen|3601a|9880}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=Nos.1-3 only; No.4 was not available at the time of printing.<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=32 (#165–196)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|103-105}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Vergessene_Walzer_1-3.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> ====Valse oubliée No.1 (S.215/1)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee_scan.pdf<br /> |File Name 2=PMLP02622-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee_filter.pdf<br /> |File Description 1=Complete score (scan)<br /> |File Description 2=Complete score (filter)<br /> |Page Count 1=6 (#104-109)<br /> |Page Count 2=6 (#104-109)<br /> |Editor={{LinkEd|Emil von|Sauer}} (1862–1942)<br /> |Image Type=Normal Scan<br /> |Scanner=piupianissimo<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2011/1/8<br /> |Publisher Information={{LisztKlavierwerkePeters|5: Original Kompositionen für Klavier zu zwei Händen|3601a|9880}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=PV-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee.jpg<br /> |Sample Filename=TN-Liszt_Klavierwerke_Peters_Sauer_Band_5_07_Premiere_Valse_Oubliee.jpg<br /> |Misc. Notes={{PiupianissimoScanType}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No1_Valse_Oubliee_(breitkopf).pdf<br /> |File Description 1=Complete score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=liszt.dk<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=7<br /> |Publisher Information={{NoPubID|1915}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=6 (#165–170)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|103}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Erster_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No1_Valse_Oubliee_(muzika).pdf<br /> |File Description 1=Complete score<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=7 (2-8)<br /> |Publisher Information=Moscow: [[Muzgiz]], n.d.(ca.1932). Plate M. 9900 Г.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====Valse oubliée No.2 (S.215/2)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=14 (#171–184)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/3<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|104}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Zweiter_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No2_Valse_Oubliee_(setco).pdf<br /> |File Description 1=Complete score<br /> |Editor=Liszt Society<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=14 (22-35)<br /> |Publisher Information=''[[Liszt Society Publications]], Vol.4: Dances for piano''.&lt;br&gt;London: [[Schott|Schott &amp; Co.]], 1957. Plate S. &amp; Co. 6036<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ====Valse oubliée No.3 (S.215/3)====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP70394-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.pdf<br /> |File Description 1=Complete score<br /> |Page Count 1=12 (#185–196)<br /> |Editor=<br /> |Image Type=Normal Scan<br /> |Scanner={{BSB}}<br /> |Uploader=[[User:Piupianissimo|piupianissimo]]<br /> |Date Submitted=2009/5/2<br /> |Publisher Information={{Liszt-Stiftung|II|10|1928|105}}<br /> |Copyright=Public Domain<br /> |Thumb Filename=TN-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.jpg<br /> |Sample Filename=PV-Liszt_Musikalische_Werke_2_Band_10_Breitkopf_Dritter_vergessener_Walzer.jpg<br /> |Misc. Notes=originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from a few dust and dirt pixels manually by the uploader (for title pages see {{LinkWork|Grande valse di bravura|S.209|Liszt|Franz|0}}<br /> }}<br /> ====Valse oubliée No.4 (S.215/4)====<br /> {{#fte:imslpfile<br /> |File Name 1=Liszt_-_S215_No4_Valse_Oubliee_(nla).pdf<br /> |File Description 1=Complete score<br /> |Editor={{LinkEd|Imre|Mező}} (1932–)&lt;br&gt;{{LinkEd|Imre|Sulyok}} (1912–2008)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2007/8/16<br /> |Page Count 1=<br /> |Publisher Information={{NeueLisztAusgabe|1|14|1984|8858}}<br /> |Copyright=Public Domain<br /> |Misc. Notes={{Urtext}}<br /> }}<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-Valses_oubliées._No.2_PART1.pdf<br /> |File Name 2=PMLP02622-Valses_oubliées._No.2_PART2.pdf<br /> |File Description 1=Complete score (Part 1/2)<br /> |File Description 2=Complete score (Part 2/2)<br /> |Page Count 1=18<br /> |Page Count 2=18<br /> |Editor=<br /> |Image Type=Manuscript Scan<br /> |Scanner={{Morgan|115181}}<br /> |Uploader=[[User:Funper|Funper]]<br /> |Date Submitted=2016/7/27<br /> |Publisher Information={{MssD|18||83}}<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> ===Arrangements and Transcriptions===<br /> ====Valse oubliée No.1 (S.215/1)====<br /> =====For Violin and Piano (Hubay)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-valse_oubliee_1_liszt_hubay003.pdf<br /> |File Description 1=Complete Score and Part<br /> |Page Count 1=12<br /> |Arranger={{LinkArr|Jenö|Hubay}} (1858-1937)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Janno|Janno]]<br /> |Date Submitted=2011/1/13<br /> |Publisher Information=Budapest: Rózsavölgyi &amp; Co., 1932.<br /> |Reprint=Budapest: [[Editio Musica Budapest]], 1950. Plate Z.7220.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> =====For Cello and Piano (Busoni)=====<br /> {{#fte:imslpfile<br /> |File Name 1=PMLP02622-valse_oubliee_1_busoni005.pdf<br /> |File Description 1=Piano Score<br /> |Page Count 1=7<br /> |File Name 2=PMLP02622-valse_oubliee_1_busoni_cello_part006.pdf<br /> |File Description 2=Cello Part<br /> |Page Count 2=3<br /> |Arranger={{LinkArr|Ferruccio|Busoni}} (1866-1924)<br /> |Image Type=Normal Scan<br /> |Scanner=<br /> |Uploader=[[User:Janno|Janno]]<br /> |Date Submitted=2011/1/16<br /> |Publisher Information=Leipzig: [[Breitkopf und Härtel]], 1917. Plate 27900.<br /> |Copyright=Public Domain<br /> |Misc. Notes=<br /> }}<br /> |NCRecordings=<br /> {{KlaRes|category|32}} <br /> | *****WORK INFO*****<br /> <br /> |Work Title=Valses oubliées<br /> |Alternative Title=Vergessener Walzer / Forgotten Waltzes<br /> |Opus/Catalogue Number=S.215 ; LW.A311<br /> |Number of Movements/Sections=4 pieces<br /> |Dedication=Baroness Olga von Meyendorff (1837–1926) (Nos.2 and 3 only)<br /> |Year/Date of Composition=1881–84<br /> |Year of First Publication=1881 (No.1), 1884 (Nos.2–3), 1954 (No.4)<br /> |Librettist=<br /> |Language=<br /> |Piece Style=Romantic<br /> |Instrumentation=Piano (solo)<br /> |Tags=waltzes ; pf<br /> <br /> | *****COMMENTS***** =<br /> ===Version History===<br /> * No.1 composed for solo piano, 1881 (= S.215/1)<br /> : Published 1881 by [[Bote &amp; Bock]] (Berlin)<br /> * No.2 composed for solo piano, 1883 (= S.215/2)<br /> : Published 1884 by [[Bote &amp; Bock]] (Berlin)<br /> * No.3 composed for solo piano, 1883 (= S.215/3)<br /> : Published 1884 by [[Bote &amp; Bock]] (Berlin)<br /> * No.3 revised 1883?, with alternative conclusion (= S.215/3a)<br /> : Published 1984 by [[Editio Musica Budapest]] (Budapest)<br /> * No.4 composed for solo piano, 1884 (= S.215/4)<br /> : Published 1954 by Presser (Bryn Mawr)<br /> The unfinished ''Petite valse'', S.695d, may have originally been intended as a fifth ''Valse oubliée''<br /> <br /> | *****END OF TEMPLATE***** }}</div>

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